|
Kamrupi Lokgeet
Kamrupi Lokgeet is popular form of folk music that expresses thoughts and emotion of the Kamrupi people. The songs are derived from Ancient Kamrup. The language of Kamrupi lokgeet are different dialects and ancestral forms of Assamese, including Early Assamese, Kamrupi dialects and Standard Assamese. History These songs have been sung from time immemorial by peoples of Kamrup region. Beside this forms of songs linking the day-to-day activities are also popular, like marriage songs (biyar geet), now khelar (boat race) geet, maha kheda (mosquito drive out) geet, child's play geet, fishing geet, lullabye geet and harvest festival geets. Considerably influenced by a class of Vaishnava songs of the highest sophistication and refinement, both literary and musical, the Kamrupi Lokgeets, although sung to the humble dolara and the dagar (or khanjari) demonstrate great intricacy. It is known for richness of musical modes. References See also * Indian folk music * Indian classical mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamrupi People
The Kamrupi people are a linguistic group that speak the Kamrupi dialects of Assamese and are found in the colonial Kamrup district region of Assam, India. Festivals Bihu, Durga Puja, Kali Puja, Diwali, Holi, Janmastami, Shivratri to name a few, are major festivals of the region. Muslims celebrate Eid. Though dance and music of the springtime Bihu from Eastern Assam was not as common in the past they are becoming popular now; in its stead "Bhatheli" in northern Kamrup, "Sori" or "Suanri" in southern Kamrup were traditional modes of celebrations. In certain areas the breakers of the "bhatheli-ghar" come from another village, resulting in a sort of mock fight between them and the local youth. In the southern part of Kamrup, where the festival is known as Sori, planting of tall bamboos is not seen, but bamboo posts, with the tuft at the top. People bow before the bamboos in northern Kamrup and they also touch them with reverence, but it does not look like any sort of bamboo wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Kamrup
Kamrup is the modern region situated between two rivers, the Manas and the Barnadi in Western Assam, with the same territorial extent as the Colonial and post-Colonial "Undivided Kamrup district". It was the capital region of two of the three dynasties of Kamarupa and Guwahati, the current political center of Assam, is situated here. It is characterized by its cultural artifacts. Etymology The origin of name is attributed to a legend in the Kalika Purana which mentions that it is in this region that Kamadeva regained his form. Ancient Kamrup (350–1140) The history of the Kamrup region dates back to the 4th century under Kamarupa Kingdom. The kingdom was successively ruled by three dynasties - the Varman, the Mlechchha (Mech) and the Pala dynasties. Among these, the capitals of the Varman Dynasty and the Pala Dynasty, called Pragjyotishpura and Durjaya respectively, were in Kamrup, whereas the capital of the Mlechchha dynasty was in Tezpur outside the Kamrup region. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assamese Language
Assamese (), also Asamiya ( ), is an Indo-Aryan language spoken mainly in the north-east Indian state of Assam, where it is an official language, and it serves as a '' lingua franca'' of the wider region. The easternmost Indo-Iranian language, it has over 23 million speakers. Nefamese, an Assamese-based pidgin, is used in Arunachal Pradesh, and Nagamese, an Assamese-based Creole language, is widely used in Nagaland. The Kamtapuri language of Rangpur division of Bangladesh and the Cooch Behar and Jalpaiguri districts of India are linguistically closer to Assamese, though the speakers identify with the Bengali culture and the literary language. In the past, it was the court language of the Ahom kingdom from the 17th century. Along with other Eastern Indo-Aryan languages, Assamese evolved at least before the 7th century CE from the middle Indo-Aryan Magadhi Prakrit. Its sister languages include Angika, Bengali, Bishnupriya Manipuri, Chakma, Chittagonian, Hajong ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Assamese
Early Assamese ( as, পুৰণী অসমীয়া, translit=Puroni Oxomiya) or Proto-Eastern Kamarupa is an ancestor of the modern Assamese language. It is found in the literature from the 14th century to the end of 16th century in Kamata kingdom and rest the Brahmaputra valley of Assam. Literature Early Assamese literature period can be split into: a) The Pre-Vaishnavite period and b) The Vaishnavite sub periods. The Pre-Vaishnavite period covers the period before the advent of Sankardeva and the Vaishnavite period initiated by his literary activities. The earliest Assamese writer, viz. Hema Saraswati and Harivara Vipra who composed Prahlada Charitra and Babruvahana parva respectively wrote under the patronage of King Durlabhanarayana of Kamatapura who ruled towards the end of the 13th or the earlier part of the 14th century. The next two important poets of the same period are Rudra Kandali and Kaviratna Saraswati who composed Drona parva and Jayadratha vadha. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamrupi Dialects
Kamrupi dialects are a group of regional dialects of Assamese, spoken in the Kamrup region. It formerly enjoyed prestige status. It is one of two western dialect groups of the Assamese language, the other being Goalpariya. Kamrupi is heterogeneous with three subdialects— Barpetia dialect, Nalbariya dialect and Palasbaria dialect. In medieval times, Kamrupi was used in the Brahmaputra Valley and its adjoining areas for literary purposes in parallel with Sanskrit, both for prose and poetry. This went against the practices of literary figures of mid India like Vidyapati who used Sanskrit for prose and Maithili for poetry. In more recent times, the South Kamrupi dialect has been used in the works of author Indira Goswami. Poet and nationalist Ambikagiri Raichoudhury also used Kamrupi in his works to great extent. In 2018, the Kamrupi film Village Rockstars became the first from the region to be selected for India's official entry to the 91st Academy Awards. In 1996, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Folk Music
Indian folk music is diverse because of India's vast cultural diversity. It is sung in various languages and dialects throughout the length and breadth of this vast nation and exported to different parts of the world owing to migration. Tamang Selo Tamang Selo is a musical genre of the Tamang people and widely popular amongst the Nepali speaking community in India and around the world. It is usually accompanied by Tamang instruments, the Damphu, Madal and Tungna. although modern instruments have found their way into the compositions these days A Selo could be very catchy, attractive and lively or slow and melodious and is usually sung to express love, sorrow and stories of day-to-day life. Hira Devi Waiba is hailed as the pioneer of Nepali Folk songs and Tamang Selo. Her song ' Chura ta Hoina Astura' (चुरा त होइन अस्तुरा) is said to be the first Tamang Selo ever recorded. Waiba has sung nearly 300 songs in a career spanning 40 years. After Waiba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Classical Music
Indian classical music is the classical music of the Indian subcontinent. It has two major traditions: the North Indian classical music known as '' Hindustani'' and the South Indian expression known as '' Carnatic''. These traditions were not distinct until about the 15th century. During the period of Mughal rule of the Indian subcontinent, the traditions separated and evolved into distinct forms. Hindustani music emphasizes improvisation and exploration of all aspects of a raga, while Carnatic performances tend to be short composition-based. However, the two systems continue to have more common features than differences. The roots of the classical music of India are found in the Vedic literature of Hinduism and the ancient ''Natyashastra'', the classic Sanskrit text on performing arts by Bharata Muni., Quote: "The tradition of Indian classical music and dance known as ''Sangeeta'' is fundamentally rooted in the sonic and musical dimensions of the Vedas (Sama veda), Upanishad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamrupi Language
Kamarupi Prakrit is the postulated Middle Indo-Aryan (MIA) Prakrit language used in ancient Kamarupa (5th–13th century). This language is the historical ancestor of the Kamatapuri lects and the modern Assamese language;"In this study I refer to the western dialect of Asamiya as ''Kamrupi'', and the historical ancestor of proto-Kamata and proto-Asamiya as ''proto-Kamrupa''." and can be dated prior to 1250 CE, when the proto-Kamta language, the parent of the Kamatapuri lects, began to develop. Though not substantially proven, the existence of the language that predated the Kamatapuri lects and modern Assamese is widely believed. The evidence of this MIA exist in systematic errors in the Sanskrit language used in the Kamarupa inscriptions. A distinguishing characteristic of Kamarupa inscriptions is the replacement of ''ś'' and ''ṣ'' by ''s'', which is contrary to Vararuci's rule, the main characteristic of Magadhi Prakrit, which warrants that ''ṣ'' and ''s'' are re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Kamrupi
Kamarupi Prakrit is the postulated Middle Indo-Aryan (MIA) Prakrit language used in ancient Kamarupa (5th–13th century). This language is the historical ancestor of the Kamatapuri lects and the modern Assamese language;"In this study I refer to the western dialect of Asamiya as ''Kamrupi'', and the historical ancestor of proto-Kamata and proto-Asamiya as ''proto-Kamrupa''." and can be dated prior to 1250 CE, when the proto-Kamta language, the parent of the Kamatapuri lects, began to develop. Though not substantially proven, the existence of the language that predated the Kamatapuri lects and modern Assamese is widely believed. The evidence of this MIA exist in systematic errors in the Sanskrit language used in the Kamarupa inscriptions. A distinguishing characteristic of Kamarupa inscriptions is the replacement of ''ś'' and ''ṣ'' by ''s'', which is contrary to Vararuci's rule, the main characteristic of Magadhi Prakrit, which warrants that ''ṣ'' and ''s'' are repl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rameshwar Pathak
Rameshwar Pathak (1 March 1938 – 3 December 2010) was an acclaimed Kamrupi Lokgeet singer from Kamrup, Assam, India. He also worked as a teacher in Arya Vidyapeeth Higher Secondary and Multipurpose School, Guwahati from 1963 to 1996. Early life Born at Nagaon village of Bhella in Barpeta district, Pathak passed the matric examination in the year 1958, and went to the M.C. College, Barpeta and began concentrating on music while he continued his studies. During this time, he attended numerous ''baithaki''s (traditional singing and celebration sessions before a marriage ceremony). He learnt ''borgeets'' from the maestro Dayal Chandra Sutradhar. In 1961, the inter-college youth festival was held at Guwahati and it was for the first time that M.C. College was participating in the festival. On that very occasion, Pathak topped in the borgeet, adhunik geet, bhajan and ghazal categories which inspired him tremendously. Immediately, after appearing in the BA final examination he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Study On Kamrupi
''A Study on Kamrupi: A Dialect of Assamese'' is a book on Kamrupi dialect of the Assamese language, written by Upendranath Goswami. It gives detail account of origin and development of Kamrupi language, spanning a period of early first millennium CE to modern times. It discusses the growth of Kamrupi literature, from its apabhramsa stage in form of copper plates, seals, Charyapada to literature developed in mid twentieth century. See also * ''The Moth Eaten Howdah of the Tusker ''The Moth Eaten Howdah of the Tusker'' is a novel written by Indira Goswami in Kamrupi dialect. Book deals with different social issues of mid twentieth century Kamrup. Published as ''Dontal Hatir Une Khowa Howdah'' in 1986, it was translated i ...'' References {{DEFAULTSORT:Study on Kamrupi 1970 non-fiction books Indian non-fiction books Books from Assam Kamrupi culture 20th-century Indian books ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Assam
The music of Assam consists various genres of folk and modern music, drawing its artistic basis from the history of Assam, from Assamese culture and its ancient traditions. In recent times, starting from the late eighties, popular artistes have modernized the music catering to local popular demand. A basic characteristic of the indigenous ethnic music of Assam is its descending scale similar to East Asian music which distinguishes it from the '' Mode-based'' or folk music ''( Raaga-based)'' forms from the rest of India. The tunes are structured in a pyramid and are in always in pentatonic scale similar to other traditional music of Asia like China, Mongolia etc and dissimilar from the seven-scaled Indian music, (in contrast to the music of rest of India which is '' Meend'' based), such as the ''Bihu'' songs, (common in South-East Asia and East Asia) besides languorous music of other forms. The legend of ''Princess Usha of Sonitpur'' and her cohort '' Chitralekha'' also enligh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Early Assamese")
