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Kamanche
The kamancheh (also kamānche or kamāncha) ( fa, کمانچه, az, kamança, hy, Քամանչա, ku, کەمانچە ,kemançe) is an Iranian bowed string instrument used in Persian, Azerbaijani, Armenian, Kurdish, Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument. The kamancheh is related to the rebab which is the historical ancestor of the kamancheh and the bowed Byzantine lyra. The strings are played with a variable-tension bow. In 2017, the art of crafting and playing with Kamantcheh/Kamancha was included into the UNESCO Intangible Cultural Heritage Lists of Azerbaijan and Iran. Name and etymology The word "kamancheh" means "little bow" in Persian (''kæman'', bow, and ''-cheh'', diminutive). The Turkish word kemençe is borrowed from Persian, with the pronunciation adapted to Turkish phonology. It also denotes a bowed string instrument, but the Turkish version differs significantly in structure and sound from the Persian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamancheh
The kamancheh (also kamānche or kamāncha) ( fa, کمانچه, az, kamança, hy, Քամանչա, ku, کەمانچە ,kemançe) is an Iranian bowed string instrument used in Persian, Azerbaijani, Armenian, Kurdish, Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument. The kamancheh is related to the rebab which is the historical ancestor of the kamancheh and the bowed Byzantine lyra. The strings are played with a variable-tension bow. In 2017, the art of crafting and playing with Kamantcheh/Kamancha was included into the UNESCO Intangible Cultural Heritage Lists of Azerbaijan and Iran. Name and etymology The word "kamancheh" means "little bow" in Persian (''kæman'', bow, and ''-cheh'', diminutive). The Turkish word kemençe is borrowed from Persian, with the pronunciation adapted to Turkish phonology. It also denotes a bowed string instrument, but the Turkish version differs significantly in structure and sound from the Persian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kayhan Kalhor
Kayhan Kalhor ( fa, کیهان کلهر, ku, کەیھان کەڵھوڕ, translit=Keyhan Kelhur, born 24 November 1964) is an Iranian-Kurdish kamancheh and setar player and vocalist composer and master of classical Iranian traditional music. Early life and education Kayhan Kalhor was born in Tehran to a Kurdish family. He began studying music at the age of seven. By the age of thirteen, he was playing in the National Orchestra of Radio and Television of Iran. Continuing his music studies under various teachers, he studied in the Iranian radif tradition and also travelled to study in the northern part of Khorasan province, where music traditions have Kurdish and Turkic influences as well as Persian. At a musical conservatory in Tehran, Kalhor worked under the directorship of Mohammad-Reza Lotfi who is from the north-east of Iran. Kalhor also travelled in the northwestern provinces of Iran. At age 17, he left Iran and moved to Italy to study music in Rome. He migrated to Italy by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ali-Asghar Bahari
Ali-Asghar Bahari ( fa, علیاصغر بهاری) (b. 1905 – d. June 10, 1995) was an Iranian musician and kamancheh player. He was born in Tehran from Baharian parents and started his music lessons under his grandfather Mohammad Taghi Khan, who was a kamancheh player as well. He started his own music school in Mashhad, then moved back to Tehran and became a kamancheh instructor in Honarestan under Ruhollah Khaleghi. He toured France, Belgium, Germany, Italy, England and the United States. He died in Tehran Tehran (; fa, تهران ) is the largest city in Tehran Province and the capital of Iran. With a population of around 9 million in the city and around 16 million in the larger metropolitan area of Greater Tehran, Tehran is the most popul ... on June 10, 1995. There is a photo of Bahari athis site he is in the center of the photo. References *Haghighat, A., Honarmandan e Irani az Aghaz ta Emrooz, Koomesh Publication, 2004, (in Persian)Ali Asghar Bahari o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ardeshir Kamkar
Ardeshir Kamkar ( fa, اردشیر کامکار , born 1962 in Sanandaj, Iran) is a Kurdish musician from Iran. He started his music training under the supervision of his father. He came to Tehran in 1980 and continued studying traditional arrangements under Mohammad Reza Lotfi and his brother Pashang. Ardeshir has always been keen to explore the range and capabilities of the kamancheh, for which he has written a number of pieces and books. Kamkar has played with several famous ensembles such as, Dastan, Aref and Sheyda. In the album of ''Dastan'' (1364 Iranian calendar) he accompanied the improvisation of M. R. Shajarian. He has recently worked with the talented vocalist, Homayoun Shajarian. He has also international collaboration. One well received album of which is titled "From Pontos to Persia" (Greek Άπο τον Πόντο στην Περσία) which according to some sources "is a unique CD which combines the music of Pontos and that of Persia. Matthaios Tsahouridis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mehdi Bagheri
Mehdi Bagheri ( fa, مهدی باقری), (born 16 November 1980), is an Iranian kamancheh player and composer. Biography Mehdi was born in Kermanshah in 1980. He began his musical endeavors by learning to play the Tonbak instructed by Ramin Tafazoli. He then started learning other instruments in order to familiarize himself even further with Iranian music and composing. These included the Setar and Kamancheh; he finally chose Kamancheh as his main instrument. He learned to play the Kamancheh by Maestros Kayhan Kalhor and Ardeshir Kamkar. Simultaneously, he studied Drama at Azad University and graduated with a Bachelor of Arts in 2003. Mehdi has held several concerts across the world and has performed in a variety of credible festivals and halls including: Festivals and Concerts * Berklee College of Music (Boston- United States) * Oslo Word Music Festival (Oslo - Norway) * Morgenland Festival Osnabrück (East Music Festival in Osnabrueck, Germany) * Kursaal Festival (San Sebasti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Habil Aliev
Habil Aliyev ( az, Habil Mustafa oğlu Əliyev; 28 May 1927 – 8 September 2015) was a prominent Azerbaijani kamancheh player. His music is widely appreciated in the Middle East and Europe. Musical career Habil Aliyev's first international performance was in United Kingdom The United Kingdom of Great Britain and Northern Ireland, commonly known as the United Kingdom (UK) or Britain, is a country in Europe, off the north-western coast of the European mainland, continental mainland. It comprises England, Scotlan ... when he was accompanying Rashid Behbudov and Tamara Sinyavskaya. This performances created great resonance and British press quoting Major of Glasgow called Aliyev "Paganini of Azerbaijan". He inspired Israeli musician Mark Eliyahu to play kamancheh. In 2009, suffering from poor health, he made a symbolic "last concert" at Tehran Roudaki-Wahdat concert hall. Influence and legacy In 2014, child music school in Agdash named after him. He died in 2015 at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Traditional Music
Persian traditional music or Iranian traditional music, also known as Persian classical music or Iranian classical music, refers to the classical music of Iran (also known as ''Persia''). It consists of characteristics developed through the country's classical, medieval, and contemporary eras. It also influenced areas and regions that are considered part of Greater Iran. Due to the exchange of musical science throughout history, many of Iran's classical modes are related to those of its neighboring cultures. Iran's classical art music continues to function as a spiritual tool, as it has throughout history, and much less of a recreational activity. It belongs for the most part to the social elite, as opposed to the folkloric and popular music, in which the society as a whole participates. However, components of Iran's classical music have also been incorporated into folk and pop music compositions. History The history of musical development in Iran dates back thousands of years ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iran
Iran, officially the Islamic Republic of Iran, and also called Persia, is a country located in Western Asia. It is bordered by Iraq and Turkey to the west, by Azerbaijan and Armenia to the northwest, by the Caspian Sea and Turkmenistan to the north, by Afghanistan and Pakistan to the east, and by the Gulf of Oman and the Persian Gulf to the south. It covers an area of , making it the 17th-largest country. Iran has a population of 86 million, making it the 17th-most populous country in the world, and the second-largest in the Middle East. Its largest cities, in descending order, are the capital Tehran, Mashhad, Isfahan, Karaj, Shiraz, and Tabriz. The country is home to one of the world's oldest civilizations, beginning with the formation of the Elamite kingdoms in the fourth millennium BC. It was first unified by the Medes, an ancient Iranian people, in the seventh century BC, and reached its territorial height in the sixth century BC, when Cyrus the Great fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kemenche
Kemenche ( tr, kemençe) or Lyra is a name used for various types of stringed bowed musical instruments originating in the Eastern Mediterranean, particularly in Armenia, Greece, Iran, Turkey, and Azerbaijan. and regions adjacent to the Black Sea. These instruments are folk instruments, generally having three strings and played held upright with their tail on the knee of the musician. The name ''Kemenche'' derives from the Persian Kamancheh, meaning merely a "small bow". Variations The Kemençe of the Black Sea ( tr, Karadeniz kemençesi, italic=y), also known as ''Pontic kemenche'' or ''Pontic lyra'' ( el, Ποντιακή λύρα), is a box-shaped lute ( ), while the classical kemençe ( tr, Klasik kemençe, italic=y or ''Armudî kemençe'', el, Πολίτικη Λύρα) is a bowl-shaped lute ( ). Other bowed instruments have names sharing the same Persian etymology include the kamancheh (or ''Kabak kemane'' in Turkish), a spike lute ( ), and the Cappadoc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sorahi
The Sorahi (Persian صراحی) is a new Iranian musical instrument. A member of the family of bowed string instruments developed by the Iranian musician M. R. Shajarian, This string instrument can cover the sound range produced by soprano, alto, bass and contra bass instruments. The instrument fits into Iranian traditions of bowed instruments that include the Classical kemençe or kamancheh and ghaychak Ghaychak or Gheychak ( Persian: غیچک) is a bowed lute used in Iran, Afghanistan, Pakistan and Tajikistan. The name is similar to the Central Asian ghijak, but that instrument is more closely related to the kamancheh. Double-chambered bowl lu ... fiddles. The instrument has a mechanism for changing the instrument's tone; a pad made of leather, or leather and wood sits between the bridge and the soundboard. The instrument is played in the same manner as the kamancheh, held upright on the players lap. Shahnaz ensemble, accompanied by M. R. Shajarian, has held its concert fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sayat Nova
Sayat-Nova (Armenian: Սայեաթ-Նովայ ( сlassical), Սայաթ-Նովա ( reformed); ka, საიათნოვა; ; ; born Harutyun Sayatyan; 14 June 1712 – 22 September 1795) was an Armenian poet, musician and '' ashugh'', who had compositions in a number of languages. Name The name Sayat-Nova has been given several interpretations. One version reads the name as "Lord of Song" (from Arabic ''sayyid'' and Persian ''nava'') or "King of Songs". Others read the name as grandson (Persian ''neve'') of Sayad or hunter (''sayyad'') of song. Charles Dowsett considers all these derivations to be unlikely and proposes the reading New Time (from Arabic ''sa'at'' and Russian ''nova'') instead. Biography Sayat-Nova's mother, Sara, was born in Tiflis, and his father, Karapet, either in Aleppo or Adana. He was born in Tiflis. Sayat Nova was skilled in writing poetry, singing, and playing the kamancheh, Chonguri, Tambur. He lost his position at the royal court when he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saeed Farajpouri
Saeed Farajpouri, was born on February 20, 1961 in Sanadaj, Iran. He is a composer, performer and an instructor of a classical Iranian instrument called Kamancheh or Spike Fiddle. He started learning music at age 9 under Maestro Hassan Kamkar, and then learned the Iranian music repertoire (Radif) under Maestro Mohammad Reza Lotfi and the ensemble performance under the instruction of maestro Hossein Alizadeh He has performed at several ensembles such as: Shayda, Aref, Aava, Paivar and Dastan. He has instructed Kamancheh at Chavosh Music Center, Music Conservatory of Tehran, and several universities and art institutes inside and outside Iran. Saeed collaborated with Maestro Mohammad Reza Shajarian for more than three decades performing at many concerts inside and outside Iran and in albums such as Shab e Vasl, Ahang e Vafa, Rosvai e Del, Dastan, Aaram e jaan, Aaseman e Eshgh, and Del Shodegan. He also has several solo recordings such as: Kamancheh Album, Segah Homayoon, and Kur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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