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Kamalamba Navavarna Kritis
The Kamalamba Navavarana Kritis by Shri Muthuswami Dikshitar (1776-1836) are some of the most famous pieces of music in the Carnatic music, Carnatic system of Indian classical music. They are treasures which embody not only the technical brilliance of the composer but also offer a peep into the Advaita Vedanta, advaitic school of Hindu philosophy and elements of Tantric rituals. Overview These songs are set in praise of the Goddess Kamalamba who is enshrined in Tiruvarur in the Tanjore district of Tamil Nadu in South India. The Goddess is the reference to the Divine Mother of the universe, or the Supreme Consciousness. The lyrics and the descriptive details are loaded with the mystical symbolism of the Vedantic (advaita) tradition and the chakras of the human system are closely linked to the evolutionary aspects described in the compositions that reflect the scholarly reach, musical depth and mystical significance of the composer. Navavarna refers to the 9 layers of the Sri Cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muthuswami Dikshitar
Muthuswami Dikshitar (Mudduswamy Dikshitar)(, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer and veena player, and a legendary composer of Indian classical music, who is considered one of the musical trinity of Carnatic music. Muthuswami Dikshitar was born on 24 March 1775 in Tiruvarur near Thanjavur, in what is now the state of Tamil Nadu in India, to a family that is traditionally traced back to Virinichipuram in the northern boundaries of the state. His compositions, of which around 500 are commonly known, are noted for their elaborate and poetic descriptions of Hindu gods and temples and for capturing the essence of the raga forms through the vainika (veena) style that emphasises gamakas. They are typically in a slower speed (chowka kala). He is also known by his signature name of Guruguha which is also his mudra (and can be found in each of his songs). His compositions are widely sung and played in classical concerts of Carnatic mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punnagavarali
Punnagavarali, a raga in Carnatic Music, is a derived scale from Hanumatodi, which is the 8th melakarta Raga in the 72 melakarta system. Punnagavarali raga is associated with karuna rasa and snakes (''naga'' means snake). Snake charmers play this scale. In wedding ceremonies, a piece called the ''Odam'' usually played at the ''muhurtam'', is often in Punnagavarali. This is an ancient raga and traditional Tamil pieces such as ''Nondichindu'' are also set in this.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and lakshana Punnagavarali is a ''nishadantya'' raga (starts and ends in a single octave, nishada to nishada) and is hence usually presented in the ''madhyama sruti''. In the ascent the chatusruti rishabha also occurs, sometimes. The raga's regal presence is best felt in slow phrases. The notes include kaisiki nishada, sadja, suddha rishabha, sadharana gandhara, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamalamba Samrakshathu
{{Use Indian English, date=July 2020 The Kamalamba Navavarna Kritis by Shri Muthuswami Dikshitar Muthuswami Dikshitar (Mudduswamy Dikshitar)(, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer and veena player, and a legendary composer of Indian classical music, who is considered one of the musical ... (1776–1836) are some of the most famous pieces of music in the Carnatic system of Indian classical music. They are treasures which embody not only the technical brilliance of the composer but also offer a peep into the advaitic school of Hindu philosophy and elements of Tantric rituals. They are very elaborate compositions which may be well compared with major symphonies in the Western system. Goddess Kamalamba Kamalamba Navavarna Krithis is a group of compositions on Goddess Kamalamba enshrined in the Thyagarajeshwarar Temple, at Thiruvarur. She is enshrined in a separate shrine inside the temple. She holds an esteemed position ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamalambike
The Kamalamba Navavarna Kritis by Shri Muthuswami Dikshitar Muthuswami Dikshitar (Mudduswamy Dikshitar)(, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer and veena player, and a legendary composer of Indian classical music, who is considered one of the musical ... (1776-1836) are some of the most famous pieces of music in the Carnatic system of Indian classical music. They are treasures which embody not only the technical brilliance of the composer but also offer a peep into the advaitic school of Hindu philosophy and elements of Tantric rituals. They are very elaborate compositions which may be well compared with major symphonies in the Western system. Goddess Kamalamba Kamalamba Navavarna Krithis is a group of compositions on Goddess Kamalamba enshrined in the Thyagarajeshwarar Temple, at Thiruvarur. She is enshrined in a separate shrine inside the temple. She holds an esteemed position as She is seen seated in a different ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kriti (music)
''Kriti'' (Sanskrit: कृति, ''kṛti'') is a format of musical composition typical to Carnatic music. ''Kritis'' form the mental backbone of any typical Carnatic music concert and is the longer format of Carnatic song. "Kriti" also means Creation. Structure Conventional ''Kritis'' typically contain three parts #''Pallavi'', the equivalent of a refrain in Western music #'' Anupallavi'', the second verse, which is sometimes optional #''Charanam'', the final (and longest) verse that wraps up the song The ''charanam'' usually borrows patterns from the ''anupallavi''. The ''charanam's'' last line usually contains the composer's signature, or '' mudra'', with which the composer leaves their mark. Variations Some Kritis have a verse between the ''anupallavi'' and the ', called the '' ''. This verse consists only of notes, and has no words. Other ''krithis'', particularly some of Oottukkadu Venkata Kavi and Muthuswami Dikshitar's compositions, are intentionally composed without a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balasubramanyam Bhajeham
Sripathi Panditaradhyula Balasubrahmanyam (4 June 1946 – 25 September 2020), also referred to as SPB or SP Balu or Balu, was an Indian playback singer, television presenter, actor, music composer, dubbing artist, and film producer. He is widely regarded as one of the greatest Indian singers of all time. He predominently worked in Telugu, Tamil, Kannada, Malayalam, and Hindi films and sang in a total of 16 languages. S. P. Balasubrahmanyam debuted as a playback singer on 15 December 1966 with the Telugu film ''Sri Sri Sri Maryada Ramanna'' scored by his mentor, S. P. Kodandapani''.'' In career spanning over five decades, he has won six National Film Awards for Best Male Playback Singer for his works in four different languages – Telugu, Tamil, Kannada, and Hindi; 25 Andhra Pradesh state Nandi Awards for his work in Telugu cinema; and numerous other state awards from Karnataka and Tamil Nadu governments. In addition, he won six Filmfare Awards South and a Filmfare Award. Acc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sri Maha Ganapathiravathu Mam
Shri (; , ) is a Sanskrit term denoting resplendence, wealth and prosperity, primarily used as an honorific. The word is widely used in South and Southeast Asian languages such as Marathi, Malay (including Indonesian and Malaysian), Javanese, Balinese, Sinhala, Thai, Tamil, Telugu, Hindi, Nepali, Malayalam, Kannada, Sanskrit, Pali, Khmer, and also among Philippine languages. It is usually transliterated as ''Sri'', ''Sree'', ''Shri'', Shiri, Shree, ''Si'', or ''Seri'' based on the local convention for transliteration. The term is used in Indian subcontinent and Southeast Asia as a polite form of address equivalent to the English "Mr." in written and spoken language, but also as a title of veneration for deities or as honorific title for local rulers. Shri is also another name for Lakshmi, the Hindu goddess of wealth, while a ''yantra'' or a mystical diagram popularly used to worship her is called Shri Yantra. Etymology Monier-Williams Dictionary gives the meaning of the r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord Muruga
Lord is an appellation for a person or deity who has authority, control, or power over others, acting as a master, chief, or ruler. The appellation can also denote certain persons who hold a title of the peerage in the United Kingdom, or are entitled to courtesy titles. The collective "Lords" can refer to a group or body of peers. Etymology According to the Oxford Dictionary of English, the etymology of the word can be traced back to the Old English word ''hlāford'' which originated from ''hlāfweard'' meaning "loaf-ward" or "bread-keeper", reflecting the Germanic tribal custom of a chieftain providing food for his followers. The appellation "lord" is primarily applied to men, while for women the appellation "lady" is used. This is no longer universal: the Lord of Mann, a title previously held by the Queen of the United Kingdom, and female Lords Mayor are examples of women who are styled as "Lord". Historical usage Feudalism Under the feudal system, "lord" had a wide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord Ganesha
Ganesha ( sa, गणेश, ), also known as Ganapati, Vinayaka, and Pillaiyar, is one of the best-known and most worshipped deities in the Hindu pantheon and is the Supreme God in Ganapatya sect. His image is found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and includes Nepal, Sri Lanka, Thailand, Indonesia (Java and Bali), Singapore, Malaysia, Philippines, and Bangladesh and in countries with large ethnic Indian populations including Fiji, Guyana, Mauritius, and Trinidad and Tobago. Although Ganesha has many attributes, he is readily identified by his elephant head. He is widely revered, more specifically, as the remover of obstacles and thought to bring good luck; the patron of arts and sciences; and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked as a patron of letters and le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pallavi
A pallavi has multiple connotations in carnatic music. It is the first part of any formal composition (Krithi) which has three segments - Pallavi, Anupallavi and Charanam (which can be one or more). Pallavi is usually also an abbreviation of Ragam Thanam Pallavi. Other uses Pallavi in Sanskrit Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late ... is used as an adjective or a verb with appropriate suffix to denote a small and tender red-coloured leaf of a plant or a tendril. Spokensanskrit.de. Retrieved on 2017-02-23. ...
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Śruti (music)
The ''shruti'' or ''śruti'' is the smallest interval of pitch that the human ear can detect and a singer or musical instrument can produce. The concept is found in ancient and medieval Sanskrit texts such as the ''Natya Shastra'', the '' Dattilam'', the '' Brihaddeshi'', and the ''Sangita Ratnakara''. ''Chandogya Upanishad'' speaks of the division of the octave in 22 parts. The ''swara'' differs from the ''shruti'': the ''shruti'' is the smallest gradation of pitch available, while a ''swara'' is the selected pitches from which the musician constructs the scales, melodies and ''ragas''. The ''Natya Shastra'' identifies and discusses twenty two ''shruti'' and seven ''swara'' per octave. It has been used in several contexts throughout the history of Indian music. Recent research has more precisely defined the term ''shruti'', its difference from ''nada'' and ''swara'', and identified positions on a string to play 22 shrutis. The most well-known example of shrutis is pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
