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Ktož Jsú Boží Bojovníci
"Ye Who Are Warriors of God", the English translation of "Ktož jsú Boží bojovníci" from Old Czech, is a 15th-century Hussite war song. Alternate modern Czech spellings of the title are: "Kdož jsou Boží bojovníci" and "Kdo jsou Boží bojovníci". It was first recorded in the Jistebnice hymn book. History and use The song was sung with such intensity during the Hussite Wars that it instilled fear throughout some enemy armies, making it a weapon in itself. One of the Imperial Crusades is believed to have fled the battlefield before the battle itself after hearing the Hussites singing their hymn.John William Mears. "Heroes of Bohemia: Huss, Jerome and Zisca." (1879) The hymn would be led by a Hussite priest, carrying a ceremonial axe. At the start of the 1433 war between the Polish and the Teutonic Knights of Prussia, the Hussites signed an alliance against the Germans in July 1433. In the course of the war, they marched all the way to the Baltic sea at the town of Danzig. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bedřich Smetana
Bedřich Smetana ( , ; 2 March 1824 – 12 May 1884) was a Czech composer who pioneered the development of a musical style that became closely identified with his people's aspirations to a cultural and political "revival." He has been regarded in his homeland as the father of Czech music. Internationally he is best known for his 1866 opera ''The Bartered Bride'' and for the symphonic cycle ''Má vlast'' ("My Fatherland"), which portrays the history, legends and landscape of the composer's native Bohemia. It contains the famous symphonic poem "Vltava", also popularly known by its German name "Die Moldau" (in English, "The Moldau"). Smetana was naturally gifted as a composer, and gave his first public performance at the age of 6. After conventional schooling, he studied music under Josef Proksch in Prague. His first nationalistic music was written during the 1848 Prague uprising, in which he briefly participated. After failing to establish his career in Prague, he left for Sweden ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto Funebre
''Concerto funebre'' (''Funereal Concerto'') is a musical composition for violin soloist and string orchestra by the German composer Karl Amadeus Hartmann. Written in 1939 and substantially revised in 1959, it is by far Hartmann's best known work, especially noted for its lyrical final movement. The title is Italian. Unlike many of his works, which the composer did not consider completed before they had been substantially reworked as part of an ongoing process after the end of World War II, he completed the ''Concerto funebre'' in a relatively short timespan, principally in autumn of 1939. Originally entitled ''Musik der Trauer'' (''Music of Mourning''), he retitled it after only minor revisions in 1959. It is cast in four movements: # Introduktion. Largo # Adagio # Allegro di molto # Choral. Langsamer Marsch The final chorale is based on a popular Russian song Immortal Victims ''( :de:Unsterbliche Opfer)'' which Hartmann almost certainly learned from his mentor, the conductor H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Amadeus Hartmann
Karl Amadeus Hartmann (2 August 1905 – 5 December 1963) was a German composer. Sometimes described as the greatest German symphonist of the 20th century, he is now largely overlooked, particularly in English-speaking countries. Life Born in Munich, the son of Friedrich Richard Hartmann, and the youngest of four brothers of whom the elder three became painters, Hartmann was himself torn, early in his career, between music and the visual arts. He was much affected in his early political development by the events of the unsuccessful Workers’ Revolution in Bavaria that followed the collapse of the German empire at the end of World War I (see Bavarian Soviet Republic). He remained an idealistic socialist for the rest of his life. At the Munich Academy in the 1920s, Hartmann studied with Joseph Haas, a pupil of Max Reger, and later received intellectual stimulus and encouragement from the conductor Hermann Scherchen, an ally of the Schoenberg school, with whom he had a nearly l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music For Prague 1968
''Music for Prague 1968'' is a programmatic work written by Czech-born composer Karel Husa for symphonic band and later transcribed for full orchestra, written shortly after the Soviet Union crushed the Prague Spring reform movement in Czechoslovakia in 1968. Karel Husa was sitting on the dock at his cottage in America at the time, listening to the BBC broadcast of the events on the radio. He was deeply moved, and wrote Music for Prague 1968 to memorialize the events. This piece is a standard among wind ensemble repertoire. The work was commissioned by Ithaca College and was premiered in January 1969 in Washington, DC at the Music Educators National Conference by Dr. Kenneth Snapp and the Ithaca College Concert Band. Instrumentation The work is scored for 2 Piccolos, 6 Flutes, 2 Oboes, English Horn, 2 Bassoons, Contrabassoon, Eb Clarinet, 9 Clarinets, Alto Clarinet, Bass Clarinet, Contrabass Clarinet, 2 Alto Saxophones, Tenor Saxophone, Baritone Saxophone, Bass Saxophone, 8 Trum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karel Husa
Karel Husa (August 7, 1921 – December 14, 2016) was a Czech-born classical composer and conductor, winner of the 1969 Pulitzer Prize for Music and 1993 University of Louisville Grawemeyer Award for Music Composition. In 1954, he emigrated to the United States and became an American citizen in 1959. Overview Husa learned to play the violin and the piano in early childhood. After passing his final examination at high school, he enrolled in the Prague Conservatory in 1941, where he studied with Jaroslav Řídký, and attended courses in conducting led by Metod Doležil and Pavel Dědeček. '' |
Pavel Haas
Pavel Haas (21 June 189917 October 1944) was a Czech composer who was murdered during the Holocaust. He was an exponent of Leoš Janáček's school of composition, and also utilized elements of folk music and jazz. Although his output was not large, he is notable particularly for his song cycles and string quartets. Pre-war Haas was born in Brno, into a Moravian-Jewish family. His father, Zikmund, a shoemaker by trade, was from the Moravian region, while his mother, Olga (née Epstein), was born in Odessa. After studying piano privately, Haas began his more formal musical education at the age of 14 and studied composition at the Brno Conservatory from 1919 to 1921 under Jan Kunc and Vilém Petrželka. This was followed by two years of study in the master class of the noted Czech composer Leoš Janáček. Janáček was far and away Haas's most influential teacher, and Haas, in turn, proved to be Janáček's best student. In 1935 he married Soňa Jakobson, the former wife of Russ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonín Dvořák
Antonín Leopold Dvořák ( ; ; 8 September 1841 – 1 May 1904) was a Czechs, Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravian traditional music, Moravia and his native Bohemia, following the Romantic-era Czech nationalism, nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as "the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them". Dvořák displayed his musical gifts at an early age, being an apt violin student from age six. The first public performances of his works were in Prague in 1872 and, with special success, in 1873, when he was 31 years old. Seeking recognition beyond the Prague area, he submitted a score of his Symphony No. 1 (Dvořák), First Symphony to a prize competition in Germany, but did not win, and the unreturned manuscript was lost until it was rediscovered many decades ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wenceslaus IV
Wenceslaus IV (also ''Wenceslas''; cs, Václav; german: Wenzel, nicknamed "the Idle"; 26 February 136116 August 1419), also known as Wenceslaus of Luxembourg, was King of Bohemia from 1378 until his death and King of Germany from 1376 until he was deposed in 1400. As he belonged to the House of Luxembourg, he was also Duke of Luxembourg from 1383 to 1388. Biography Wenceslaus was born in the Imperial city of Nuremberg, the son of Emperor Charles IV by his third wife Anna von Schweidnitz, a scion of the Silesian Piasts, and baptized at St. Sebaldus Church. He was raised by the Prague Archbishops Arnošt of Pardubice and Jan Očko of Vlašim. His father had the two-year-old crowned King of Bohemia in June 1363 and in 1373 also obtained for him the Electoral Margraviate of Brandenburg. When on 10 June 1376 Charles IV asserted Wenceslaus' election as King of the Romans by the prince-electors, two of seven votes, those of Brandenburg and Bohemia, were held by the emp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Má Vlast
''Má vlast'' (), also known as ''My Fatherland'', is a set of six symphonic poems composed between 1874 and 1879 by the Czech composer Bedřich Smetana. The six pieces, conceived as individual works, are often presented and recorded as a single work in six movements. They premiered separately between 1875 and 1880. The complete set premiered on 5 November 1882 in Žofín Palace, Prague,Žofín Palace Official site of Žofín Palace, accessed 7 December 2016. under Adolf Čech. ''Má vlast'' combines the symphonic poem form, pioneered by , with the ideals of nationalistic music of the late nineteenth century. Each poem depicts an aspe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonic Poem
A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term ''Tondichtung (tone poem)'' appears to have been first used by the composer Carl Loewe in 1828. The Hungarian composer Franz Liszt first applied the term ''Symphonische Dichtung'' to his 13 works in this vein. While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as sonata form. This intention to inspire listeners was a direct consequence of Romanticism, which encouraged literary, pictorial and dramatic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
