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Ksetrapati
' (or ') "lord of the soil" is the name of a tutelary deity in the Rigveda ( RV 4.57, RV 7.35, RV 10.66) and Atharvaveda The Atharva Veda (, ' from ' and ''veda'', meaning "knowledge") is the "knowledge storehouse of ''atharvāṇas'', the procedures for everyday life".Laurie Patton (2004), Veda and Upanishad, in ''The Hindu World'' (Editors: Sushil Mittal and G ... (AVŚ 2.8.5). Also feminine, ' "mistress of the soil", and ', AVŚ 2.12.l, VS 16.18. {{Rigveda Rigvedic deities Tutelary deities ...
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Mandala 4
The fourth Mandala of the Rigveda has 58 hymns, mainly to Agni and Indra. It is one of the "family books" (mandalas 2–7), the oldest core of the Rigveda, which were composed in early vedic period(1500-1000 BCE). The Rigveda Anukramani attributes all hymns in this book to ''Vāmadeva Gautama'' (son of Maharishi Gautama), except for hymns 43 and 44, attributed to ' and '. List of incipits The dedication as given by Griffith is in square brackets 4.1 (297) gni. 4.2 (298) gni. 4.3 (299) gni. 4.4 (300) gni. 4.5 (301) gni. 4.6 (302) gni. 4.7 (303) gni. 4.8 (304) gni. 4.9 (305) gni. 4.10 (306) gni. 4.11 (307) gni. 4.12 (308) gni. 4.13 (309) gni. 4.14 (310) gni. 4.15 (311) gni. 4.16 (312) ndra. 4.17 (313) ndra. 4.18 (314) ndra and Others. 4.19 (315) ndra. 4.20 (316) ndra. 4.21 (317) ndra. 4.22 (318) ndra. 4.23 (319) ndra. 4.24 (320) ndra. 4.25 (321) ndra. 4.26 (322) ndra. 4.27 (323) he Falcon. 4.28 (324) Soma Soma may refer to: ...
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Rigvedic Deities
Rigvedic deities are deities mentioned in the sacred texts of Rigveda, the principal text of the historical Vedic religion of the Vedic period (1500–500 BCE). There are 1,028 hymns (sūkta) in the Rigveda. Most of these hymns are dedicated to specific deities. The most prominent deity is Indra, slayer of Vritra and destroyer of the Vala, liberator of the cows and the rivers; Agni the sacrificial fire and messenger of the gods; and Soma, the ritual drink dedicated to Indra, are additional principal deities. Deities by prominence List of Rigvedic deities by a number of dedicated hymns, after Griffith. Some dedications are to paired deities, such as Indra-Agni, Mitra-Varuna, Soma-Rudra, here counted double. Vishvadevas (all gods together) have been invoked 70 times. *Indra 250 *Agni 200 *Soma 123 *Aśvins 56 *Varuna 46 *Maruts 38 *Mitra 28 * Ushas 21 *Vayu (Wind) 12 *Savitr 11 *the Rbhus 11 *Pushan 10 *the Apris 9 * Brhaspati 8 *Surya (Sun) 8 * Dyáuṣ Pitṛ́ and Pṛthv ...
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Tutelary Deity
A tutelary () (also tutelar) is a deity or a spirit who is a guardian, patron, or protector of a particular place, geographic feature, person, lineage, nation, culture, or occupation. The etymology of "tutelary" expresses the concept of safety and thus of guardianship. In late Greek and Roman religion, one type of tutelary deity, the ''genius'', functions as the personal deity or ''daimon'' of an individual from birth to death. Another form of personal tutelary spirit is the familiar spirit of European folklore. Ancient Greece Socrates spoke of hearing the voice of his personal spirit or ''daimonion'': The Greeks also thought deities guarded specific places: for instance, Athena was the patron goddess of the city of Athens. Ancient Rome Tutelary deities who guard and preserve a place or a person are fundamental to ancient Roman religion. The tutelary deity of a man was his Genius, that of a woman her Juno. In the Imperial era, the Genius of the Emperor was a focus of Im ...
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Rigveda
The ''Rigveda'' or ''Rig Veda'' ( ', from ' "praise" and ' "knowledge") is an ancient Indian collection of Vedic Sanskrit hymns (''sūktas''). It is one of the four sacred canonical Hindu texts ('' śruti'') known as the Vedas. Only one Shakha of the many survive today, namely the Śakalya Shakha. Much of the contents contained in the remaining Shakhas are now lost or are not available in the public forum. The ''Rigveda'' is the oldest known Vedic Sanskrit text. Its early layers are among the oldest extant texts in any Indo-European language. The sounds and texts of the ''Rigveda'' have been orally transmitted since the 2nd millennium BCE. Philological and linguistic evidence indicates that the bulk of the ''Rigveda'' Samhita was composed in the northwestern region of the Indian subcontinent (see) Rigvedic rivers), most likely between 1500 and 1000 BCE, although a wider approximation of 19001200 BCE has also been given. The text is layered, consisting of t ...
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Mandala 7
The seventh Mandala of the Rigveda ("book 7", "RV 7") has 104 hymns. In the Rigveda Anukramani, all hymns in this book are attributed to ''Vashista''. Hymn 32 is additionally credited to Sakti Vashista, and hymns 101-102 (to Parjanya) are additionally credited to Kumara Agneya. It is one of the "family books" (mandalas 2-7), the oldest core of the Rigveda, which were composed in early vedic period(1500-1000 BCE). The hymns are dedicated to Agni, Indra, the Visvadevas, the Maruts, Mitra-Varuna, the Asvins, Ushas (Dawn), Indra-Varuna, Varuna, Vayu (Wind), two each to Sarasvati, Rudra, the Waters, the Adityas, Vishnu, Vastospati, Brhaspati, one each to the Apris, to Vashista, Savitar, Bhaga, the Dadhikras, the Rbhus, Dyaus and Prthivi (Heaven and Earth), Parjanya (Rain) and Indra-Soma. 7.103 is dedicated to the frogs. The rivers mentioned in the 7th Mandala are the Sarasvati, Asikni, Parusni and possibly the Yamuna (in 7.18.19 the name of a helper of Indra, maybe ...
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Mandala 10
The tenth mandala of the Rigveda has 191 hymns. Together with Mandala 1, it forms the latest part of the Rigveda, containing much mythological material, including the Purusha sukta (10.90) and the dialogue of Sarama with the Panis (10.108), and notably containing several dialogue hymns. The subjects of the hymns cover a wider spectrum than in the other books, dedicated not only to deities or natural phenomena, including deities that are not prominent enough to receive their own hymns in the other books ( Nirrti 10.59, Asamati 10.60, Ratri 10.127, Aranyani 10.146, Indrani 10.159), but also to objects like dice (10.34), herbs (10.97), press-stones (for Soma, 10.94, 175) and abstract concepts like liberality (towards the rishi, 10.117), creation (10.129 (the Nasadiya Sukta), 130, 190), knowledge (10.71), speech, spirit (10.58), faith (10.151), a charm against evil dreams (10.164). 10.15, dedicated to the forefathers, contains a reference to the emerging rite of cremation in ...
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Atharvaveda
The Atharva Veda (, ' from ' and ''veda'', meaning "knowledge") is the "knowledge storehouse of ''atharvāṇas'', the procedures for everyday life".Laurie Patton (2004), Veda and Upanishad, in ''The Hindu World'' (Editors: Sushil Mittal and Gene Thursby), Routledge, , page 38 The text is the fourth Veda, and is a late addition to the Vedic scriptures of Hinduism.Laurie Patton (1994), Authority, Anxiety, and Canon: ys in Vedic Interpretation, State University of New York Press, , page 57 The language of the Atharvaveda is different from Vedic Sanskrit, preserving pre-Vedic Indo-European archaisms. It is a collection of 730 hymns with about 6,000 mantras, divided into 20 books.Maurice BloomfieldThe Atharvaveda Harvard University Press, pages 1-2 About a sixth of the Atharvaveda texts adapts verses from the Rigveda, and except for Books 15 and 16, the text is mainly in verse deploying a diversity of Vedic meters. Two different recensions of the text – the and the – have s ...
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White Yajurveda
The ''Yajurveda'' ( sa, यजुर्वेद, ', from ' meaning "worship", and ''veda'' meaning "knowledge") is the Veda primarily of prose mantras for worship rituals.Michael Witzel (2003), "Vedas and Upaniṣads", in ''The Blackwell Companion to Hinduism'' (Editor: Gavin Flood), Blackwell, , pages 76-77 An ancient Vedic Sanskrit text, it is a compilation of ritual-offering formulas that were said by a priest while an individual performed ritual actions such as those before the yajna fire. Yajurveda is one of the four Vedas, and one of the scriptures of Hinduism. The exact century of Yajurveda's composition is unknown, and estimated by Witzel to be between 1200 and 800 BCE, contemporaneous with Samaveda and Atharvaveda. The Yajurveda is broadly grouped into two – the "black" or "dark" (''Krishna'') Yajurveda and the "white" or "bright" (''Shukla'') Yajurveda. The term "black" implies "the un-arranged, unclear, motley collection" of verses in Yajurveda, in contrast to ...
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