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Korg MiniKORG 700
The miniKORG 700 is a monophonic analog synthesizer released by Korg in 1973, marking their entry into mass-produced synthesizers and their first monophonic synthesizer. It was initially designed to be placed on top of an organ, so its controls are located below the keyboard facing towards the performer. An updated model, the miniKORG 700S, was launched in 1974, introducing a second oscillator that could be detuned, along with additional sustain and vibrato controls. Background In the early 1970s, Korg, then known as Keio Giken Kogyo Inc. and recognized for its rhythm machines, started development of a new electric organ, led by engineer Fumio Mieda. This led to the creation of a dual-manual organ that was based on analog synthesis elements rather than traditional tonewheel or transistor organ technologies, and was briefly marketed in 1973 under the name Korg, from the words "Keio Organ". Korg's owner, Tsutomu Katoh, recognized the potential of Mieda's organ prototype as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korg
, founded as Keio Electronic Laboratories, is a Japanese multinational corporation that manufactures electronic musical instruments, audio processors and guitar pedals, recording equipment, and electronic tuners. Under the Vox brand name, they also manufacture guitar amplifiers and electric guitars. History Korg was founded in 1962 in Tokyo by Tsutomu Kato and Tadashi Osanai as ''Keio Gijutsu Kenkyujo Ltd.''. It later became because its offices were located near the Keio train line in Tokyo and Keio can be formed by combining the first letters of Kato and Osanai. Before founding the company, Kato ran a nightclub. Osanai, a Tokyo University graduate and noted accordionist, regularly performed at Kato's club accompanied by a Wurlitzer Sideman rhythm machine. Dissatisfied with the rhythm machine, Osanai convinced Kato to finance his efforts to build a better one.Julian Colbeck, Keyfax Omnibus Edition, MixBooks, 1996, p. 52. The company's first product was an electro-mech ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Envelope (music)
In sound and music, an envelope describes how a sound changes over time. It may relate to elements such as amplitude (volume), frequencies (with the use of filters) or pitch. For example, a piano key, when struck and held, creates a near-immediate initial sound which gradually decreases in volume to zero. Envelope generators, which allow users to control the different stages of a sound, are common features of synthesizers, samplers, and other electronic musical instruments. The most common form of envelope generator is controlled with four parameters: attack, decay, sustain and release (ADSR). Development The Hammond Novachord in 1938 used an early implementation of an ADSR envelope. A seven-position rotary knob selects preset ADS parameter for all 72 notes; a pedal controls the release. The envelope generator was created by the American engineer Robert Moog in the 1960s. While experimenting with the first Moog synthesizers, composer Herbert Deutsch suggested Moog find a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korg Synthesizers
, founded as Keio Electronic Laboratories, is a Japanese multinational corporation that manufactures electronic musical instruments, audio processors and guitar pedals, recording equipment, and electronic tuners. Under the Vox brand name, they also manufacture guitar amplifiers and electric guitars. History Korg was founded in 1962 in Tokyo by Tsutomu Kato and Tadashi Osanai as ''Keio Gijutsu Kenkyujo Ltd.''. It later became because its offices were located near the Keio train line in Tokyo and Keio can be formed by combining the first letters of Kato and Osanai. Before founding the company, Kato ran a nightclub. Osanai, a Tokyo University graduate and noted accordionist, regularly performed at Kato's club accompanied by a Wurlitzer Sideman rhythm machine. Dissatisfied with the rhythm machine, Osanai convinced Kato to finance his efforts to build a better one.Julian Colbeck, Keyfax Omnibus Edition, MixBooks, 1996, p. 52. The company's first product was an electro-mech ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korg Collection
The Korg Collection (initially launched as the Korg Legacy Collection in 2004) is a suite of virtual instruments and effects that emulate Korg's various hardware synthesizers. The original release included virtual versions of the MS-20, Polysix and Wavestation. Subsequent additions have expanded the collection to feature emulations of the Mono/Poly, M1, ARP Odyssey, Triton, miniKORG 700S, Prophecy and microKORG. These plugins utilize Korg's Component Modeling Technology (CMT) to simulate the analog characteristics of the original instruments. The collection is compatible with VST, AU, and AAX plugin formats and includes standalone versions for use outside a digital audio workstation (DAW). History Korg Legacy Collection (2004) Launched in 2004, the initial Korg Legacy Collection featured emulations of the MS-20, Polysix, and Wavestation, along with a combination module named Legacy Cell, which integrates the MS20 and Polysix. The MS-20 plugin upgrades the original's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keyboard Expression
Keyboard expression is the ability of a keyboard musical instrument to change tone or other qualities of the sound in response to velocity, pressure or other variations in how the performer depresses the keys of the musical keyboard. Expression types include: * ''Velocity sensitivity''—how fast the key is pressed * ''Aftertouch'', or ''pressure sensitivity'' — the amount of pressure on a key, once already held down * ''Displacement sensitivity''—distance that a key is pressed down Keyboard instruments offer a range of expression types. Acoustic pianos, such as upright and grand pianos, are velocity-sensitive—the faster the key strike, the harder the hammer hits the strings. Baroque-style clavichords and professional synthesizers are aftertouch-sensitive—applied force on the key after the initial strike produces effects such as vibrato or swells in volume. Tracker pipe organs and some electronic organs are displacement-sensitive—partly depressing a key produces a quiete ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joystick
A joystick, sometimes called a flight stick, is an input device consisting of a stick that pivots on a base and reports its angle or direction to the device it is controlling. A joystick, also known as the control column, is the principal control device in the cockpit of many civilian and military aircraft, either as a centre stick or side-stick. It often has supplementary switches to control various aspects of the aircraft's flight. Joysticks are often used to control video games, and usually have one or more push-buttons whose state can also be read by the computer. A popular variation of the joystick used on modern video game consoles is the analog stick. Joysticks are also used for controlling machines such as cranes, trucks, underwater unmanned vehicles, wheelchairs, surveillance cameras, and zero turning radius lawn mowers. Miniature finger-operated joysticks have been adopted as input devices for smaller electronic equipment such as mobile phones. Aviation Joystic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reverb Effect
A reverb effect, or reverb, is an audio effect applied to a sound signal to simulate reverberation. It may be created through physical means, such as echo chambers, or electronically through audio signal processing. Echo chambers The first reverb effects, introduced in the 1930s, were created by playing recordings through loudspeakers in reverberating spaces and recording the sound. American Producer Bill Putnam is credited for the first artistic use of artificial reverb in music, on the 1947 song "Peg o' My Heart" by the Harmonicats. Putnam placed a microphone and loudspeaker in the studio bathroom to create a natural echo chamber, adding an "eerie dimension". Plate reverb A plate reverb system uses an electromechanical transducer, similar to the driver in a loudspeaker, to create vibrations in a large plate of sheet metal. The plate's motion is picked up by one or more contact microphones whose output is an audio signal which may be added to the original "dry" signal. Plat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warm Leatherette
"Warm Leatherette" is a song by Daniel Miller's project the Normal, released in 1978. The Normal original Overview The lyrics of "Warm Leatherette" reference J. G. Ballard's controversial 1973 novel ''Crash'', which had heavily influenced Daniel Miller. Together with his college friend he had worked on a film script based on the book, but after the project was abandoned Miller decided to "write a song encapsulating he scriptin 2 and a half minutes". The song was recorded in Miller's apartment using two Revox B-77 tape machines. A series of sawtooth waves were recorded on a Korg 700S synthesizer. Miller took the record to a few independent music shops, including Rough Trade in London, where it would be played to customers. "Warm Leatherette" was released as the B-side to "T.V.O.D.", the only single by Miller's musical project the Normal, and the very first release on his Mute Records label. However, since it was "Warm Leatherette" that gained more public attention, it was feat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel Miller (music Producer)
Daniel Otto Joachim Miller (born 14 February 1951) is an English music producer and founder of Mute Records. Biography Miller is the son of two Austrian-Jewish refugees from Nazism, Martin Miller and Hannah Norbert-Miller, born into a family of actors. Miller studied film and television at the Guildford School of Art (now University for the Creative Arts) from 1969-1972, where he became interested in synthesizer music. By the end of the 1960s, he became frustrated with rock music's lack of experimentation and became interested in the sound of German bands like Can, Faust, Neu! and Kraftwerk.Pages 14–16 Depeche Mode Biography by Steve Malins Miller worked as a DJ in Switzerland before returning to England at the height of punk, which he enjoyed due to the energy and do-it-yourself attitude of the music. He later became interested in the electronic music scene such as Throbbing Gristle and Cabaret Voltaire which inspired Miller to create his own music. Using money from film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White Noise
In signal processing, white noise is a random signal having equal intensity at different frequencies, giving it a constant power spectral density. The term is used, with this or similar meanings, in many scientific and technical disciplines, including physics, acoustical engineering, telecommunications, and statistical forecasting. White noise refers to a statistical model for signals and signal sources, rather than to any specific signal. White noise draws its name from white light, although light that appears white generally does not have a flat power spectral density over the visible band. In discrete time, white noise is a discrete signal whose samples are regarded as a sequence of serially uncorrelated random variables with zero mean and finite variance; a single realization of white noise is a random shock. Depending on the context, one may also require that the samples be independent and have identical probability distribution (in other words independent and iden ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portamento
In music, portamento (plural: ''portamenti'', from old it, portamento, meaning "carriage" or "carrying") is a pitch sliding from one note to another. The term originated from the Italian expression "''portamento della voce''" ("carriage of the voice"), denoting from the beginning of the 17th century its use in vocal performances and emulation by members of the violin family and certain wind instruments, and is sometimes used interchangeably with anticipation. It is also applied to one type of glissando on, e.g., slide trombones, as well as to the "glide" function of steel guitars and synthesizers; in the latter it is often used to add a melancholic effect to the overall melody. Vocal portamento In the first example, Rodolfo's first aria in ''La Sonnambula'' (1831), the portamento is indicated by the slur between the third and fourth notes. The second example, Judit's first line in '' Duke Bluebeard's Castle'' (1912), employs an inclining, wavy line between the fourth and f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibrato
Vibrato (Italian language, Italian, from past participle of "wikt:vibrare, vibrare", to vibrate) is a musical effect consisting of a regular, pulsating change of pitch (music), pitch. It is used to add expression to vocal and instrumental music. Vibrato is typically characterised in terms of two factors: the amount of pitch variation ("extent of vibrato") and the speed with which the pitch is varied ("rate of vibrato"). In singing it can occur spontaneously through variations in the larynx. The vibrato of a string instrument and wind instrument is an imitation of that vocal function. Vibrato and tremolo The terms vibrato and tremolo are sometimes incorrectly used interchangeably, although (in the classical world) they are properly defined as separate effects with vibrato defined as a periodic variation in the pitch (frequency) of a musical note, and tremolo as a fast repetition of the same note (usually a semiquaver) in order to produce the audible effect of a longer note, es ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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