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Korean Cinema
The term "Cinema of Korea" (or "Korean cinema") encompasses the motion picture industries of North and South Korea. As with all aspects of Korean life during the past century, the film industry has often been at the mercy of political events, from the late Joseon dynasty to the Korean War to domestic governmental interference. While both countries have relatively robust film industries today, only South Korean films have achieved wide international acclaim. North Korean films tend to portray their communist or revolutionary themes. South Korean films enjoyed a "Golden age" during the late 1950s, and 1960s, but by the 1970s had become generally considered to be of low quality. Nonetheless, by 2005 South Korea became a nation that watched more domestic than imported films in theatres due somewhat to laws placing limits on the number of foreign films able to be shown per theatre per year, but mostly due to the growth of the Korean entertainment industry which quadrupled in size d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unified Korea Film Clapperboard
{{disambiguation ...
Unified may refer to: * The Unified, a wine symposium held in Sacramento, California, USA * ''Unified'', the official student newspaper of Canterbury Christ Church University * UNFD, an Australian record label * ''Unified'' (Sweet & Lynch album), 2017 * ''Unified'' (Super8 & Tab album), 2014 Unify may refer to: * ''Unify'', an album by Electric Universe * Unify Corporation, former name of Daegis Inc. * Unify Gathering, an Australian music festival * Unify GmbH & Co. KG, formerly Siemens Enterprise Communications See also * * * * Unification (other) * United (other) * Unity (other) Unity may refer to: Buildings * Unity Building, Oregon, Illinois, US; a historic building * Unity Building (Chicago), Illinois, US; a skyscraper * Unity Buildings, Liverpool, UK; two buildings in England * Unity Chapel, Wyoming, Wisconsin, US; a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siegfried
Siegfried is a German-language male given name, composed from the Germanic elements ''sig'' "victory" and ''frithu'' "protection, peace". The German name has the Old Norse cognate ''Sigfriðr, Sigfrøðr'', which gives rise to Swedish ''Sigfrid'' (hypocorisms ''Sigge, Siffer''), Danish/Norwegian ''Sigfred''. In Norway, ''Sigfrid'' is given as a feminine name. official statistics at Statistisk Sentralbyrå, National statistics office of Norway, http://www.ssb.no; Statistiska Centralbyrån, National statistics office of Sweden, http://www.scb.se/ The name is medieval and was borne by the legendary dragon-slayer also known as . It did survive in marginal use into the modern period, but after 1876 it enjoyed renewed popularity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deuljwi
''Deuljwi'' (들쥐, ''Field Mouse'') is a 1927 Korean film written, directed, edited by and starring Na Woon-gyu (1902-1937). It premiered at the Danseongsa Theater in Seoul. Plot The plot concerns a young couple who have made a marriage vow with each other. Their marriage is thwarted when the woman is forced to marry a rich gangster. A fighter for justice called "Deuljwi(Field Mouse)" stops the wedding, kills the gangsters, and returns the bride to her betrothed. Reception The film was considered to be work of art that symbollically represent the invasiveness of Japanese colonialists with the rich gangster being the Japanese and the man who was stolen of his potential wife being the korean nation and was banned by the Japanese authorities on the very next day of release. The film was the first one to be banned and was able to be screened after cuts. See also * List of Korean-language films * Cinema of Korea The term "Cinema of Korea" (or "Korean cinema") encompasses the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punguna
''Punguna'' ( 풍운아, Soldier of Fortune) is a 1926 Korean film. The silent, black-and-white film was written, directed, edited by and starred Na Woon-gyu (1902-1937). It premiered at the Choseon Theater in December 1926. Plot summary In ''Punguna'', Na Woon-gyu plays the role of Nicolai Park, a veteran of the Russian army, who has returned to Korea from European battlefields. Broke, hungry, and unable to find employment, he is taken in as a boarder by Kim Chang-ho. Chang-ho's friend, Cha-duk becomes romantically involved with Hae-ok, who had sold herself to support her parents. Cha-duk's wife, Yeong-ja becomes involved with Nicolai, who rejects her proposal to run away with him. The romantic complications spiral until Yeong-ja kills Cha-duk. The film ends with Nicolai departing for destinations unknown while the other boarders bid him farewell. Cast Ju In-gyu (Ahn Jae-deok) Kim Jeong-suk (Choi Yeong-ja) Nam Gung-ung (Kim Chang-ho) Joo Sam-son (Jeong Gu-jin) Lim Woon-hak (S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intertitle
In films, an intertitle, also known as a title card, is a piece of filmed, printed text edited into the midst of (i.e., ''inter-'') the photographed action at various points. Intertitles used to convey character dialogue are referred to as "dialogue intertitles", and those used to provide related descriptive/narrative material are referred to as "expository intertitles". In modern usage, the terms refer to similar text and logo material inserted at or near the start or end of films and television shows. Silent film era In this era intertitles were mostly called "subtitles" and often had Art Deco motifs. They were a mainstay of silent films once the films became of sufficient length and detail to necessitate dialogue or narration to make sense of the enacted or documented events. ''The British Film Catalogue'' credits the 1898 film ''Our New General Servant'' by Robert W. Paul as the first British film to use intertitles. Film scholar Kamilla Elliott identifies another early use of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benshi
were Japanese performers who provided live narration for silent films (both Japanese films and Western films). ''Benshi'' are sometimes called or . Role The earliest films available for public display were produced by Western studios, portraying brief scenes of everyday life, often less than a minute long. The first were thus hired to provide greater value for the high ticket prices charged by theaters relative to other public entertainment, while also giving technical and cultural context to the audience. The operation of the projector itself would be described before the showing, and then explanations of Western culture would accompany the film with the standing to the side of the screen. This commentary was as much part of the theater-going experience as the film itself. In one instance, a was able to avoid government censorship of The Kiss by describing kissing in Western culture to be as casual a greeting as a pat on the back. As film plots became longer and more comple ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arirang
"Arirang" (; ) is a Korean folk song. There are about 3,600 variations of 60 different versions of the song, all of which include a refrain similar to "''Arirang, arirang, arariyo'' ()". It is estimated the song is more than 600 years old. "Arirang" is included twice on the UNESCO Intangible Cultural Heritage list. South Korea successfully submitted the song for inclusion on the UNESCO list in 2012. North Korea also successfully submitted the song for inclusion in 2014. In 2015, the South Korean Cultural Heritage Administration added the song to its list of important intangible cultural assets. The song is sung today in both North and South Korea, and represents the symbol of unity in the region that is divided by the Korean War. History Origin and etymology It is believed that "Arirang" originated from Jeongseon, Gangwon Province. "Arirang" as a term today is ambiguous in meaning, but some linguists have hypothesized that "Ari" (아리) meant "beautiful" and "rang" (랑) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arirang (1926 Film)
''Arirang'' (Hangul: 아리랑) is a 1926 Korean silent film directed by Na Woon-gyu who also one of the main cast. It is regarded as one of the most influential films in Korean cinema history, as well as the first Korean nationalist film and a critique of the Japanese rule of Korea. It is named after the traditional song "Arirang," which audiences were said to sing at the conclusion of the film. ''Arirang'' is considered a lost film, but a written record of the plot still exists. Plot Yeong-jin is a student who has become mentally ill after being imprisoned and tortured by the Japanese for his involvement in the 1 March 1919 protest against the Japanese occupation of Korea. After his release, he returns home to live with his father and sister, Yeong-hui, in their village home. His old friend Hyeon-gu is now in love with Yeong-hui. While the villagers are preoccupied with a harvest festival, O Gi-ho, a collaborator with the Japanese police, attempts to rape Yeong-hui. Hyeon-gu f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Na Woon-gyu
Na Woon-gyu (October 27, 1902 – August 9, 1937) was a Korean actor, screenwriter and director. He is widely considered the most important filmmaker in early Korean cinema, and possibly Korea's first true movie star. Since he often wrote, directed and acted in his films, he has even been said to have started the auteur film-making tradition in Korea. Early life Na Woon-gyu was the third son of Na Hyong-gwon, a military officer during the final days of the Joseon Dynasty who had returned to his hometown of Hoeryong, Hamgyong, Hamgyongbuk-do to teach. As a high-school student, Na was involved in theater and acting, but also in anti-Japanese activities including the March 1, 1919 March 1st Movement, protest against the occupation. To avoid imprisonment, he spent two years crossing and re-crossing the Tumen River, Duman River, which separates Korea from Manchuria. He traveled as far as Siberia, joining with Korean Liberation fighters in anti-occupation work. In 1921, he returne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nongjungjo
''NongJungJo'' ( 농중조, ''Nongjungjo'') is a 1926 Korean film. Future writing/directing/acting star Na Woon-gyu appeared in this film just before his breakthrough in Arirang "Arirang" (; ) is a Korean folk song. There are about 3,600 variations of 60 different versions of the song, all of which include a refrain similar to "''Arirang, arirang, arariyo'' ()". It is estimated the song is more than 600 years old. ... (1926). Kato Kyohei served as director of photography both for this and other well-known Korean movies of the 1920s.Dong Hoon Kim, ''Eclipsed Cinema: The Film Culture of Colonial Korea'', Edinburgh: Edinburgh University Press, 2017, 265. Plot summary The story is a melodrama concerning two lovers who are kept apart by the woman's strict parents, who lock her in her house. References Pre-1948 Korean films Korean black-and-white films Korean silent films {{Korea-film-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pansori
'''' () is a Korean genre of musical storytelling performed by a singer and a drummer. The term ''pansori'' is derived from the Korean words ''pan'' (Hangul: 판) and ''sori'' (Hangul: 소리), the latter of which means "sound." However, ''pan'' has multiple meanings, and scholars disagree on which was the intended meaning when the term was coined. One meaning is "a situation where many people are gathered." Another meaning is "a song composed of varying tones." In music, Gugwangdae describes a long story that takes as little as three hours and as much as eight hours or more. It is one of the traditional forms of Korean music that mixes body movements and songs to the accompaniment of a buk drum played by a gosu. The dramatic content of the drama is changed according to various rhythms based on the melody of Korea's local music. Pansori was originally called the "sori", and it was called Taryeong, Japga (잡가), Clown Song, and Geukga (극가; 劇歌). It was also commonly use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Im Kwon-taek
Im Kwon-taek (born December 8, 1934) is one of South Korea's most renowned film directors. In an active and prolific career, his films have won many domestic and international film festival awards as well as considerable box-office success, and helped bring international attention to the Korean film industry. As of spring 2015, he has directed 102 films. Early life Im Kwon-taek was born in Jangseong, Jeollanam-do and grew up in Gwangju. After the Korean War, he moved to Busan in search of work. He then moved to Seoul in 1956, where Jeong Chang-hwa, director of ''Five Fingers of Death'' (1972), offered him room and board for work as a production assistant. Jeong recommended him for directing in 1961. Career Im's directorial premiere was with the 1962 film, '' Farewell to the Duman River'' (''Dumanganga jal itgeola''). Before 1980 he was known primarily as a commercial filmmaker who could efficiently direct as many as eight genre pictures a year, helping to fulfill the quota for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
