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Korean Calligraphy
Korean calligraphy, also known as Seoye (), is the Korean tradition of artistic writing. Calligraphy in Korean culture involves both Hanja (Chinese logograph) and Hangul (Korean native alphabet). Early Korean calligraphy was exclusively in Hanja, or the Chinese-based logography first used to write the Korean language. During the Goryeo and Joseon dynasties, utilitarian objects were often inscribed with calligraphy such as brush stands, padlocks, incense burners, porcelain, lacquer, and branding irons. Even after the invention of the Korean alphabet Hangul in 1443, Korean calligraphers preferred Chinese characters as they saw it as more prestigious. Hanja continued to be used as the official script until the late 19th century. This changed when both North Korea and South Korea, after their split, separately institutionalized Hangul as the official orthography of Korean. Today many calligraphers, particularly in South Korea, are experimenting with new styles of Hangul, which has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korean Calligraphy
Korean calligraphy, also known as Seoye (), is the Korean tradition of artistic writing. Calligraphy in Korean culture involves both Hanja (Chinese logograph) and Hangul (Korean native alphabet). Early Korean calligraphy was exclusively in Hanja, or the Chinese-based logography first used to write the Korean language. During the Goryeo and Joseon dynasties, utilitarian objects were often inscribed with calligraphy such as brush stands, padlocks, incense burners, porcelain, lacquer, and branding irons. Even after the invention of the Korean alphabet Hangul in 1443, Korean calligraphers preferred Chinese characters as they saw it as more prestigious. Hanja continued to be used as the official script until the late 19th century. This changed when both North Korea and South Korea, after their split, separately institutionalized Hangul as the official orthography of Korean. Today many calligraphers, particularly in South Korea, are experimenting with new styles of Hangul, which has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture Of Korea
The traditional culture of Korea is the shared cultural and historical heritage of Korea and southern Manchuria before the division of Korea in 1945. Manchuria refers to the ancient geographical and historical region in Northeast Asia, including countries like China and Russia. Since the mid-20th century, Korea has been split between the North Korean and South Korean states, resulting in a number of cultural differences that can be observed even today. the practice of Confucianism and Korean shamanism is deeply rooted in Korean culture. Clothing The traditional dress known as ''hanbok'' (한복, 韓服) (known as ''joseonot'' 선옷in the DPRK). The ''hanbok'' consists of a shirt (''jeogori'') and a skirt (''chima''). According to social status, Koreans used to dress differently, making clothing an important mark of social rank. Costumes were worn by the ruling class and the royal family. These upper classes also used jewelry to distance themselves from the ordinar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tang Dynasty
The Tang dynasty (, ; zh, t= ), or Tang Empire, was an Dynasties in Chinese history, imperial dynasty of China that ruled from 618 to 907 AD, with an Zhou dynasty (690–705), interregnum between 690 and 705. It was preceded by the Sui dynasty and followed by the Five Dynasties and Ten Kingdoms period. Historians generally regard the Tang as a high point in Chinese civilization, and a Golden age (metaphor), golden age of cosmopolitan culture. Tang territory, acquired through the military campaigns of its early rulers, rivaled that of the Han dynasty. The House of Li, Lǐ family () founded the dynasty, seizing power during the decline and collapse of the Sui Empire and inaugurating a period of progress and stability in the first half of the dynasty's rule. The dynasty was formally interrupted during 690–705 when Empress Wu Zetian seized the throne, proclaiming the Zhou dynasty (690–705), Wu Zhou dynasty and becoming the only legitimate Chinese empress regnant. The devast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kim Jeong-hui
Gim Jeong-hui (김정희, 金正喜, born on the 3rd day of the 6th lunar month 1786, died on the 10th day of the 10th lunar month 1856), also known as Kim Jeong-hui, was one of the most celebrated practitioners of calligraphy, epigraphists, and scholars of Korea’s later Joseon period. He was a member of the Gyeongju Gim clan. He used various Ho (pen-names): Wandang (阮堂), Chusa (秋史), Yedang (禮堂), Siam (詩庵), Gwapa (果坡), Nogwa (老果) etc. (some 200 in all). He is especially celebrated for having transformed Korean epigraphy and for having created the “Chusa-che” (秋史體 Chusa writing style) inspired by his study of ancient Korean and Chinese epitaphs. His ink paintings, especially of orchids, are equally admired. As a scholar, he belonged to the Silhak (Practical Learning) school also known as the Bukhak (北學, “Northern Learning”). He was related to Queen Jeongsun, the second wife of King Yeongjo, and by his adoptive mother, Nam Yang-hong, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hunminjeongeum Haerye
''Hunminjeongeum Haerye'' (Hanja: 訓民正音解例; literally: "Explanations and Examples of the Correct/Proper Sounds for the Instruction of the People"), or simply ''Haerye'', is a commentary on the ''Hunminjeongeum'', the original promulgation of hangul. The ''Hunminjeongeum Haeryebon'' (訓民正音解例本) is the printed edition—''bon'' (本) means "book" or "edition". It was written by scholars from the ''Jiphyeonjeon'' (Hall of Worthies), commissioned by King Sejong the Great. In addition to an introduction by Sejong (excerpted from the beginning of ''Hunminjeongeum'') and a colophon by the scholar Jeong Inji (鄭麟趾), it contains the following chapters: # "An Explanation of the Design of the Letters" (制字解) # "An Explanation of the Initials" (初聲解) # "An Explanation of the Medials" (中聲解) # "An Explanation of the Finals" (終聲解) # "An Explanation of the Combination of the Letters" (合字解) # "Examples of the Uses of the Letters" (用字例) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korean Mixed Script
Korean mixed script () is a form of writing the Korean language that uses a mixture of the Korean alphabet or ''hangul'' () and ''hanja'' (, ), the Korean name for Chinese characters. The distribution on how to write words usually follows that all native Korean words, including suffixes, particles, and honorific markers are generally written in ''hangul'' and never in ''hanja''. Sino-Korean vocabulary or ''hanja-eo'' (), either words borrowed from Chinese or created from Sino-Korean roots, were generally always written in ''hanja'' although very rare or complex characters were often substituted with ''hangul''. Although the Korean alphabet was introduced and taught to people beginning in 1446, most literature until the early twentieth century was written in literary Chinese known as ''hanmun'' (). Although examples of mixed-script writing are as old as ''hangul'' itself, the mixing of ''hangul'' and ''hanja'' together in sentences became the official writing system of the K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seong Sam-mun
Seong Sam-mun (1418 — 8 June 1456) was a scholar-official of early Joseon who rose to prominence in the court of King Sejong the Great (r. 1418–1450). He was executed after being implicated in a plot to dethrone King Sejo (r. 1455–1468) and restore his predecessor King Danjong (r. 1452–1455), and is known as one of the ''sayuksin'' (사육신, the six martyred ministers) with reference to this plot. Biography Sam-mun was born in Hongseong (then Hongju), South Chungcheong province to a yangban family of the Changnyeong Seong clan (창녕 성씨, 昌寧 成氏). He passed the lower examination at the regular triennial administration in 1438. He soon gained the favor of King Sejong, and was appointed to the Hall of Worthies. From 1442 to 1446, he cooperated with other members of that body to compose the ''Hunmin Jeongeum'', in which the hangul alphabet was first presented to the world. The level of his involvement in the creation of the Korean alphabet Hangul (and that o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korea Under Japanese Rule
Between 1910 and 1945, Korea was ruled as a part of the Empire of Japan. Joseon Korea had come into the Japanese sphere of influence with the Japan–Korea Treaty of 1876; a complex coalition of the Meiji government, military, and business officials began a process of integrating Korea's politics and economy with Japan. The Korean Empire, proclaimed in 1897, became a protectorate of Japan with the Japan–Korea Treaty of 1905; thereafter Japan ruled the country indirectly through the Japanese Resident-General of Korea. Japan formally annexed the Korean Empire with the Japan–Korea Treaty of 1910, without the consent of the former Korean Emperor Gojong, the regent of the Emperor Sunjong. Upon its annexation, Japan declared that Korea would henceforth be officially named Chōsen. This name was recognized internationally until the end of Japanese colonial rule. The territory was administered by the Governor-General of Chōsen based in Keijō (Seoul). Japanese rule prioritized ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clerical Script
The clerical script (; Japanese: 隷書体, ''reishotai''; Korean: 예서 (old spelling 례서); Vietnamese: lệ thư), sometimes also chancery script, is a style of Chinese writing which evolved from the late Warring States period to the Qin dynasty, matured and became dominant in the Han dynasty, and remained in largely active use through the Wei-Jin periods. In its development, it departed significantly from the earlier scripts in terms of graphic structures (a process named ''libian'', or "clerical change"), and was characterized by its rectilinearity, a trait shared with the later regular script. Although it was succeeded by the later scripts, including the regular script, the clerical script is preserved as a calligraphic practice. In Chinese calligraphy, the term ''clerical'' often refers to a specific calligraphic style that is typical of a specific subtype of the clerical script, the ''Han'' ''clerical'' () or ''bafen'' () ''script''. This style of calligraphy is ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gim Jeong-hui
Gim Jeong-hui (김정희, 金正喜, born on the 3rd day of the 6th lunar month 1786, died on the 10th day of the 10th lunar month 1856), also known as Kim Jeong-hui, was one of the most celebrated practitioners of calligraphy, epigraphists, and scholars of Korea’s later Joseon period. He was a member of the Gyeongju Gim clan. He used various Ho (pen-names): Wandang (阮堂), Chusa (秋史), Yedang (禮堂), Siam (詩庵), Gwapa (果坡), Nogwa (老果) etc. (some 200 in all). He is especially celebrated for having transformed Korean epigraphy and for having created the “Chusa-che” (秋史體 Chusa writing style) inspired by his study of ancient Korean and Chinese epitaphs. His ink paintings, especially of orchids, are equally admired. As a scholar, he belonged to the Silhak (Practical Learning) school also known as the Bukhak (北學, “Northern Learning”). He was related to Queen Jeongsun, the second wife of King Yeongjo, and by his adoptive mother, Nam Yang-hong ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zhao Mengfu
Zhao Mengfu (; courtesy name Zi'ang (子昂); pseudonyms Songxue (松雪, "Pine Snow"), Oubo (鷗波, "Gull Waves"), and Shuijing-gong Dao-ren (水精宮道人, "Master of the Water Spirits Palace"); 1254–1322), was a Chinese calligrapher, painter, and scholar during the Yuan dynasty. He was a descendant of the Song dynasty's imperial family through Emperor Xiaozong's brother Zhao Bogui who married a lady surnamed Song who was the granddaughter of Emperor Huizong. Zhao Bogui was a descendant of Emperor Taizu, through his son Zhao Defang. He was recommended by the Censor-in-chief to pay an audience with Kublai Khan in 1286 at the Yuan capital of Dadu, but was not awarded an important position in office. His work was however, greatly appreciated later by the Confucian-inspired Yuan Emperor Renzong. Zhao was a member of the " Academy of Worthies". He was married to Guan Daosheng, who was also an accomplished poet, painter and calligrapher. His rejection of the refined, gent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yan Zhenqing
Yan Zhenqing (; 709–785) was a Chinese calligrapher, military general, and politician. He was a leading Chinese calligrapher and a loyal governor of the Tang dynasty. His artistic accomplishment in Chinese calligraphy is equal to that of the greatest master calligraphers of history, and his regular script style, ''Yan'', is often imitated. Biography Early life Yan Zhenqing was born in Wannian (), near the Tang capital Chang'an, to a highly reputed academic family which served the court for many generations. One of his ancestors was Yan Zhitui, a scholar-official during the Southern and Northern Dynasties. His great-great-grandfather Yan Shigu was a famous linguist while his father Yan Weizhen () was private tutor to the Tang princes' and a great calligrapher himself. Under the influence of family tradition and the strict instruction of his mother, Lady Yin (), Yan Zhenqing worked hard from childhood and was well-read in literature and Confucianism. In 734, at the age of 22, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
