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Knight Of The Swan
The story of the Knight of the Swan, or Swan Knight, is a medieval tale about a mysterious rescuer who comes in a swan-drawn boat to defend a damsel, his only condition being that he must never be asked his name. The earliest versions (preserved in ''Dolopathos'') do not provide specific identity to this knight, but the Old French Crusade cycle of ''chansons de geste'' adapted it to make the Swan Knight (''Le Chevalier au Cigne'', first version around 1192) the legendary ancestor of Godfrey of Bouillon. The ''Chevalier au Cigne'', also known as Helias, figures as the son of Orient of L'Islefort (or Illefort) and his wife Beatrix in perhaps the most familiar version, which is the one adopted for the late fourteenth century Middle English '' Cheuelere Assigne''. The hero's mother's name may vary from Elioxe (probably a mere echo of Helias) to Beatrix depending on the text, and in a Spanish version, she is called Isomberte. At a later time, the German poet Wolfram von Eschenbach inc ...
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Knight Of The Swan P1010741 Straightened Contrasted
A knight is a person granted an honorary title of knighthood by a head of state (including the Pope) or representative for service to the monarch, the church or the country, especially in a military capacity. Knighthood finds origins in the Greek ''hippeis'' and '' hoplite'' (ἱππεῖς) and Roman '' eques'' and '' centurion'' of classical antiquity. In the Early Middle Ages in Europe, knighthood was conferred upon mounted warriors. During the High Middle Ages, knighthood was considered a class of lower nobility. By the Late Middle Ages, the rank had become associated with the ideals of chivalry, a code of conduct for the perfect courtly Christian warrior. Often, a knight was a vassal who served as an elite fighter or a bodyguard for a lord, with payment in the form of land holdings. The lords trusted the knights, who were skilled in battle on horseback. Knighthood in the Middle Ages was closely linked with horsemanship (and especially the joust) from its origins in ...
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Gareth
Sir Gareth (; Old French: ''Guerehet'', ''Guerrehet'') is a Knight of the Round Table in Arthurian legend. He is the youngest son of King Lot and Queen Morgause, King Arthur's half-sister, thus making him Arthur's nephew, as well as brother to Gawain, Agravain and Gaheris, and either a brother or half-brother of Mordred. Gareth is particularly notable in '' Le Morte d'Arthur'' in which he is also known by his nickname Beaumains. Arthurian legend French literature The earliest role of Gareth, appearing as Guerrehet, is found in the First Continuation of Chrétien de Troyes's ''Perceval ou le Conte du Graal''. As the protagonist of the story's final episode, he slays the giant known as "Little Knight", thus avenging the death of fairy king Brangemuer, son of Guingamuer and the fay Brangepart. Several of his adventures are narrated in the Vulgate Cycle (''Lancelot-Grail''). In the Vulgate ''Merlin'', Gareth and his brothers defect from their father King Lot and take servi ...
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The Three Golden Children (folklore)
The Three Golden Children refers to a series of folktales related to the motif of the calumniated wife, numbered K2110.1 in the ''Motif-Index of Folk-Literature''. The name refers to a cycle of tales wherein a woman gives birth to children of wondrous aspect, but her children are taken from her by jealous relatives or by her mother-in-law, and her husband punishes her in some harsh way. Only years later, the family is reunited and the jealous relatives are punished. According to folklorist Stith Thompson, the tale is "one of the eight or ten best known plots in the world". Alternate names for the tale type are ''The Three Golden Sons'', ''The Bird of Truth'', pt, Os meninos com uma estrelinha na testa, lit=The boys with little stars on their foreheads, russian: Чудесные дети, translit=Chudesnyye deti, lit=The Wonderful or Miraculous Children, or hu, Az aranyhajú ikrek, lit=The Golden-Haired Twins. Overview The following summary was based on Joseph Jacobs's tale re ...
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Joseph Jacobs
Joseph Jacobs (29 August 1854 – 30 January 1916) was an Australian folklorist, translator, literary critic, social scientist, historian and writer of English literature who became a notable collector and publisher of English folklore. Jacobs was born in Sydney to a Jewish family. His work went on to popularize some of the world's best known versions of English fairy tales including "Jack and the Beanstalk", "Goldilocks and the Three Bears", "The Three Little Pigs", " Jack the Giant Killer" and " The History of Tom Thumb". He published his English fairy tale collections: ''English Fairy Tales'' in 1890 and ''More English Fairy Tales'' in 1893 but also went on after and in between both books to publish fairy tales collected from continental Europe as well as Jewish, Celtic and Indian fairytales which made him one of the most popular writers of fairytales for the English language. Jacobs was also an editor for journals and books on the subject of folklore which included editin ...
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The Fate Of The Children Of Lir
The ''Children of Lir'' ( ga, Oidheadh chloinne Lir) is a legend from Irish mythology. It is a tale from the post-Christianisation period that mixes magical elements such as druidic wands and spells with a Christian message of Christian faith bringing freedom from suffering. Naming and manuscripts Named in Irish as ''Oidheadh Chlainne Lir'', the tale is today often known simply as "The Children of Lir" but the title has also been rendered as ''The Tragic Story of the Children of Lir'' or ''The Fate of the Children of Lir'', or, from the earlier title ''Aided Chlainne Lir'', as ''The Violent Death of the Children of Lir''.The English translation should properly be "The Children of Lear", Lir being a genitive, but the mistranslation has become culturally embedded. In post 18th-century scholarship, the tale has often been grouped with the ''Oidheadh chloinne Uisnigh'' ("The Fate of the Children of Uisnigh") and ''Oidheadh chloinne Tuireann'' ("The Fate of the Children of Tuirean ...
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The Six Swans
"The Six Swans" (German: ''Die sechs Schwäne'') is a German fairy tale collected by the Brothers Grimm in ''Grimm's Fairy Tales'' in 1812 (KHM 49). It is of Aarne–Thompson type 451 ("The Maiden Who Seeks Her Brothers"), commonly found throughout Europe. Other tales of this type include The Seven Ravens, The Twelve Wild Ducks, Udea and her Seven Brothers, The Wild Swans, and The Twelve Brothers. Andrew Lang included a variant of the tale in ''The Yellow Fairy Book''. Origin The tale was published by the Brothers Grimm in the first edition of ''Kinder- und Hausmärchen'' in 1812, and substantially rewritten for the second edition in 1819. Their source is Wilhelm Grimm's friend and later wife Henriette Dorothea (Dortchen) Wild (1795–1867). Synopsis A King gets lost in a forest, and an old witch helps him, on the condition that he marry her beautiful daughter. The King suspects the mysterious maiden to be wicked, but agrees to marry her. He has six sons and a daughter fro ...
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The Girl Without Hands
"The Girl Without Hands" or "The helpless Maiden" or "The Armless Maiden" (german: Das Mädchen ohne Hände) is a German fairy tale collected by the Brothers Grimm. It is tale number 31 and was first published in the 1812 edition of ''Children's and Household Tales''. The story was revised by the Grimm brothers over the years, and the final version was published in the 7th edition of Children's and Household Tales in 1857. It is Aarne-Thompson type 706.Heidi Anne Heiner"Tales Similar to the Girl Without Hands" Story elements Throughout different variations, the story takes place in four sections.Ashley, Melissa"'And Then the Devil Will Take Me Away': Adaptation, Evolution, and The Brothers Grimm's Suppression of Taboo Motifs in 'The Girl without Hands'."''Double Dialogues'', 15 December 2010. The Mutilated Heroine: A strange man approaches a miller and offers him riches in exchange for whatever he found standing behind the mill. Believing that it was only an apple tree, and un ...
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Emaré
''Emaré'' is a Middle English Breton lai, a form of mediaeval romance poem, told in 1035 lines. The author of ''Emaré'' is unknown and it exists in only one manuscript, Cotton Caligula A. ii, which contains ten metrical narratives. ''Emaré'' seems to date from the late fourteenth century, possibly written in the North East Midlands. The iambic pattern is rather rough.Emaré: Introduction', Edited by Anne Laskaya and Eve Salisbury, Originally Published in The Middle English Breton Lays, Kalamazoo, Michigan: Medieval Institute Publications, 1995 It tells a version of the popular "Constance-saga". Plot summary The text begins with a standard invocation to Christ, but one of uncommon length; it may be the longest one in English romance. We are then told of Sir Artyus, an Emperor. His wife gives birth to a beautiful baby girl but dies shortly afterwards. The daughter, Emaré, is sent to live with a lady named Abro who raises her and teaches her manners and sewing. Some years late ...
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The Man Of Law's Tale
"The Man of Law's Tale" is the fifth of the ''Canterbury Tales'' by Geoffrey Chaucer, written around 1387. John Gower's "Tale of Constance" in ''Confessio Amantis'' tells the same story and may have been a source for Chaucer. Nicholas Trivet's ''Les chronicles'' was a source for both authors. Wurtele provides a detailed compilation of the differences between Trivet's Chronicle and the poems of Gower and Chaucer. Gower strove for vividness and shortened the tale in places. Chaucer expanded the tale and emphasizes the holiness of Constance and how she was favoured by heaven. Hagiographic motifs are most abundant in Chaucer's version, e.g. “the miracles God works though Custance and the way she is miraculously fed while at sea”. 2Wurtele observes that Chaucer makes frequent use of the adjective "hooly" but Gower never uses this word. Synopsis (References here are to line numbers in both Man of Law's Tale (MLT) and Confessio Amantis (CA).) Constance (Custance in Chaucer) is ...
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Chivalric Romance
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the ''chanson de geste'' and other kinds of epic, in which masculine military heroism predominates." Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel ''Don Quixote''. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word ''medieva ...
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Gaston Paris
Bruno Paulin Gaston Paris (; 9 August 1839 – 5 March 1903) was a French literary historian, philologist, and scholar specialized in Romance studies and medieval French literature. He was nominated for the Nobel Prize in Literature in 1901, 1902, and 1903. Biography Gaston Paris was born under the July Monarchy at Avenay (Marne), the son of Paulin Paris (1800–1881), an important French scholar of medieval French literature. In his childhood, Gaston learned to appreciate Old French romances as poems and stories, and this early impulse for the study of Romance literature was placed on a solid basis by courses of study at the University of Bonn (1856), in the German Confederation, and at the École Nationale des Chartes, at the time under the rule of the Second French Empire. Paris taught French grammar in a private school, later succeeding his father as professor of medieval French literature at the Collège de France in 1872; in 1876 he was admitted to the Académie de ...
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