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Knight Of The Burning Pestle
''The Knight of the Burning Pestle'' is a play in five acts by Francis Beaumont, first performed at Blackfriars Theatre in 1607 and published in a quarto in 1613. It is the earliest whole parody (or pastiche) play in English. The play is a satire on chivalric romances in general, similar to ''Don Quixote'', and a parody of Thomas Heywood's ''The Four Prentices of London'' and Thomas Dekker's ''The Shoemaker's Holiday''. It breaks the fourth wall from its outset. Text It is most likely that the play was written for the child actors at Blackfriars Theatre, where John Marston had previously had plays produced. In addition to the textual history testifying to a Blackfriars origin, there are multiple references within the text to Marston, to the actors as children (notably from the Citizen's Wife, who seems to recognise the actors from their school), and other indications that the performance took place in a house known for biting satire and sexual innuendo. Blackfriars specialis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Knight Of The Burning Pestle
''The Knight of the Burning Pestle'' is a play in five acts by Francis Beaumont, first performed at Blackfriars Theatre in 1607 and published in a quarto in 1613. It is the earliest whole parody (or pastiche) play in English. The play is a satire on chivalric romances in general, similar to ''Don Quixote'', and a parody of Thomas Heywood's ''The Four Prentices of London'' and Thomas Dekker's ''The Shoemaker's Holiday''. It breaks the fourth wall from its outset. Text It is most likely that the play was written for the child actors at Blackfriars Theatre, where John Marston had previously had plays produced. In addition to the textual history testifying to a Blackfriars origin, there are multiple references within the text to Marston, to the actors as children (notably from the Citizen's Wife, who seems to recognise the actors from their school), and other indications that the performance took place in a house known for biting satire and sexual innuendo. Blackfriars specialis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Fletcher (playwright)
John Fletcher (1579–1625) was a Jacobean playwright. Following William Shakespeare as house playwright for the King's Men, he was among the most prolific and influential dramatists of his day; during his lifetime and in the early Restoration, his fame rivalled Shakespeare's. He collaborated on writing plays with Francis Beaumont, and also with Shakespeare on three plays. Though his reputation has declined since, Fletcher remains an important transitional figure between the Elizabethan popular tradition and the popular drama of the Restoration. Biography Early life Fletcher was born in December 1579 (baptised 20 December) in Rye, Sussex, and died of the plague in August 1625 (buried 29 August in St. Saviour's, Southwark). His father Richard Fletcher was an ambitious and successful cleric who was in turn Dean of Peterborough, Bishop of Bristol, Bishop of Worcester and Bishop of London (shortly before his death), as well as chaplain to Queen Elizabeth. As Dean of Pete ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coward Pestle
Cowardice is a trait wherein excessive fear prevents an individual from taking a risk or facing danger. It is the opposite of courage. As a label, "cowardice" indicates a failure of character in the face of a challenge. One who succumbs to cowardice is known as a coward. As the opposite of bravery, which many historical and current human societies reward, cowardice is seen as a character flaw that is detrimental to society and thus the failure to face one's fear is often stigmatized and/or punished. Etymology According to the '' Online Etymology Dictionary'', the word ''coward'' came into English from the Old French word ''coart'' (modern French ''couard''), which is a combination of the word for "tail" (Modern French ''queue'', Latin ''cauda'') and an agent noun suffix. It would therefore have meant "one with a tail", which may conjur an image of an animal displaying its tail in flight of fear ("turning tail"), or a dog's habit of putting its tail between its legs when it is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Style And New Style Dates
Old Style (O.S.) and New Style (N.S.) indicate dating systems before and after a calendar change, respectively. Usually, this is the change from the Julian calendar to the Gregorian calendar as enacted in various European countries between 1582 and 1923. In England, Wales, Ireland and Britain's American colonies, there were two calendar changes, both in 1752. The first adjusted the start of a new year from Lady Day (25 March) to 1 January (which Scotland had done from 1600), while the second discarded the Julian calendar in favour of the Gregorian calendar, removing 11 days from the September 1752 calendar to do so.Spathaky, MikOld Style and New Style Dates and the change to the Gregorian Calendar "Before 1752, parish registers, in addition to a new year heading after 24th March showing, for example '1733', had another heading at the end of the following December indicating '1733/4'. This showed where the Historical Year 1734 started even though the Civil Year 1733 continued u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Queen Henrietta's Men
Queen Henrietta's Men was an important playing company or troupe of actors in Caroline era in London. At their peak of popularity, Queen Henrietta's Men were the second leading troupe of the day, after only the King's Men. Beginnings The company was formed in 1625, at the start of the reign of King Charles I, by theatrical impresario Christopher Beeston under royal patronage of the new queen, Henrietta Maria of France. They were sometimes called the Queen's Majesty's Comedians or other variations on their name. The company was founded after an eight-month closure of the London theatres due to bubonic plague (March to October, 1625). The Lady Elizabeth's Men, then called the Queen of Bohemia's Men, had been resident at Beeston's Cockpit Theatre up to the plague closing, and provided the foundation of the new organization. Success Theatre manager Beeston had had several different companies acting in his Cockpit Theatre since he started it in 1617; it was with Queen Henrietta's Men ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sparagus Garden
''The Sparagus Garden'' is a Caroline era stage play, a comedy by Richard Brome. It was the greatest success of Brome's career, and one of the major theatrical hits of its period. Performance and publication ''The Sparagus Garden'' was acted by the King's Revels Men at the Salisbury Court Theatre in 1635. It was enormously popular, and reportedly earned the company £1000, a tremendous sum for a play in the 1630s. (The sheer magnitude of its success may have contributed to Brome's legal difficulties in the years immediately following: in attempting to reap greater profits from his future work, Brome entangled himself in contract disputes and lawsuits with two theatre organisations, those of Richard Heton at the Salisbury Court and Christopher Beeston at the Cockpit Theatre.) The play was revived early in the Restoration era, and was acted at the theatre at Lincoln's Inn Fields in the 1662–65 interval. It was first published in 1640, in a quarto printed by John Okes for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Brome
Richard Brome ; (c. 1590? – 24 September 1652) was an English dramatist of the Caroline era. Life Virtually nothing is known about Brome's private life. Repeated allusions in contemporary works, like Ben Jonson's ''Bartholomew Fair'', indicate that Brome started out as a servant of Jonson, in some capacity. Scholars have interpreted the allusions to mean that Brome may have begun as a menial servant but later became a sort of secretary and general assistant to the older playwright. A single brief mention of his family's need seems to show that he had a wife and children and struggled to support them. He may have had some experience as a professional actor: a 1628 warrant lists him as a member of the Queen of Bohemia's Men. Yet he had already started writing for the stage by this date. An early collaboration, ''A Fault in Friendship'' (now lost) was licensed in 1623 for Prince Charles's Men; a 1629 solo Brome effort, ''The Lovesick Maid'' (also lost), was a success for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially kn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drury Lane
Drury Lane is a street on the eastern boundary of the Covent Garden area of London, running between Aldwych and High Holborn. The northern part is in the borough of Camden and the southern part in the City of Westminster. Notable landmarks The street originated as an early medieval lane referred to in Latin as the ''Via de Aldwych'', which probably connected St. Giles Leper Hospital with the fields of Aldwych Close, owned by the hospital but traditionally said to have been granted to the Danes as part of a peace treaty with King Alfred the Great in Saxon times. It acquired its name from the Suffolk barrister Sir Robert Drury, who built a mansion called Drury House on the lane around 1500. After the death in 1615 of his great-great-grandson, another Robert Drury, the property passed out of the family. It became the London house of the Earl of Craven, then a public house under the sign of his reputed mistress, the Queen of Bohemia. Subsequently, the gardens and courtyards ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cockpit Theatre
The Cockpit was a theatre in London, operating from 1616 to around 1665. It was the first theatre to be located near Drury Lane. After damage in 1617, it was named The Phoenix. History The original building was an actual cockpit; that is, a staging area for cockfights. Most likely a round building with a peaked roof, about in diameter, it was erected under Henry VIII, c. 1530-32, as part of a gaming complex. Records indicate a major restoration in 1581-82 and renovations in 1589-90, 1602-3, and 1608-9 (the latter under the supervision of John Best, "cockmaster" to Henry Frederick, Prince of Wales, King James I of England, James I's eldest son and heir). In August 1616, Christopher Beeston acquired the lease to the building and converted it to an indoor playhouse. In March 1617, rioting apprentices attempted to destroy the playhouse, probably out of anger that their favorite plays had been removed from the Red Bull outdoor amphitheater, which charged only one penny for admissio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syphilis
Syphilis () is a sexually transmitted infection caused by the bacterium ''Treponema pallidum'' subspecies ''pallidum''. The signs and symptoms of syphilis vary depending in which of the four stages it presents (primary, secondary, latent, and tertiary). The primary stage classically presents with a single chancre (a firm, painless, non-itchy skin ulceration usually between 1 cm and 2 cm in diameter) though there may be multiple sores. In secondary syphilis, a diffuse rash occurs, which frequently involves the palms of the hands and soles of the feet. There may also be sores in the mouth or vagina. In latent syphilis, which can last for years, there are few or no symptoms. In tertiary syphilis, there are gummas (soft, non-cancerous growths), neurological problems, or heart symptoms. Syphilis has been known as "the great imitator" as it may cause symptoms similar to many other diseases. Syphilis is most commonly spread through sexual activity. It may also be transmi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banquo
Lord Banquo , the Thane of Lochaber, is a semi-historical character in William Shakespeare's 1606 play ''Macbeth''. In the play, he is at first an ally of Macbeth (both are generals in the King's army) and they meet the Three Witches together. After prophesying that Macbeth will become king, the witches tell Banquo that he will not be king himself, but that his descendants will be. Later, Macbeth in his lust for power sees Banquo as a threat and has him murdered by three hired assassins; Banquo's son, Fleance, escapes. Banquo's ghost returns in a later scene, causing Macbeth to react with alarm in public during a feast. Shakespeare borrowed the character Banquo from ''Holinshed's Chronicles'', a history of Britain published by Raphael Holinshed in 1587. In ''Chronicles'' Banquo is an accomplice to Macbeth in the murder of the king, rather than a loyal subject of the king who is seen as an enemy by Macbeth. Shakespeare may have changed this aspect of his character to please Kin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
