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King Of Skiffle
''King of Skiffle'' is an album by Lonnie Donegan. A CD version of the album was released in the United Kingdom on 18 February 1998 by Castle Music. The CD was also released by Pickwick under the title ''The Best of Lonnie Donegan''. The first single from the album that was released was a version of Lead Belly's "Rock Island Line". It was the first debut record to go gold in the UK, and reached the Top 10 in the United States. One of the songs, "My Old Man's a Dustman", reached #1 in the UK Singles Chart in April 1960. It was ranked #29 on the "Top 100 Hits of 1960" chart from Canadian Top 40 radio station, CHUM. The other main hits from the album are "Cumberland Gap" and "Does Your Chewing Gum Lose Its Flavour (On the Bedpost Overnight?)" The latter was featured decades later in the Dr. Demento radio program, a show specializing in novelty songs. The song also appears on the Dr. Demento 20th anniversary two-disc set. Track listing All tracks composed by Lonnie Donegan; e ...
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Lonnie Donegan
Anthony James Donegan (29 April 1931 – 3 November 2002), known as Lonnie Donegan, was a British skiffle singer, songwriter and musician, referred to as the "King of Skiffle", who influenced 1960s British pop and rock musicians. Born in Scotland and brought up in England, Donegan began his career in the British trad jazz revival but transitioned to skiffle in the mid-1950s, rising to prominence with a hit recording of the American folk song "Rock Island Line" which helped spur the broader UK skiffle movement. Donegan had 31 UK top 30 hit singles, 24 were successive hits and three were number one. He was the first British male singer with two US top 10 hits. Donegan received an Ivor Novello lifetime achievement award in 1995 and in 2000 he was made an MBE. Donegan was a pivotal figure in the British Invasion due to his influence in the US in the late 1950s. Life Donegan was born in Bridgeton, Glasgow, Scotland, on 29 April 1931. He was the son of an Irish mother and a Scots ...
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Does Your Chewing Gum Lose Its Flavour (On The Bedpost Overnight?)
"Does Your Chewing Gum Lose Its Flavour (On the Bedpost Overnight?)" is a novelty song by Lonnie Donegan. Released as a single in 1959, it entered the UK Singles Chart on 6 February 1959 and peaked at number three. It was also Donegan's greatest chart success in the United States, reaching number five on the ''Billboard'' Hot 100 chart in 1961. The song is a cover version of "Does the Spearmint Lose Its Flavor on the Bedpost Overnight?" written by Billy Rose, Ernest Breuer, and Marty Bloom and first released in 1924 by The Happiness Boys (Ernie Hare and Billy Jones), and later a hit for Lulu Belle and Scotty and The Two Gilberts. The song is humorous in content, the verses each describing a dramatic or urgent scenario leading up to the asking of the titular question. An even earlier version of the song under the title "Will Chewing Gum Hold Its Flavor on the Bedpost Overnight?" appeared in 1913, interpolated by burlesque and vaudeville entertainer Billy Arlington in his sketch ''T ...
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Henry Whitter
William Henry Whitter (April 6, 1892 – November 17, 1941) was an early old-time recording artist in the United States. He first performed as a solo singer, guitarist and harmonica player, and later in partnership with the fiddler G. B. Grayson. He recorded the first version of "Going Down the Road Feeling Bad". Biography Whitter was born near Fries, Grayson County, Virginia, United States. He learned to play the guitar from an early age, and later on, the fiddle, banjo, harmonica and piano. His love of music made him dream of a career as an artist and he spent much time listening to cylinder recordings of Uncle Josh. He found work in a cotton mill called "Fries Washington Mill", but through the years from 1923 to 1926, he frequently took time off to record. He claimed that his first session was in March 1923 in New York City for Okeh Records, which would have made him the first truly country singer to record, a few months before Fiddlin' John Carson. However, this claim i ...
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Wreck Of The Old 97
Wreck or The Wreck may refer to: Common uses * Wreck, a collision of an automobile, aircraft or other vehicle * Shipwreck, the remains of a ship after a crisis at sea Places * The Wreck (surf spot), a surf spot at Byron Bay, New South Wales, Australia Arts, entertainment, and media Films * ''The Wreck'' (1913 film), an Australian film * ''The Wreck'' (1927 film), an American film Music * The Wrecks, an American alternative rock band * Wreck (band), an American indie rock band * ''Wreck'' (album), a 2012 album by Unsane * "Wreck", a song by Gentle Giant from their album ''Acquiring the Taste'' Television * ''Wreck'' (TV series), British six-part comedy horror television series Other uses in arts, entertainment, and media * ''Wrecks'', one-man play by Neil LaBute *''The Wreck'', story by Guy de Maupassant Other uses * Wreck, a ceremony of initiation into the 40 et 8 club See also * Emergency wreck buoy, a navigation mark warning of a new wreck. * Rambling Wreck, a car tha ...
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Wabash Cannonball
"The Great Rock Island Route", popularized as "Wabash Cannonball" and various other titles, is a 19th century American folk song that describes the scenic beauty and predicaments of a fictional train, the ''Wabash Cannonball Express'', as it traveled on the Great Rock Island Railroad. The song has become a country music staple and common marching band repertoire. The only train to actually bear the name was created in response to the song's popularity, with the Wabash Railroad renaming its daytime express service between Detroit and St. Louis as the Wabash Cannon Ball from 1949 until discontinuation during the formation of Amtrak in 1971. The Carter Family made one of the first recordings of the song in 1929, though it was not released until 1932. Another popular version was recorded by Roy Acuff in 1936. The Acuff version is one of the fewer than 40 all-time singles to have sold 10 million (or more) physical copies worldwide. It is a signature song of the Indiana State Uni ...
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I'm Alabama Bound
"I'm Alabama Bound" is a ragtime melody composed by Robert Hoffman in 1909. Hoffman dedicated it to an M. T. Scarlata. The cover of its first edition, published by Robert Ebberman, New Orleans, 1909, advertises the music as "Also Known As The Alabama Blues" which has led some to suspect it of being one of the first blues songs. However, as written, it is an up-tempo rag (Rag Time Two Step) with no associated lyrics. The song has been recorded numerous times in different styles—both written and in sound recordings—with a number of different sets of lyrics. Two recording artists claimed composing credits for the tune under two different titles and both with differing lyrics: Trixie Smith for "Railroad Blues" (Paramount 12262, 1925) and Ferdinand "Jelly Roll" Morton for "Don't You Leave Me Here" (Bluebird 10450, 1939). In addition, Lead Belly also recorded another well-known version of "I'm Alabama Bound", in 1940. History The earliest lyrics expressing the sentiment ...
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Norman Cazden
Norman Cazden (Born September 23, 1914 in New York City; died August 18, 1980 in Bangor, Maine) was an American composer. The son of Russian immigrants, he studied first at the Juilliard School of Music and New York's City College, and then in 1944 at Harvard University under Aaron Copland and Walter Piston. While still a student at the Juilliard School, he composed for dance companies and wrote his first symphony. He also performed as a concert pianist and was a piano teacher at Juilliard from 1934 to 1949. After 1941, he worked at Camp Woodland in the Catskill Mountains, where he succeeded Herbert Haufrecht as musical director from 1945 to 1960. Cazden also taught at the Peabody Conservatory, the University of Michigan, and since 1950 at the University of Illinois in Champaign Urbana. After being investigated by the House Un-American Activities Committee, he lost this position in 1953 and received no academic position for the next 16 years. He gave private piano lessons duri ...
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Puttin' On The Style
Vernon Dalhart recorded "Puttin' On the Style" in December 1925 and by 1926 it was a popular hit. The song was collected in the Catskills by Norman Cazden from Ernie Sagar in 1945 showing that it had entered oral tradition. Another version has also been collected from oral tradition in West Virginia. Other versions "Puttin' On the Style" was a 1957 hit for skiffle artist Lonnie Donegan. It was recorded live at the London Palladium and released as a double A-side along with "Gamblin' Man" and reached No. 1 in the UK Singles Chart in June and July 1957, where it spent two weeks in this position. It was Donegan's second consecutive No. 1 in the UK and the UK's first double-sided chart topper. It was the last UK chart-topper to be solely issued in 78rpm format, as Pye Nixa did not release it on 7" single at the time (although it was later re-released as a 7"). This record was released in the USA on August 19, 1957 as Mercury 71181, but did not chart. A low quality recording of the so ...
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Alan Lomax
Alan Lomax (; January 31, 1915 – July 19, 2002) was an American ethnomusicologist, best known for his numerous field recordings of folk music of the 20th century. He was also a musician himself, as well as a folklorist, archivist, writer, scholar, political activist, oral historian, and film-maker. Lomax produced recordings, concerts, and radio shows in the US and in England, which played an important role in preserving folk music traditions in both countries, and helped start both the American and British folk revivals of the 1940s, 1950s, and early 1960s. He collected material first with his father, folklorist and collector John Lomax, and later alone and with others, Lomax recorded thousands of songs and interviews for the Archive of American Folk Song, of which he was the director, at the Library of Congress on aluminum and acetate discs. After 1942, when Congress terminated the Library of Congress's funding for folk song collecting, Lomax continued to collect independentl ...
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Frank Warner (folklorist)
Francis Moreland Warner (April 5, 1903 – February 27, 1978) was an American folk song collector, singer, musician, and YMCA executive. He and his wife Anne Warner (born Elizabeth Anne Locher, October 18, 1905 – April 26, 1991) collected and preserved many previously unpublished traditional song versions from the eastern United States, including " Tom Dooley", "He's Got the Whole World in His Hands", "The Days of Forty-Nine", and "Gilgarrah Mountain", a New Hampshire version of the song more widely known as "Whiskey in the Jar". Early life Frank Warner was born in Selma, Alabama, United States, and grew up in Jackson, Tennessee and Durham, North Carolina. He attended Duke University, and was president of the university's Glee Club. As a student of pioneer song collector Professor Frank C. Brown, he developed his interest in traditional folk music, and made his public singing debut to accompany a lecture by Brown at the North Carolina State Fair in Raleigh in 1924. He gra ...
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Tom Dooley (song)
"Tom Dooley" is a traditional North Carolina folk song based on the 1866 murder of a woman named Laura Foster in Wilkes County, North Carolina by Tom Dula (whose name in the local dialect was pronounced "Dooley"). One of the more famous murder ballads, a popular hit version recorded in 1958 by The Kingston Trio, which reached No. 1 in ''Billboard'' Hot 100 singles chart, and also was top 10 on the ''Billboard'' R&B chart, and appeared in the '' Cashbox'' Country Music Top 20. The song was selected as one of the American Songs of the Century by the Recording Industry Association of America (RIAA), the National Endowment for the Arts, and Scholastic Inc. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time. "Tom Dooley" fits within the wider genre of Appalachian "sweetheart murder ballads". A local poet named Thomas Land wrote a song about the tragedy, titled "Tom Dooley", shortly after Dula was hanged. In the documentary ''Appalachia ...
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Jack Of Diamonds (song)
Jack of Diamonds (a.k.a. Jack o' Diamonds and Jack of Diamonds (Is a Hard Card to Play)) is a traditional folk song. It is a Texas gambling song that was popularized by Blind Lemon Jefferson. It was sung from the point of view of a railroad man who had lost money playing conquian. At least twelve artists recorded the tune before World War II. It has been recorded under various titles such as "A Corn Licker Still in Georgia" (Riley Puckett) and "Rye Whiskey" (Tex Ritter). The song is related to "Drunkard's Hiccoughs", "Johnnie Armstrong", "Todlen Hame", "Bacach", "Robi Donadh Gorrach", "The Wagoner's Lad", "Clinch Mountain", " The Cuckoo", "Rye Whiskey", "Saints Bound for Heaven", "Separation", and "John Adkins' Farewell." This family of tunes originally comes from the British Isles, though is most well known in North America. The lyrics may originate in the American Civil War song "The Rebel Soldier" and the melody from the Scottish song "Robie Donadh Gorrach", known by Nathaniel ...
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