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King John And The Bishop
"King John and the Bishop" is an English folk-song dating back at least to the 16th century. It is catalogued in Child Ballads as number 45 and Roud Folk Song Index 302. It tells how King John, covetous of the bishop of Canterbury's wealth, compels him on pain of death to answer three impossible questions. The bishop's shepherd appears in disguise to substitute in his place, and answers the questions cleverly in riddle fashion, after which the appeased king rewards the shepherd and spares the bishop. Like the ballad, historical King John had a reputation of confiscating property from the clergy., in commentary to the ballad: "..when ing Johnhad taken a Mind to any Man's Estate, (especially a Churchman's, for those he frequently chased)" it would have been out of character for him to as allow as much as three days to his victim, or so the anthologist has heard from skeptics who felt the ballad must have originally featured some other monarch. The ballad is classified as Aarne-Th ...
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Folk-song
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk reviva ...
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Thomas Becket
Thomas Becket (), also known as Saint Thomas of Canterbury, Thomas of London and later Thomas à Becket (21 December 1119 or 1120 – 29 December 1170), was an English nobleman who served as Lord Chancellor from 1155 to 1162, and then notably as Archbishop of Canterbury from 1162 until his murder in 1170. He is venerated as a saint and martyr by the Catholic Church and the Anglican Communion. He engaged in conflict with Henry II, King of England, over the rights and privileges of the Church and was murdered by followers of the king in Canterbury Cathedral. Soon after his death, he was canonised by Pope Alexander III. Sources The main sources for the life of Becket are a number of biographies written by contemporaries. A few of these documents are by unknown writers, although traditional historiography has given them names. The known biographers are John of Salisbury, Edward Grim, Benedict of Peterborough, William of Canterbury, William fitzStephen, Guernes of Pont-Sa ...
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Francis Douce
Francis Douce ( ; 175730 March 1834) was a British antiquary and museum curator. Biography Douce was born in London. His father was a clerk in Chancery. After completing his education he entered his father's office, but soon quit it to devote himself to the study of antiquities. He became a prominent member of the Society of Antiquaries, and from 1799 to 1811 served as Keeper of Manuscripts in the British Museum, but was compelled to resign owing to a quarrel with one of the trustees. Francis attended a school in Richmond, where he became proficient in Latin and made some progress with Greek, before suddenly relocating to a French academy. After his schooling, he entered the Gray's Inn in 1779 and was admitted an attorney of the King's Bench. In the same year, Francis was elected a fellow of the Society of Antiquaries and in 1781 was admitted to use the British Museum Library. In 1807 he published his ''Illustrations of Shakespeare and Ancient Manners'' (2 vols. 8vo), which ...
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Half Crown (British Coin)
The British half crown was a denomination of sterling coinage worth of one pound, or two shillings and six pence (abbreviated "2/6", familiarly "two and six"), or 30 (old) pence. The half crown was first issued in 1549, in the reign of Edward VI. No half crowns were issued in the reign of Mary, but from the reign of Elizabeth I half crowns were issued in every reign except that of Edward VIII, until the coins were discontinued in 1970. The half crown was demonetised (ahead of other pre-decimal coins) on 1 January 1970, the year before the United Kingdom adopted decimal currency on Decimal Day. During the English Interregnum of 1649–1660, a republican half crown was issued, bearing the arms of the Commonwealth of England, despite monarchist associations of the coin's name. When Oliver Cromwell was made Lord Protector of England, half crowns were issued bearing his portrait depicting him wearing a laurel wreath in the manner of a Roman Emperor. The half crown did not displ ...
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The Ballad Of Chevy Chase
"The Ballad of Chevy Chase" is an English ballad, catalogued as Child Ballad 162 (Roud 223Sehere/ref>). There are two extant ballads under this title, both of which narrate the same story. As ballads existed within oral tradition before being written down, other versions of this once-popular song also may have existed. Its tune has been used by other, unconnected songs. Synopsis The ballads tell the story of a large hunting party upon a parcel of hunting land (or ''chase'') in the Cheviot Hills, a range of rolling hills straddling the Anglo-Scottish border between Northumberland and the Scottish Borders—hence, Chevy Chase. The hunt is led by Percy, the English Earl of Northumberland, against the wishes of the Scottish Earl Douglas, who had forbidden it. Douglas interprets the party's arrival as an invasion of Scotland and attacks. Only 110 people survive the bloody battle that follows. Historical basis Percy and scholar Francis J. Child noted similarities with the older ...
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English Short Title Catalogue
The English Short Title Catalogue (ESTC) is a union short-title catalogue of works published between 1473 and 1800, in Britain and its former colonies, notably those in North America, and primarily in English, drawing on the collections of the British Library and other libraries in Britain and around the world. It is co-managed by the British Library and the Center for Bibliographical Studies and Research (CBSR) at the University of California, Riverside. The database is freely searchable. History The ESTC began life as the Eighteenth-Century Short Title Catalogue, with the same abbreviation, covering only 1701 to 1800. Earlier printed works had been catalogued in A. W. Pollard and G. R. Redgrave's ''Short Title Catalogue'' (1st edn 1926; 2nd edn, 1976–91) for the period 1473 to 1640; and Donald Goddard Wing's similarly titled bibliography (1945–51, with later supplements and addenda) for the period 1641 to 1700. These works were eventually incorporated into the database. ...
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Collection Of Old Ballads
''A Collection of Old Ballads'' is an anonymous book published 1723–1725 in three volumes in London by Roberts and Leach. It was the second major collection of British folksongs to be published, following ''Wit and Mirth, or Pills to Purge Melancholy'' (published 1719–1720). Ambrose Philips was once credited as the editor, but this has since been challenged.R. S. Thomson,‘The Development of the Broadside Ballad Trade and its Influence upon the Transmission of English Ballads’, (unpublished doctoral thesis, Cambridge University, 1974 pp.108-111 Volume one contained "Chevy Chase", " Queen Eleanor's Confession", "The Suffolk Miracle", and "Bonny Dundee". The preface to volume two notes that readers had responded to volume one by sending some rare songs to the editor. It has fewer genuine folksongs than the first volume, and instead has some obvious literary concoctions. It has "The Merchant's Son and Beggar Wench of Hull" (a prototype of "New York Girls"), "The Wind Has Blown ...
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Wit And Mirth, Or Pills To Purge Melancholy
''Wit and Mirth: Or Pills to Purge Melancholy'' is the title of a large collection of songs by Thomas d'Urfey, published between 1698 and 1720, which in its final, six-volume edition held over 1,000 songs and poems. The collection started as a single book compiled and published by Henry Playford who had succeeded his father John Playford as the leading music publisher of the period. Over the next two decades, ''Pills'' went through various editions and expanded into five volumes; in 1719 Thomas D'Urfey reordered and added to the work to produce a new edition (also in 5 volumes) with the title ''Songs Compleat, Pleasant and Divertive'', published by Jacob Tonson. Volumes I and II now consisted entirely of songs with words by D'Urfey, "Set to Musick by Dr. John Blow, Mr. Henry Purcell, and other excellent masters of the town". The edition sold out quickly and in the second printing D'Urfey reverted to the ''Pills'' title. He added Volume 6 in 1720. The title itself may derive from a 1 ...
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Thomas D'Urfey
Thomas d'Urfey (a.k.a. Tom Durfey; 165326 February 1723) was an English writer and wit. He wrote plays, songs, jokes, and poems. He was an important innovator and contributor in the evolution of the ballad opera. Life D'Urfey was born in Devonshire and began his professional life as a scrivener, but quickly turned to the theatre. In personality, he was considered so affable and amusing that he could make friends with nearly everyone, including such disparate characters as Charles II of England and his brother James II, and in all layers of society. D'Urfey lived in an age of self-conscious elitism and anti-egalitarianism, a reaction against the "leveling" tendencies of the previous Puritan reign during the Interregnum. D'Urfey participated in the Restoration's dominant atmosphere of social climbing: he claimed to be of French Huguenot descent, though he might not have been; and he added an apostrophe to the plain English name Durfey when he was in his 30s. He wrote 500 songs, a ...
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EBBA
Ebba is a feminine given name, the feminine version of Ebbe, which is a diminutive form of the Germanic name Eberhard or Everhard, meaning " strong." Alternately, it may be a form of an Old English name Æbbe, of unknown derivation, which was the name of several early saints. The name was the 10th most popular name given to girls born in Sweden in 2009. People *Ebba Amfeldt (1906–1974), Danish film actress *Ebba d'Aubert (1819–1860), Swedish concert pianist *Ebba Bielke (1570–1618), Swedish baroness convicted of high treason * Ebba Boström (1844–1902), Swedish nurse and philanthropist *Ebba Brahe (1596–1674), Swedish countess and courtier *Ebba Busch Thor (born 1987), Swedish politician, leader of the Christian Democrats *Ebba Carstensen (1885–1967), Danish-Swedish painter *Ebba Maria De la Gardie (1657–1697), Swedish poet and countess *Ebba De la Gardie (1867-1928), Swedish reporter *Ebba Eriksdotter Vasa (died 1549), Swedish noble, mother of ...
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Terminus Ante Quem
''Terminus post quem'' ("limit after which", sometimes abbreviated to TPQ) and ''terminus ante quem'' ("limit before which", abbreviated to TAQ) specify the known limits of dating for events or items.. A ''terminus post quem'' is the earliest date the event may have happened or the item was in existence, and a ''terminus ante quem'' is the latest. An event may well have both a ''terminus post quem'' and a ''terminus ante quem'', in which case the limits of the possible range of dates are known at both ends, but many events have just one or the other. Similarly, ''terminus ad quem'' ("limit to which") is the latest possible date of a non-punctual event (period, era, etc.), while ''terminus a quo'' ("limit from which") is the earliest. The concepts are similar to those of upper and lower bounds in mathematics. These terms are often used in archaeological and historical studies, such as dating layers in excavated sites, coins, historical events, authors, inscriptions or texts wher ...
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Broadside Ballad
A broadside (also known as a broadsheet) is a single sheet of inexpensive paper printed on one side, often with a ballad, rhyme, news and sometimes with woodcut illustrations. They were one of the most common forms of printed material between the sixteenth and nineteenth centuries, particularly in Britain, Ireland and North America because they are easy to produce and are often associated with one of the most important forms of traditional music from these countries, the ballad. Development of broadsides Ballads developed out of minstrelsy from the fourteenth and fifteenth century. These were narrative poems that had combined with French courtly romances and Germanic legends that were popular at the King’s court, as well as in the halls of lords of the realm. By the seventeenth century, minstrelsy had evolved into ballads whose authors wrote on a variety of topics. The authors could then have their ballads printed and distributed. Printers used a single piece of paper known as ...
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