|
Ki No Tokibumi
Ki no Tokibumi (紀 時文, 922 - 996) was a Japanese waka poet and nobleman of the Heian period. As one of the Five Men of the Pear Chamber (梨壺の五人), he assisted in the compilation of the Gosen Wakashū poetry anthology. He also compiled '' kundoku'' (訓読) readings for texts from the Man'yōshū The is the oldest extant collection of Japanese (poetry in Classical Japanese), compiled sometime after AD 759 during the Nara period. The anthology is one of the most revered of Japan's poetic compilations. The compiler, or the last in .... References 922 births 996 deaths 10th-century Japanese poets Ki clan {{japan-writer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waka (poetry)
is a type of poetry in classical Japanese literature. Although ''waka'' in modern Japanese is written as , in the past it was also written as (see Wa, an old name for Japan), and a variant name is . Etymology The word ''waka'' has two different but related meanings: the original meaning was "poetry in Japanese" and encompassed several genres such as ''chōka'' and ''sedōka'' (discussed below); the later, more common definition refers to poetry in a 5-7-5-7-7 metre. Up to and during the compilation of the ''Man'yōshū'' in the eighth century, the word ''waka'' was a general term for poetry composed in Japanese, and included several genres such as , , and . However, by the time of the '' Kokinshūs compilation at the beginning of the tenth century, all of these forms except for the ''tanka'' and ''chōka'' had effectively gone extinct, and ''chōka'' had significantly diminished in prominence. As a result, the word ''waka'' became effectively synonymous with ''tanka'', and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heian Period
The is the last division of classical Japanese history, running from 794 to 1185. It followed the Nara period, beginning when the 50th emperor, Emperor Kanmu, moved the capital of Japan to Heian-kyō (modern Kyoto). means "peace" in Japanese. It is a period in Japanese history when the Chinese influences were in decline and the national culture matured. The Heian period is also considered the peak of the Japanese imperial court and noted for its art, especially poetry and literature. Two types of Japanese script emerged, including katakana, a phonetic script which was abbreviated into hiragana, a cursive alphabet with a unique writing method distinctive to Japan. This gave rise to Japan's famous vernacular literature, with many of its texts written by court women who were not as educated in Chinese compared to their male counterparts. Although the Imperial House of Japan had power on the surface, the real power was in the hands of the Fujiwara clan, a powerful aristocratic f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Five Men Of The Pear Chamber
{{Unreferenced, date=August 2020 The Five Men of the Pear Chamber (梨壺の五人 ''Nashitsubo no gonin'') are a group of Heian period Japanese poets and scholars who cooperated in the compilation of the Gosen Wakashū. They also compiled '' kundoku'' (訓読) readings for texts from the Man'yōshū. The group was composed of the following men: * Ōnakatomi no Yoshinobu (大中臣能宣, (921-991) * Minamoto no Shitagō (源順, 911-983) * Kiyohara no Motosuke (清原元輔, 908-990) * Sakanoue no Mochiki (坂上望城, dates unknown) * Ki no Tokibumi Ki no Tokibumi (紀 時文, 922 - 996) was a Japanese waka poet and nobleman of the Heian period. As one of the Five Men of the Pear Chamber (梨壺の五人), he assisted in the compilation of the Gosen Wakashū poetry anthology. He also compi ... (紀時文, 922-996) + + ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gosen Wakashū
The , often abbreviated as ''Gosenshū'' ("Later Collection"), is an imperial anthology of Japanese waka compiled in 951 at the behest of Emperor Murakami by the Five Men of the Pear Chamber: Ōnakatomi no Yoshinobu (922-991), Kiyohara no Motosuke (908-990), Minamoto no Shitagō (911-983), Ki no Tokibumi (flourished ~950), and Sakanoue no Mochiki (flourished ~950). It consists of twenty volumes containing 1,426 poems. The collection has no preface and there are no contemporary writings that explain the compilers' intentions, nor is there any evidence that it was formally presented to the Emperor. In comparison to the ''Kokin Wakashū'' which preceded it, the ''Gosenshū'' focuses more on private poems, particularly poetry exchanges. It has a large number of poems that seem more like fictional poem tales, and even the poems by named authors frequently have long prose prefaces. References * pg. 482-483 of ''Japanese Court Poetry'', Earl Miner, Robert H. Brower. 1961, Stanford Univ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Man'yōshū
The is the oldest extant collection of Japanese (poetry in Classical Japanese), compiled sometime after AD 759 during the Nara period. The anthology is one of the most revered of Japan's poetic compilations. The compiler, or the last in a series of compilers, is today widely believed to be Ōtomo no Yakamochi, although numerous other theories have been proposed. The chronologically last datable poem in the collection is from AD 759 ( 4516). It contains many poems from a much earlier period, with the bulk of the collection representing the period between AD 600 and 759. The precise significance of the title is not known with certainty. The contains 20 volumes and more than 4,500 poems, and is divided into three genres: , songs at banquets and trips; , songs about love between men and women; and songs to mourn the death of people. These songs were written by people of various statuses, such as the Emperor, aristocrats, junior officials, soldiers ( songs), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
922 Births
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
996 Deaths
Year 996 ( CMXCVI) was a leap year starting on Wednesday (link will display the full calendar) of the Julian calendar. Events By place Japan * February - Chotoku Incident: Fujiwara no Korechika and Takaie shoot an arrow at Retired Emperor Kazan. * 2 March: Emperor Ichijo orders the imperial police to raid Korechika’s residence; Empress Teishi (sister of Korechika) cuts her hair because of the humiliation; Takaie is arrested, Korechika is absent. * 5 March: Korechika returns with his head shaven and attired as a monk. Europe * Spring – King Otto III starts his first expedition to Italy from Regensburg, and proceeds over the Brenner Pass. News of Otto's arrival prompts Crescentius II (the Younger), patrician (the ''de facto'' ruler) of Rome, to invite Pope John XV (exiled in Tuscany) back to Rome. Otto arrives in Verona, and receives ambassadors of Doge Pietro II Orseolo of Venice. * May 21 – Otto III, 16, is crowned Emperor of the Holy Roman Empire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
10th-century Japanese Poets
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
