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Khrueang Sai
''Wong khrueang sai'' ( th, วงเครื่องสาย, , literally "string ensemble") is a musical ensemble in Thai classical music which consists primarily of string instruments. A typical ''khrueang sai'' ensemble features two two-string fiddles, one high and one low (''saw duang'' and ''saw u''), a three-string zither called ''jakhe'', a vertical duct flute called ''khlui'', hand drums, and various cymbals. Depending on the size of the ensemble, instruments may be doubled or left out. A three-string spike fiddle called ''saw sam sai'' may be added as well. The ''khim'' (hammered dulcimer) has become popular and is also used in this ensemble. In the 20th century, Western instruments such as the violin or organ have also occasionally been integrated into ''khrueang sai'' ensembles. Playing context The ''khrueang sai'' is one of the quietest and most intimate ensembles in Thai classical music. It is used to accompany singing, dances, and holidays. It also used in impro ...
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Temple Girls
A temple (from the Latin ) is a building reserved for spiritual rituals and activities such as prayer and sacrifice. Religions which erect temples include Christianity (whose temples are typically called churches), Hinduism (whose temples are called Mandir), Buddhism, Sikhism (whose temples are called gurudwara), Jainism (whose temples are sometimes called derasar), Islam (whose temples are called mosques), Judaism (whose temples are called synagogues), Zoroastrianism (whose temples are sometimes called Agiary), the Baha'i Faith (which are often simply referred to as Baha'i House of Worship), Taoism (which are sometimes called Daoguan), Shinto (which are sometimes called Jinja), Confucianism (which are sometimes called the Temple of Confucius), and ancient religions such as the Ancient Egyptian religion and the Ancient Greek religion. The form and function of temples are thus very variable, though they are often considered by believers to be, in some sense, the "house" of ...
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Dance
Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoire of movements, or by its historical period or place of origin. An important distinction is to be drawn between the contexts of theatrical and participatory dance, although these two categories are not always completely separate; both may have special functions, whether social, ceremonial, competitive, erotic, martial, or sacred/liturgical. Other forms of human movement are sometimes said to have a dance-like quality, including martial arts, gymnastics, cheerleading, figure skating, synchronized swimming, marching bands, and many other forms of athletics. There are many professional athletes like, professional football players and soccer players, who take dance classes to help with their skills. To be more specific professional athlet ...
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Mahori
The ''mahori'' ( th, มโหรี) is a form of Thai classical ensemble traditionally played in the royal courts for the purpose of secular entertainment. It combines the xylophones and gong circles (but not the pi, or oboe) of the ''piphat'' with the strings of the ''khruang sai'' ensemble. Originally, the term referred only to a string ensemble, although today it includes both string and percussion. There are three broad types of Mahori: Mahori Khryang Lek, Mahori Khyrang Khu, and Mahori Khyrang Yai, each differentiated by the types of instruments utilized. History Mahori is thought to have appeared at least as early as Ayutthaya period, however, in 1931, Prince Damrong, the author of the History of Thai Music had asserted that the Thai ''mahori'' was of Khmer origin and created by the ancient Khmer and later adopted and elaborated in Thai society. Initially, only men were permitted to play mahori; however, as its popularity grew, women from royal backgrounds began to pl ...
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Piphat
A ''piphat'' is a kind of ensemble in the classical music of Thailand, which features wind and percussion instruments. It is considered the primary form of ensemble for the interpretation of the most sacred and "high-class" compositions of the Thai classical repertoire, including the Buddhist invocation entitled ''sathukan'' ( th, สาธุการ) as well as the suites called ''phleng rueang''. It is also used to accompany traditional Thai theatrical and dance forms including ''khon'' ( th, โขน) (masked dance-drama), '' lakhon'' (classical dance), and shadow puppet theater. Piphat in the earlier time was called ''phinphat''. It is analogous to its Cambodian musical ensemble of pinpeat and Laotian ensemble of pinphat. Types of ''piphat'' The smallest ''piphat'', called ''piphat khrueang ha'', is composed of six instruments: '' pi nai'' (oboe); ''ranat ek'' (xylophone); ''khong wong yai'' (gong circle); ''taphon'' or other Thai drums; ''glong thad'', a set of two l ...
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Piphat
A ''piphat'' is a kind of ensemble in the classical music of Thailand, which features wind and percussion instruments. It is considered the primary form of ensemble for the interpretation of the most sacred and "high-class" compositions of the Thai classical repertoire, including the Buddhist invocation entitled ''sathukan'' ( th, สาธุการ) as well as the suites called ''phleng rueang''. It is also used to accompany traditional Thai theatrical and dance forms including ''khon'' ( th, โขน) (masked dance-drama), '' lakhon'' (classical dance), and shadow puppet theater. Piphat in the earlier time was called ''phinphat''. It is analogous to its Cambodian musical ensemble of pinpeat and Laotian ensemble of pinphat. Types of ''piphat'' The smallest ''piphat'', called ''piphat khrueang ha'', is composed of six instruments: '' pi nai'' (oboe); ''ranat ek'' (xylophone); ''khong wong yai'' (gong circle); ''taphon'' or other Thai drums; ''glong thad'', a set of two l ...
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Jakhe
The ''chakhe'' ( Lao: ຈະເຂ້, , th, จะเข้, , also spelled ''jakhe'' or ''ja-khe''), or ''krapeu'' ( km, ក្រពើ; also called ''takhe'', km, តាខេ, ''takhe'', ''takkhe'' or ''charakhe''), is a fretted floor zither or lute with three strings used in Thai and Khmer music. The Thai and the Khmer instrument are virtually identical. It is made of hardwood in a stylized crocodile shape and is approximately 20 cm high and 130–132 cm long. The "head" portion is 52 cm long, 28 cm wide and 9–12 cm deep; the "tail" portion 81 cm long and 11.5 cm wide. It has eleven ''(chakhe)'' or twelve ''(krapeu)'' raised frets made of bamboo, ivory, bone or wood, graduated between 2 and 3.5 cm in height, which are affixed to the fretboard with wax or glue. Its highest two strings are made of silk yarn, catgut or nylon while the lowest is made of metal. They are tuned C–G–c. The instrument is usually supported by three or ...
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Rammana
The ''thon and rammana'' ( th, โทนรำมะนา, ) are hand drums played as a pair in Thai classical music. It consists of two drums: the ''thon'' (โทน), a goblet drum with a ceramic or wooden body and the ''rammana'' (รำมะนา), a small rebana-typed frame drum or tambourine. They are used usually in the ''khruang sai'' ensemble. The ''thon'' gives a low pitch and the ''rammana'' gives a high pitch. Earlier in the 20th century, the ''thon'' and ''rammana'' were sometimes played separately. The instruments are also used in Cambodian music in the mohori ensemble. See also *Skor daey, article compares Cambodian goblet drums *Traditional Thai musical instruments Traditional Thai musical instruments ( th, เครื่องดนตรีไทย, ) are the musical instruments used in the traditional and classical music of Thailand. They comprise a wide range of wind, string, and percussion instruments ... * Cambodian folk and classical music, mohori ...
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Thon Rammana
The ''thon and rammana'' ( th, โทนรำมะนา, ) are hand drums played as a pair in Thai classical music. It consists of two drums: the ''thon'' (โทน), a goblet drum with a ceramic or wooden body and the ''rammana'' (รำมะนา), a small rebana-typed frame drum or tambourine. They are used usually in the ''khruang sai'' ensemble. The ''thon'' gives a low pitch and the ''rammana'' gives a high pitch. Earlier in the 20th century, the ''thon'' and ''rammana'' were sometimes played separately. The instruments are also used in Cambodian music in the mohori ensemble. See also *Skor daey, article compares Cambodian goblet drums *Traditional Thai musical instruments Traditional Thai musical instruments ( th, เครื่องดนตรีไทย, ) are the musical instruments used in the traditional and classical music of Thailand. They comprise a wide range of wind, string, and percussion instruments ... * Cambodian folk and classical music, mohori ...
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Saw U
The ''saw u'' ( th, ซออู้, , ; also spelled ''saw ou'') is a Thai bowed string instrument. It has a lower pitch than the saw duang and is the lowest sounding of the saw family. Reliable evidence shows that pattern of the Saw U was probably taken from the Chinese instrument and it is very similar to a two stringed Chinese instrument called the hu hu. The saw U was invented since the age of the present Bangkok period (c. 1782) or perhaps from the end of the preceding in the age of Ayudya (c.1700 - 1767). By the end of the 19th century, the Saw U was added to the pi-phat-mai nuam ensemble which uses padded playing sticks and the pi phat derk dam ban which is a special pi phat ensemble in a particular form of theater. From the past Saw U was generally played in pi phat ensemble with other accompanying instruments. Thai people call it “Saw U” because of the characteristic sound that Thai people heard from it. The soundbox is made from a coconut shell that is covered on th ...
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Saw Duang
A saw is a tool consisting of a tough blade, Wire saw, wire, or Chain saw, chain with a hard toothed edge. It is used to cut through material, very often wood, though sometimes metal or stone. The cut is made by placing the toothed edge against the material and moving it forcefully forth and less vigorously back or continuously forward. This force may be applied by hand tool, hand, or power tool, powered by steam, water, electricity or other power (physics), power source. An abrasive saw has a powered circular blade designed to cut through metal or ceramic. Terminology * Abrasive saw: A saw that cuts with an abrasive disc or band, rather than a toothed blade. * Back: the edge opposite the toothed edge. * Fleam: The angle of the faces of the teeth relative to a line perpendicular to the face of the saw. * Gullet: The valley between the points of the teeth. * Heel: The end closest to the handle. * Kerf: The narrow channel left behind by the saw and (relatedly) the measure of i ...
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Ching (musical Instrument)
Ching (also spelled Chheng, km, ឈិង or Chhing, th, ฉิ่ง) are finger cymbals played in Cambodian and Thailand, Thai theater and dance ensembles. Construction and use Joined by a cord that runs through the center, ching are bowl-shaped, about 5 centimeters in diameter, and made of bronze alloy—iron, copper, and gold. They are struck together in a cyclical pattern to keep time and regulate the melody, and they function as the "timekeeper" of the ensemble. The rhythm typically consists of alternating the accented closed stroke with an unaccented open "ching" stroke. The name "ching" is probably onomatopoeia, onomatopoeic for this open sound. Musical context The Cambodian ensemble—which has traditionally accompanied court dance, masked plays, and shadow plays and ceremonies—is composed of vocalists and instruments: gong chimes, reed instruments, metallophones, xylophones, drums, and ching. A Thai ensemble consists of stringed fiddles, flutes, zither, xylophones, go ...
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Holiday
A holiday is a day set aside by custom or by law on which normal activities, especially business or work including school, are suspended or reduced. Generally, holidays are intended to allow individuals to celebrate or commemorate an event or tradition of cultural or religious significance. Holidays may be designated by governments, religious institutions, or other groups or organizations. The degree to which normal activities are reduced by a holiday may depend on local laws, customs, the type of job held or personal choices. The concept of holidays often originated in connection with religious observances or associated with traditions. The intention of a holiday was typically to allow individuals to tend to religious duties associated with important dates on the calendar. In most modern societies, however, holidays serve as much of a recreational functions as any other weekend days or activities. In many societies, there are important distinctions between holidays designated ...
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