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Kharaqan Towers
The Kharraqan towers (as known as the Kharrakhan or Kharaghan towers) are a pair of mausolea built in 1067 and 1093, in the Kharraqan region of northern Iran, near Qazvin. They are notable for being an early example of geometric ornament, an early example of double domes, and one of the earlier tomb towers that appeared in Seljuq Iran during the 11th century. The octagonal brick structures stand tall, and each side is wide. The surface of both mausolea demonstrate extensive use of geometry. The interior walls of the older mausoleum are decorated with paintings of various subjects. The eastern tower dates from 1067–68, and the western tower dates from 1093. These towers are remnant examples of architecture that existed during the Seljuk period of medieval Persia. Descriptions Structure Both mausolea have double shells for the domes; the inner shells are intact, but the outer shells on both towers are lost. There is no direct access to light through the windows on the ou ...
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Hesar-e Valiyeasr
Hesar-e Valiyeasr ( fa, حصارولي عصر, also Romanized as Heṣār-e Valīyeʿaṣr) is a village in Hesar-e Valiyeasr Rural District, Central District, Avaj County, Qazvin Province, Iran Iran, officially the Islamic Republic of Iran, and also called Persia, is a country located in Western Asia. It is bordered by Iraq and Turkey to the west, by Azerbaijan and Armenia to the northwest, by the Caspian Sea and Turkmeni .... At the 2006 census, its population was 666, in 170 families. References Populated places in Avaj County {{Avaj-geo-stub ...
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Oleg Grabar
Oleg Grabar (November 3, 1929 – January 8, 2011) was a French-born art historian and archeologist, who spent most of his career in the United States, as a leading figure in the field of Islamic art and architecture. Academic career Oleg Grabar was the son of André Grabar. He attended the University of Paris, where he studied ancient, medieval, and modern history, before moving to the US in 1948. He completed degrees from both Harvard and the University of Paris in 1950. In 1955, he obtained a PhD from Princeton University. He served on the faculty of the University of Michigan in 1954–69, before moving to Harvard University as a full professor. In 1980, Grabar became Harvard's first Aga Khan Professor of Islamic Art and Architecture. He was a founding editor of the journal ''Muqarnas'' in 1983. He became emeritus from Harvard in 1990, and then joined the School of Historical Studies at the Institute for Advanced Study, becoming emeritus there in 1998. According ...
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Seljuk Architecture
Seljuk architecture comprises the building traditions that developed under the Seljuk dynasty, when it ruled most of the Middle East and Anatolia during the 11th to 13th centuries. The Great Seljuk Empire (11th-12th centuries) contributed significantly to the architecture of Iran and surrounding regions, introducing innovations such as the symmetrical four-iwan layout and the first widespread creation of state-sponsored madrasas. Their buildings were generally constructed in brick, with decoration created using brickwork, tiles, and carved stucco. After the 11th century the Seljuks of Anatolia emerged from the Great Seljuk Empire, along with various local dynasties, developing their own architecture. Anatolian Seljuk architecture was more eclectic and was influenced by multiple traditions including Armenian, Byzantine Iranian, and Syrian architecture. Unlike earlier Seljuk architecture to the east, their buildings were generally constructed in stone and featured significant st ...
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Buildings And Structures In Qazvin Province
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artis ...
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Architecture In Iran
Iranian architecture or Persian architecture (Persian: معمارى ایرانی, ''Memāri e Irāni'') is the architecture of Iran and parts of the rest of West Asia, the Caucasus and Central Asia. Its history dates back to at least 5,000 BC with characteristic examples distributed over a vast area from Turkey and Iraq to Uzbekistan and Tajikistan, and from the Caucasus to Zanzibar. Persian buildings vary from peasant huts to tea houses, and garden pavilions to "some of the most majestic structures the world has ever seen". In addition to historic gates, palaces, and mosques, the rapid growth of cities such as the capital Tehran has brought about a wave of demolition and new construction. Iranian architecture displays great variety, both structural and aesthetic, from a variety of traditions and experience. Without sudden innovations, and despite the repeated trauma of invasions and cultural shocks, it has achieved "an individuality distinct from that of other Muslim countries" ...
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Mausoleums In Iran
A mausoleum is an external free-standing building constructed as a monument enclosing the interment space or burial chamber of a deceased person or people. A mausoleum without the person's remains is called a cenotaph. A mausoleum may be considered a type of tomb, or the tomb may be considered to be within the mausoleum. Overview The word ''mausoleum'' (from Greek μαυσωλείον) derives from the Mausoleum at Halicarnassus (near modern-day Bodrum in Turkey), the grave of King Mausolus, the Persian satrap of Caria, whose large tomb was one of the Seven Wonders of the Ancient World. Historically, mausolea were, and still may be, large and impressive constructions for a deceased leader or other person of importance. However, smaller mausolea soon became popular with the gentry and nobility in many countries. In the Roman Empire, these were often in necropoles or along roadsides: the via Appia Antica retains the ruins of many private mausolea for kilometres outside Rome. Whe ...
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Buildings And Structures Completed In 1093
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ...
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Buildings And Structures Completed In 1067
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ...
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History Of Persian Domes
Persian domes or Iranian domes have an ancient origin and a history extending to the modern era. The use of domes in ancient Mesopotamia was carried forward through a succession of empires in the Greater Iran region. An ancient tradition of royal audience tents representing the heavens was translated into monumental stone and brick domes due to the invention of the squinch, a reliable method of supporting the circular base of a heavy dome upon the walls of a square chamber. Domes were built as part of royal palaces, castles, caravansaries, and temples, among other structures. With the introduction of Islam in the 7th century, mosque and mausoleum architecture also adopted and developed these forms. Structural innovations included pointed domes, drums, conical roofs, double and triple shells, and the use of muqarnas and bulbous forms. Decorative brick patterning, interlaced ribs, painted plaster, and colorful tiled mosaics were used to decorate the exterior as well as the inte ...
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Seljuk Architecture
Seljuk architecture comprises the building traditions that developed under the Seljuk dynasty, when it ruled most of the Middle East and Anatolia during the 11th to 13th centuries. The Great Seljuk Empire (11th-12th centuries) contributed significantly to the architecture of Iran and surrounding regions, introducing innovations such as the symmetrical four-iwan layout and the first widespread creation of state-sponsored madrasas. Their buildings were generally constructed in brick, with decoration created using brickwork, tiles, and carved stucco. After the 11th century the Seljuks of Anatolia emerged from the Great Seljuk Empire, along with various local dynasties, developing their own architecture. Anatolian Seljuk architecture was more eclectic and was influenced by multiple traditions including Armenian, Byzantine Iranian, and Syrian architecture. Unlike earlier Seljuk architecture to the east, their buildings were generally constructed in stone and featured significant st ...
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Cultural Heritage, Handcrafts And Tourism Organization
Ministry of Cultural Heritage, Tourism and Handicraft Organization ( fa, وزارت میراث فرهنگی، گردشگری و صنایع دستی ایران, ''Vâzart-e Miras-e Ferhengi-ye, Gârdâshigâri-ye vâ Sânai'-ye Dâsti-ye Iran'') is an educational and research institution overseeing numerous associated museum complexes throughout Iran. It is administered and funded by the Government of Iran. It was first established in 1985 by legislation from the Majlis merging 11 research and cultural organizations. In 2019, Iran Cultural Heritage, Handicrafts and Tourism Organization (ICHHTO), has transferred into the Ministry. The current Minister is Ezzatollah Zarghami, being appointed 25 August 2021 by President Ebrahim Raisi that he chose by Iranian people directly vote in Iran 2021 Presidential election. It publishes and oversees the publication of many journals and books, and carries out projects in conjunction with foreign museums and academia. It is similar in scope and ...
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Iranian Architecture
Iranian architecture or Persian architecture (Persian: معمارى ایرانی, ''Memāri e Irāni'') is the architecture of Iran and parts of the rest of West Asia, the Caucasus and Central Asia. Its history dates back to at least 5,000 BC with characteristic examples distributed over a vast area from Turkey and Iraq to Uzbekistan and Tajikistan, and from the Caucasus to Zanzibar. Persian buildings vary from peasant huts to tea houses, and garden pavilions to "some of the most majestic structures the world has ever seen". In addition to historic gates, palaces, and mosques, the rapid growth of cities such as the capital Tehran has brought about a wave of demolition and new construction. Iranian architecture displays great variety, both structural and aesthetic, from a variety of traditions and experience. Without sudden innovations, and despite the repeated trauma of invasions and cultural shocks, it has achieved "an individuality distinct from that of other Muslim countries" ...
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