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Kell Factor
The Kell factor, named after RCA engineer Raymond D. Kell, is a parameter used to limit the bandwidth of a sampled image signal to avoid the appearance of beat frequency patterns when displaying the image in a discrete display device, usually taken to be 0.7. The number was first measured in 1934 by Raymond D. Kell and his associates as 0.64 but has suffered several revisions given that it is based on image perception, hence subjective, and is not independent of the type of display. It was later revised to 0.85 but can go higher than 0.9, when fixed pixel scanning (e.g., charge-coupled device, CCD or Active pixel sensor, CMOS) and fixed pixel displays (e.g., liquid crystal display, LCD or plasma display, plasma) are used, or as low as 0.7 for electron gun scanning. From a different perspective, the Kell factor defines the effective image resolution, resolution of a discrete display device since the full resolution cannot be used without viewing experience degradation. The actual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kell Factor1
Kell may refer to: People * Kell (given name), including a list of people and fictional characters with the name * Kell (surname), including a list of people and fictional characters with the name * Kell (footballer) (José Clebson Augustinho, born 1980), a Brazilian footballer Places * Kell (volcano), Kamchatka Peninsula, Russia * Kell, Illinois, U.S. * Kell am See, Trier-Saarburg district, Rhineland-Palatinate, Germany Other uses *Kell antigen system, a group of antigens on the human red blood cell surface *Kell dragon, a fictional creature in the ''Star Wars'' universe *Kell factor, a parameter used to limit the bandwidth of a sampled image signal *Book of Kells, an 8th-century compilation of the 4 gospels of the bible *An oast house kiln *Tribal leaders of the Fallen in the video game ''Destiny'' See also * * * Kel (other) * Kells (other) * Kelly (other) * Kehl, a town in Germany * Kehl (surname) Kehl is a habitational surname from various plac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moiré Pattern
In mathematics, physics, and art, moiré patterns ( , , ) or moiré fringes are large-scale interference patterns that can be produced when an opaque ruled pattern with transparent gaps is overlaid on another similar pattern. For the moiré interference pattern to appear, the two patterns must not be completely identical, but rather displaced, rotated, or have slightly different pitch. Moiré patterns appear in many situations. In printing, the printed pattern of dots can interfere with the image. In television and digital photography, a pattern on an object being photographed can interfere with the shape of the light sensors to generate unwanted artifacts. They are also sometimes created deliberately – in micrometers they are used to amplify the effects of very small movements. In physics, its manifestation is wave interference such as that seen in the double-slit experiment and the beat phenomenon in acoustics. Etymology The term originates from '' moire'' (''moiré' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Optical Resolution
Optical resolution describes the ability of an imaging system to resolve detail, in the object that is being imaged. An imaging system may have many individual components, including one or more lenses, and/or recording and display components. Each of these contributes (given suitable design, and adequate alignment) to the optical resolution of the system; the environment in which the imaging is done often is a further important factor. Lateral resolution Resolution depends on the distance between two distinguishable radiating points. The sections below describe the theoretical estimates of resolution, but the real values may differ. The results below are based on mathematical models of Airy discs, which assumes an adequate level of contrast. In low-contrast systems, the resolution may be much lower than predicted by the theory outlined below. Real optical systems are complex, and practical difficulties often increase the distance between distinguishable point sources. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aliasing
In signal processing and related disciplines, aliasing is an effect that causes different signals to become indistinguishable (or ''aliases'' of one another) when sampled. It also often refers to the distortion or artifact that results when a signal reconstructed from samples is different from the original continuous signal. Aliasing can occur in signals sampled in time, for instance digital audio, or the stroboscopic effect, and is referred to as temporal aliasing. It can also occur in spatially sampled signals (e.g. moiré patterns in digital images); this type of aliasing is called spatial aliasing. Aliasing is generally avoided by applying low-pass filters or anti-aliasing filters (AAF) to the input signal before sampling and when converting a signal from a higher to a lower sampling rate. Suitable reconstruction filtering should then be used when restoring the sampled signal to the continuous domain or converting a signal from a lower to a higher sampling rate. For spa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
High-definition Television
High-definition television (HD or HDTV) describes a television system which provides a substantially higher image resolution than the previous generation of technologies. The term has been used since 1936; in more recent times, it refers to the generation following standard-definition television (SDTV), often abbreviated to HDTV or HD-TV. It is the current de facto standard video format used in most broadcasts: terrestrial broadcast television, cable television, satellite television and Blu-ray Discs. Formats HDTV may be transmitted in various formats: * 720p (1280 horizontal pixels × 720 lines): 921,600 pixels * 1080i (1920×1080) interlaced scan: 1,036,800 pixels (~1.04 MP). * 1080p (1920×1080) progressive scan: 2,073,600 pixels (~2.07 MP). ** Some countries also use a non-standard CEA resolution, such as 1440×1080i: 777,600 pixels (~0.78 MP) per field or 1,555,200 pixels (~1.56 MP) per frame When transmitted at two megapixels per frame, HDTV provides about five times ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1080p
1080p (1920×1080 progressively displayed pixels; also known as Full HD or FHD, and BT.709) is a set of HDTV high-definition video modes characterized by 1,920 pixels displayed across the screen horizontally and 1,080 pixels down the screen vertically; the ''p'' stands for progressive scan, ''i.e.'' non-interlaced. The term usually assumes a widescreen aspect ratio of 16:9, implying a resolution of 2.1 megapixels. It is often marketed as Full HD or FHD, to contrast 1080p with 720p resolution screens. Although 1080p is sometimes informally referred to as 2K, these terms reflect two distinct technical standards, with differences including resolution and aspect ratio. 1080p video signals are supported by ATSC standards in the United States and DVB standards in Europe. Applications of the 1080p standard include television broadcasts, Blu-ray Discs, smartphones, Internet content such as YouTube videos and Netflix TV shows and movies, consumer-grade televisions and projector ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luminance (video)
In video, luma represents the brightness in an image (the "black-and-white" or achromatic portion of the image). Luma is typically paired with chrominance. Luma represents the achromatic image, while the chroma components represent the color information. Converting R′G′B′ sources (such as the output of a three-CCD camera) into luma and chroma allows for chroma subsampling: because human vision has finer spatial sensitivity to luminance ("black and white") differences than chromatic differences, video systems can store and transmit chromatic information at lower resolution, optimizing perceived detail at a particular bandwidth. Luma versus relative luminance Luma is the weighted sum of gamma-compressed R′G′B′ components of a color video—the ''prime symbols'' ′ denote gamma compression. The word was proposed to prevent confusion between luma as implemented in video engineering and relative luminance as used in color science (i.e. as defined by CIE). Relative lu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Television Lines
Television lines (TVL) is a specification of an analog camera or monitor's horizontal image resolution. The TVL is one of the most important resolution measures in a video system. The TVL can be measured with the standard EIA 1956 resolution chart. Definition TVL is defined as the maximum number of alternating light and dark vertical lines that can be resolved per picture height. A resolution of 400 TVL means that 200 distinct dark vertical lines and 200 distinct white vertical lines can be counted over a horizontal span equal to the height of the picture. For example, on monitor with 400 TVL, 200 vertical dark lines can be counted over width on monitor (Note that the of monitor height is used rather than the of whole monitor width). TVL is an inherent quality of a camera or monitor, influenced by the visual bandwidth of the transmission system used. It should not be confused with the number of horizontal scanning lines of such systems, which e.g. 625 lines for the PAL syste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aspect Ratio (image)
The aspect ratio of an image is the ratio of its width to its height, and is expressed with two numbers separated by a colon, such as ''16:9'', sixteen-to-nine. For the ''x'':''y'' aspect ratio, the image is ''x'' units wide and ''y'' units high. Common aspect ratios are 1.85:1 and 2.39:1 in cinematography, 4:3 and 16:9 in television photography, and 3:2 in still photography. Some common examples The common film aspect ratios used in cinemas are 1.85:1 and 2.39:1.The 2.39:1 ratio is commonly labeled 2.40:1, e.g., in the American Society of Cinematographers' ''American Cinematographer Manual'' (Many widescreen films before the 1970 SMPTE revision used 2.35:1). Two common videographic aspect ratios are 4:3 (1.:1), the universal video format of the 20th century, and 16:9 (1.:1), universal for high-definition television and European digital television. Other cinema and video aspect ratios exist, but are used infrequently. In still camera photography, the most common aspect ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
576i
576i is a standard-definition television, standard-definition digital video mode, originally used for digitizing analog television in most countries of the world where the utility frequency for electric power distribution is 50 Hz. Because of its close association with the legacy color encoding systems, it is often referred to as PAL, PAL/SECAM or SECAM when compared to its 60 Hz (typically, see PAL-M) NTSC-colour-encoded counterpart, 480i. The ''576'' identifies a vertical resolution of 576 lines, and the ''i'' identifies it as an Interlaced video, interlaced resolution. The field rate, which is 50 Hertz, Hz, is sometimes included when identifying the video mode, i.e. 576i50; another notation, endorsed by both the International Telecommunication Union in BT.601 and SMPTE in SMPTE 259M, includes the frame rate, as in 576i/25. Operation In analogue television, the full Raster scan, raster uses 625 lines, with 49 lines having no image content to allow time for cathode r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scan Line
A scan line (also scanline) is one line, or row, in a raster scanning pattern, such as a line of video on a cathode ray tube (CRT) display of a television set or computer monitor. On CRT screens the horizontal scan lines are visually discernible, even when viewed from a distance, as alternating colored lines and black lines, especially when a progressive scan signal with below maximum vertical resolution is displayed. This is sometimes used today as a visual effect in computer graphics. The term is used, by analogy, for a single row of pixels in a raster graphics image. Scan lines are important in representations of image data, because many image file formats have special rules for data at the end of a scan line. For example, there may be a rule that each scan line starts on a particular boundary (such as a byte or word; see for example BMP file format). This means that even otherwise compatible raster data may need to be analyzed at the level of scan lines in order to convert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nyquist Frequency
In signal processing, the Nyquist frequency (or folding frequency), named after Harry Nyquist, is a characteristic of a sampler, which converts a continuous function or signal into a discrete sequence. In units of cycles per second ( Hz), its value is one-half of the sampling rate (samples per second). When the highest frequency (bandwidth) of a signal is less than the Nyquist frequency of the sampler, the resulting discrete-time sequence is said to be free of the distortion known as aliasing, and the corresponding sample rate is said to be above the Nyquist rate for that particular signal. In a typical application of sampling, one first chooses the highest frequency to be preserved and recreated, based on the expected content (voice, music, etc.) and desired fidelity. Then one inserts an anti-aliasing filter ahead of the sampler. Its job is to attenuate the frequencies above that limit. Finally, based on the characteristics of the filter, one chooses a sample rate (and corre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
