Karl Pärsimägi
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Karl Pärsimägi
Karl Pärsimägi (11 May 1902 – 27 July 1942) was an Estonian Fauvist painter. He was murdered in Auschwitz concentration camp after being arrested in Paris. Biography Karl Pärsimägi was born in Oe, Antsla Parish in 1902, Pärsimägi was the son of a wealthy "gentleman farmer". In 1919, he participated in the Estonian War of Independence and was awarded a medal. After that, against his father's wishes, he went to Tartu to enrol at the new Pallas Art School, known for promoting modern art. In addition to the newer styles, such as Fauvism, he found himself influenced by Estonian folk art and by Konrad Mägi, who was a teacher there. He also studied with Ado Vabbe and Nikolai Triik and went on a study trip to Germany in 1923. That same year, he held his first exhibition. He interrupted his training several times to visit the family farm and paint landscapes. He moved to Paris in 1937 with the financial support of his father, who had finally become reconciled to his son's car ...
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Drancy Internment Camp
Drancy internment camp was an assembly and detention camp for confining Jews who were later deported to the extermination camps during the German occupation of France during World War II. Originally conceived and built as a modernist urban community under the name ''La Cité de la Muette'', it was located in Drancy, a northeastern suburb of Paris, France. Between 22 June 1942 and 31 July 1944, during its use as an internment camp, 67,400 French, Polish, and German Jews were deported from the camp in 64 rail transports, The 61,000 deported to Auschwitz and remaining number to Sobibor were murdered. which included 6,000 children. Only 1,542 prisoners remained alive at the camp when the German authorities in Drancy fled as Allied forces advanced and the Swedish Consul-General Raoul Nordling took control of the camp on 17 August 1944, before handing it over to the French Red Cross to care for the survivors. Drancy was under the control of the French police until 1943 when admini ...
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Académie Colarossi Alumni
An academy (Attic Greek: Ἀκαδήμεια; Koine Greek Ἀκαδημία) is an institution of secondary or tertiary higher learning (and generally also research or honorary membership). The name traces back to Plato's school of philosophy, founded approximately 385 BC at Akademia, a sanctuary of Athena, the goddess of wisdom and skill, north of Athens, Greece. Etymology The word comes from the ''Academy'' in ancient Greece, which derives from the Athenian hero, ''Akademos''. Outside the city walls of Athens, the gymnasium was made famous by Plato as a center of learning. The sacred space, dedicated to the goddess of wisdom, Athena, had formerly been an olive grove, hence the expression "the groves of Academe". In these gardens, the philosopher Plato conversed with followers. Plato developed his sessions into a method of teaching philosophy and in 387 BC, established what is known today as the Old Academy. By extension, ''academia'' has come to mean the accumulation, dev ...
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Modern Painters
''Modern Painters'' (1843–1860) is a five-volume work by the Victorian art critic, John Ruskin, begun when he was 24 years old based on material collected in Switzerland in 1842. Ruskin argues that recent painters emerging from the tradition of the picturesque are superior in the art of landscape to the old masters. The book was primarily written as a defense of the later work of J. M. W. Turner. Ruskin used the book to argue that art should devote itself to the accurate documentation of nature. In Ruskin's view, Turner had developed from early detailed documentation of nature to a later more profound insight into natural forces and atmospheric effects. In this way, ''Modern Painters'' reflects "Landscape and Portrait-Painting" (1829) in ''The Yankee ''The Yankee'' (later retitled ''The Yankee and Boston Literary Gazette'') was one of the first cultural publications in the United States, founded and edited by John Neal (1793–1876), and published in Portland, Maine as a ...
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Fauvism
Fauvism /ˈfoʊvɪzm̩/ is the style of ''les Fauves'' (French language, French for "the wild beasts"), a group of early 20th-century modern artists whose works emphasized painterly qualities and strong colour over the Representation (arts), representational or Realism (visual arts), realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions.John Elderfield, The ''"Wild Beasts" Fauvism and Its Affinities,'' 1976, Museum of Modern Art, p.13, The leaders of the movement were André Derain, Maurice de Vlaminck, and Henri Matisse. Artists and style Besides Matisse and Derain, other artists included Robert Deborne, Albert Marquet, Charles Camoin, Louis Valtat, Jean Puy, Maurice de Vlaminck, Henri Manguin, Raoul Dufy, Othon Friesz, Georges Rouault, Jean Metzinger, Kees van Dongen and Georges Braque (subsequently Picasso's partner in Cubism). Th ...
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People From The Governorate Of Livonia
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of ...
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People From Antsla Parish
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form " people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural f ...
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