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Karl Heinz Füssl
Karl Heinz Füssl (21 March 1924 – 4 September 1992) was an Austrian composer and musicologist. Life Born in Gablonz, (Czechoslovakia), Füssl went to study in Berlin and began his training with Konrad Friedrich Noetel (composition), Gerd Otto (piano) and Hugo Distler (choral conducting). After the Second World War, he settled in Vienna and began his studies with Alfred Uhl (composition), Erwin Ratz (musical analysis), and Hans Swarowsky (conducting). Füssl was also active as a music critic and worked as an editor for Universal Edition. On the one hand, he was entrusted with the Urtext editions, and on the other, he was involved in the publication of the works of Haydn, Mozart and Johann Strauss II. On the part of the , Füssl was entrusted with the publication of the . At the World Music Days of the International Society for Contemporary Music (ISCM World Music Days), ''Epitaph'' (Variations for Orchestra, world premiere) was performed in Zurich in 1957 and the ''Conce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicologist
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ovid
Pūblius Ovidius Nāsō (; 20 March 43 BC – 17/18 AD), known in English as Ovid ( ), was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is often ranked as one of the three canonical poets of Latin literature. The Imperial scholar Quintilian considered him the last of the Latin love elegists.Quint. ''Inst.'' 10.1.93 Although Ovid enjoyed enormous popularity during his lifetime, the emperor Augustus banished him to Tomis, a Dacian province on the Black Sea, where he remained a decade until his death. Overview A contemporary of the older poets Virgil and Horace, Ovid was the first major Roman poet to begin his career during Augustus's reign. Collectively, they are considered the three canonical poets of Latin literature. The Imperial scholar Quintilian described Ovid as the last of the Latin love elegists.Quint. ''Inst.'' 10.1.93 He enjoyed enormous popularity during his lifetime, but the emperor Augus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet Composers
Ballet as a music form progressed from simply a complement to dance, to a concrete compositional form that often had as much value as the dance that went along with it. The dance form, originating in France during the 17th century, began as a theatrical dance. It was not until the 19th century that ballet gained status as a “classical” form. In ballet, the terms ‘classical’ and ‘romantic’ are chronologically reversed from musical usage. Thus, the 19th century Classical period in ballet coincided with the 19th century Romantic era in music. Ballet music composers from the 17th–20th centuries, including the likes of Jean-Baptiste Lully, Pyotr Ilyich Tchaikovsky, Igor Stravinsky, and Sergei Prokofiev, were predominantly in France and Russia. Yet with the increased international notoriety seen in Tchaikovsky's and Stravinsky's lifetime, ballet music composition and ballet in general spread across the western world. History Until about the second half of the 19th century, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Austrian Opera Composers
Austrian may refer to: * Austrians, someone from Austria or of Austrian descent ** Someone who is considered an Austrian citizen, see Austrian nationality law * Austrian German dialect * Something associated with the country Austria, for example: ** Austria-Hungary ** Austrian Airlines (AUA) ** Austrian cuisine ** Austrian Empire ** Austrian monarchy ** Austrian German (language/dialects) ** Austrian literature ** Austrian nationality law ** Austrian Service Abroad ** Music of Austria ** Austrian School of Economics * Economists of the Austrian school of economic thought * The Austrian Attack variation of the Pirc Defence chess opening. See also * * * Austria (other) * Australian (other) * L'Autrichienne (other) is the feminine form of the French word , meaning "The Austrian". It may refer to: *A derogatory nickname for Queen Marie Antoinette of France *L'Autrichienne (film), ''L'Autrichienne'' (film), a 1990 French film on Marie Antoinette wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oesterreichisches Musiklexikon
The ''Oesterreichisches Musiklexikon''''Oesterreichisch'' with ''Oe'' is the spelling of the print and online output. is a five-volume music encyclopedia founded by the Austrian Academy of Sciences' Commission for Music Research. It was officially launched on 19 May 2002 with a concert in the main broadcasting hall of Österreichischer Rundfunk (ORF) in Vienna.Feichtinger, Johannes and Uhl, Heidemarie (2016)''Habsburg neu denken: Vielfalt und Ambivalenz in Zentraleuropa'' p. 11. Böhlau Verlag. s.n. (19 May 2002)"Österreichisches Musiklexikon als Buch und im Web" ''Wiener Zeitung''. Retrieved 22 March 2019 . Contents The ''Oesterreichisches Musiklexikon'' consists of five volumes with almost 2800 pages and 7474 keywords on all current and historical topics of Austrian music and musical life. In addition to biographies of composers, librettists, conductors, instrumentalists, singers, dancers, choreographers, theatre directors, instrument makers, music publishers, musicologists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fernando De Rojas
Fernando de Rojas (c. 1465/73, in La Puebla de Montalbán, Toledo, Spain – April 1541, in Talavera de la Reina, Toledo, Spain) was a Spanish author and dramatist, known for his only surviving work, '' La Celestina'' (originally titled ''Tragicomedia de Calisto y Melibea''), first published in 1499. It is variously considered "the last work of the Spanish Middle Ages or the first work of the Spanish Renaissance". Rojas wrote ''La Celestina'' while still a student. After graduating he practised law and is not known to have written any further literary works, although ''La Celestina'' achieved widespread success during his lifetime. Despite difficulties with the Inquisition, Rojas was a successful lawyer and became mayor of Talavera de la Reina, where he lived for the last three decades of his life. Life and career Rojas was born at La Puebla de Montalbán, Toledo, to a family of Jewish descent. Contemporary documents refer to Rojas as "converso", but scholarly opinion diffe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanns Eisler
Hanns Eisler (6 July 1898 – 6 September 1962) was an Austrian composer (his father was Austrian, and Eisler fought in a Hungarian regiment in World War I). He is best known for composing the national anthem of East Germany, for his long artistic association with Bertolt Brecht, and for the scores he wrote for films. The Hochschule für Musik "Hanns Eisler" is named after him. Family background Johannes Eisler was born in Leipzig in Saxony, the son of Rudolf Eisler, a professor of philosophy, and Marie Ida Fischer. His father was an atheist of Jewish origin and his mother was Lutheran. In 1901, the family moved to Vienna. His brother, Gerhart, was a Communist journalist, and his sister, Elfriede, was a leader of the German Communist Party in the mid-1920s. After emigrating to America, she turned into an anti-Stalinist, writing books against her former political affiliation, and even testifying against her brothers before the House Un-American Activities Committee. At age 14 Eis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Trakl
Georg Trakl (3 February 1887 – 3 November 1914) was an Austrian poet and the brother of the pianist Grete Trakl. He is considered one of the most important Austrian Expressionists. He is perhaps best known for his poem " Grodek", which he wrote shortly before he died of a cocaine overdose. Life and work Trakl was born and lived the first 21 years of his life in Salzburg. His father, Tobias Trakl (11 June 1837, Ödenburg/Sopron – 1910), was a dealer of hardware from Hungary, while his mother, Maria Catharina Halik (17 May 1852, Wiener Neustadt – 1925), was a housewife of partly Czech descent; she was a drug addict and left the education to a French "gouvernante", who brought Trakl into contact with French language and literature at an early age. His sister Grete Trakl was a musical prodigy; with her he shared artistic endeavors. Poems allude to an incestuous relationship between the two. Trakl attended a Catholic elementary school, although his parents were Pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Erich Apostel
Hans Erich Apostel (22 January 1901 – 30 November 1972) was a German-born Austrian composer of classical music. From 1916 to 1919 he studied piano, conducting and music theory in Karlsruhe with Alfred Lorenz. In 1920 he was Kapellmeister and Répétiteur at the Badisches Landestheater in Karlsruhe. He studied in Vienna with Arnold Schoenberg from 1921 to 1925, and from 1925 to 1935 with Alban Berg, two prominent members of the Second Viennese School. At the same time, he taught piano, composition and music theory privately. Some of his compositions demonstrate his particular affinity with expressionist painting—he was friends with Emil Nolde, Oskar Kokoschka and Alfred Kubin. During the Nazi period his music was proscribed as "degenerate", but he continued to live in Vienna until his death in 1972. Apostel was active as a pianist, accompanist, and conductor of contemporary music in Austria, Germany, Switzerland and Italy. After the war, he was prominent in the Austrian b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dybuk
In Jewish mythology, a (; yi, דיבוק, from the Hebrew verb meaning 'adhere' or 'cling') is a malicious possessing spirit believed to be the dislocated soul of a dead person. It supposedly leaves the host body once it has accomplished its goal, sometimes after being exorcised. Etymology is an abbreviation of ('a cleavage of an evil spirit'), or ('dibbuk from the outside'), which is found in man. comes from the Hebrew word evil which means 'the act of sticking' and is a nominal form derived from the verb 'to adhere' or 'cling'. History The term first appears in a number of 16th-century writings, though it was ignored by mainstream scholarship until S. Ansky's play ''The Dybbuk'' popularised the concept in literary circles. Earlier accounts of possession (such as that given by Josephus) were of demonic possession rather than that of ghosts. These accounts advocated orthodoxy among the populace as a preventative measure. For example, it was suggested that a sl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
