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Karatsu Ware
is a style of Japanese pottery produced traditionally in and around Karatsu, Saga Prefecture. History Karatsu has been a hub of foreign commerce and trade since ancient times, and a center of pottery production since the Azuchi-Momoyama period. Today there are many kilns in use as well as ruins of kilns scattered throughout the area in Saga Prefecture. The pottery style draws its name from the location where it is produced. The techniques used in creating Karatsu ware are believed to have been imported from the Korean peninsula during the Japanese invasions of Korea during the late 16th century, though some theories suggest the techniques may have been in use prior to this period. Karatsu ware was originally created for everyday use items such as tableware, pitchers, and other household items. The style is considered a good example of the ''wabi-sabi'' aesthetic, and Karatsu ware bowls, plates, and other implements are often used in tea ceremonies. Pottery in general is often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aichi Prefectural Ceramic Museum (38)
The is a prefectural art museum located in the city of Seto, north of the metropolis of Nagoya in central Japan. This museum was formally named "Aichi-ken Toji Shiryokan (愛知県陶磁資料館)", but the name in English has been the same as before. Overview The museum was established in 1978 to showcase the history of Japanese pottery found in the area of Owari Province, today part of Aichi Prefecture. The main building and the southern annex were designed by renowned architect Taniguchi Yoshirō. The collection of over 7000 items ranges from the Jōmon period (circa 10,000 BC - circa 300 BC) to contemporary ceramics produced by some of Japan's most famous potters, detailing Japan's rich ceramic art history. Some of the works in the collection are designated as Important Cultural Properties of Japan. The museum is located in the city of Seto, Aichi, which is renowned for producing Seto ware ceramics since over 1,000 years. Located in the museum is a library, restauran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hagi Ware
is a type of Japanese pottery traditionally originated from the town of Hagi, Yamaguchi, in the former Nagato Province. History The origins of Hagi ware can be traced back to the arrival of Korean potters to Hagi, a town situated in Yamaguchi Prefecture on the Japan Sea, following Japan's military invasion of the Korean peninsula in the late 16th century. As a result, a large number of Korean craftsmen were abducted and transported to Japan, where they played a crucial role in establishing new pottery types such as Satsuma, Arita, and Hagi ware ("hagi yaki"). The local feudal lord of the Hagi area at the time, Terumoto Mōri, had appointed potters in a castle town of Matsumoto (presently the city of Hagi) in order to create Hagi wares for his personal tea ceremonies and as gifts. The potters in Matsumoto steadily increased their production so that more kilns were established in Fukawa territory (presently the city of Nagato) during the mid-17th century. However, due to the M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseon Dynasty
Joseon (; ; Middle Korean: 됴ᇢ〯션〮 Dyǒw syéon or 됴ᇢ〯션〯 Dyǒw syěon), officially the Great Joseon (; ), was the last dynastic kingdom of Korea, lasting just over 500 years. It was founded by Yi Seong-gye in July 1392 and replaced by the Korean Empire in October 1897. The kingdom was founded following the aftermath of the overthrow of Goryeo in what is today the city of Kaesong. Early on, Korea was retitled and the capital was relocated to modern-day Seoul. The kingdom's northernmost borders were expanded to the natural boundaries at the rivers of Amrok and Tuman through the subjugation of the Jurchens. During its 500-year duration, Joseon encouraged the entrenchment of Confucian ideals and doctrines in Korean society. Neo-Confucianism was installed as the new state's ideology. Buddhism was accordingly discouraged, and occasionally the practitioners faced persecutions. Joseon consolidated its effective rule over the territory of current Korea and saw the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Underglaze
Underglaze is a method of decorating pottery in which painted decoration is applied to the surface before it is covered with a transparent ceramic glaze and fired in a kiln. Because the glaze subsequently covers it, such decoration is completely durable, and it also allows the production of pottery with a surface that has a uniform sheen. Underglaze decoration uses pigments derived from oxides which fuse with the glaze when the piece is fired in a kiln. It is also a cheaper method, as only a single firing is needed, whereas overglaze decoration requires a second firing at a lower temperature. Many historical styles, for example Persian mina'i ware, Japanese Imari ware, Chinese doucai and wucai, combine the two types of decoration. In such cases the first firing for the body, underglaze decoration and glaze is followed by the second firing after the overglaze enamels have been applied. However, because the main or glost firing is at a higher temperature than used in overglaze deco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anagama Kiln
The ''anagama'' kiln (Japanese Kanji: 穴窯/ Hiragana: あながま) is an ancient type of pottery kiln brought to Japan from China via Korea in the 5th century. It is a version of the climbing dragon kiln of south China, whose further development was also copied, for example in breaking up the firing space into a series of chambers in the ''noborigama'' kiln. An ''anagama'' (a Japanese term meaning "cave kiln") consists of a firing chamber with a firebox at one end and a flue at the other. Although the term "firebox" is used to describe the space for the fire, there is no physical structure separating the stoking space from the pottery space. The term ''anagama'' describes single-chamber kilns built in a sloping tunnel shape. In fact, ancient kilns were sometimes built by digging tunnels into banks of clay. The anagama is fueled with firewood, in contrast to the electric or gas-fueled kilns commonly used by most modern potters. A continuous supply of fuel is needed for f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Takeo, Saga
is a city located in Saga Prefecture on the island of Kyushu, Japan. In 2011, the city government was the first in Japan to switch to using Facebook for its website. As of October 1, 2016, the city has an estimated population of 48,845 and a population density of 257 persons per km². The total area is 195.44 km². On March 1, 2006, the towns of Kitagata and Yamauchi (both from Kishima District) were merged into Takeo. Geography Takeo is located in the western part of Saga Prefecture. It is approximately west of Saga City and approximately east of Sasebo. Takeo has a complex topography including mountains, mountain basins and riverside plains. * Mountains: Mt. Mifune (210 m), Mt. Hachiman (764 m), Mt. Bi (518 m), Mt. Jinroku (447 m) *Rivers: Rokkaku River, Shiomi River, Yamanaka River Adjoining municipalities *Saga Prefecture **Arita **Imari **Karatsu ** Ōmachi ** Shiroishi **Taku ** Ureshino *Nagasaki Prefecture ** Hasami History *1889-04-01 - The modern municip ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyushu Ceramic Museum 3256-06 Katagamizuri-Karakusamon-Ozara
is the third-largest island of Japan's five main islands and the most southerly of the four largest islands ( i.e. excluding Okinawa). In the past, it has been known as , and . The historical regional name referred to Kyushu and its surrounding islands. Kyushu has a land area of and a population of 14,311,224 in 2018. In the 8th-century Taihō Code reforms, Dazaifu was established as a special administrative term for the region. Geography The island is mountainous, and Japan's most active volcano, Mount Aso at , is on Kyushu. There are many other signs of tectonic activity, including numerous areas of hot springs. The most famous of these are in Beppu, on the east shore, and around Mt. Aso in central Kyushu. The island is separated from Honshu by the Kanmon Straits. Being the nearest island to the Asian continent, historically it is the gateway to Japan. The total area is which makes it the 37th largest island in the world. It's slightly larger than Taiwan island . T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyushu Ceramic Museum 0029-54 Egaratsu Tetsue-Hagimon-Tsubo
is the third-largest island of Japan's five main islands and the most southerly of the four largest islands ( i.e. excluding Okinawa). In the past, it has been known as , and . The historical regional name referred to Kyushu and its surrounding islands. Kyushu has a land area of and a population of 14,311,224 in 2018. In the 8th-century Taihō Code reforms, Dazaifu was established as a special administrative term for the region. Geography The island is mountainous, and Japan's most active volcano, Mount Aso at , is on Kyushu. There are many other signs of tectonic activity, including numerous areas of hot springs. The most famous of these are in Beppu, on the east shore, and around Mt. Aso in central Kyushu. The island is separated from Honshu by the Kanmon Straits. Being the nearest island to the Asian continent, historically it is the gateway to Japan. The total area is which makes it the 37th largest island in the world. It's slightly larger than Taiwan island . T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Tea Ceremony
The Japanese tea ceremony (known as or ) is a Japanese cultural activity involving the ceremonial preparation and presentation of , powdered green tea, the procedure of which is called . While in the West it is known as "tea ceremony", it is seldom ceremonial in practice. Most often tea is served to family, friends, and associates; religious and ceremonial connotations are overstated in western spaces. While in the West it is known as a form of tea ceremony, in Japan the art and philosophy of tea can be more accurately described as "Teaism" as opposed to focusing on the ceremonial aspect. Zen Buddhism was a primary influence in the development of the culture of Japanese tea. Much less commonly, Japanese tea practice uses leaf tea, primarily , a practice known as . Tea gatherings are classified as either an informal tea gathering () or a formal tea gathering (). A is a relatively simple course of hospitality that includes confections, thin tea, and perhaps a light meal. A is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ceramic Ware
Pottery is the process and the products of forming vessels and other objects with clay and other ceramic materials, which are fired at high temperatures to give them a hard and durable form. Major types include earthenware, stoneware and porcelain. The place where such wares are made by a ''potter'' is also called a ''pottery'' (plural "potteries"). The definition of ''pottery'', used by the ASTM International, is "all fired ceramic wares that contain clay when formed, except technical, structural, and refractory products". In art history and archaeology, especially of ancient and prehistoric periods, "pottery" often means vessels only, and sculpted figurines of the same material are called "terracottas". Pottery is one of the oldest human inventions, originating before the Neolithic period, with ceramic objects like the Gravettian culture Venus of Dolní Věstonice figurine discovered in the Czech Republic dating back to 29,000–25,000 BC, and pottery vessels that were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raku Ware
is a type of Japanese pottery traditionally used in Japanese tea ceremonies, most often in the form of ''chawan'' tea bowls. It is traditionally characterised by being hand-shaped rather than thrown, fairly porous vessels, which result from low firing temperatures, lead glazes and the removal of pieces from the kiln while still glowing hot. In the traditional Japanese process, the fired raku piece is removed from the hot kiln and is allowed to cool in the open air. The Western version of raku was developed in the 20th century by studio potters. Typically wares are fired at a high temperature, and after removing pieces from the kiln, the wares are placed in an open-air container filled with combustible material, which is not a traditional Raku practice in Japan. The Western process can give a great variety of colors and surface effects, making it very popular with studio and amateur potters. History In the 16th century, Sen no Rikyū, the Japanese tea master, was involved wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Pottery
, is one of the oldest Japanese crafts and art forms, dating back to the Neolithic period. Kilns have produced earthenware, pottery, stoneware, glazed pottery, glazed stoneware, porcelain, and blue-and-white ware. Japan has an exceptionally long and successful history of ceramic production. Earthenwares were made as early as the Jōmon period (10,500–300BC), giving Japan one of the oldest ceramic traditions in the world. Japan is further distinguished by the unusual esteem that ceramics holds within its artistic tradition, owing to the enduring popularity of the tea ceremony. Japanese ceramic history records distinguished many potter names, and some were artist-potters, e.g. Hon'ami Kōetsu, Ogata Kenzan, and Aoki Mokubei.Henry Trubner 1972, p. 18. Japanese anagama kilns also have flourished through the ages, and their influence weighs with that of the potters. Another characteristically Japanese aspect of the art is the continuing popularity of unglazed high-fired ston ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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