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Kalidas Samman
The Kalidas Samman ( hi, कालिदास सम्मान) is an arts award presented annually by the Government of Madhya Pradesh in India. The award is named after Kālidāsa, a renowned Classical Sanskrit writer of ancient India. The Kalidas Samman was first awarded in 1980. It was initially conferred in alternate years in the fields of Classical Music, Classical Dance, Theatre and Plastic Arts. From 1986-87 onwards, the awards were presented in all four fields every year. The award is presented for outstanding achievement in one of the four categories. Recipients The recipients of the Kalidas Samman: References External links * * * * {{cite web , title=Kalidas Award Holders (Plastic Art) , url=http://www.mpculture.in/html/kalidasaward-plasticart.asp , publisher=Department of Culture, Government of Madhya Pradesh Government of Madhya Pradesh also known as the State Government of Madhya Pradesh, or locally as the State Government, is the supreme gover ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Government Of Madhya Pradesh
Government of Madhya Pradesh also known as the State Government of Madhya Pradesh, or locally as the State Government, is the supreme governing authority of the Indian state of Madhya Pradesh and its 52 districts. It consists of an executive, led by the governor of Madhya Pradesh, a judiciary and a legislative branch. In 2000, the southern portion was broken off to form the new state of Chhattisgarh with its own government. Executive Like other states in India, the head of state of Madhya Pradesh is the governor, appointed by the president of India on the advice of the Central government. The governor's post is largely ceremonial. The chief minister is the head of government and is vested with most of the executive powers and financial powers. Bhopal is the capital of Madhya Pradesh, and houses the Madhya Pradesh Vidhan Sabha (Legislative Assembly) and the secretariat. Legislative The present legislature of Madhya Pradesh is unicameral. The legislative house, Madhya Pradesh Vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tripti Mitra
Tripti Mitra (''née'' Bahaduri; 25 October 1925 – 24 May 1989) was a popular Indian actress of Bengali theatre and films, and wife of Sombhu Mitra, noted theatre director, with whom she co-founded pioneering theatre group ''Bohurupee'' in 1948. She has acted in films like ''Jukti Takko Aar Gappo'' and ''Dharti Ke Lal''. She was awarded Sangeet Natak Akademi Award, the highest Indian recognition given to practicing artists, given by Sangeet Natak Akademi, India's National Academy for Music, Dance and Drama in 1962 for Theatre acting, and the Padma Shri in 1971 by Government of India in Arts field. Early life and education Tripti Mitra was born in Dinajpur (British India) on 25 October 1925. Her father was Ashutosh Bhaduri and mother was Shailabala Debi. In Dinajpur Minor School she studied up to class six, then she came to Kolkata and got admission in Pyaricharan School. After passing Higher Secondary Examination from that school, she got admission in Ashutosh College. But s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalamandalam Ramankutty Nair
Kalamandalam Ramankutty Nair (25 May 1925 – 11 March 2013) was a performer of Kathakali, who practiced the Kerala art form for more than seven decades. Biography His guru was Pattikkamthodi Ravunni Menon, his only teacher in his entire career. Both hail from Vellinezhi, which is still known for producing many Kathakali artistes, in Palakkad district. Ramankutty Nair had served in his alma mater, Kerala Kalamandalam, and went on to become its principal. Born in 1925, Ramankutty Nair hailed from a family with no Kathakali pedigree. But Ravunni Menon, a resident tutor at the renowned Olappamanna Mana (a mansion of the upper-caste Nambudiris) was an overarching presence in the cultural scene of the village, and soon little Ramankutty too fell under his spell. At Kerala Kalamandalam, where he subsequently mastered the art, Ramankutty Nair later sculpted out several disciples, the most prominent among them being Kalamandalam Gopi besides Kalamandalam Vasu Pisharody, M.P.S. Nam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jagdish Swaminathan
Jagdish Swaminathan (21 June 1928 – 25 April 1994) popularly known as J. Swaminathan was an Indian artist, painter, poet and writer. He played a role in the establishment of the Bharat Bhawan, a multi-art complex in Bhopal, in 1982, and served as the director of its Roopankar Art Museum till 1990. He discovered Jangarh Singh Shyam, a Gond tribal artist of Madhya Pradesh. He was a member of the Communist Party of India. Biography Swaminathan was born in Shimla on 21 June 1928. After schooling in Delhi, he joined a pre-medical course, but left the course and his home to run away to Kolkata, where he did odd jobs to earn living. He subsequently returned to Delhi and was appointed sub-editor of a Hindi short story magazine, and subsequently editor of ''Mazdoor Awaz'' magazine. Initially a member of the Congress Socialist Party, he joined the Communist Part of India in 1948. He started taking evening classes at the Delhi Polytechnic, Kashmere Gate, training under artists Sailoz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vijaya Mehta
Vijaya Mehta (born 4 November 1934), is a noted Indian Marathi film and theatre director and also an actor in many films from the Parallel Cinema. She is a founder member of Mumbai-based theatre group, Rangayan with playwright Vijay Tendulkar, and actors Arvind Deshpande and Shriram Lagoo. She is most known for her acclaimed role in film ''Party'' (1984) and for her directorial ventures, '' Rao Saheb'' (1986) and ''Pestonjee'' (1988). As the founder member of theatre group, ''Rangayan'', she became a leading figure in the experimental Marathi theatre of the 1960s. Early life and education Vijaya Mehta was born Vijaya Jaywant in Baroda, Gujarat in 1934. She graduated from Mumbai University. She studied theatre with Ebrahim Alkazi in Delhi and with Adi Marzban. Career She became a major figure in 60s Marathi experimental theatre. She is a founder member of theatre group, ''Rangayan'' with playwright Vijay Tendulkar, Arvind Deshpande and Shriram Lagoo. Her stage production of C. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vempati Chinna Satyam
Vempati Chinna Satyam (15 October 1929 – 29 July 2012) was an Indian dancer and a guru of the Kuchipudi dance form. Chinna Satyam was born in a brahmin family at Kuchipudi, Andhra Pradesh. He was taught by Vedantam Lakshmi Narayana Sastry. He then refined his art by learning from Sri Tadepally Perrayya Sastry and later was trained by his elder brother Sri Vempati Pedda Satyam in expressions. As he learnt the nuances of this style of dance, he was successful in propagating the Kuchipudi dance form all over the world. He died of old age related problems at the age of 83 on 29 July 2012. Dance Chinna Satyam sublimated and systematised Kuchipudi, giving it a more classical basis. He refined the art form, bringing it closer to the standards of ''Natya Shastra'' and gave it a whole new perspective and introduced new elements, e.g. chari (leg movements) of Natya Shastra that are significantly different from the interpretations of other dance authorities, such as Padma Subrahmanya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ram Narayan
Ram Narayan (; born 25 December 1927), often referred to with the title Pandit, is an Indian musician who popularised the bowed instrument ''sarangi'' as a solo concert instrument in Hindustani classical music and became the first internationally successful ''sarangi'' player. Narayan was born near Udaipur and learned to play the ''sarangi'' at an early age. He studied under ''sarangi'' players and singers and, as a teenager, worked as a music teacher and travelling musician. All India Radio, Lahore, hired Narayan as an accompanist for vocalists in 1944. He moved to Delhi following the partition of India in 1947, but wishing to go beyond accompaniment and frustrated with his supporting role, Narayan moved to Mumbai in 1949 to work in Indian cinema. Narayan became a concert solo artist in 1956 and has since performed at the major music festivals of India. After ''sitar'' player Ravi Shankar successfully performed in Western countries, Narayan followed his example. He recorded so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ali Akbar Khan
Ali Akbar Khan (14 April 192218 June 2009) was a Indian Hindustani classical musician of the Maihar gharana, known for his virtuosity in playing the sarod. Trained as a classical musician and instrumentalist by his father, Allauddin Khan, he also composed numerous classical ''ragas'' and film scores. He established a music school in Calcutta in 1956, and the Ali Akbar College of Music in 1967, which moved with him to the United States and is now based in San Rafael, California, with a branch in Basel, Switzerland. Khan was instrumental in popularizing Indian classical music in the West, both as a performer and as a teacher. He first came to America in 1955 on the invitation of violinist Yehudi Menuhin and later settled in California. He was a Distinguished Adjunct Professor of Music at the University of California, Santa Cruz. Khan was accorded India's second highest civilian honour, the Padma Vibhushan, in 1989. Nominated five times for the Grammy Award, Khan was also a re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vijay Tendulkar
Vijay Dhondopant Tendulkar (6 January 1928 – 19 May 2008) was a leading Indian playwright, movie and television writer, literary essayist, political journalist, and social commentator primarily in Marāthi. His Marathi plays established him as a writer of plays with contemporary, unconventional themes. He is best known for his plays ''Shantata! Court Chalu Aahe'' (1967), ''Ghāshirām Kotwāl'' (1972), and ''Sakhārām Binder'' (1972). Many of Tendulkar's plays derived inspiration from real-life incidents or social upheavals, which provide clear light on harsh realities. He has provided guidance to students studying "play writing" in US universities. Tendulkar was a dramatist and theatre personality in Mahārāshtra for over five decades. Early life Vijay Dhondopant Tendulkar was born in a Gaud Saraswat Brahmin family on 6 January 1928 in Girgaon, Mumbai, Maharashtra, where his father held a clerical job and ran a small publishing business. The literary environment at home promp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Padma Subramanyam
Padma Subrahmanyam (born 4 February 1943, in Madras), is an Indian classical Bharata Natyam dancer. She is also a research scholar, choreographer, teacher, Indologist and author. She is famous in India as well as abroad; several films and documentaries have been made in her honor by countries such as Japan, Australia and Russia. She is well known as the developer and founder of the dance form Bharata Nrithyam. Biography Padma Subrahmanyam was born to Krishnaswami Subrahmanyam, the Indian film director and Meenakshi Subrahmanyam on 4 February 1943 in Madras (now Chennai). Her father was a famous Indian filmmaker and her mother, Meenakshi was a music composer and a lyricist in Tamil and Sanskrit. She was trained by Vazhuvoor B. Ramaiyah Pillai. She started teaching dance at a very young age of 14 at her father's dance school. She felt that there was a gap between history, theory and dance and started doing her own research. She had her ''rangapravesha'' in 1956. She has taught in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Habib Tanvir
Habib Tanvir (1 September 1923 – 8 June 2009) was one of the most popular Indian Urdu, Hindi playwrights, a theatre director, poet and actor. He was the writer of plays such as, ''Agra Bazar'' (1954) and ''Charandas Chor'' (1975). A pioneer in Urdu and Hindi theatre, he was most known for his work with Chhattisgarhi tribals, at the Naya Theatre, a theatre company he founded in 1959 in Bhopal. He went on to include indigenous performance forms such as ''nacha'', to create not only a new theatrical language, but also milestones such as ''Charandas Chor'', ''Gaon ka Naam Sasural, Mor Naam Damad'' and ''Kamdeo ka Apna Basant Ritu ka Sapna''. For him, true "theatre of the people" existed in the villages, which he strived to bring to the urban "educated", employing both folk performers as actors alongside urban actors. He died on 8 June 2009 at Bhopal after a three-week-long illness. Upon his death, he was the last of pioneering actor-managers in Indian theatre, which included ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
