K. V. Narayanaswamy
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K. V. Narayanaswamy
Palghat Kollengode Viswanathan Narayanaswamy (15 November 1923 – 1 April 2002), often referred to as K. V. Narayanaswamy was an Indian musician, widely considered to be among the finest Carnatic music vocalists of the 20th century. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in 1986. He was described as the "Perfect Knight" of Carnatic music, a phrase from Geoffrey Chaucer, by V. K. Narayana Menon, art critic of India and recipient of the Sangeet Natak Akademi Fellowship. Early life and background Narayanaswamy was born to Kollengode Viswanathayyar and Muthulakshmi Ammal in Palghat, Kerala, to a Palakkad Iyer family, a district renowned for its cultural and musical traditions, on 15 November 1923. Narayanaswamy was born into a family of illustrious musicians and artists. His great-grandfather Viswam Bhagavatar was renowned for his evocative Ashtapadis and rendered services for Maharaja Ayilyam Thirunal, ruler of the princely state of Travancore from 1860 to ...
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Palghat
Palakkad (), formerly known as Palghat, historically known as Palakkattussery is a city and municipality in the Indian state of Kerala. It is the administrative headquarters of the Palakkad District. Palakkad is most densely populated municipality and fourth densely populated city in Kerala. It was established before Indian independence under British rule and was known by the name Palghat. Palakkad is famous for the ancient Palakkad Fort, which is situated at the heart of the city and was captured and rebuilt by Hyder Ali in 1766. The city is situated about northeast of the state capital Thiruvananthapuram. The 18th-century Palakkad Fort has sturdy battlements, a moat, and a Hanuman temple on its grounds. North on the Kalpathy River, the 15th-century Viswanatha Swamy Temple is the main venue of the Ratholsavam chariot festival.The river Bharathappuzha flows through Palakkad. Palakkad is located on the northern bank of Bharathappuzha River. Palakkad was included in the South ...
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Kannappa Nayanar
Kannappa was a staunch devotee of Shiva and is closely associated with Srikalahasteeswara Temple. He was a hunter and is believed to have plucked his eyes to offer to Srikalahasteeswara linga, the presiding deity of Srikalahasti Temple. He is also considered one of the 63 Nayanars or holy Saivite saints, the staunch devotees of Shiva. Birth and Life Kannappa Nayanar is a South Indian saint also known as Thinnappan, Dinna, Kannappa, Tinnappan, Dheera, Bhakta Kannappa, Thinnan, Kannappan, Dinnayya, Kannayya, Kannappa Nayanar or Nayanmar, Kannan, Bhakta Kannappan and Dheeran. He was born in a ''vyadha'' (hunter) family, the son of Raja Naga Vyadha and his wife in Uduppura (modern Vutukuru) near Sri Kalahasti, in present-day Utukkuru, Rajampet Andhra Pradesh. His father was a notable gerent among their hunting community and a great Shaiva devotee of Sri Kartikeya. He was named Thinnan or Theeran in tamil by his parents, which is known to Telugu-speakers today as Dinna or Dheera ...
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Mavelikkara Velukkutty Nair
Mavelikkara Velukutty Nair (Malayalam: മാവേലിക്കര വേലുക്കുട്ടി നായർ) was an Indian mridangam player. Life Mavelikkara Velukkutty Nair was born on 2 October 1926 in Chettikulangara (near Mavelikkara), Alleppey district, Kerala. He had undergone preliminary lessons in Mridangam from his the famous ''Mridanga Vidwan'' Muthukulam S. Kumara Pillai. Later undergone advanced training from Maestro Sangeetha Kalanidhi Padmabhooshan Palghat Mani Iyer under Gurukula system for a period of 8 years. Late Palghat R. Raghu and Umayalpuram K. Sivaraman were also disciples of Palghat Mani Iyer along with him. Awards and recognitions * ''A Top'' graded artist (highest award) in All India Radio and Doordarshan. * ''Sangeetha Kalaacharya'' title from Madras Music Academy in 2008. * Central Sangeet Natak Akademi "Tagore Samman" in 2012. * ''Golden Jubilee Award'' from Dr. Semmangudi Srinivasa Iyer foundation, Chennai in 2002. * Kerala Sangeetha ...
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Palghat R
Palakkad (), formerly known as Palghat, historically known as Palakkattussery is a city and municipality in the Indian state of Kerala. It is the administrative headquarters of the Palakkad District. Palakkad is most densely populated municipality and fourth densely populated city in Kerala. It was established before Indian independence under British rule and was known by the name Palghat. Palakkad is famous for the ancient Palakkad Fort, which is situated at the heart of the city and was captured and rebuilt by Hyder Ali in 1766. The city is situated about northeast of the state capital Thiruvananthapuram. The 18th-century Palakkad Fort has sturdy battlements, a moat, and a Hanuman temple on its grounds. North on the Kalpathy River, the 15th-century Viswanatha Swamy Temple is the main venue of the Ratholsavam chariot festival.The river Bharathappuzha flows through Palakkad. Palakkad is located on the northern bank of Bharathappuzha River. Palakkad was included in the South M ...
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Palani Subramaniam Pillai
Pazhani Subramania Pillai (1909–1962) was a well known Carnatic music percussionist. He, along with his contemporaries Palghat Mani Iyer and Ramanathapuram C. S. Murugabhoopathy, are revered as the "Holy Trinity of Mridanga". He was adept in playing the ''mridangam'' and ''kanjira''. He was the '' sishya'' (disciple) of the celebrated Palani Muthaiah Pillai (his father). Early life Subramania Pillai was born on 20 April 1908. His mother was Unnamulai Ammal, and his father, Muthaiah Pillai, who was also a mridangist. He learned mridangam under the tutelage of his father and also had the friendship of ‘Thavil Panchami’ Malikkottai Panchapakesa Pillai. He was also influenced by a renowned mridangist at the time, Dakshinamurthy Pillai. Pillai in return showered great love and affection on young Palani, whom he looked upon as his own son. Before he turned twenty, Palani had the good fortune to accompany stalwarts like Kanchipuram Nayana Pillai, Mazhavarayanendal Subbarama Bhav ...
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Papa Venkataramayya
Papa Venkataramaih (1901–1972) was among the most prominent Indian violin players in the first half of the 20th century. Playing Style K. S. Venkataramaiah, known as 'Papa', was born on 12 September 1901 as the second son of violinist Karur Srikantiah. He learned violin under Chinnaswami Iyer (a recipient of Sangeeta Kalanidhi award) and Govindaswami Pillai. Papa was devoted to Veena Dhanammal school, and one of his first disciples was T. Abhiramasundari, sister of Brinda and Muktha, and granddaughter of Dhanammal. V P Raman, former Advocate General of Tamilnadu, evinced keen interest in Carnatic music and was an excellent violinist, who had his training under the great master Papa Venkataramaiah. Two of Papa's sons - V Thyagarajan and V Nagarajan - also became sought-after accompanists. V Tyagarajan (b 1927) made a name for himself as a violinist. Nagarajan (approx 1930 - 2002) was a left-handed Khanjira player. Aniruddha Atreya, Khanjira exponent from the early decades of 21s ...
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Madras Music Academy
Madras Music Academy is one of the earliest established music academies in South India. Before the concept of infrastructure was introduced to India in the early 1920s, it was a gathering for elite musicians simply called (and is still more commonly referred to as) Music Academy () It plays an important role in encouraging and promoting primarily the Carnatic Music Indian art form. It played a vital role in the revival of the Indian classical dance form of Bharatnatyam in the 1930s when it faced near extinction due to a negative connotation caused by conservative societal standards. They also run a music school called the Teachers college of Carnatic Music which has many eminent musicians on its faculty. Musicians such as Tiger Varadachariar, Appa Iyer, Valadi Krishnaiyer and Mudicondan Venkatarama Iyer adorned the chair of Principal of the Teacher's College. History In 1927, the Indian National Congress held the All India Music Conference in Madras. At the end of the con ...
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Semmangudi Srinivasa Iyer
Semmangudi Radhakrishna Srinivasa Iyer (25 July 1908 – 31 October 2003) was an Indian Carnatic vocalist. He was the youngest recipient of the Sangeetha Kalanidhi awarded by the Music Academy in 1947, a distinction he holds to this day as of 2022, probably the only musician to receive that honour before reaching 40. He had received many other awards as well, including Padma Bhushan and Padma Vibhushan from the Government of India, Rajya Sewa Nirata title from Travancore's erstwhile ruling family, Sangeet Natak Academy award (1953), ''Isai Perarignar'' from Government of Tamil Nadu and Kalidas Samman from Government of Madhya Pradesh. He was affectionately addressed as "Semmangudi Maama" (Semmangudi Uncle) by his disciples. He was also considered the "Pitamaha" or the grand sire of modern Carnatic Music. He was conferred with an honorary doctorate by University of Kerala in 1979. Early life and training He was born in Tirukkodikaval, Tanjore district as the third son ...
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Ariyakudi Ramanuja Iyengar
Ariyakudi Ramanuja Iyengar (19 May 1890 – 23 January 1967), popularly known as ''Ariyakudi'', was a Carnatic music vocalist, born in Ariyakudi, a town in the present-day Sivaganga district of Tamil Nadu. Ariyakudi developed a unique style of singing which came to be known as ''The Ariyakudi Tradition'' and is followed by his students. He is credited with establishing the modern ''katcheri'' (concert) traditions in Carnatic music. In 1954, he was awarded the Sangeet Natak Akademi Fellowship, the highest honour conferred by Sangeet Natak Akademi, India's National Academy for Music, Dance and Drama. This was followed by Padma Bhushan by Government of India in 1958. Early life and background Ariyakudi was born in Ariyakudi, a town in the Karaikudi district, present-day Sivaganga district of Tamil Nadu, South India, on 19 May 1890. He studied under Pudukottai Malayappa Iyer and Namakkal Narasimha Iyengar in his early years. Later he studied for several years under Poochi Sriniv ...
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Chembai Vaidyanatha Bhagavatar
Chembai Vaidyanatha Bhagavatar a.k.a. Vaidyanatha Iyer (1 September 1896 – 16 October 1974) was a Carnatic music singer from Palakkad (state of Kerala, India). Known by his village name ''Chembai'', or simply as ''Bhagavatar'', he was born to Anantha Bhagavatar and Parvati Ammal in 1896, into a Tamil Brahmin family in Perakkool Madom (Parvati Ammal's birth home), adjacent to Lokanarkavu near Vatakara on Janmashtami day. He lived here until he was five years old. The family later shifted to Palakkad.L. R. Viswanatha Sarma (1954), ''Chembai Selvam'' (Biography of Chembai), 1954: Amudha Nilayam Ltd. Chembai was noted for his powerful voice and majestic styleN. Pattabhi Raman and K.S. Krishnamurthi, ''Sruti'', Issue 98, November 1992 of singing. His first public performance was in 1904, when he was nine. A recipient of several titles and honours (including the Madras Music Academy's Sangeetha Kalanidhi in 1951), he was known for his encouragement of upcoming musicians and ability t ...
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Papa Venkataramiah
Papa Venkataramaih (1901–1972) was among the most prominent Indian violin players in the first half of the 20th century. Playing Style K. S. Venkataramaiah, known as 'Papa', was born on 12 September 1901 as the second son of violinist Karur Srikantiah. He learned violin under Chinnaswami Iyer (a recipient of Sangeeta Kalanidhi award) and Govindaswami Pillai. Papa was devoted to Veena Dhanammal school, and one of his first disciples was T. Abhiramasundari, sister of Brinda and Muktha, and granddaughter of Dhanammal. V P Raman, former Advocate General of Tamilnadu, evinced keen interest in Carnatic music and was an excellent violinist, who had his training under the great master Papa Venkataramaiah. Two of Papa's sons - V Thyagarajan and V Nagarajan - also became sought-after accompanists. V Tyagarajan (b 1927) made a name for himself as a violinist. Nagarajan (approx 1930 - 2002) was a left-handed Khanjira player. Aniruddha Atreya, Khanjira exponent from the early decades of 21s ...
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Musicologist
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthe ...
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