K. Michael Hays
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K. Michael Hays
Kenneth Michael Hays (born October 18, 1952) is an American architectural historian and professor. He currently serves as Eliot Noyes Professor of Architectural Theory at Harvard University's Graduate School of Design. He is also co-director of the school's doctoral programs, namely Ph.D and DDes or Doctor of Design. Education Hays received his B.Arch degree from the Georgia Institute of Technology in 1976. He then went on to the Massachusetts Institute of Technology's School of Architecture and Planning, where he received his M.Arch in Advanced Studies in the History and Theory of Architecture in 1979. His dissertation was entitled ''Reference, Coherence, Meaning: A Realist Epistemology of Art'' under the direction of Henry A. Millon. In 1990, he completed his Ph.D program at MIT School of Architecture and Planning in the History, Theory, and Criticism of Architecture and Art. His main focus of study was European Modernism and his minor field was critical theory. His disser ...
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Georgia Institute Of Technology
The Georgia Institute of Technology, commonly referred to as Georgia Tech or, in the state of Georgia, as Tech or The Institute, is a public research university and institute of technology in Atlanta, Georgia. Established in 1885, it is part of the University System of Georgia and has satellite campuses in Savannah, Georgia; Metz, France; Shenzhen, China; and Singapore. The school was founded as the Georgia School of Technology as part of Reconstruction plans to build an industrial economy in the post-Civil War Southern United States. Initially, it offered only a degree in mechanical engineering. By 1901, its curriculum had expanded to include electrical, civil, and chemical engineering. In 1948, the school changed its name to reflect its evolution from a trade school to a larger and more capable technical institute and research university. Today, Georgia Tech is organized into six colleges and contains about 31 departments/units, with emphasis on science and technology. I ...
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Ludwig Hilberseimer
Ludwig Karl Hilberseimer (September 14, 1885 – May 6, 1967) was a German architect and urban planner best known for his ties to the Bauhaus and to Mies van der Rohe, as well as for his work in urban planning at Armour Institute of Technology (now Illinois Institute of Technology), in Chicago, Illinois. Life Hilberseimer studied architecture at the Karlsruhe Technical University from 1906 to 1910. He left before completing a degree. Afterward he worked in the architectural office Behrens and Neumark. Until 1914 he was coworker in the office of Heinz Lassen in Bremen. Later he led the planning office for Zeppelinhallenbau in Berlin Staaken. Beginning in 1919 he was member of the Arbeitsrat für Kunst and November Group, worked as independent architect and town planner and published numerous theoretical writings over art, architecture and town construction. In 1929 Hilberseimer was hired by Hannes Meyer to teach at the Bauhaus at Dessau, Germany. In July 1933 Hilberseimer and ...
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Oppositions
''Oppositions'' was an architectural journal produced by the Institute for Architecture and Urban Studies from 1973 to 1984. Many of its articles contributed to advancing architectural theory and many of its contributors became distinguished practitioners in the field of architecture. Twenty-six issues were produced during its eleven years of existence. ''Oppositions'' was edited by Peter Eisenmann (1-25), Kenneth Frampton (1-25), Mario Gandelsonas (1-26), Anthony Vidler (6-26), Kurt W. Forster (12-25), and Diana Agrest (26). Contributors included: Diana Agrest, Stanford Anderson, Giorgio Ciucci, Stuart Cohen, Alan Colquhoun, Francesco Dal Co, Peter Eisenman, William Ellis, Kurt W. Forster, Kenneth Frampton, Mario Gandelsonas, Giorgio Grassi, Fred Koetter, Rem Koolhaas, Léon Krier, Mary McLeod, Rafael Moneo, Joan Ockman, Martin Pawley, Aldo Rossi, Colin Rowe, Denise Scott Brown, Machado and Silvetti Associates, Jorge Silvetti, Ignasi de Solà-Morales, Manfredo Tafuri, Bernard Tschu ...
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Hejduk
A hajduk ( hu, hajdúk, plural of ) is a type of irregular infantry found in Central and parts of Southeast Europe from the late 16th to mid 19th centuries. They have reputations ranging from bandits to freedom fighters depending on time, place, and their enemies. In the European lands of the Ottoman Empire, the term ''hajduk'' was used to describe bandits and brigands of the Balkans, while in Central Europe for the West Slavs, Hungarians, Romanians, and Germans, it was used to refer to outlaws who protected Christians against provocative actions by the Ottomans. By the 17th century they were firmly established in the Ottoman Balkans, owing to increased taxes, Christian victories against the Ottomans, and a general decline in security. Hajduk bands predominantly numbered one hundred men each, with a firm hierarchy under one leader. They targeted Ottoman representatives and rich people, mainly rich Turks, for plunder or punishment to oppressive Ottomans, or revenge or a comb ...
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Realism (arts)
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The Realist painters rejected Romanticism, which had come to dominate Fre ...
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Modernism And The Posthumanist Subject
Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, and social organization which reflected the newly emerging industrial society, industrial world, including features such as urbanization, architecture, new technologies, and war. Artists attempted to depart from traditional forms of art, which they considered outdated or obsolete. The poet Ezra Pound's 1934 injunction to "Make it New" was the touchstone of the movement's approach. Modernist innovations included abstract art, the stream-of-consciousness novel, montage (filmmaking), montage cinema, atonal and twelve-tone music, divisionist painting and modern architecture. Modernism explicitly rejected the ideology of Realism (arts), realism and made use of the works of the past by the employment of reprise, incorpor ...
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Perry Dean Rogers Architects
Perry Dean Rogers is an architectural firm based in Boston, Massachusetts. Founded in 1923 as Perry, Shaw & Hepburn, the firm became notable for its designs for educational institutions. The firm was responsible for the restoration of Colonial Williamsburg. The firm asserts their expertise in creating the context of university environment. Perry Dean Rogers recently completed designing an entire college campus, masterplan and the individual buildings for the Franklin W. Olin College of Engineering in Needham, Massachusetts. William G. Perry was also hired to transform the Endicott Estate into a Governor's Mansion. Projects * Colonial Wiliamsburg, including the Williamsburg Inn * Saugus Iron Works National Historic Site * Wellesley Science Center * US embassy in Amman, Jordan * US embassy in London * Furman University, Greenville, South Carolina * Library, Norwich University, Northfield, Vermont * Beinecke Student Activities Village, Hamilton College, New York * William M. Bristo ...
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Whitney Museum Of American Art
The Whitney Museum of American Art, known informally as "The Whitney", is an art museum in the Meatpacking District and West Village neighborhoods of Manhattan in New York City. It was founded in 1930 by Gertrude Vanderbilt Whitney (1875–1942), a wealthy and prominent American socialite, sculptor, and art patron after whom it is named. The Whitney focuses on 20th- and 21st-century American art. Its permanent collection, spanning the late-19th century to the present, comprises more than 25,000 paintings, sculptures, drawings, prints, photographs, films, videos, and artifacts of new media by more than 3,500 artists. It places particular emphasis on exhibiting the work of living artists as well as maintaining an extensive permanent collection of important pieces from the first half of the last century. The museum's Annual and Biennial exhibitions have long been a venue for younger and lesser-known artists whose work is showcased there. From 1966 to 2014, the Whitney was at 945 Mad ...
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Chair (academic)
Professor (commonly abbreviated as Prof.) is an academic rank at universities and other post-secondary education and research institutions in most countries. Literally, ''professor'' derives from Latin as a "person who professes". Professors are usually experts in their field and teachers of the highest rank. In most systems of academic ranks, "professor" as an unqualified title refers only to the most senior academic position, sometimes informally known as "full professor". In some countries and institutions, the word "professor" is also used in titles of lower ranks such as associate professor and assistant professor; this is particularly the case in the United States, where the unqualified word is also used colloquially to refer to associate and assistant professors as well. This usage would be considered incorrect among other academic communities. However, the otherwise unqualified title "Professor" designated with a capital letter nearly always refers to a full professor. ...
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Assemblage (journal)
''Assemblage'' was an architectural theory journal published by MIT Press from 1986 to 2000. History K. Michael Hays and Alicia Kennedy served as the main editors for all 41 issues. The original consulting editors were Mary McLeod, Mark Rakatansky, and Ellen Shapiro. Other editors included Catherine Ingraham, Stan Allen, Sarah Whiting, Mark Pasnik and Monica Ponce de Leon. Contributors The journal's advisory and editorial board included many architectural theorists and writers, including Stanford Anderson (vol. 1–14), Francoise Choay (vol. 1–5), Mario Gandelsonas (all volumes), Jorge Silvetti (all volumes), Werner Oechslin (vol. 1-16), Beatriz Colomina (vol. 14-41), Mark Rakatansky (vol. 14-33), Mark Wigley (vol. 14-41), Sanford Kwinter Sanford Kwinter is a Canadian-born, New York-based writer and architectural theorist, and a co-founder of Zone Books publishers. Kwinter currently serves as Professor of Theory and Criticism at the Pratt Institute. He formerly served as ...
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John Hejduk
John Quentin Hejduk (July 19, 1929 – July 3, 2000) was an American architect, artist and educator of Czech origin who spent much of his life in New York City. Hejduk is noted for having had a profound interest in the fundamental issues of shape, organization, representation, and reciprocity. Hejduk studied at the Cooper Union School of Art and Architecture, the University of Cincinnati, and the Harvard Graduate School of Design. He worked in several offices in New York including that of I. M. Pei and Partners and the office of A.M. Kinney and Associates. He established his own practice in New York City in 1965. Career As a professor Hejduk was Professor of Architecture at The Cooper Union for the Advancement of Science and Art, School of Architecture from 1964 to 2000 and Dean of the School of Architecture from 1975 to 2000. His arrival including the cooperation of many other influential professors (including Raimund Abraham, Ricardo Scofidio, Peter Eisenman, Charles ...
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