Justiciary Buildings, Glasgow
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Justiciary Buildings, Glasgow
The Justiciary Buildings is a judicial complex in the Saltmarket in Glasgow, Scotland. The complex, which operates in conjunction with similar facilities in Edinburgh and Aberdeen, is dedicated for the use of the High Court of Justiciary, which is the supreme criminal court in Scotland. It is a Category A listed building. History The building was commissioned to replace the Glasgow Tolbooth at Glasgow Cross as the main municipal and judicial building in Glasgow. It was designed by William Stark in the neoclassical style, built in ashlar stone and was completed in 1814. The design involved a symmetrical main frontage with seventeen bays facing onto the Saltmarket. The central section of five bays was formed by a full-height hexastyle portico with Doric order columns supporting an entablature, a frieze with triglyphs and a pediment. The wing sections, of five bays each, featured pedimented doorways in the central bay and were fenestrated by sash windows. The end bays, which s ...
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Saltmarket
The Saltmarket is a thoroughfare in the City of Glasgow, Scotland. It is a southward continuation of the High Street, running south from Glasgow Cross to the junction with Clyde Street and Crown Street by the River Clyde. It runs past the High Court of Glasgow and also Glasgow Green. Along with the High Street and Crown Street it forms part of the A8. History Originally named ''Waulcergait'', the area was associated with wool production, in particular the fulling ( Scots ''waulking'') of the cloth. In the 18th century it became a fashionable residential district, close to the Merchant City. The Justiciary Buildings were constructed in 1814, but largely rebuilt in 1910–1913, with only the portico of the earlier building retained. It is now a category A listed building. Across the road is the McLennan Arch, which dates to 1796, but was moved to its present site in 1992. In 1845 the City Theatre was opened on the Saltmarket, on a site next to the Courts. It burned to the gro ...
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Entablature
An entablature (; nativization of Italian , from "in" and "table") is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave (the supporting member immediately above; equivalent to the lintel in post and lintel construction), the frieze (an unmolded strip that may or may not be ornamented), and the cornice (the projecting member below the pediment). The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification. Overview The structure of an entablature varies with the orders of architecture. In each order, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Varian ...
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Clarke & Bell & R
Clarke is a surname which means "clerk". The surname is of English and Irish origin and comes from the Latin . Variants include Clerk and Clark. Clarke is also uncommonly chosen as a given name. Irish surname origin Clarke is a popular surname in Ireland. The Irish version of the surname is believed to have come from County Galway and County Antrim and spread to County Donegal and County Dublin. The name is derived from the Irish Gaelic sept , meaning "clerk". English surname origin Clarke, as well as Clark, is also a widespread surname in England. The English version is of Anglo-Saxon origin and was used in the Middle Ages for the name of a scribe or secretary. The word "clerc", which came from the pre-7th century Old English (meaning priest), originally denoted a member of a religious order, but later became widespread. In the Middle Ages, virtually the only people who could read and write were members of religious orders, linking the word with literacy. Thus the surname became ...
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James Hoey Craigie
James Hoey Craigie TD FRIBA (7 May 1870 – 30 March 1930) was a Scottish architect. He studied at the Glasgow School of Art. In 1894 he won the Alexander Thomson travelling scholarship which he spent in France and Italy. In 1905 he was made a partner in the firm Clarke & Bell, its name changing to Clarke & Bell & J H Craigie. Significant works Craigie's significant work includes the domed roof and restaurant additions to the Grosvenor Building, 72–80 Gordon Street (1902–07); Art Nouveau remodelling of early 19th century tenement, 186–188 Argyle Street (1908); the reconstruction of the Justiciary Buildings in Glasgow (1910–13); Corona Bar, Langside (1912–13); and St Mary's Parish Church, Kirkintilloch (1912–14). In 1929, Craigie was commissioned to design a new Department Store with of shopping space for the firm of Lewis's Limited, who had bought over an old Glasgow firm, John Anderson's "Royal Polytechnic" known to Glaswegians as "The Poly". He worked cl ...
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Old Sheriff Court, Glasgow
The Old Sheriff Court is a former municipal and judicial building in Wilson Street, Glasgow, Scotland. The building, which is home to the Scottish Youth Theatre, is a Category B listed building. History The structure was commissioned to serve as the city and county buildings for the City of Glasgow and Lanarkshire respectively. The foundation stone for the new building was laid on 18 November 1842. The southern section, forming the city and county buildings, and the central section, forming the Merchant's House, were designed by Clarke & Bell in the neoclassical style, built in ashlar stone and were completed in 1844. The design involved a symmetrical main frontage facing onto the Wilson Street; the central section was formed by a stylobate on which was placed a full-height hexastyle portico with Ionic order columns supporting an entablature, a frieze and a pediment. The outer bays featured doorways flanked by brackets supporting cornices on the ground floor, sash windows flanked ...
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Tympanum (architecture)
A tympanum (plural, tympana; from Greek and Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architectural styles include this element. Alternatively, the tympanum may hold an inscription, or in modern times, a clock face. History In ancient Greek, Roman and Christian architecture, tympana of religious buildings often contain pedimental sculpture or mosaics with religious imagery. A tympanum over a doorway is very often the most important, or only, location for monumental sculpture on the outside of a building. In classical architecture, and in classicising styles from the Renaissance onwards, major examples are usually triangular; in Romanesque architecture, tympana more often has a semi-circular shape, or that of a thinner slice from the top of a circle, and in Gothic architecture they ha ...
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Coat Of Arms
A coat of arms is a heraldry, heraldic communication design, visual design on an escutcheon (heraldry), escutcheon (i.e., shield), surcoat, or tabard (the latter two being outer garments). The coat of arms on an escutcheon forms the central element of the full achievement (heraldry), heraldic achievement, which in its whole consists of a shield, supporters, a crest (heraldry), crest, and a motto. A coat of arms is traditionally unique to an individual person, family, state, organization, school or corporation. The term itself of 'coat of arms' describing in modern times just the heraldic design, originates from the description of the entire medieval chainmail 'surcoat' garment used in combat or preparation for the latter. Roll of arms, Rolls of arms are collections of many coats of arms, and since the early Modern Age centuries, they have been a source of information for public showing and tracing the membership of a nobility, noble family, and therefore its genealogy across tim ...
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Parapet
A parapet is a barrier that is an extension of the wall at the edge of a roof, terrace, balcony, walkway or other structure. The word comes ultimately from the Italian ''parapetto'' (''parare'' 'to cover/defend' and ''petto'' 'chest/breast'). Where extending above a roof, a parapet may simply be the portion of an exterior wall that continues above the edge line of the roof surface, or may be a continuation of a vertical feature beneath the roof such as a fire wall or party wall. Parapets were originally used to defend buildings from military attack, but today they are primarily used as guard rails, to conceal rooftop equipment, reduce wind loads on the roof, and to prevent the spread of fires. In the Bible the Hebrews are obligated to build a parapet on the roof of their houses to prevent people falling (Deuteronomy 22:8). Parapet types Parapets may be plain, embattled, perforated or panelled, which are not mutually exclusive terms. *Plain parapets are upward extensions of ...
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Pilaster
In classical architecture Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes even more specifically, from the works of the Roman architect V ..., a pilaster is an :Architectural elements, architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a Capital (architecture), capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a pilaster, an engaged column or buttress can support the structure of a wall and roof above. In human anatomy, a pilaster is a ridge that extends vertically across the femur, which is unique to modern humans. Its structural function is unclear. Definition In discussing Leon Battis ...
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Cross Window
A cross-window is a window whose lights are defined by a mullion and a transom, forming a cross.Curl, James Stevens (2006). ''Oxford Dictionary of Architecture and Landscape Architecture'', 2nd ed., OUP, Oxford and New York, p. 214. . The Late Gothic cross-window is known since the 14th century and replaced the hitherto common Romanesque or Gothic arched window on buildings. Since then the latter have almost exclusively been reserved for church buildings. The two, upper lights were usually somewhat smaller than the two lower ones and could be opened separately. The latter is also true for a transom window, which has a horizontal bar or transom separating the lights. Design Characteristically the rectangular window is divided into four individual lights by a mullion and transom in the form of a Latin cross. The window cross was original made of stone ('stone cross-window'); not until the Renaissance and Baroque periods did the timber cross-window emerge (e. g. on the a ...
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Sash Window
A sash window or hung sash window is made of one or more movable panels, or "sashes". The individual sashes are traditionally paned window (architecture), paned windows, but can now contain an individual sheet (or sheets, in the case of double glazing) of glass. History The oldest surviving examples of sash windows were installed in England in the 1670s, for example at Ham House.Louw, HJ, ''Architectural History'', Vol. 26, 1983 (1983), pp. 49–72, 144–15JSTOR The invention of the sash window is sometimes credited, without conclusive evidence, to Robert Hooke. Others see the sash window as a Dutch invention. H.J. Louw believed that the sash window was developed in England, but concluded that it was impossible to determine the exact inventor. The sash window is often found in Georgian architecture, Georgian and Victorian architecture, Victorian houses, and the classic arrangement has three panes across by two up on each of two sash, giving a ''six over six'' panel window, alth ...
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