Just A Little Lovin' (Carmen McRae Album)
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Just A Little Lovin' (Carmen McRae Album)
''Just a Little Lovin is a 1970 studio album by Carmen McRae directed and produced by Arif Mardin. The recording in a studio of Atlantic Records in Miami was set up with a horn section, an occasional string section and The Sweet Inspirations as backing vocals on some tracks. The studio's own Dixie Flyers, a rhythm section founded by Sammy Creason, provided the contemporary electrified sound for a repertoire that derived mainly from only recently written pop songs, three alone by the Beatles, two by the Muscle Shoal crew like " Breakfast in Bed", written in 1968 for Dusty Springfield, and a Laura Nyro original. The electrified orchestral sound is advanced twice, on "Something" with the use of a cimbalom (remotely similar sounding like a sitar), and with a Mellotron on "What'cha Gonna Do" that harmonizes with the strings. Slightly out of the pop vein are a straightforwardly played blues shuffle, "I Love the Life I Live" by Willie Dixon, and "Didn't We", an intimate duet wit ...
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Carmen McRae
Carmen Mercedes McRae (April 8, 1920 – November 10, 1994) was an American jazz singer. She is considered one of the most influential jazz vocalists of the 20th century and is remembered for her behind-the-beat phrasing and ironic interpretation of lyrics. Early life and education McRae was born in Harlem, New York City, United States. Her father, Osmond, and mother, Evadne (Gayle) McRae, were immigrants from Jamaica. She began studying piano when she was eight, and the music of jazz greats such as Louis Armstrong and Duke Ellington filled her home. When she was 17 years old, she met singer Billie Holiday. As a teenager McRae came to the attention of Teddy Wilson and his wife, the composer Irene Kitchings. One of McRae's early songs, "Dream of Life", was, through their influence, recorded in 1939 by Wilson’s long-time collaborator Billie Holiday.Brian Berger"Carmen McRae" HiLobrow, April 8, 2015. McRae considered Holiday to be her primary influence. Early career In her l ...
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Dusty Springfield
Mary Isobel Catherine Bernadette O'Brien (16 April 1939 – 2 March 1999), known professionally as Dusty Springfield, was an English singer. With her distinctive mezzo-soprano sound, she was a popular singer of blue-eyed soul, Pop music, pop and dramatic Ballad, ballads, with chanson, French chanson, Country music, country, and Jazz music, jazz also in her repertoire. During her 1960s peak, she ranked among the most successful British female performers on both sides of the Atlantic. Her image – marked by a peroxide blonde bouffant/Beehive (hairstyle), beehive hairstyle, heavy makeup (thick black eyeliner and eye shadow) and evening gowns, as well as stylised, gestural performances – made her an icon of the Swinging Sixties. Born in West Hampstead in London into a family that enjoyed music, Springfield learned to sing at home. In 1958, she joined her first professional group, The Lana Sisters. Two years later, with her brother Tom Springfield and Reshad Feild, Tim Feild ...
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George Harrison
George Harrison (25 February 1943 – 29 November 2001) was an English musician and singer-songwriter who achieved international fame as the lead guitarist of the Beatles. Sometimes called "the quiet Beatle", Harrison embraced Indian culture and helped broaden the scope of popular music through his incorporation of Indian instrumentation and Hindu-aligned spirituality in the Beatles' work. Although the majority of the band's songs were written by John Lennon and Paul McCartney, most Beatles albums from 1965 onwards contained at least two Harrison compositions. His songs for the group include "Taxman", "Within You Without You", "While My Guitar Gently Weeps", "Here Comes the Sun" and "Something". Harrison's earliest musical influences included George Formby and Django Reinhardt; Carl Perkins, Chet Atkins and Chuck Berry were subsequent influences. By 1965, he had begun to lead the Beatles into folk rock through his interest in Bob Dylan and the Byrds, and towards Indi ...
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Cynthia Weil
Cynthia Weil (born October 18, 1940) is an American songwriter who wrote many songs together with her husband Barry Mann. Life and career Weil was born in New York City, and was raised in a Conservative Jewish family. Her father was Morris Weil, a furniture store owner and the son of Lithuanian-Jewish immigrants, and her mother was Dorothy Mendez, who grew up in a Sephardic Jewish family in Brooklyn. Weil trained as an actress and dancer, but soon demonstrated a songwriting ability that led to her collaboration with Barry Mann, whom she married in August 1961. The couple has one daughter, Jenn Mann. Weil became one of the Brill Building songwriters of the 1960s, and one of the most important writers during the emergence of rock and roll. She and her husband went on to create songs for many contemporary artists, winning several Grammy Awards as well as Academy Award nominations for their compositions for film. As their Rock and Roll Hall of Fame biography put it, in part: "Man ...
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Barry Mann
Barry Mann (born Barry Imberman; February 9, 1939) is an American songwriter and musician, and part of a successful songwriting partnership with his wife, Cynthia Weil. He has written or co-written 53 hits in the UK and 98 in the US. Early life Mann was born to a Jewish family in Brooklyn, New York City, United States. He was born two days before fellow songwriter Gerry Goffin. Career His first successful song as a writer was "She Say (Oom Dooby Doom)", a Top 20 chart-scoring song composed for the band The Diamonds in 1959. Mann co-wrote the song with Mike Anthony (Michael Logiudice). In 1961, Mann had his greatest success to that point with "I Love How You Love Me", written with Larry Kolber and a no. 5 scoring single for the band The Paris Sisters (seven years later, Bobby Vinton's version would reach the Top 10). The same year, Mann himself reached the Top 40 as a performer with a novelty song co-written with Gerry Goffin, " Who Put the Bomp", which parodied the nonsense ...
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Al Gafa
Alexander "Al" Gafa (born April 9, 1941, New York City) is an American jazz guitarist. Career Gafa worked extensively as a session musician for recordings in the mid and late 1960s in New York. In jazz he worked in that decade with Kai Winding, Michel Legrand, Sam Donahue, Duke Pearson, and Carmen McRae. He worked with McRae until 1971, then played in the 1970s with Dizzy Gillespie, Mike Longo, and Yusef Lateef. Gafa put together his own small groups in the decade; his sidemen included Kenny Barron, Ben Brown, Al Foster, Steve LaSpina, Andy LaVerne, Dave Shapiro, and Richard Wyands. He worked with Johnny Hartman from 1978 to 1982 and in the early 1980s with Susannah McCorkle and Joe Albany, Sammy Davis Jr., Sylvia Syms, Morgana King, Shirley Horn."Al Gafa". '' The New Grove Dictionary of Jazz''. 2nd edition, ed. Barry Kernfeld. Discography As leader * ''Leblon Beach'' (Pablo, 1976) As sideman With Dizzy Gillespie * ''Dizzy Gillespie, Sonny Stitt Quintet Live in Paris & Copenhag ...
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Willie Dixon
William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.Trager, Oliver (2004). ''Keys to the Rain: The Definitive Bob Dylan Encyclopedia''. Billboard Books. pp. 298–299. . Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes "Hoochie Coochie Man", " I Just Want to Make Love to You", "Little Red Rooster", "My Babe", "Spoonful", and "You Can't Judge a Book by the Cover". These songs were written during the peak years of Chess Records, from 1950 to 1965, and wer ...
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I Love The Life I Live
''I Love the Life I Live'' was a jazz and blues album by the American musician Mose Allison, released in 1960. Allison became notable for playing a unique mix of blues and modern jazz, both singing and playing piano. After moving to New York in 1956, he worked primarily in jazz settings, playing with jazz musicians like Stan Getz, Al Cohn, and Zoot Sims, along with producing numerous recordings. Track listing ''All compositions by Mose Allison except as indicated'' # "I Love the Life I Live" (Willie Dixon) – 2:22 # "News" – 3:11 # "Fool's Paradise" (Johnny Fuller (musician), Johnny Fuller, Bob Geddins, David Rosenbaum) – 3:29 # "You Turned the Tables on Me" (Sidney Mitchell, Louis Alter) – 3:51 # "Isobel" (Al Cohn) – 4:26 # "You're a Sweetheart" (Harold Adamson, Jimmy McHugh) – 2:11 # "Night Ride" – 3:12 # "Path" – 3:33 # "Mad with You" (Lightnin' Hopkins) – 2:10 # "Hittin' on One" – 3:30 # "I Ain't Got Nobody" (Roger A. Graham, Roger Graham, Spencer Willi ...
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Blues Shuffle
In music, the term ''swing'' has two main uses. Colloquially, it is used to describe the propulsive quality or "feel" of a rhythm, especially when the music prompts a visceral response such as foot-tapping or head-nodding (see pulse). This sense can also be called "groove". It is also known as shuffle. The term swing, as well as ''swung note(s)'' and ''swung rhythm'', is also used more specifically to refer to a technique (most commonly associated with jazz but also used in other genres) that involves alternately lengthening and shortening the first and second consecutive notes in the two part pulse-divisions in a beat. Overview Like the term "groove", which is used to describe a cohesive rhythmic "feel" in a funk or rock context, the concept of "swing" can be hard to define. Indeed, some dictionaries use the terms as synonyms: "Groovy ... denotes music that really swings." The ''Jazz in America'' glossary defines ''swing'' as, "when an individual player or ensemble performs ...
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What'cha Gonna Do
"What'cha Gonna Do" is a song by British R&B girl group Eternal. It was the lead (and only) single from their final studio album ''Eternal'', and subsequently their last single before they split. It was the only single released from the group as a duo (consisting of Easther & Vernie). Release "What'cha Gonna Do" was released as a CD single on 18 October 1999. The single managed to chart at Number 16 on the UK Singles Chart making it their only single not to reach the Top 15. It also managed to peak at No.29 in Japan, No.30 on the Dutch Top 40 & No.34 in Sweden. "What'cha Gonna Do" also peaked at No.84 in Germany. Music video The music video is very different from Eternal Eternal(s) or The Eternal may refer to: * Eternity, an infinite amount of time, or a timeless state * Immortality or eternal life * God, the supreme being, creator deity, and principal object of faith in monotheism Comics, film and television * ...'s previous videos. The video is set out in a desert at ni ...
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Mellotron
The Mellotron is an electro-mechanical musical instrument developed in Birmingham, England, in 1963. It is played by pressing its keys, each of which pushes a length of magnetic tape against a capstan, which pulls it across a playback head. As the key is released, the tape is retracted by a spring to its initial position. Different portions of the tape can be played to access different sounds. The Mellotron evolved from the similar Chamberlin, but could be mass-produced more efficiently. The first models were designed for the home and contained a variety of sounds, including automatic accompaniments. Bandleader Eric Robinson and television personality David Nixon helped promote the first instruments, and celebrities such as Princess Margaret were early adopters. It was adopted by rock and pop groups in the mid to late 1960s. One of the first pop songs featuring the Mellotron was Manfred Mann's " Semi-Detached, Suburban Mr. James" (1966). The Beatles used it on tracks includ ...
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Sitar
The sitar ( or ; ) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in medieval India, flourished in the 18th century, and arrived at its present form in 19th-century India. Khusrau Khan, an 18th century figure of Mughal Empire has been identified by modern scholarship as the originator of Sitar. According to most historians he developed sitar from setar, an Iranian instrument of Abbasid or Safavid origin. Another view supported by a minority of scholars is that Khusrau Khan developed it from ''Veena''. Used widely throughout the Indian subcontinent, the sitar became popularly known in the wider world through the works of Ravi Shankar, beginning in the late 1950s and early 1960s. In the 1960s, a short-lived trend arose for the use of the sitar in Western popular music, with the instrument appearing on tracks by bands such as the Beatles, the Doors, the Rolling Stones and others. Etymol ...
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