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Just Like A Woman (song)
"Just Like a Woman" is a song by American singer-songwriter Bob Dylan first released on his seventh studio album, ''Blonde on Blonde'' on June 20, 1966. It was written by Dylan and produced by Bob Johnston. A shorter edit was released as a single in the United States during August 1966 and peaked at number 33 on the ''Billboard'' Hot 100. The song has been criticized for supposed sexism or misogyny in its lyrics, and has received a mixed critical reaction; some critics have suggested that the song was inspired by Edie Sedgwick, while other consider that it refers to Dylan's relationship with fellow folk singer Joan Baez. Dylan allegedly wrote "Just Like a Woman" on Thanksgiving Day in 1965, though some biographers doubt this, claiming he most likely improvised the lyrics in the studio. Dylan recorded the track at Columbia studio B in Nashville, Tennessee in March 1966, together with frequent collaborator Al Kooper along with guitarists Charlie McCoy and Joe South. Retrospective ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Dylan
Bob Dylan (legally Robert Dylan, born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter. Often regarded as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture during a career spanning more than 60 years. Much of his most celebrated work dates from the 1960s, when songs such as "Blowin' in the Wind" (1963) and " The Times They Are a-Changin' (1964) became anthems for the civil rights and antiwar movements. His lyrics during this period incorporated a range of political, social, philosophical, and literary influences, defying pop music conventions and appealing to the burgeoning counterculture. Following his self-titled debut album in 1962, which comprised mainly traditional folk songs, Dylan made his breakthrough as a songwriter with the release of ''The Freewheelin' Bob Dylan'' the following year. The album features "Blowin' in the Wind" and the thematically complex " A Hard Rain's a-Gonna Fall". Many of his s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Kooper
Al Kooper (born Alan Peter Kuperschmidt; February 5, 1944) is a retired American songwriter, record producer and musician, known for organizing Blood, Sweat & Tears, although he did not stay with the group long enough to share its popularity. Throughout much of the 1960s and 1970s he was a prolific studio musician, playing organ on the Bob Dylan song "Like a Rolling Stone", French horn and piano on the Rolling Stones song "You Can't Always Get What You Want", and lead guitar on Rita Coolidge's "The Lady's Not for Sale", among many other appearances. Kooper also produced a number of one-off collaboration albums, such as the '' Super Session'' album that saw him work separately with guitarists Mike Bloomfield and Stephen Stills. In the 1970s Kooper was a successful manager and producer, recording Lynyrd Skynyrd's first three albums. He has also had a successful solo career, writing music for film soundtracks, and has lectured in musical composition. Early life Al Kooper was bor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Highway 61 Revisited
''Highway 61 Revisited'' is the sixth studio album by American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records. Having until then recorded mostly acoustic music, Dylan used rock musicians as his backing band on every track of the album, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural chaos of contemporary America. Author Michael Gray has argued that, in an important sense, the 1960s "started" with this album. Leading with the hit song "Like a Rolling Stone", the album features songs that Dylan has continued to perform live over his long career, including "Ballad of a Thin Man" and the title track. He named the album after the major American highway which connected his birthplace of Duluth, Minnesota, to southern cities famed for their musical heritage, includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bringing It All Back Home
''Bringing It All Back Home'' (known as ''Subterranean Homesick Blues'' in some European countries; sometimes also spelled ''Bringin' It All Back Home'') is the fifth studio album by American singer-songwriter Bob Dylan. It was released in April 1965, by Columbia Records. The first half of the album features electric songs, followed by mainly acoustic songs in the second half. The album abandons the protest music of Dylan's previous records in favor of more surreal, complex lyrics. On side one of the original LP, Dylan is backed by an electric rock and roll band—a move that further alienated him from some of his former peers in the folk music community. The album reached No. 6 on ''Billboard''s Pop Albums chart, the first of Dylan's LPs to break into the US top 10. It also topped the UK charts later that spring. The first track, "Subterranean Homesick Blues", became Dylan's first single to chart in the US, peaking at No. 39. ''Bringing It All Back Home'' has been described a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Kooper 16A
AL, Al, Ål or al may stand for: Arts and entertainment Fictional characters * Al (''Aladdin'') or Aladdin, the main character in Disney's ''Aladdin'' media * Al (''EastEnders''), a minor character in the British soap opera * Al (''Fullmetal Alchemist'') or Alphonse Elric, a character in the manga/anime * Al Borland, a character in the ''Home Improvement'' universe * Al Bundy, a character in the television series ''Married... with Children'' * Al Calavicci, a character in the television series ''Quantum Leap'' * Al McWhiggin, a supporting villain of ''Toy Story 2'' * Al, or Aldebaran, a character in ''Re:Zero − Starting Life in Another World'' media Music * '' A L'', an EP by French singer Amanda Lear * ''American Life'', an album by Madonna Calendar * Anno Lucis, a dating system used in Freemasonry Mythology and religion * Al (folklore), a spirit in Persian and Armenian mythology * Al Basty, a tormenting female night demon in Turkish folklore * '' Liber AL'', the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fontana Records
Fontana Records is a record label that was started in the 1950s as a subsidiary of the Dutch Philips Records. The independent label distributor Fontana Distribution takes its name from the label. History Fontana started in the 1950s as a subsidiary of the Dutch Philips Records; when Philips restructured its music operations, it dropped Fontana in favor of Vertigo Records. Fontana's U.S. counterpart label was started in 1964 and distributed by Philips US subsidiary Mercury Records. The initial single release (F 1501) was a wild teen beat instrumental by famed British session drummer Bobby Graham, both sides featuring Jimmy Page on guitar. Among the hitmakers were Wayne Fontana & the Mindbenders (then later on their own, simply as the Mindbenders), the Troggs, the New Vaudeville Band, Manfred Mann, Dave Dee, Dozy, Beaky, Mick & Tich, and Steam, all of whom had No. 1 hits on the label. Other successful Fontana artists included the Silkie, Nana Mouskouri, the Pretty Things, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shel Talmy
Sheldon Talmy (born August 11, 1937) is an American record producer, songwriter and arranger, best known for his work in the UK in the 1960s with the Who, the Kinks and many others. Talmy arranged and produced hits such as "You Really Got Me" by the Kinks, "My Generation" by the Who, and "Friday on My Mind" by the Easybeats. He also played guitar or percussion on some of his productions. Early career Sheldon Talmy was born in Chicago, Illinois, United States, and from an early age he was interested both in music (early rock, rhythm and blues, folk music and country music) as well as the technology of the recording studio. At the age of 13, Talmy appeared regularly on the popular NBC-TV television show ''Quiz Kids'', a question-and-answer program from Chicago. He told Chris Ambrose of '' Tokion Magazine'', "What it did for me was that I absolutely knew that this was the business I wanted to be in." He graduated from Fairfax High School in Los Angeles in June 1955, the same hig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manfred Mann
Manfred Mann were an English rock band, formed in London and active between 1962 and 1969. The group were named after their keyboardist Manfred Mann, who later led the successful 1970s group Manfred Mann's Earth Band. The band had two different lead vocalists, Paul Jones from 1962 to 1966 and Mike d'Abo from 1966 to 1969. Prominent in the Swinging London scene of the 1960s, the group regularly appeared in the UK Singles Chart. Three of their most successful singles, "Do Wah Diddy Diddy", "Pretty Flamingo", and " Mighty Quinn", topped the UK charts. The band's 1964 hit " 5-4-3-2-1" was the theme tune for the ITV pop music show ''Ready Steady Go!''. They were also the first southern-England-based group to top the US ''Billboard'' Hot 100 during the British Invasion. History Beginnings (1962–1963) The Mann–Hugg Blues Brothers were formed in London by keyboard player Manfred Mann and drummer/ vibes/piano player Mike Hugg, who formed a house band in Clacton-on-Sea th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat Music
Beat music, British beat, or Merseybeat is a British popular music genre that developed, particularly in and around Liverpool, in the late 1950s and early 1960s. The genre melded influences from American rock and roll, rhythm and blues, skiffle, traditional pop and music hall. It rose to mainstream popularity in the UK and Europe by 1963 before spreading to the North America in 1964 with the British Invasion. The beat style had a significant impact on popular music and youth culture, from 1960s movements such as garage rock, folk rock and psychedelic music to 1970s punk rock and 1990s Britpop. Origin The exact origins of the terms 'beat music' and 'Merseybeat' are uncertain. The "beat" in each, however, derived from the driving rhythms which the bands had adopted from their rock and roll, R&B and soul music influences, rather than the Beat Generation literary movement of the 1950s. As the initial wave of rock and roll subsided in the later 1950s, "big beat" music, later sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rolling Stone's 500 Greatest Songs Of All Time
"The 500 Greatest Songs of All Time" is a recurring survey compiled by the American magazine ''Rolling Stone''. It is based on weighted votes from selected musicians, critics, and industry figures. The first list was published in December 2004 in a special issue of the magazine, issue number 963, a year after the magazine published its list of "The 500 Greatest Albums of All Time". In 2010, ''Rolling Stone'' published a revised edition, drawing on the original and a later survey of songs released up until the early 2000s. Another updated edition of the list was published in 2021, with more than half the entries not having appeared on either of the two previous editions; it was based on a new survey and does not factor in the surveys that were conducted for the previous lists. The 2021 list was based on a poll of more than 250 artists, musicians, producers, critics, journalists and industry figures. They each sent in a ranked list of their top 50 songs, and ''Rolling Stone'' tabula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
