Just Between Us (film)
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Just Between Us (film)
''Just Between Us'' ( hr, Neka ostane među nama) is a 2010 Croatian drama film directed by Rajko Grlić starring Miki Manojlović, Bojan Navojec, Nataša Dorčić, Daria Lorenci and Ksenija Marinković. The film is a co-production involving Croatia's ''Mainframe Production'', Serbia's ''Yodi Movie Craftsman'' and Slovenia's ''Studio Maj'' and was additionally financed by the Croatian Radiotelevision and Eurimages. Plot The film, set in Zagreb, centers around two middle-aged middle class brothers, Nikola and Braco (played by Manojlović and Navojec) and the parallel lives they lead amid a web of complex relationships with their wives, mistresses and children. The film has been described by critics as an examination of "loneliness, adultery and urban life", and has been praised for its authentic depiction of contemporary Zagreb. Cast * Miki Manojlović - Nikola * Bojan Navojec - Braco * Ksenija Marinković - Marta * Daria Lorenci - Anamarija * Nataša Dorčić - Latica * Nina ...
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Rajko Grlić
Rajko Grlić (born 2 September 1947) is a Croatian film director, producer and screenwriter. He is a professor of film theory at Ohio University and artistic director of the Motovun Film Festival in Motovun, Croatia. Biography Rajko Grlić was born in 1947 in Zagreb, SR Croatia, FPR Yugoslavia. His father was Danko Grlić, famous Croatian philosopher. Grlić's (Gerlich) family by father's side came to Zagreb from Schwarzwald, Germany in the 19th century, while his mother Eva ( née Izrael) is from Jewish family of Sarajevo. He graduated from the Film Faculty of the Academy of Performing Arts in Prague (FAMU) at the same time as Emir Kusturica, Serbian film director. During Croatian War of Independence Grlić moved to the USA. In 2017, Grlić has signed the Declaration on the Common Language of the Croats, Serbs, Bosniaks and Montenegrins. Filmography As director * ''Whichever Way the Ball Bounces'' (''Kud puklo da puklo'', 1974) * ''Bravo Maestro'' (''Bravo maestro'', 1 ...
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Krešimir Mikić
Krešimir Mikić (; born 17 April 1974) is a Croatian theatre and film actor. He is known for his roles in acclaimed feature films, including Zlatko in '' Sex, Drink and Bloodshed'', Krešo in '' I Love You'', Mirko in ''The Melon Route'', and Don Fabijan in ''The Priest's Children''. On stage, he is known for his prominent activity in the Zagreb Youth Theatre and the Croatian National Theatre in Zagreb. Selected filmography *''Fine Dead Girls'' (''Fine mrtve djevojke'') (2002) *''Witnesses'' (''Svjedoci'') (2003) *'' The One Who Will Stay Unnoticed'' (''Onaj koji će ostati neprimijećen'') (2003) *''The Society of Jesus'' (Družba Isusova) (2004) *'' Sex, Drink and Bloodshed'' (''Seks, piće i krvoproliće'') (2004) *''100 Minutes of Glory'' (''Sto minuta Slave'') (2004) *'' I Love You'' (''Volim te'') (2005) *''The Melon Route'' (''Put lubenica'') (2006) *'' The Blacks'' (''Crnci'') (2009) *'' 72 Days'' (''Sedamdeset i dva dana'') (2010) *''Vegetarian Cannibal'' (''Ljudožder ...
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2010 Drama Films
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is ...
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2010s Croatian-language Films
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ...
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2010 Films
In the year 2010, there was a dramatic increase and prominence in the use of 3D-technology in filmmaking after the success of ''Avatar'' in the format, with releases such as '' Alice in Wonderland'', '' Clash of the Titans'', '' Jackass 3D'', all animated films, with numerous other titles being released in 3D formats. 20th Century Fox celebrated its 75th anniversary in 2010. Evaluation of the year In his article highlighting the best movies of 2010, Richard Brody of ''The New Yorker'' said: "At times it feels as if we’re living in something of a cinematic golden age, but one that’s altogether different from earlier halcyon days. Where some celebrate the former genius of the system to explain an earlier day’s proliferation of fine movies, now the system is something of a blunderer that often flings itself into follies or even crushes inspiration under its weight, but sometimes gets carried away, for reasons good or bad, and hands surprising control of vast resources over to ar ...
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Screen International
''Screen International'' is a British film magazine covering the international film business. It is published by Media Business Insight, a British B2B media company. The magazine is primarily aimed at those involved in the global film business. The magazine in its current form was founded in 1975, and its website, ''Screendaily.com'', was added in 2001. ''Screen International'' also produces daily publications at film festivals and markets in Berlin, Germany; Cannes, France; Toronto, Ontario, Canada; the American Film Market in Santa Monica, California; and Hong Kong. History ''Screen International'' traces its history back to 1889 with the publication of ''Optical Magic Lantern and Photographic Enlarger''. At the turn of the 20th century, the name changed to ''Cinematographic Journal'' and in 1907 it was renamed '' Kinematograph and Lantern Weekly''. Kinematograph Weekly ''Kinematograph and Lantern Weekly'' contained trade news, advertisements, reviews, exhibition advice, a ...
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Golden Arena For Best Film Music
List of winners The following is a list of winners of the Golden Arena for Best Film Music at the Pula Film Festival Pula Film Festival ( hr, Pulski filmski festival) is an annual Croatian film festival, established in 1954. It is held in a Roman amphitheater known as the Pula Arena. Pula Film Festival is the oldest Croatian film festival and is usually held .... Yugoslav competition (1955–1990) Croatian competition (1992–present) References External links * at the Pula Film Festival official website {{DEFAULTSORT:Golden Arena For Best Film Music Pula Film Festival Film music awards ...
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Golden Arena For Best Production Design
List of winners The following is a list of winners of the Golden Arena for Best Production Design (also known as Scenography or Scenic design) at the Pula Film Festival. Yugoslav competition (1956–1990) Croatian competition (1992–present) Footnotes :A.  Although the festival was opened on 26 July 1991 and a press screening of Zrinko Ogresta's film ''Fragments: Chronicle of a Vanishing'' was held, the festival board presided by Antun Vrdoljak decided to cancel the festival, as a sign of protest against violence related to the Ten-Day War in Slovenia and the initial stages of the Croatian War of Independence. Nine films were supposed to be screened in the competition program. :B. : The awards ceremony was cancelled in 1994 as only one Croatian feature film was made in the preceding 12 months (Bogdan Žižić's ''The Price of Life''). The festival was held in spite of this, but the usual competition program was replaced by screenings of the classic works of the Zag ...
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Golden Arena For Best Cinematography
List of winners The following is a list of winners of the Golden Arena for Best Cinematography at the Pula Film Festival. Yugoslav competition (1955–1990) Croatian competition (1992–present) Notes :A.  Although the festival was opened on 26 July 1991 and a press screening of Zrinko Ogresta's film ''Fragments: Chronicle of a Vanishing'' was held, the festival board presided by Antun Vrdoljak decided to cancel the festival, as a sign of protest against violence related to the Ten-Day War in Slovenia and the initial stages of the Croatian War of Independence. Nine films were supposed to be screened in the competition program. :B. : The awards ceremony was cancelled in 1994 as only one Croatian feature film was made in the preceding 12 months (Bogdan Žižić's ''The Price of Life''). The festival was held in spite of this, but the usual competition program was replaced by screenings of the classic works of the Zagreb School of Animated Film and documentaries, while ...
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Golden Arena For Best Director
The Golden Arena for Best Director ''( Croatian: Zlatna arena za režiju'') is an award given for best director at the Pula Film Festival, which was until 1992 the Yugoslav equivalent of the Academy Awards. Since 1992 and the breakup of Yugoslavia the competition narrowed to Croatian films only. The first festival was held in 1954, but the award was introduced in 1955. List of winners Yugoslav competition (1955–90) Croatian competition (1992–present) Multiple winners The following directors have received multiple awards. The list is sorted by the number of total awards. Years in bold indicate wins in Yugoslav competition (1955–1990). Shared wins are indicated with an asterisk (*). *4 : Zrinko Ogresta (1995, 1999, 2016, 2021) *3 : Aleksandar Petrović (1965, 1967*, 1972) *3 : Krsto Papić (1970, 1992, 1998) *3 : Dalibor Matanić (2002, 2011, 2015) *2 : Branko Bauer (1956*, 1963) *2 : Matjaž Klopčič (1973, 1975) *2 : Živojin Pavlović (1968, 1977) *2 : G ...
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Big Golden Arena For Best Film
The Golden Arena awards were established in 1955 as the Yugoslav national film awards presented annually at the Pula Film Festival in Pula, Croatia, with the Big Golden Arena for Best Film its main prize. From 1955 to 1990 the awards were the Yugoslav cinema equivalent of the Academy Awards. The award is named after the Pula Arena, the 1st-century Roman amphitheatre in the coastal city of Pula, where film screenings preceding the awards ceremony traditionally take place. In 1991 the festival was cancelled due to the breakup of Yugoslavia, but then resumed in 1992 as the Croatian film awards festival, from then on excluding films and filmmakers from present-day Slovenia, Bosnia and Herzegovina, Montenegro, Serbia, and North Macedonia. It has been held in this format every year since, although no prizes were awarded at the 1994 edition. The festival's competition program usually includes screenings of all locally produced feature films made in the preceding 12 months, made possi ...
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Pula Film Festival
Pula Film Festival ( hr, Pulski filmski festival) is an annual Croatian film festival, established in 1954. It is held in a Roman amphitheater known as the Pula Arena. Pula Film Festival is the oldest Croatian film festival and is usually held in the summer, in July or August. Apart from film screenings open to the public, the annual Croatian film industry awards are also traditionally presented at the festival. The awards presented at the festival (called Golden Arenas) are the main national film awards in the country, and they serve as the Croatian equivalent of the American Academy Awards. The festival was originally started in 1954 and within a few years it became the centerpiece event of the Yugoslav film industry, with the first national awards being presented in 1957. This lasted until 1991, when the festival was cancelled due to the breakup of Yugoslavia, only to resume in 1992 as the Croatian film awards festival. It has been held every year since (with the exception of ...
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