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Jurōjin
In Japan, Jurōjin (寿老人) is one of the Seven Gods of Fortune or ''Shichifukujin'', according to Taoist beliefs. He is the god of longevity. Jurōjin originated from the Chinese Taoist god, the Old Man of the South Pole/Star of the Old Man. He is known as the immortal of the Northern Song dynasty (960–1127), and may have been a historical figure of the period. Jurōjin is identified as the personification of the Southern Polar Star. While paintings and statues of Jurōjin are considered auspicious, he never developed a following independent of the other Seven Gods of Fortune. People believe himself as the God of Wisdom and longevity had been live in the world for 1500 years. People respect to acquire safety and happy living.Schumacher, Mark. “God of Wisdom and Longevity.” Jurojin - Japanese Lucky God of Longevity, www.onmarkproductions.com/html/jurojin.shtml. Jurōjin is often identified with Fukurokuju, another of the Seven Gods of Fortune. In some accounts, the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seven Gods Of Fortune
In Japanese mythology, the Seven Lucky Gods or Seven Gods of Fortune (, shichifukujin in Japanese) are believed to grant good luck and are often represented in netsuke and in artworks. One of the seven (Jurōjin) is said to be based on a historical figure. They all began as remote and impersonal gods, but gradually became much closer canonical figures for certain professions and Japanese arts. During the course of their history, the mutual influence between gods has created confusion about which of them was the patron of certain professions. The worship of this group of gods is also due to the importance of the number seven in Japan, supposedly a signifier of good luck. Origin and history It is known that these deities mostly have their origins as ancient gods of fortune from religions popular in Japan: from Mahayana Buddhism (Benzaiten, Bishamonten, Daikokuten) which came to Japan from China but originated in India, and from Chinese Taoism (Fukurokuju, Hotei, Jurojin); except f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fukurokuju
In Japan, Fukurokuju (; from Japanese ''fuku'', "happiness"; ''roku'', "wealth"; and ''ju'', "longevity") is one of the Seven Lucky Gods in Japanese mythology. It has been theorized that he is a Japanese assimilation of the Chinese Three Star Gods (Fu Lu Shou) embodied in one deity. Most related in appearance to the Chinese star god Shou, he is the God of wisdom and longevity. According to some, before attaining divinity, he was a Chinese hermit of the Song Dynasty and a reincarnation of the Taoist Deity, Xuantian Shangdi. It is said that during his human incarnation, he was a sennin; a immortal who could exist without eating food. Fukurokuju probably originated from an old Chinese tale about a mythical Chinese Taoist hermit sage renowned for performing miracles in the Northern Song period (960–1127). In China, this hermit (also known as Jurōjin) was thought to embody the celestial powers of the south polar star. Fukurokuju was not always included in the earliest repres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Gods
This is a list of divinities native to Japanese beliefs and religious traditions. Many of these are from Shinto, while others were imported via Buddhism or Taoism and were "integrated" into Japanese mythology and folklore. Major kami * Amaterasu-Ōmikami (), she is the goddess of the sun as well as the purported ancestress of the Imperial Household of Japan. Her name means "Shines from Heaven" or "the great kami who shine Heaven". For many reasons, one among them being her ties to the Imperial family, she is often considered (though not officially) to be the "primary god" of Shinto. * Ame-no-Uzume ( or ) Commonly called Uzume, she is the goddess of dawn and revelry in Shinto. * Fūjin () Also known as , he is the Japanese god of the wind and one of the eldest Shinto gods, said to have been present at the creation of the world. He is often depicted as an oni with a bag slung over his back. * Hachiman () is the god of war and the divine protector of Japan and its people. Originall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Man Of The South Pole
The Old Man of the South Pole (in or ja, 南極老人) is the Taoist deification of Canopus, the brightest star of the constellation Carina. It is the symbol of happiness and longevity in Far Eastern culture. Description The Old Man of the South Pole is often depicted in Chinese pictures as an old man with a long white beard with a deer by his side. This style of picture is related to the story of an emperor of the Northern Song Dynasty, who had invited such an old man from the street and later considered the old man as the sign of his longevity. In Chinese, Canopus is usually called the Star of the Old Man (in ) or the Star of the Old Man of the South Pole (in ). Since Carina is a Southern constellation, Canopus is rarely seen in Northern China and, if seen in good weather, looks reddish lying near the southern horizon. Because the color red is the symbol of happiness and longevity in China, Canopus is also known in China and the neighboring countries of Korea, Japan, and Vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crane (bird)
Cranes are a family, the Gruidae, of large, long-legged, and long-necked birds in the group Gruiformes. The 15 species of cranes are placed in three genera, ''Antigone'', ''Balearica'', and '' Grus''. Unlike the similar-looking but unrelated herons, cranes fly with necks outstretched, not pulled back. Cranes live on most continents, with the exception of Antarctica and South America. They are opportunistic feeders that change their diets according to the season and their own nutrient requirements. They eat a range of items from small rodents, eggs of birds, fish, amphibians, and insects to grain and berries. Cranes construct platform nests in shallow water, and typically lay two eggs at a time. Both parents help to rear the young, which remain with them until the next breeding season. Some species and populations of cranes migrate over long distances; others do not migrate at all. Cranes are solitary during the breeding season, occurring in pairs, but during the nonbreeding se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fu, Lu, And Shou
The Sanxing () are the gods of the three stars or constellations considered essential in Chinese astrology and mythology: Jupiter, Ursa Major, and Canopus. Fu, Lu, and Shou (), or Cai, Zi and Shou () are also the embodiments of Fortune ( Fu), presiding over the planet Jupiter, Prosperity (Lu), presiding over Mizar, and Longevity ( Shou), presiding over Canopus. They have emerged from Chinese folk religion. Their iconic representation as three, old, bearded, wise men dates back to the Ming dynasty, when the gods of the three stars were represented in human form for the first time. They are sometimes identified with other deities of the Chinese religion or of Taoism. The term is commonly used in Chinese culture to denote the three attributes of a good life. Statues of these three gods are found on the facades of folk religion's temples and ancestral shrines, in nearly every Chinese home and many Chinese-owned shops on small altars with a glass of water, an orange or other auspiciou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maruyama Ōkyo
, born Maruyama Masataka, was a Japanese artist active in the late 18th century. He moved to Kyoto, during which he studied artworks from Chinese, Japanese and Western sources. A personal style of Western naturalism mixed with Eastern decorative design emerged, and Ōkyo founded the Maruyama school of painting. Although many of his fellow artists criticized his work as too slavishly devoted to natural representation, it proved a success with laypeople. Early career Ōkyo was born into a farming family in Ano-o, in present-day Kameoka, Kyoto. As a teenager, he moved to Kyoto and joined the townspeople (''chōnin'') class. He apprenticed for a toy shop, where he painted the faces onto dolls. The shop began selling European stereoscopes, novelties that when looked into presented the illusion of a three-dimensional image. It was Ōkyo's first look at Western-style perspective,Sullivan 16. and in 1767 he tried his hand at one of the images. He created ''Harbour View'', a small ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanō Tan'yū
was a Japanese painter of the Kanō school. One of the foremost Kanō painters, many of the best known Kanō works today are by Tan'yū. Biography His original given name was Morinobu; he was the eldest son of Kanō Takanobu and grandson of Kanō Eitoku. In 1617, Tan'yū was appointed by the Tokugawa shogunate to become the shogunate's first official painter. Over the following years, he was given many highly prestigious commissions. Over the 1620s and 1630s, he created a number of large-scale works for Edo Castle, Nijō Castle, Osaka Castle, Nagoya Castle, and Nikkō Tōshō-gū. Prolific in a variety of painting styles, Tan'yū's most famous works are probably those he produced for these large-scale commissions. They are screens and panels, prime examples of the Momoyama style, depicting natural subjects such as tigers, birds and plants, in bright colors and with extensive use of gold leaf. The gold, often used to represent clouds, water, or other background elements ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sesson Shukei
Sesson Shūkei ( ja, 雪村周継; 1504 – c. 1589), born Satake Heizō ( ja, 佐竹平蔵) was a Japanese Zen monk and painter from the Muromachi period. Shūkei was born a member of the Satake clan, but left after being disinherited by his father and was inducted as a monk at Shōsō-ji temple, the Satake bodaiji. He is the most important painter who followed the style of Sesshū Tōyō (1420-1506). On the other hand, there is an different opinion (jp) that he was not influenced or affected by Sesshū although he paid his respects to Sesshū (雪舟) by using the same Kanji, 雪 which means snow, in his name, Sesson (雪村). In any case Sesson was the master of ink painting that Ibaraki Prefecture has ever produced, ranked with Sesshū and called "Sesshū of the west, Sesson of the east". His works are classic examples of Japanese ink painting which was imported via many artists from China. He produced many landscapes such as Eight Views of Xiaoxiang and fictional charac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sesshū Tōyō
(c. 1420 – 26 August 1506) has been regarded as one of the greatest painters in Japanese history. Sesshū was a Zen-Shu priest painter of the Muromachi period in Japan, prominently recognised for his art of sumi-e (black ink painting). Initially inspired by Chinese landscapes, Sesshū's work holds a distinctively Japanese style that reflects Zen Buddhist aesthetics. His prominent work captured images of landscapes, portraits, and birds and flowers paintings, infused with Zen Buddhist beliefs, flattened perspective, and emphatic lines. Sesshū was born into the samurai and trained at Shōkoku-ji temple in Kyoto, Japan, as a Zen monk. From his early childhood, Sesshū showed a talent for painting and eventually became widely revered throughout Japan as a wise, reputable Zen scholar, and the greatest painter priest of Zen-Shu. Sesshū worked in a painting atelier whilst training under Tenshō Shūbun (c. 1418–1463). But upon visiting China, his work betook a distinctive Chi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edo Period
The or is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's 300 regional '' daimyo''. Emerging from the chaos of the Sengoku period, the Edo period was characterized by economic growth, strict social order, isolationist foreign policies, a stable population, perpetual peace, and popular enjoyment of arts and culture. The period derives its name from Edo (now Tokyo), where on March 24, 1603, the shogunate was officially established by Tokugawa Ieyasu. The period came to an end with the Meiji Restoration and the Boshin War, which restored imperial rule to Japan. Consolidation of the shogunate The Edo period or Tokugawa period is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's regional '' daimyo''. A revolution took place from the time of the Kamakura shogunate, which existed with the Tennō's court, to the Tok ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muromachi Period
The is a division of Japanese history running from approximately 1336 to 1573. The period marks the governance of the Muromachi or Ashikaga shogunate (''Muromachi bakufu'' or ''Ashikaga bakufu''), which was officially established in 1338 by the first Muromachi ''shōgun'', Ashikaga Takauji, two years after the brief Kenmu Restoration (1333–1336) of imperial rule was brought to a close. The period ended in 1573 when the 15th and last shogun of this line, Ashikaga Yoshiaki, was driven out of the capital in Kyoto by Oda Nobunaga. From a cultural perspective, the period can be divided into the Kitayama and Higashiyama cultures (later 15th – early 16th centuries). The early years from 1336 to 1392 of the Muromachi period are known as the '' Nanboku-chō'' or Northern and Southern Court period. This period is marked by the continued resistance of the supporters of Emperor Go-Daigo, the emperor behind the Kenmu Restoration. The Sengoku period or Warring States period, which begi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
