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Jupiter Vainqueur Des Titans
''Jupiter vainqueur des Titans'' (''Jupiter, Vanquisher of the Titans'') is an opera by the French composers François Colin de Blamont and Bernard de Bury, first performed at Versailles on 11 December 1745. It takes the form of a ''tragédie en musique'' in a prologue and five acts. The libretto is by Michel de Bonneval Michel de Bonneval, real name Louis-Charles-Michel de Bonneval, (Le Mans 18th century - 1766) was a French opera librettist. A general controller of silverware and an intendant of the Menus-Plaisirs du Roi, Bonneval regulated as such the expense o .... Sources Libretto at "Livrets baroques" French-language operas Tragédies en musique Operas 1745 operas {{french-opera-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Colin De Blamont
François Colin de Blamont (22 November 1690 – 14 February 1760) was a French composer of the Baroque era. Born at Versailles as François Colin, he served as a royal musician and was eventually ennobled in 1750, his surname becoming ''Colin de Blamont''. He was the protégé of Michel Richard Delalande and succeeded the latter as Master of the Chapelle Royale on his death in 1726. Blamont wrote motets and cantatas as well as stage works, including the opera ''Les fêtes grecques et romaines'', intended to be the first in a new genre, the ''ballet héroïque'', which would challenge the supremacy of the ''opéra-ballet ''Opéra-ballet'' (; plural: ''opéras-ballets'') is a genre of French Baroque lyric theatre that was most popular during the 18th century, combining elements of opera and ballet, "that grew out of the '' ballets à entrées'' of the early seven ...''. SourcesLe magazine de l'opéra baroque by Jean-Claude-Brenac (in French) External links * French male c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard De Bury
Bernard de Bury or Buri (20 August 1720 – 19 November 1785) was a French musician and court composer of the late Baroque era. Biography Bernard de Bury was born at Versailles, a member of a family of musicians, many of whom had appointments to the French court, and was taught music as a young boy. He wrote his first – and only – harpsichord book in 1737, at the age of seventeen, and dedicated it to his teacher, François Colin de Blamont, uncle of his future wife. In 1741, he bought the charge of ''Claveciniste de la Chambre'' from Marguerite-Antoinette Couperin, which she had inherited from her father François Couperin as a ''survivance''. In 1743, he began a successful career with his opéra-ballet ''Les Caractères de la Folie'' ("Characters of Madness") which was performed at the ''Académie Royale de Musique''. His works continued to be staged during the festivities given in Versailles, Sceaux, and Fontainebleau for more than thirty-five years. He also wrote sever ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palace Of Versailles
The Palace of Versailles ( ; french: Château de Versailles ) is a former royal residence built by King Louis XIV located in Versailles, Yvelines, Versailles, about west of Paris, France. The palace is owned by the French Republic and since 1995 has been managed, under the direction of the Ministry of Culture (France), French Ministry of Culture, by the Public Establishment of the Palace, Museum and National Estate of Versailles. Some 15,000,000 people visit the palace, park, or gardens of Versailles every year, making it one of the most popular tourist attractions in the world. Louis XIII built a simple hunting lodge on the site of the Palace of Versailles in 1623 and replaced it with a small château in 1631–34. Louis XIV expanded the château into a palace in several phases from 1661 to 1715. It was a favorite residence for both kings, and in 1682, Louis XIV moved the seat of his court and government to Versailles, making the palace the ''de facto'' capital of France. This ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragédie En Musique
Tragédie en musique (, ''musical tragedy''), also known as tragédie lyrique (, ''lyric tragedy''), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from Classical mythology or the Italian romantic epics of Tasso and Ariosto. The stories may not necessarily have a tragic ending – in fact, most do not – but the works' atmospheres are suffused throughout with an affect of nobility and stateliness. The standard ''tragédie en musique'' has five acts. Earlier works in the genre were preceded by an allegorical prologue and, during the lifetime of Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (''petits airs'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel De Bonneval
Michel de Bonneval, real name Louis-Charles-Michel de Bonneval, (Le Mans 18th century - 1766) was a French opera librettist. A general controller of silverware and an intendant of the Menus-Plaisirs du Roi, Bonneval regulated as such the expense of clothes and furniture, ordered the masquerade balls, parties, mascarades, carousels, etc. He composed most of the operas performed in front of the court at the Théâtre of Versailles. Works *1736: ''Les Caractères de l’Amour'', ballet, Paris, Ballard, in-4°, *1736: ''Les Romans'', ballet héroïque, Paris, Ballard, in-4° *1737 and 1739: ''Les Amours du printemps'', ballet héroïque, Paris, Ballard, in-4°, *1745: '' Jupiter vainqueur des Titans'', tragédie lyrique ; Paris, Ballard, in-4°, *1766: ''Lindor et Isménie'', ballet (fourth entry of the ballet ''Romans''), Paris, Delormel, in-4°. *1766: ''Les Fêtes lyriques'', ballet, Paris, Delormel, in-4°. *1760: ''Le Langage de la nature'', epistle, Paris, in-4°. This list i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
