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Junk Culture
''Junk Culture'' is the fifth studio album by English electronic music, electronic band Orchestral Manoeuvres in the Dark (OMD), released on 30 April 1984 by Virgin Records. After the commercial disappointment of the Experimental music, experimental 1983 album ''Dazzle Ships (album), Dazzle Ships'', OMD and Virgin intended for the group to shift toward a more accessible sound on its follow-up release. The band retained much of their early experimental approach but embraced a wider range of influences than previously, drawing inspiration from Pop music, pop, Dance music, dance, Latin music, Latin and black music. The record's musical style has been characterised as "Talking Heads-meets-Kraftwerk". ''Junk Culture'' became OMD's fourth consecutive Top 10 album in the UK. It spawned four singles, including the UK Top 20 entries "Locomotion (Orchestral Manoeuvres in the Dark song), Locomotion" and "Talking Loud and Clear", and the Nightclub, club hit "Tesla Girls". The record met with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestral Manoeuvres In The Dark
Orchestral Manoeuvres in the Dark (OMD) are an English electronic music, electronic band formed in Wirral Peninsula, Wirral, Merseyside, in 1978. The group consists of co-founders Andy McCluskey (vocals, bass guitar) and Paul Humphreys (keyboards, vocals), along with Martin Cooper (musician), Martin Cooper (keyboards, saxophone) and Stuart Kershaw (drums); McCluskey has been the only constant member. Regarded as pioneers of electronic music, OMD combined an Experimental music, experimental, Minimal music, minimalist ethos with pop sensibilities, becoming key figures in the late-1970s/early-1980s emergence of synth-pop. The band were also one of the original acts involved in the MTV-driven Second British Invasion of the US. McCluskey and Humphreys led precursor group The Id (band), the Id from 1977–1978, and re-recorded their track "Electricity (Orchestral Manoeuvres in the Dark song), Electricity" as OMD's debut single in 1979. Weathering an "uncool" image and a degree of host ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crush (Orchestral Manoeuvres In The Dark Album)
''Crush'' is the sixth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 17 June 1985 by Virgin Records. It is the first of two OMD studio albums to be produced by Stephen Hague. Aimed primarily at the US market, ''Crush'' is notable for moving the group toward a more polished sound, although elements of earlier experimentation are still present. During recording the band employed a greater use of organic instrumentation than in the past. ''Crush'' was completed within a limited timescale, with group members later expressing regret over not challenging label-enforced time constraints. The hectic recording and promotion schedule served to diminish morale among the band, who also had reservations about Hague's sleek production. ''Crush'' nevertheless received critical acclaim in the UK and became OMD's only top-40 album on the US ''Billboard'' 200. Three singles were taken from the record; "So in Love" became the group's first hit on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nightclub
A nightclub (music club, discothèque, disco club, or simply club) is an entertainment venue during nighttime comprising a dance floor, lightshow, and a stage for live music or a disc jockey (DJ) who plays recorded music. Nightclubs generally restrict access to people in terms of age, attire, personal belongings, and inappropriate behaviors. Nightclubs typically have dress codes to prohibit people wearing informal, indecent, offensive, or gang-related attire from entering. Unlike other entertainment venues, nightclubs are more likely to use bouncers to screen prospective patrons for entry. The busiest nights for a nightclub are Friday and Saturday nights. Most nightclubs cater to a particular music genre or sound for branding effects. Some nightclubs may offer food and beverages (including alcoholic beverages). History Early history In the United States, New York increasingly became the national capital for tourism and entertainment. Grand hotels were built for upsca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kraftwerk
Kraftwerk (, "power station") is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1974 and Karl Bartos in 1975, expanding the band to a quartet. On commercially successful albums such as ''Autobahn'' (1974), '' Trans-Europe Express'' (1977), ''The Man-Machine'' (1978), and ''Computer World'' (1981), Kraftwerk developed a self-described "robot pop" style that combined electronic music with pop melodies, sparse arrangements, and repetitive rhythms, while adopting a stylized image including matching suits. Following the release of '' Electric Café'' (1986), Flür left the group in 1987, f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Music
Black music is a sound created, produced, or inspired by black people, people of African descent, including African music traditions and African popular music as well as the music genres of the African diaspora, including Caribbean music, Latin music, Brazilian music and African-American music. These genres include spiritual, gospel, rumba, blues, bomba, rock and roll, rock, jazz, salsa, R&B, samba, calypso, soca, soul, kwaito, cumbia, funk, ska, reggae, dub reggae, house, Detroit techno, amapiano, hip hop, pop, gqom, afrobeat, and others. Background Many genres of music originate from communities that have visible roots in Africa. In North America, it was a way that the early slaves could express themselves and communicate when they were being forcibly relocated and when there were restrictions on what cultural activities they could pursue. The sorrows of song were the only freedom slaves had working on cotton fields, and overall through labor tactics. This burden of s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin Music
Latin music (Portuguese language, Portuguese and es, música latina) is a term used by the music industry as a catch-all category for various styles of music from Ibero-America (including Music of Spain, Spain and Portuguese music, Portugal) and Latin American music in the United States, the Latino United States inspired by Music of Latin America, Latin American, Spanish and Portuguese music genres, as well as music that is sung in either Spanish language, Spanish and/or Portuguese language, Portuguese. Terminology and categorization Because the majority of Latino immigrants living in New York City in the 1950s were of Puerto Rican or Cuban descent, "Latin music" had been stereotyped as music simply originating from the Spanish Caribbean. The popularization of bossa nova and Herb Alpert's Mexican-influenced sounds in the 1960s did little to change the perceived image of Latin music. Since then, the music industry classifies all music sung in Spanish or Portuguese as Latin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Music
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole musical piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient times (for example Ancient Greek vases sometimes show dancers accompanied by musicians), the earliest Western dance music that we can still reproduce with a degree of certainty are old fashioned dances. In the Baroque period, the major dance styles were noble court dances (see Baroque dance). In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Music
Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. Elements of experimental music include Indeterminacy in music, indeterminate music, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may also approach a hybrid of disparate styles or incorporate unorthodox and unique elements. The practice became prominent in the mid-20th century, particularly in Europe and North America. John Cage was one of the earliest composers to use the term and one of experimental music's primary innovators, utilizing Indeterminacy (music), indeterminacy techniques and seeking unknown outcomes. In France, as early as 1953, Pierre Schaeffer had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Never Turn Away
"Never Turn Away" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 29 October 1984 as the fourth and final single from their fifth studio album, ''Junk Culture'' (1984). Paul Humphreys sings lead vocals on the track. History The song was first featured on the band's "Showcase Tour" in September 1983 in an unfinished form with the unofficial title of "The Never Song". The short tour, intended to re-establish the band after the commercial flop of '' Dazzle Ships'' earlier in the year, also featured other new songs which would appear on the ''Junk Culture'' album in 1984, as well as the future "Never Turn Away" B-side "Wrappup". Although writing credits are attributed to "OMD", "Never Turn Away" was written by Paul Humphreys. In a 1998 interview Andy McCluskey stated that although the idea for the title was his, Humphreys wrote everything else, adding "I honestly don't know what Never Turn Away's about". It was the band's second single to feat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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