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July 29 1966, P.N.E. Garden Aud., Vancouver Canada
''July 29 1966, P.N.E. Garden Aud., Vancouver Canada'' is a live album by American rock band the Grateful Dead. It contains the complete concert recorded at the PNE Garden Auditorium in Vancouver, British Columbia, on July 29, 1966. It also includes four songs recorded at the same venue on the following day. It was produced as a two-disc vinyl LP in a limited edition of 6,600 copies. It was released on April 22, 2017, in conjunction with Record Store Day. The same recording was previously released on CD on January 20, 2017, as the bonus disc for the 50th Anniversary Deluxe Edition of the Grateful Dead's eponymous first album. The July 29, 1966 concert was the band's first performance outside the United States. Production In an interview, Grateful dead archivist David Lemieux said that he had wanted to release this concert as an album, but it was too short for the ''Dave's Picks'' series. He said that since the concert was an early one, from before the time of CDs, that ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grateful Dead
The Grateful Dead was an American rock music, rock band formed in 1965 in Palo Alto, California. The band is known for its eclectic style, which fused elements of rock, Folk music, folk, country music, country, jazz, bluegrass music, bluegrass, blues, rock and roll, gospel music, gospel, reggae, world music, and psychedelic music, psychedelia; for Concert, live performances of lengthy jam session, instrumental jams that typically incorporated mode (music), modal and tonality, tonal musical improvisation, improvisation; and for its devoted fan base, known as "Deadheads". "Their music", writes Lenny Kaye, "touches on ground that most other groups don't even know exists." These various influences were distilled into a diverse and psychedelic whole that made the Grateful Dead "the pioneering Godfathers of the jam band world". The band was ranked 57th by ''Rolling Stone'' magazine in its "Rolling Stone's 100 Greatest Artists of All Time, The Greatest Artists of All Time" issue. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Know You Rider
"I Know You Rider" (also "Woman Blues" and "I Know My Rider") is a traditional blues song that has been adapted by numerous artists. Modern versions can be traced back to Blind Lemon Jefferson's "Deceitful Brownskin Blues", which was released as a single in 1927. It appears in a 1934 book, ''American Ballads and Folk Songs'', by the noted father-and-son musicologists and folklorists John Lomax and Alan Lomax. The book notes that "An eighteen-year old black girl, in prison for murder, sang the song and the first stanza of these blues." The Lomaxes then added a number of verses from other sources and named it "Woman Blue". The music and melody are similar to Lucille Bogan's "B.D. Woman Blues" (c. 1935), although the lyrics are completely different. In the mid-1950s, traditional musician Bob Coltman found the song in the Lomax book, arranged it and began singing it frequently around Philadelphia and New England circa 1957-1960. In 1959, Coltman taught it to Tossi Aaron who record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonny Boy Williamson I
John Lee Curtis "Sonny Boy" Williamson (March 30, 1914 – June 1, 1948) was an American blues harmonica player, singer and songwriter. He is often regarded as the pioneer of the blues harp as a solo instrument. He played on hundreds of recordings by many pre–World War II blues artists. Under his own name, he was one of the most recorded blues musicians of the 1930s and 1940s and is closely associated with Chicago producer Lester Melrose and Bluebird Records. His popular songs, original or adapted, include "Good Morning, School Girl", " Sugar Mama", " Early in the Morning", and " Stop Breaking Down". Williamson's harmonica style was a great influence on postwar performers. Later in his career, he was a mentor to many up-and-coming blues musicians who moved to Chicago, including Muddy Waters. In an attempt to capitalize on Williamson's fame, Aleck "Rice" Miller began recording and performing as Sonny Boy Williamson in the early 1940s, and later, to distinguish the two, Joh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Good Morning, School Girl
"Good Morning, School Girl" is a blues standard that has been identified as an influential part of the blues canon. Pre-war Chicago blues vocalist and harmonica pioneer John Lee "Sonny Boy" Williamson first recorded it in 1937. Subsequently, a variety of artists have recorded versions of the song, usually calling it "Good Morning Little Schoolgirl". Original song Sonny Boy Williamson I recorded "Good Morning, School Girl" in 1937 during his first recording session for Bluebird Records. The song is an uptempo blues with an irregular number of bars. Although identified with Chicago blues, a write-up in the Blues Hall of Fame notes "it was a product of Sonny Boy’s west Tennessee roots and his pre-Chicago ensemble work". The melody has been traced to “Back and Side Blues”, a 1934 blues song recorded by Son Bonds. "Good Morning, School Girl" features Williamson's vocal and harmonica with accompaniment by Big Joe Williams and Robert Lee McCoy (also known as Robert Nighthawk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesse Fuller
Jesse Fuller (March 12, 1896 – January 29, 1976) was an American one-man band musician, best known for his song "San Francisco Bay Blues". Early life Fuller was born in Jonesboro, Georgia, near Atlanta. He was sent by his mother to live with foster parents when he was a young child, in a rural setting where he was badly mistreated. Growing up, he worked at numerous jobs: grazing cows for ten cents a day; working in a barrel factory, a broom factory, and a rock quarry; working on a railroad and for a streetcar company; shining shoes; and even peddling hand-carved wooden snakes.Koenig, Lester (1963). Liner notes to ''Jesse Fuller: San Francisco Bay Blues''. Good Time Jazz S10051. By the age of 10, he was playing the guitar in two techniques, which he described as "frailing" and "picking". In the 1920s he lived in southern California, where he operated a hot-dog stand and was befriended by Douglas Fairbanks. He worked briefly as a film extra in '' The Thief of Bagdad'' (1924) an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat It On Down The Line
"Beat It Down the Line" is a country-blues song written by Jesse Fuller and first recorded in 1961. The lyrics mention "Joe Brown's Coal Mine", which refer to Joseph E. Brown, four times governor of Georgia and president of the Dale Coal Company who ran numerous coal mines in the state. The song was covered by the Grateful Dead and was one of the first songs the band played live, even being performed in their pre-Dead jug band A jug band is a band employing a jug player and a mix of conventional and homemade instruments. These homemade instruments are ordinary objects adapted to or modified for making sound, like the washtub bass, washboard, spoons, bones, stovepipe, ... incarnation as Mother McCree's Uptown Jug Champions in 1964 and appeared on their first album. It remained in the band's sets throughout their career, being performed at least 323 times between 3/12/66 and 10/3/94, every year except 1976 and 1995. References {{authority control Grateful Dead songs 1961 so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noah Lewis (musician)
Noah Lewis (September 3, 1891 – February 7, 1961)Eagle, Bob; LeBlanc, Eric S. (2013). Blues: A Regional Experience. Santa Barbara, California: Praeger. p. 238. . Previously, his birth year was also reported as 1890 or 1895. 1891 is generally considered the correct year. was an American jug band and country blues musician, generally known for playing the harmonica. Life and career Lewis was born in Henning, Tennessee, and learned to play the harmonica as a child. He moved to Memphis, Tennessee, in his early teens, where he met Gus Cannon near Ripley in 1910. By that time he was already a respected original stylist on the harmonica, noted for his liquid tone and breath control, which allowed him to generate enormous volume from the instrument. By then he was also noted for his ability to play two harmonicas at once – one with his mouth and one with his nose, a trick he probably taught to Big Walter Horton, who recorded briefly as a teenager with the Memphis Jug Band som ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Dylan
Bob Dylan (legally Robert Dylan, born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter. Often regarded as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture during a career spanning more than 60 years. Much of his most celebrated work dates from the 1960s, when songs such as "Blowin' in the Wind" (1963) and " The Times They Are a-Changin' (1964) became anthems for the civil rights and antiwar movements. His lyrics during this period incorporated a range of political, social, philosophical, and literary influences, defying pop music conventions and appealing to the burgeoning counterculture. Following his self-titled debut album in 1962, which comprised mainly traditional folk songs, Dylan made his breakthrough as a songwriter with the release of ''The Freewheelin' Bob Dylan'' the following year. The album features "Blowin' in the Wind" and the thematically complex " A Hard Rain's a-Gonna Fall". Many of his s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
It's All Over Now, Baby Blue
"It's All Over Now, Baby Blue" is a song written and performed by Bob Dylan and featured on his ''Bringing It All Back Home'' album, released on March 22, 1965, by Columbia Records. The song was recorded on January 15, 1965, with Dylan's acoustic guitar and harmonica and William E. Lee's bass guitar the only instrumentation. The lyrics were heavily influenced by Symbolist poetry and bid farewell to the titular "Baby Blue". There has been much speculation about the real life identity of "Baby Blue", with possibilities including Joan Baez, David Blue, Paul Clayton, Dylan's folk music audience, and even Dylan himself. "It's All Over Now, Baby Blue" has been covered by Them, Baez and the Byrds. Them's version, released in 1966, influenced garage bands during the mid-'60s, and Beck later sampled it for his 1996 single " Jack-Ass". The Byrds recorded the song twice in 1965 as a possible follow-up single to "Mr. Tambourine Man" and "All I Really Want to Do", but neither recording was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gus Cannon
Gustavus "Gus" Cannon (September 12, 1883 or 1884 – October 15, 1979) was an American blues musician who helped to popularize jug bands (such as his own Cannon's Jug Stompers) in the 1920s and 1930s. There is uncertainty about his birth year; his tombstone gives the date as 1874. Career Born on a plantation in Red Banks, Mississippi, Cannon moved a hundred miles to Clarksdale, then the home of W. C. Handy, at the age of 12. His musical skills came without training; he taught himself to play a banjo that he made from a frying pan and a raccoon skin. He ran away from home at the age of fifteen and began his career entertaining at sawmills and at levee and railroad camps in the Mississippi Delta around the turn of the century. While in Clarksdale, Cannon was influenced by two local musicians, Jim Turner and Alec Lee. Turner's fiddle playing in W. C. Handy's band so impressed Cannon that he decided to learn to play the fiddle himself. Lee, a guitarist, taught Cannon his first fol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stealin'
"Stealin" (also called "Stealin', Stealin'") is an American blues song from the 1920s. It originated with jug bands, but gained wider popularity after several 1960s contemporary folk musicians recorded it. Although various artists have recorded different verses, the chorus has remained consistent: Origins The lines "If you don’t believe I love you, look what a fool I’ve been / If you don’t believe I’d fall for you, look what a hole I’m in" were recorded by the New Orleans jazz musician Clarence Williams in 1921 and again by Leona Williams in 1922 as "If You Don't Believe I Love You, Look What a Fool I've Been". Gus Cannon claimed to have written the opening line, "Put your arms around me like a circle 'round the sun". Consequently, Cannon is sometimes credited with authorship of the song. However, this line does not appear in any of his recorded songs, but does appear in the folk song "I Know You Rider" and may actually predate Cannon. "She's a married woman, but sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luther Dixon
Luther Dixon (August 7, 1931 – October 22, 2009) was an American songwriter, record producer, and singer. Dixon's songs achieved their greatest success in the 1950s and 1960s, and were recorded by Elvis Presley, the Beatles, the Jackson 5, B.B. King, Jerry Lee Lewis, Dusty Springfield, Jimmy Reed and others. As a producer, Dixon helped create the signature sound of the girl group the Shirelles. Early life Dixon was born in Jacksonville, Florida, but his family moved to Brooklyn, New York, when he was young. He learned to sing in church. Career Dixon began his professional career in 1954 with the Four Buddies, a doo-wop group led by Larry Harrison, in which Dixon sang baritone and occasionally played guitar. The Four Buddies recorded for Savoy Records, but also as the Barons for Decca Records and as The Buddies for Glory Records. The group disbanded in 1955, but Dixon and Harrison continued writing songs together. Their biggest hit was "Why Baby Why", recorded by Pat Boo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
