Julius Soubise
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Julius Soubise
Julius Soubise (1754 – 25 August 1798) was a formerly enslaved Afro-Caribbean man and a well-known fop in late eighteenth-century Britain. The satirized depiction of Soubise, ''A Mungo Macaroni'', is a relic of intersectionality between race, class, and gender in eighteenth-century London. His life of luxury as a free man of colour allowed him to excel in elite activities such as fencing and made him notorious in London's social scene as an exception to norms. Biography Soubise was born on the island of St. Kitts in the South og London, the son of an enslaved Jamaican woman. He was bought by Royal Navy Captain Stair Douglas and taken to England, enslaved, at ten years of age, under the name Othello. In 1764, he was given to Catherine Douglas, Duchess of Queensberry, Captain Douglas' relative and an eccentric emblem of London's high society, who manumitted him. He was renamed after a French duke, Charles de Rohan, by the Duchess. She gave Soubise a privileged life, treating him ...
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The Duchess Of Queensberry And Soubise LCCN91727482
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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Hicky's Bengal Gazette
''Hicky's Bengal Gazette or the Original Calcutta General Advertiser'' was an English-language weekly newspaper published in Kolkata (then Calcutta), the capital of British India(then Known as the Presidency of Fort William.. It was the first newspaper printed in Asia, and was published for two years, between 1780 and 1782, before the East India Company seized the newspaper's types and printing press. Founded by James Augustus Hicky, a highly eccentric Irishman who had previously spent two years in jail for debt, the newspaper was a strong critic of the administration of Governor General Warren Hastings. The newspaper was important for its provocative journalism and its fight for free expression in India. Newspaper history Hicky began publication of ''Hicky's Bengal Gazette'' on 29 January 1780, having first printed a prospectus announcing that he would begin printing a newspaper. The idea of printing a newspaper in India had been floated twelve years earlier by the Dutch Adven ...
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Blackface
Blackface is a form of theatrical makeup used predominantly by non-Black people to portray a caricature of a Black person. In the United States, the practice became common during the 19th century and contributed to the spread of racial stereotypes such as the "happy-go-lucky darky on the plantation" or the " dandified coon". By the middle of the century, blackface minstrel shows had become a distinctive American artform, translating formal works such as opera into popular terms for a general audience. Early in the 20th century, blackface branched off from the minstrel show and became a form in its own right. In the United States, blackface declined in popularity beginning in the 1940s and into the civil rights movement of the 1950s and 1960s,Clark, Alexis.How the History of Blackface Is Rooted in Racism. ''History''. A&E Television Networks, LLC. 2019. and was generally considered highly offensive, disrespectful, and racist by the turn of the 21st century, though the practice ...
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Othello
''Othello'' (full title: ''The Tragedy of Othello, the Moor of Venice'') is a tragedy written by William Shakespeare, probably in 1603, set in the contemporary Ottoman–Venetian War (1570–1573) fought for the control of the Island of Cyprus, a possession of the Venetian Republic since 1489. The port city of Famagusta finally fell to the Ottomans in 1571 after a protracted siege. The story revolves around two characters, Othello and Iago. Othello is a Moorish military commander who was serving as a general of the Venetian army in defence of Cyprus against invasion by Ottoman Turks. He has recently married Desdemona, a beautiful and wealthy Venetian lady much younger than himself, against the wishes of her father. Iago is Othello's malevolent ensign, who maliciously stokes his master's jealousy until the usually stoic Moor kills his beloved wife in a fit of blind rage. Due to its enduring themes of passion, jealousy, and race, ''Othello'' is still topical and popular and is ...
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Henry Charles Angelo The Younger
Henry Charles Angelo the Younger (1780-1852) was a British master of fencing, part of the Angelo Family of fencers. Early life Henry was born in 1780''Paths of Glory'', The Friends of Kensal Green Cemetery, London, 1997, p. 10. to Henry Angelo (1756-1835). He was the grandson of Domenico Angelo Malevolti Tremamondo (1716 or 1717 to 1802), the founder of the dynasty. Career The younger Henry took over his father's fencing academy in Bond Street from his father in 1817. He subsequently moved it to St. James's Street (1830-1896). He was superintendent of sword exercise to the British Army and the Royal Navy (1833-1852). Death Henry died in 1852. He is buried in Kensal Green Cemetery Kensal Green Cemetery is a cemetery in the Kensal Green area of Queens Park in the Royal Borough of Kensington and Chelsea in London, England. Inspired by Père Lachaise Cemetery in Paris, it was founded by the barrister George Frederic .... Selected publications *The Infantry Sword Exer ...
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Satire
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of shaming or exposing the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society. A feature of satire is strong irony or sarcasm —"in satire, irony is militant", according to literary critic Northrop Frye— but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) the very things the satirist wishes to question. Satire is found in many a ...
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William Austin (caricaturist)
William Austin (1721 – 11 May 1820, Brighton) was an English artist, drawing-master, engraver and caricaturist. A rival of Matthew Darly, he used a distinctive grainy, woodblock-like style. Life and work Austin, was born in London in 1721. He was a pupil of George Bickham, but after having engraved a few plates, chiefly landscapes of no great merit, he relinquished the practice of the art, and devoted the remainder of his life to teaching drawing, first in London and afterwards in Brighton, Sussex. He is recorded in list of eminent painters in the ''Universal Magazine'' in 1748. Among his engravings are four plates of the "Ruins of Ancient Rome" (after Pannini), 4 plates of the "Ruins of Palmyra", 6 "Sea-pieces" (after Van Goyen), and "The Four Times of the Day" (views in Holland after Waterloo, Ruisdael, Van Goyen, and Van der Neer. He likewise engraved with Paul Sandby, Vivares, and others, some views of "Windsor Park" and "Virginia Water", and also published in 17 ...
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Isaac Bickerstaffe
Isaac Bickerstaffe or Bickerstaff (26 September 1733 – after 1808) was an Irish playwright and Librettist. Early life Isaac John Bickerstaff was born in Dublin, on 26 September 1733, where his father John Bickerstaff held a government position overseeing the construction and management of sports fields including bowls and tennis courts. The office was abolished in 1745, and he received a pension from the government for the rest of his life. In his early years, Isaac was a page to Lord Chesterfield, the Lord Lieutenant of Ireland which allowed him to mix with fashionable Dublin society. When Chesterfield was replaced in the position in 1745 he arranged for Isaac to be given a commission in the army. In October 1745, Bickerstaff joined the 5th Regiment of Foot known as the Northumberland Fusiliers. He served as an Ensign until 1746, when he was promoted to Lieutenant. The regiment, under the command of Alexander Irwin, was on the Irish Establishment and was based in Kinsale ...
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The Padlock
''The Padlock'' is a two-act 'afterpiece' opera by Charles Dibdin. The text was by Isaac Bickerstaffe. It debuted in 1768 at the Drury Lane Theatre in London as a companion piece to '' The Earl of Warwick''. It partnered other plays before a run of six performances in tandem with ''The Fatal Discovery'' by John Home. "The Padlock" was a success, largely due to Dibdin's portrayal of Mungo, a blackface caricature of a black servant from the West Indies. The company took the production to the United States the next year, where a portrayal by Lewis Hallam, Jr. as Mungo met with even greater accolades. The libretto was first published in London around 1768 and in Dublin in 1775. The play remained in regular circulation in the U.S. as late as 1843. It was revived by the Old Vic Company in London and on tour in the UK in 1979 in a new orchestration by Don Fraser and played in a double-bill with Garrick's ''Miss In Her Teens''. The role of Mungo was, again, played by a white actor. Opera ...
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Comic Opera
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, ''opera buffa'', emerged as an alternative to '' opera seria''. It quickly made its way to France, where it became ''opéra comique'', and eventually, in the following century, French operetta, with Jacques Offenbach as its most accomplished practitioner. The influence of the Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian and French models along with their own musical traditions. Examples include German ''singspiel'', Viennese operetta, Spanish '' zarzuela'', Russian comic opera, English ballad and Savoy opera, North American operetta and musical comedy. Italian ''opera buffa'' In late 17th-century Italy, light-hearted m ...
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Dandy
A dandy is a man who places particular importance upon physical appearance, refined language, and leisurely hobbies, pursued with the appearance of nonchalance. A dandy could be a self-made man who strove to imitate an aristocratic lifestyle despite coming from a middle-class background, especially in late 18th- and early 19th-century Britain. Previous manifestations of the ''petit-maître'' (French for "small master") and the Muscadin have been noted by John C. Prevost, but the modern practice of dandyism first appeared in the revolutionary 1790s, both in London and in Paris. The dandy cultivated cynical reserve, yet to such extremes that novelist George Meredith, himself no dandy, once defined cynicism as "intellectual dandyism". Some took a more benign view; Thomas Carlyle wrote in ''Sartor Resartus'' that a dandy was no more than "a clothes-wearing man". Honoré de Balzac introduced the perfectly worldly and unmoved Henri de Marsay in '' La fille aux yeux d'or'' (1835), a part ...
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