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Juliette Nesville
Juliette Nesville was the stage name of Juliette-Hortense Lesne (30 July 1869 – 26 July 1900), a French singer and actress in operetta and musicals, who made most of her short career in London, after early success in Paris and Brussels. After training at the Paris Conservatoire Nesville appeared in opéras comiques by Paul Lacôme, Robert Planquette, Edmond Audran and Charles Lecocq in 1890. After a highly successful appearance in the Brussels production of Audran's '' Miss Helyett'' she was engaged by the English manager Charles Wyndham in 1891 to play the part in London. She then appeared for George Edwardes in a succession of West End musical comedies during the rest of the decade, interspersed with two non-musical plays for other managements. She died in Paris after a short illness while appearing there in 1900, aged thirty. Life and career Nesville was born in Paris, daughter of the proprietor of the Café de la Paix. Her parents had strict religious views, and she was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarah Bernhardt
Sarah Bernhardt (; born Henriette-Rosine Bernard; 22 or 23 October 1844 – 26 March 1923) was a French stage actress who starred in some of the most popular French plays of the late 19th and early 20th centuries, including '' La Dame Aux Camelias'' by Alexandre Dumas ''fils''; ''Ruy Blas'' by Victor Hugo, ''Fédora'' and ''La Tosca'' by Victorien Sardou, and '' L'Aiglon'' by Edmond Rostand. She also played male roles, including Shakespeare's Hamlet. Rostand called her "the queen of the pose and the princess of the gesture", while Hugo praised her "golden voice". She made several theatrical tours around the world, and was one of the first prominent actresses to make sound recordings and to act in motion pictures. She is also linked with the success of artist Alphonse Mucha, whose work she helped to publicize. Mucha would become one of the most sought-after artists of this period for his Art Nouveau style. Biography Early life Henriette-Rosine Bernard was born at 5 rue de L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percy Reeve
Percy Reeve (born 21 December 1855; date of death not known) was an English composer and music critic. Reeve wrote several successful operettas, often as companion pieces to longer works, as well as music for other theatrical pieces and serious music during the last two decades of the 19th century. As a music critic, he wrote extensively for ''Punch'', '' The Saturday Review'' and other publications. Life and career He was born in Harley Street, London, the son of a clergyman. He was educated at Eton and the London Academy of Music. In 1877 he was appointed to a civil service post in the Lord Chancellor's office, composing music in his spare time."Mr Percy Reeve", ''Lute'' magazine, December 1899, pp. 849-50 Reeve's operetta '' A Private Wire'' (1883) ran for more than nine months at the Savoy Theatre as a Curtain raiser to '' Iolanthe''. The same year, he wrote ''Love & Music'', a book of poetry. He later composed the music for "Ruddy George, or Robin Redbreast", at T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Criterion Theatre
The Criterion Theatre is a West End theatre at Piccadilly Circus in the City of Westminster, and is a Grade II* listed building. It has a seating capacity of 588. Building the theatre In 1870, the caterers Spiers and Pond began development of the site of the White Bear, a seventeenth-century posting inn. The inn was located on sloping ground stretching between Jermyn Street and Piccadilly Circus, known as Regent Circus. A competition was held for the design of a concert hall complex, with Thomas Verity winning out of 15 entries. He was commissioned to design a large restaurant, dining rooms, ballroom, and galleried concert hall in the basement. The frontage, which was the façade of the restaurant, showed a French Renaissance influence using Portland stone. After the building work began, it was decided to change the concert hall into a theatre. The composers' names, which line the tiled staircases, were retained and can still be seen. The redesign placed the large Criterio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Tempest
Dame Mary Susan Etherington, (15 July 1864 – 15 October 1942), known professionally as Marie Tempest, was an English singer and actress. Tempest became a famous soprano in late Victorian light opera and Edwardian musical comedies. Later, she became a leading comic actress and toured widely in North America and elsewhere. She was, at times, her own theatre manager during a career spanning 55 years. She was also instrumental in the founding of the actors' union Equity in Britain. Life and career Tempest was born in London. Her parents were Edwin Etherington (1838–1880), a stationer, and his wife, Sarah Mary (''née'' Castle). She had a sister, Florence Etherington, who married the theatre manager Michael Levenston. Tempest was educated at Midhurst School and an Ursuline convent in Tildonk, Belgium. Later, she studied music in Paris and at the Royal Academy of Music in London, as a singing pupil of Manuel García, the tutor of Jenny Lind, Mathilde Marchesi and Charles San ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galeries Royales Saint-Hubert
The Royal Saint-Hubert Galleries (french: Galeries Royales Saint-Hubert, nl, Koninklijke Sint-Hubertusgalerijen) is an ensemble of three glazed shopping arcades in central Brussels, Belgium. It consists of the or ("King's Gallery"), the or ("Queen's Gallery") and the or ("Princes' Gallery"). The galleries were designed and built by the architect Jean-Pierre Cluysenaer between 1846 and 1847, and precede other famous 19th-century European shopping arcades, such as the Galleria Vittorio Emanuele II in Milan and The Passage in Saint Petersburg. Like them, they have twin regular facades with distant origins in Vasari's long narrow street-like courtyard of the Uffizi in Florence, with glazed arched shopfronts separated by pilasters and two upper floors, all in an Italianate Cinquecento style, under an arched glass-paned roof with a delicate cast-iron framework. The complex was designated a historic monument in 1986. The galleries are located in the block between the / and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'égyptienne (Lecocq)
''L'égyptienne'' is an 1890 operetta in 3 acts and 11 scenes by Charles Lecocq, to a libretto by Henri Chivot, Charles Nuitter and Alexandre Beaumont. The operetta was publicized as an "opérette militaire". It premiered 8 November 1890 at the Folies-Dramatiques, Paris. The ''Revue d'art dramatique'' noted that the production took place at the reopened Eden Théâtre, now transformed into an opera house. The reviewer of the ''Courrier de l'art'' commented that Lecocq was no longer producing operettas with the frequency of the past and was more selective in choice of material. The piece was not a success and ran for 22 performances.Noël and Stoullig, p. 377 Original cast *Cassegrain – M. Gobin *Hector – M. Herault *Aboul-Abbas – M. Guyon, fils *Kacem – M. Montaubry *Descharmettes – M. Maillard *Delphine – Mdlle. Pierny *Djemileh – Juliette Nesville *Théréson – Madame Aciana *Madame de Montalban – Madame Genat *Myrza – Mddle. Vialda ::Source: '' The Era''."Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opérette
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Daniel Heartz, Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own invent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gillette De Narbonne
''Gillette de Narbonne'' is an '' opéra comique'' in three acts, with music by Edmond Audran and words by Alfred Duru and Henri Chivot. It is based on a fabliau from ''The Decameron'' and depicts a rejected bride posing as another woman to deceive her husband into consummating their marriage. The first performance was on 11 November 1882 at the Théâtre des Bouffes-Parisiens, Paris, where it ran for 122 performances, until the following March. Productions followed in London, where the piece failed to run, and Berlin, where it was more successful. Background and first performance In the 1850s the Théâtre des Bouffes-Parisiens had been celebrated for its association with Jacques Offenbach.Lamb, Andrew"Offenbach, Jacques (Jacob)" ''Grove Music Online'', Oxford University Press, 2007. Retrieved 11 December 2018 "Gille ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Des Folies-Dramatiques
The Théâtre des Folies-Dramatiques was a theatre in Paris in the 19th and 20th centuries. Opened first in 1832 in the site of the old Théâtre de l'Ambigu-Comique on the Boulevard du Temple, under Frédérick Lemaître it became a noted venue for the genre of mélodrame.’L'encyclopédie multimedia de la comédie musicale théâtrale en France (1918-1940)’ (http://comedie-musicale.jgana.fr/index.htm), accessed 14.01.10. In 1862, the theatre moved to the rue de Bondy and the repertoire developed more in the field of operetta, ''La fille de Madame Angot'' by Charles Lecocq in 1873, ''Les cloches de Corneville'' by Robert Planquette in 1877, ''Madame Favart'', by Jacques Offenbach in 1878, ''La fille du tambour-major'' by Offenbach in 1879, ''La fauvette du temple'' by André Messager in 1885, '' La Béarnaise'' by Messager in 1887 and '' Surcouf'' by Robert Planquette in October of the same year being among the premieres seen at the theatre. Other operettas and light operas we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ma Mie Rosette
''Ma mie Rosette'' ("My Dear Rosette") is an opéra comique in four acts with music by Paul Lacôme and words by Jules Prével and Armand Liorat. It is set in 16th-century Navarre, ruled by the young and famously amorous Henry IV of France, Henri of Navarre. His acceptance of refreshment from Rosette, a young woman on a farm, provokes jealousy in her fiancé. The young couple are brought to Henri's court, where they are married and raised to the aristocracy. The King's attentions to Rosette provoke a furious response from her husband. All the events at court turn out to be a dream of the sleeping Rosette. She wakes on her father's farm in time to receive the King who brings her a generous dowry. The opera was first performed at the Théâtre des Folies-Dramatiques, Paris, on 4 February 1890. It made little impact in Paris and closed the next month, but an English version in two acts presented in London in 1892, and subsequently around Britain and in Australia and New Zealand, was c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucienne Bréval
Lucienne Bréval (4 November 1869 – 15 August 1935) was a Swiss dramatic soprano who had a major international opera career from 1892 to 1918. Although she appeared throughout Europe and in the United States, Bréval spent most of her career performing with the Paris Opera where she became a greatly admired interpreter of French grand opera roles and Wagner heroines. She also specialized in the works of Gluck and Rameau, becoming particularly associated with the title roles in Gluck’s '' Armide'' and Rameau's ''Hippolyte et Aricie''. A favorite of the composers of her day, such as Massenet and Dukas, Bréval sang in numerous world premières during her career. Biography Born with the name Bertha Agnès Lisette Schilling, Bréval initially studied to be a pianist at Lausanne and briefly in Geneva before deciding to pursue an opera career."Bréval, Lucienne", ''Die Musik in Geschichte und Gegenwart'', Personenteil:3 p 874. She studied voice with Victor Warot at the Paris Con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
