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Julian (album)
''Julian'', is a live album by baritone saxophonist Pepper Adams which was recorded in Munich in 1975 and originally released on the Enja Records, Enja label.Pepper Adams discography accessed February 22, 2017 Reception The Allmusic review by Scott Yanow states "Recorded five days before Julian "Cannonball" Adderley's death, the title cut of this album was retitled and dedicated to the late altoist. The powerful baritonist Pepper Adams is well showcased ... in typically excellent form, playing intense solos that push but stay within the boundaries of hard bop". In ''JazzTimes'', Miles Jordan wrote "The caliber of musicianship and the intricately worked-out tunes raise this performance far above a routine club gig". In ''Jazz Review'', Lee Prosser stated "''Julia ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pepper Adams
Park Frederick "Pepper" Adams III (October 8, 1930 – September 10, 1986) was an American jazz baritone saxophonist and composer. He composed 42 pieces, was the leader on eighteen albums spanning 28 years, and participated in 600 sessions as a sideman. He worked with an array of musicians, and had especially fruitful collaborations with trumpeter Donald Byrd and as a member of the Thad Jones/Mel Lewis Big Band. Biography Early life Pepper Adams was born in Highland Park, Michigan, to father Park Adams II, who worked as the manager of a furniture store, and mother Cleo Marie Coyle. Both of his parents were college graduates, with each spending some time at the University of Michigan. Due to the onset of the Great Depression, Adams' parents separated to allow his father to find work without geographic dependence. In the fall of 1931, Adams moved with his mother to his extended family's farm near Columbia City, Indiana, where food and support were more readily available. In 1933 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Adamson
Harold Campbell Adamson (December 10, 1906 – August 17, 1980) was an American lyricist during the 1930s and 1940s. Early life Adamson, the son of building contractor Harold Adamson and Marion "Minnie" Campbell Adamson, was born and raised in Greenville, New Jersey, United States. Adamson suffered from polio as a child which limited the use of his right hand. Initially, Adamson was interested in acting, but he began writing songs and poetry as a teenager. He went on to studying acting at the University of Kansas and Harvard. Career Ultimately he entered into a songwriting contract with MGM in 1933. During his stint with MGM, he was nominated for five Academy Awards. Among his best-known compositions was the theme for the hit sitcom, ''I Love Lucy''. He retired from songwriting in the early 1960s, and was inducted into the Songwriters Hall of Fame in 1972. In 1941, he collaborated with Pierce Norman, and baseball's Joe DiMaggio to write "In the Beauty of Tahoe", published b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pepper Adams Live Albums
Pepper or peppers may refer to: Food and spice * Piperaceae or the pepper family, a large family of flowering plant ** Black pepper * ''Capsicum'' or pepper, a genus of flowering plants in the nightshade family Solanaceae ** Bell pepper ** Chili pepper * Sichuan pepper, a strong spice *"Alder pepper", the flower of ''Alnus alnobetula'' Music * Pepper (band), a rock-reggae band originally from Hawaii * The Peppers, a French male instrumental group * "Pepper" (song), a 1996 song by Butthole Surfers * "Pepper", an instrumental song by Linkin Park from ''LP Underground 12'' People and fictional characters * Pepper (name), a list of people and fictional characters with either the given name or surname * Peppers (name), a list of people with the surname Science and technology * Pepper (cryptography), a secret value added before hashing * Pepper (robot), a humanoid robot by Aldebaran Robotics and SoftBank Mobile * PPAPI or Pepper Plugin API, an interface for web browser plugins S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Makaya Ntshoko
Makaya (or Makhaya) Ntshoko (born 29 October 1939, Cape Town) is a South African drummer. He played with Dollar Brand's trio in 1958, and recorded in a sextet with Hugh Masekela and John Mehegan in 1959. He performed on The Jazz Epistles album, ''Jazz Epistle: Verse 1''. After the breakup of the group, Ntshoko founded The Jazz Giants with Kippie Moeketsi, Dudu Pukwana, Gideon Nxumalo, and Martin Mgijima. Ntshoko left South Africa in 1962, moving to Switzerland and playing with Johnny Gertze and Dollar Brand at the Club Africana in Zurich from 1963 to 1965. Following Brand's move to New York City, Ntshoko played in Copenhagen (1966, 1969–70) and recorded with Stuff Smith (1967), Benny Bailey (1968), Dexter Gordon (1968–69), and Ben Webster (1969). He embarked on a tour of the United States and the Bahamas in the early 1970s. He and Masekela recorded again in 1972. In 1974 he founded Makaya and the Tsotsis with Heinz Sauer, Bob Degen, and Isla Eckinger (later replaced by Jà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Mraz
George Mraz (born Jiřà Mráz; 9 September 1944 – 16 September 2021) was a Czech-born American jazz bassist and alto saxophonist. He was a member of Oscar Peterson's group, and worked with Pepper Adams, Stan Getz, Michel Petrucciani, Stephane Grappelli, Tommy Flanagan, Jimmy Raney, Chet Baker, Joe Henderson, John Abercrombie, John Scofield, and Richie Beirach, among others. During the 1970s, he was a member of the New York Jazz Quartet and The Thad Jones/Mel Lewis Orchestra, and in the 1980s a member of Quest. He also appeared with Joe Lovano, Hank Jones and Paul Motian on Lovano's records '' I'm All For You'' and '' Joyous Encounter''. Discography As leader/co-leader * 1977: ''Alone Together'' with Masaru Imada ( Three Blind Mice) * 1992: ''Catching Up'' * 1995: ''Jazz'' with Richie Beirach, Billy Hart, Larry Willis, Rich Perry * 1995: ''My Foolish Heart'' with Richie Beirach, Billy Hart * 1997: ''Bottom Lines'' with Cyrus Chestnut, Al Foster, Rich Perry * 1999 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Norris
Walter Norris (December 27, 1931 – October 29, 2011) was an American pianist and composer. Biography Early life and career Born in Little Rock, Arkansas, on December 27, 1931, Norris first studied piano at home with his mother, then with John Summers, a local church organist. His first professional performances were with the Howard Williams Band in and around Little Rock during his junior high and high school years. After graduating from high school, Norris played briefly with Mose Allison, then did a two-year tour in the US Air Force. After his time in the Air Force, Norris played with Jimmy Ford in Houston, Texas, then moved to Los Angeles where he became an integral part of the West Coast Jazz scene. While in Los Angeles, he played on Jack Sheldon's first album and on Ornette Coleman's first album, '' Something Else! The Music of Ornette Coleman'' (1958) for Contemporary Records. In 1960, Norris relocated to New York City and formed a trio with guitarist Billy Bean an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone Saxophone
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F family ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mack Gordon
Mack Gordon (born Morris Gittler; June 21, 1904 – February 28, 1959) was an American composer and lyricist for the stage and film. He was nominated for the best original song Oscar nine times in 11 years, including five consecutive years between 1940 and 1944, and won the award once, for "You'll Never Know". That song has proved among his most enduring, and remains popular in films and television commercials to this day. "At Last" is another of his best-known songs. Biography Gordon was born in Grodno, then part of the Russian Empire. He emigrated with his mother and older brother to New York City in May 1907; the ship they sailed on was the S/S ''Bremen''; their destination was to his father in Guttenberg, New Jersey. Gordon appeared in vaudeville as an actor and singer in the late 1920s and early 1930s, but his songwriting talents were always paramount. He formed a partnership with English pianist Harry Revel, that lasted throughout the 1930s. In the 1940s he worked with a str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent Youmans
Vincent Millie Youmans (September 27, 1898 – April 5, 1946) was an American Broadway composer and producer. A leading Broadway composer of his day, Youmans collaborated with virtually all the greatest lyricists on Broadway: Ira Gershwin, Otto Harbach, Oscar Hammerstein II, Irving Caesar, Anne Caldwell, Leo Robin, Howard Dietz, Clifford Grey, Billy Rose, Edward Eliscu, Edward Heyman, Harold Adamson, Buddy DeSylva and Gus Kahn. Youmans' early songs are remarkable for their economy of melodic material: two-, three- or four-note phrases are constantly repeated and varied by subtle harmonic or rhythmic changes. In later years, however, he turned to longer musical sentences and more rhapsodic melodic lines. Youmans published fewer than 100 songs, but 18 of these were considered standards by ASCAP, a remarkably high percentage. Biography Youmans was born in New York City, United States, into a prosperous family of hat makers. When he was two, his father moved the family to upp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
