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Juke (song)
"Juke" is a harmonica instrumental recorded by the Chicago bluesman Little Walter Jacobs in 1952. Although Little Walter had been recording sporadically for small Chicago labels over the previous five years, and had appeared on Muddy Waters' records for Chess Records since 1950, "Juke" was Little Walter's first hit, and it was the most important of his career. Due to the influence of Little Walter on blues harmonica, "Juke" is now considered a blues harmonica standard. Recording In May 1952, Little Walter had been a regular member of the Muddy Waters Band for at least three years. "Juke" was recorded on 12 May 1952 at the beginning (not the end, as commonly thought) of a recording session with Muddy Waters and his band, which at the time consisted of Waters and Jimmy Rogers on guitars, and Elga Edmunds on drums, in addition to Little Walter on harmonica. The originally released recording of "Juke" was the first completed take of the first song attempted at the first Little Walte ...
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Little Walter
Marion Walter Jacobs (May 1, 1930 – February 15, 1968), known as Little Walter, was an American blues musician, singer, and songwriter, whose revolutionary approach to the harmonica had a strong impact on succeeding generations, earning him comparisons to such seminal artists as Django Reinhardt, Charlie Parker and Jimi Hendrix.Glover, Tony; Dirks, Scott; and Gaines, Ward (2002). ''Blues with a Feeling: The Little Walter Story''. Routledge Press. His virtuosity and musical innovations fundamentally altered many listeners' expectations of what was possible on blues harmonica.Dahl, BilLittle Walter: Biography Allmusic.com. He was inducted into The Rock and Roll Hall of Fame in 2008, the first and, to date, only artist to be inducted specifically as a harmonica player. Biography Early years Jacobs' date of birth is usually given as May 1, 1930, in Marksville, Louisiana. He was born without a birth certificate and when he applied for a Social Security card in 1940, his birth ...
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Snooky Pryor
James Edward "Snooky" Pryor (September 15, 1919 or 1921 – October 18, 2006) was an American Chicago blues harmonica player. He claimed to have pioneered the now-common method of playing amplified harmonica by cupping a small microphone in his hands along with the harmonica, although on his earliest records, in the late 1940s, he did not use this method. Career Pryor was born in Lambert, Mississippi, United States. He developed a country blues style influenced by Sonny Boy Williamson I (John Lee Williamson) and Sonny Boy Williamson II (Aleck Ford "Rice" Miller). In the mid-1930s, in and around Vance, Mississippi, Pryor played in impromptu gatherings of three or four harmonica players, including Jimmy Rogers, who then lived nearby and had yet to take up playing the guitar. Pryor moved to Chicago around 1940. While serving in the U.S. Army he would blow bugle calls through a PA system, which led him to experiment with playing the harmonica that way. However, most historians cre ...
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Little Walter Songs
Little is a synonym for small size and may refer to: Arts and entertainment * ''Little'' (album), 1990 debut album of Vic Chesnutt * ''Little'' (film), 2019 American comedy film *The Littles, a series of children's novels by American author John Peterson ** ''The Littles'' (TV series), an American animated series based on the novels Places *Little, Kentucky, United States *Little, West Virginia, United States Other uses *Clan Little, a Scottish clan *Little (surname), an English surname *Little (automobile), an American automobile manufactured from 1912 to 1915 *Little, Brown and Company, an American publishing company * USS ''Little'', multiple United States Navy ships See also * * *Little Mountain (other) *Little River (other) Little River may refer to several places: Australia Streams New South Wales * Little River (Dubbo), source in the Dubbo region, a tributary of the Macquarie River *Little River (Oberon), source in the Oberon Shire, a tributary of Cox ...
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1952 Songs
Year 195 ( CXCV) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Scrapula and Clemens (or, less frequently, year 948 ''Ab urbe condita''). The denomination 195 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Septimius Severus has the Roman Senate deify the previous emperor Commodus, in an attempt to gain favor with the family of Marcus Aurelius. * King Vologases V and other eastern princes support the claims of Pescennius Niger. The Roman province of Mesopotamia rises in revolt with Parthian support. Severus marches to Mesopotamia to battle the Parthians. * The Roman province of Syria is divided and the role of Antioch is diminished. The Romans annexed the Syrian cities of Edessa and Nisibis. Severus re-establish his head ...
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Carey Bell
Carey Bell Harrington (November 14, 1936 – May 6, 2007) was an American blues musician who played harmonica in the Chicago blues style. Bell played harmonica and bass guitar for other blues musicians from the late 1950s to the early 1970s before embarking on a solo career. Besides his own albums, he recorded as an accompanist or duo artist with Earl Hooker, Robert Nighthawk, Lowell Fulson, Eddie Taylor, Louisiana Red and Jimmy Dawkins and was a frequent partner with his son, the guitarist Lurrie Bell. ''Blues Revue'' called Bell "one of Chicago's finest harpists.". The ''Chicago Tribune'' said Bell was "a terrific talent in the tradition of Sonny Boy Williamson I, Sonny Boy Williamson and Little Walter.". Career Early life Bell was born Carey Bell Harrington in Macon, Mississippi. As a child, he was intrigued by the music of Louis Jordan and wanted a saxophone to be like his hero Jordan. His family could not afford one, so he had to settle for a harmonica, colloquially known as ...
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Paul Butterfield
Paul Vaughn Butterfield (December 17, 1942May 4, 1987) was an American blues harmonica player, singer and band leader. After early training as a classical flautist, he developed an interest in blues harmonica. He explored the blues scene in his native Chicago, where he met Muddy Waters and other blues greats, who provided encouragement and opportunities for him to join in jam sessions. He soon began performing with fellow blues enthusiasts Nick Gravenites and Elvin Bishop. In 1963, he formed the Paul Butterfield Blues Band, which recorded several successful albums and was popular on the late-1960s concert and festival circuit, with performances at the Fillmore West, in San Francisco; the Fillmore East, in New York City; the Monterey Pop Festival; and Woodstock. The band was known for combining electric Chicago blues with a rock urgency and for their pioneering jazz fusion performances and recordings. After the breakup of the group in 1971, Butterfield continued to tour and reco ...
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James Cotton
James Henry Cotton (July 1, 1935 – March 16, 2017) was an American blues harmonica player, singer and songwriter, who performed and recorded with many fellow blues artists and with his own band. He also played drums early in his career. Cotton began his professional career playing the blues harp in Howlin' Wolf's band in the early 1950s. He made his first recordings in Memphis for Sun Records, under the direction of Sam Phillips. In 1955, he was recruited by Muddy Waters to come to Chicago and join his band. Cotton became Muddy's bandleader and stayed with the group until 1965. In 1965, he formed the Jimmy Cotton Blues Quartet, with Otis Spann on piano, to record between gigs with the Muddy Waters band. He eventually left to form his own full-time touring group. His first full album, on Verve Records, was produced by the guitarist Mike Bloomfield and the singer and songwriter Nick Gravenites, who later were members of the band Electric Flag. In the 1970s, Cotton played ...
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Big Walter Horton
Walter Horton (April 6, 1921 – December 8, 1981), known as Big Walter (Horton) or Walter 'Shakey' Horton, was an American blues harmonica player. A quiet, unassuming, shy man, he is remembered as one of the premier harmonica players in the history of blues. Willie Dixon once called Horton 'the best harmonica player I ever heard'. Robert Palmer named him as 'one of the three great harmonica soloists of modern blues with the two others being cited as Little Walter and Sonny Boy Williamson II. Also known as 'Mumbles', 'Shakey', along with 'Tangle Eye' and 'Shakey Head' (because of his head motion whilst playing the harmonica, along with his suffering from nystagmus). Horton was known for his unique tongue-blocking techniques and tone. Biography 1920s Horton was born in Horn Lake, Mississippi. He claimed to be born in 1917, but his birth date is often cited as April 6, 1918. Various sources give the year as 1917 or 1921, although it is most likely he was born in 1921. He was ...
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Blues Foundation
The Blues Foundation is an American nonprofit corporation, headquartered in Memphis, Tennessee, that is affiliated with more than 175 blues organizations from various parts of the world. Founded in 1980, a 25-person board of directors governs the foundation whose stated mission is to preserve blues heritage, celebrate blues recording and performance, and expand worldwide awareness of the blues. On its formation, the foundation organized the annual W. C. Handy Awards to "give recognition of the finest in blues performances and recordings." The awards have since been renamed the Blues Music Awards. The BMAs are generally recognized as the highest honor given to blues musicians, and are awarded by vote of Blues Foundation members. The Blues Foundation is also responsible for the Blues Hall of Fame Museum, International Blues Challenge (IBC), Keeping the Blues Alive Award (KBA) and Blues in the Schools program. Every year, the Blues Foundation presents the KBA Awards to individual ...
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Grammy Hall Of Fame
The Grammy Hall of Fame is a hall of fame to honor musical recordings of lasting qualitative or historical significance. Inductees are selected annually by a special member committee of eminent and knowledgeable professionals from all branches of the recording arts. It is compiled by The Recording Academy in the United States, and was established in 1973. Recordings (singles and albums) in all genres are eligible for selection, and must be over 25 years old to be considered. Additions to the list are chosen annually by a committee of recording arts professionals. Alphabetical listing by title: * List of Grammy Hall of Fame Award recipients (A–D) * List of Grammy Hall of Fame Award recipients (E–I) * List of Grammy Hall of Fame Award recipients (J–P) * List of Grammy Hall of Fame Award recipients (Q–Z) See also *Grammy Lifetime Achievement Award * Latin Grammy Hall of Fame Award *National Recording Registry The National Recording Registry is a list of sound recordings ...
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The Recording Academy
The Recording Academy (formally the National Academy of Recording Arts and Sciences; abbreviated NARAS) is an American learned academy of musicians, producers, recording engineers, and other musical professionals. It is famous for its Grammy Awards, which recognize achievements in the music industry of songs and music which are popular worldwide. The Recording Academy is a founding partner of the Grammy Museum, a non-profit organization whose stated mission is preserving and educating about music history and significance. The Recording Academy also founded MusiCares, a charity that states it serves to impact the health and welfare of the music community. The Recording Academy’s Advocacy team lobbies for music creators’ rights at the local, state, and federal levels. History The origin of the academy dates back to the beginning of the 1950s Hollywood Walk of Fame project. The Hollywood Chamber of Commerce asked the help of major recording industry executives in compili ...
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B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. T ...
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