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Jug (musical Instrument)
The jug used as a musical instrument is an empty jug (usually made of glass or stoneware) played with buzzed lips to produce a trombone-like tone. The characteristic sound of the jug is low and hoarse, below the higher pitch of the fiddle, harmonica, and the other instruments in the band.smithsonianfolkways: The Jug Bands Compiled and edited by Performance With an embouchure like that used for a , t ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ceramic
A ceramic is any of the various hard, brittle, heat-resistant and corrosion-resistant materials made by shaping and then firing an inorganic, nonmetallic material, such as clay, at a high temperature. Common examples are earthenware, porcelain, and brick. The earliest ceramics made by humans were pottery objects (''pots,'' ''vessels or vases'') or figurines made from clay, either by itself or mixed with other materials like silica, hardened and sintered in fire. Later, ceramics were glazed and fired to create smooth, colored surfaces, decreasing porosity through the use of glassy, amorphous ceramic coatings on top of the crystalline ceramic substrates. Ceramics now include domestic, industrial and building products, as well as a wide range of materials developed for use in advanced ceramic engineering, such as in semiconductors. The word "'' ceramic''" comes from the Greek word (), "of pottery" or "for pottery", from (), "potter's clay, tile, pottery". The earliest kno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aerophones
An aerophone () is a musical instrument that produces sound primarily by causing a body of air to vibrate, without the use of strings or membranes (which are respectively chordophones and membranophones), and without the vibration of the instrument itself adding considerably to the sound (or idiophones). According to Sachs, These may be lips, a mechanical reed, or a sharp edge. Also, an aerophone may be excited by percussive acts, such as the slapping of the keys of a flute or of any other woodwing. A free aerophone lacks the enclosed column of air yet, "cause a series of condensations and rarefications by various means." Overview Aerophones are one of the four main classes of instruments in the original Hornbostel–Sachs system of musical instrument classification, which further classifies aerophones by whether or not the vibrating air is contained within the instrument. The first class (41) includes instruments which, when played, do ''not'' contain the vibrating air. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cegléd Water Jug
The Cegléd water jug ( hu, 'Ceglédi kanna') is a container for water named after the city of Cegléd, Hungary. It is also used as a musical instrument in folk music, in particular, in Romani music of Hungary."Ceglédi kanna" , ''Ceglédi Panorama''; lexicon Container A Cegléd is a 7–9 liter metal jug for water, with a handle and a lid. It is a relatively modern invention. They were first manufactured by a János Rónay in Cegléd in the 1910s. Before the wide distribution of , Cegléd jugs were popular for d ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blown Bottle
A blown bottle is a musical instrument that produces sound when the musician blows air over the bottle opening. Blown bottles generate sound by utilizing a vibrating column of air. The bottles may be tuned by adding water or sand to the vessel. Blown bottles, like the musical jug, are sometimes used by performers of folk music. The blown bottle is assigned to note number 76 (or 77, for numbering starting with 1) in the General MIDI General MIDI (also known as GM or GM 1) is a standardized specification for electronic musical instruments that respond to MIDI messages. GM was developed by the American MIDI Manufacturers Association (MMA) and the Japan MIDI Standards Committe ... specification. See also * Jug (instrument) References Aerophones Improvised musical instruments {{Aerophone-instrument-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fritz Richmond
John B. "Fritz" Richmond (July 10, 1939 – November 20, 2005) was an American musician and recording engineer. Richmond was a washtub bassist and was also a professional jug player. Richmond, born in Newton, Massachusetts on July 10, 1939, was a founding member of The Hoppers, a school-chum jug band that played the coffeehouse circuit in the Boston area. Jug band music featured homemade or folk-style instruments such as the washboard (used for percussion), a large earthenware jug used as a wind instrument, and a single-string upright bass fashioned from a broomstick or similar handle, using a steel washtub as a resonator, with the player moving the handle in order to vary the tension on the string and thus vary the pitch of the note created by plucking. Fritz's first instrument was made using his buddy Tom Stephan's mothers wash tub, Tom's hockey stick and a length of Mrs. Stephan's clothes line. He also used a jug found in the Stephan's basement. This type of music, in England ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son (music)
Son cubano is a genre of music and dance that originated in the highlands of eastern Cuba during the late 19th century. It is a syncretic genre that blends elements of Spanish and African origin. Among its fundamental Hispanic components are the vocal style, lyrical metre and the primacy of the tres, derived from the Spanish guitar. On the other hand, its characteristic clave rhythm, call and response structure and percussion section ( bongo, maracas, etc.) are all rooted in traditions of Bantu origin. Around 1909 the son reached Havana, where the first recordings were made in 1917. This marked the start of its expansion throughout the island, becoming Cuba's most popular and influential genre. While early groups had between three and five members, during the 1920s the ''sexteto'' ( sextet) became the genre's primary format. By the 1930s, many bands had incorporated a trumpet, becoming ''septetos'', and in the 1940s a larger type of ensemble featuring congas and piano beca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Botija
The botija (botijuela; bunga) is a Caribbean musical instrument of the aerophone type. The botija is a potbellied earthenware jug or jar with two openings and was used in the early son sextetos in Cuba as a bass instrument. Origin The botija was used to hold kerosene brought from Spain. Botijas were then used to hide money underground and were buried to prevent humidity from reaching the floors. Later, botijas were dug up and used as musical instruments in the late 19th century in the Caribbean island of Cuba. Use in Cuban son Cuban son originated in eastern Cuba in the late 19th century. The music's defining characteristic was a pulsing or anticipated bass that falls between the downbeat, leading to the creation of many bass instruments including the botija. Other instruments included a marímbula, serrucho, contrabajo and bajo. Other bass instruments were used according to the size of the musical arrangement or timbre of the bass instrument needed. The marímbula, for ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
13th Floor Elevators
The 13th Floor Elevators was an American rock band from Austin, Texas, United States, formed by guitarist and vocalist Roky Erickson, electric jug player Tommy Hall, and guitarist Stacy Sutherland. The band was together from 1965 to 1969, and during that period released four albums and seven singles for the International Artists record label. The Elevators were the first band to refer to their music as psychedelic rock, with the first-known use of the term appearing on their business card in January 1966. The 2005 documentary ''You're Gonna Miss Me'' specifically credits Tommy Hall with coining the term "psychedelic rock." Their contemporary influence has been acknowledged by 1960s musicians such as Billy Gibbons of ZZ Top, Peter Albin of Big Brother and the Holding Company, and Chris Gerniottis of Zakary Thaks. The 13th Floor Elevators debut single "You're Gonna Miss Me", a national ''Billboard'' No. 55 hit in 1966, was featured on the 1972 compilation '' Nuggets: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Music
Psychedelic music (sometimes called psychedelia) is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as LSD, psilocybin mushrooms, mescaline, and cannabis to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy. Psychedelia embraces visual art, movies, and literature, as well as music. Psychedelic music emerged during the 1960s among folk and rock bands in the United States and the United Kingdom, creating the subgenres of psychedelic folk, psychedelic rock, acid rock, and psychedelic pop before declining in the early 1970s. Numerous spiritual successors followed in the ensuing decades, including progressive rock, krautrock, and heavy metal. Since the 1970s, revivals have included psychedelic funk, neo-psychedelia, and sto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy Hall (American Musician)
Tommy Hall (born September 21, 1943) is an electric jug player from Texas. He was a founding member of the American psychedelic rock band The 13th Floor Elevators. Early life Hall was born in Memphis, Tennessee to Dr. Thomas James Hall and Margaret "Perky" Perkins, a nurse. Starting in 1961, he studied philosophy and psychology at the University of Texas at Austin, and also discovered psychedelic drugs such as LSD, which would form a major part of his philosophy. In Austin, he also met his future wife and occasional Elevators songwriter Clementine Hall (nee Tausch), who he married in 1964. They divorced in 1973. Musical career A special aspect of The Elevators' sound came from Tommy Hall's innovative electric jug. The jug, a crock-jug with a microphone held up to it while it was being blown, sounded somewhat like a cross between a Minimoog and cuica drum. In contrast to traditional musical jug technique, Hall did not blow into the jug to produce a tuba-like sound. Instead, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cannon's Jug Stompers
Gustavus "Gus" Cannon (September 12, 1883 or 1884 – October 15, 1979) was an American blues musician who helped to popularize jug bands (such as his own Cannon's Jug Stompers) in the 1920s and 1930s. There is uncertainty about his birth year; his tombstone gives the date as 1874. Career Born on a plantation in Red Banks, Mississippi, Cannon moved a hundred miles to Clarksdale, then the home of W. C. Handy, at the age of 12. His musical skills came without training; he taught himself to play a banjo that he made from a frying pan and a raccoon skin. He ran away from home at the age of fifteen and began his career entertaining at sawmills and at levee and railroad camps in the Mississippi Delta around the turn of the century. While in Clarksdale, Cannon was influenced by two local musicians, Jim Turner and Alec Lee. Turner's fiddle playing in W. C. Handy's band so impressed Cannon that he decided to learn to play the fiddle himself. Lee, a guitarist, taught Cannon his fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
