Judas Maccabaeus (Handel)
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Judas Maccabaeus (Handel)
''Judas Maccabaeus'' ( HWV 63) is an oratorio in three acts composed in 1746 by George Frideric Handel based on a libretto written by Thomas Morell. The oratorio was devised as a compliment to the victorious Prince William Augustus, Duke of Cumberland upon his return from the Battle of Culloden (16 April 1746). Other catalogues of Handel's music have referred to the work as HG xxii; and HHA 1/24. Synopsis Morell's libretto is based on the deuterocanonical (or apocryphal) book 1 Maccabees (2–8), with motives added from the ''Antiquitates Judaicae'' by Flavius Josephus. The events depicted in the oratorio are from the period 170–160 BC when Judea was ruled by the Seleucid Empire which undertook to destroy the Jewish religion. Being ordered to worship Zeus, many Jews obeyed under the threat of persecution; however, some did not. One who defied was the elderly priest Mattathias who killed a fellow Jew who was about to offer a pagan sacrifice. After tearing down a pagan altar ...
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George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ...
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Judea
Judea or Judaea ( or ; from he, יהודה, Hebrew language#Modern Hebrew, Standard ''Yəhūda'', Tiberian vocalization, Tiberian ''Yehūḏā''; el, Ἰουδαία, ; la, Iūdaea) is an ancient, historic, Biblical Hebrew, contemporaneous Latin, and the modern-day name of the mountainous southern part of the modern States of State of Palestine, Palestine and Israel. The name originates from the Hebrew name Judah (son of Jacob), Yehudah, a son of the biblical Patriarchs (Bible), patriarch Jacob, Jacob/Israel, with Yehudah's progeny forming the biblical Israelite tribe of Judah (Yehudah) and later the associated Kingdom of Judah. Related nomenclature continued to be used by the Babylonians, Achaemenid Empire, Persian, Hellenistic period, Hellenistic, and Roman Empire, Roman periods as the Yehud (Babylonian province), Babylonian and Yehud (Persian province), Persian Yehud, Hasmonean Kingdom, Hasmonean Kingdom of Judea, and consequently Herodian Kingdom, Herodian and Judea (Rom ...
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John Walsh (printer)
John Walsh was the name of a father and son, two printers and publishers of music, active in London from the late 17th Century, and through the first half of the 18th Century. They published much important Baroque music, including works by William Babell and Handel. John Walsh the elder John Walsh (1665 or 1666 – 13 March 1736) was an English music publisher possibly of Irish descent, established off the Strand, London, by c. 1690. He was appointed musical instrument-maker-in-ordinary to the king in 1692. Walsh began publishing music in 1695, with ''"The Self Instructor for the Violin, or the art of playing that instrument improved and made easie by plain Rules and Directions"''. At this time, music publishing had just gone through a major change, with the rise of copper engraving, instead of moveable type. Engraved music was easier to read, and permitted the beaming of quavers. It had been used extensively by John Playford who began publishing in 1647. By the time of John W ...
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