Joy Of Life (Suzanne Valadon)
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Joy Of Life (Suzanne Valadon)
''Joy of Life'' (''La Joie de vivre'') is an oil painting by Suzanne Valadon, completed in 1911. It was bequeathed to the Metropolitan Museum of Art, in New York, in 1967. Description and interpretation Suzanne Valadon's ''Joy of Life'' depicts a landscape with four nude and seminude women who are watched by a nude man. The nude male was modeled by Valadon's lover, André Utter. They met through her son, Maurice Utrillo, and Utter modeled nude for several of Valadon's paintings, including ''Adam and Eve'' (1909) and ''Casting the Net'' (1914). ''Joy of Life'' is based on the theme of "women as nature," a typical subject at the time. Gill Perry has argued that the painting reworks the theme of bathers in nature. She notes that the women "seem strangely separate from each other, the male viewer and from the nature that surrounds them," which suggests a "more ambiguous, dislocated relationship with both nature and the male spectator." Perry's reading is echoed by Patricia Mathew ...
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Suzanne Valadon
Suzanne Valadon (23 September 18657 April 1938) was a French painter who was born Marie-Clémentine Valadon at Bessines-sur-Gartempe, Haute-Vienne, France. In 1894, Valadon became the first woman painter admitted to the Société Nationale des Beaux-Arts. She was also the mother of painter Maurice Utrillo. Valadon spent nearly 40 years of her life as an artist. The subjects of her drawings and paintings, such as '' Joy of Life'' (1911), included mostly female nudes, portraits of women, still lifes, and landscapes. She never attended the academy and was never confined within a tradition. She was a model for many renowned artists. Among them, Valadon appeared in such paintings as '' Dance at Bougival'' (1883) and '' Dance in the City'' by Pierre-Auguste Renoir (1883), and ''Suzanne Valadon'' (1885) by Henri de Toulouse-Lautrec. Early life Valadon grew up in poverty with her mother, an unmarried laundress in Montmartre. She did not know her father. Known to be quite independent ...
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Male Gaze
In feminist theory, the male gaze is the act of depicting women and the world in the visual arts and in literature from a masculine, heterosexual perspective that presents and represents women as sexual objects for the pleasure of the heterosexual male viewer. In the visual and aesthetic presentations of narrative cinema, the male gaze has three perspectives: (i) that of the man behind the camera, (ii) that of the male characters within the film's cinematic representations; and (iii) that of the spectator gazing at the image. The gaze was a concept developed in 20th-century French philosophy. The term "male gaze" was first used by the English art critic John Berger in ''Ways of Seeing'', a series of films for the BBC aired in January 1972, and later a book, as part of his analysis of the treatment of women as objects in advertising and nudes in European painting. It soon became popular among feminists, including the British film critic Laura Mulvey, who used it to critique tradi ...
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Nude Art
The nude, as a form of visual art that focuses on the unclothed human figure, is an enduring tradition in Western art. It was a preoccupation of Ancient Greek art, and after a semi-dormant period in the Middle Ages returned to a central position with the Renaissance. Unclothed figures often also play a part in other types of art, such as history painting, including allegorical and religious art, portraiture, or the decorative arts. From prehistory to the earliest civilizations, nude female figures are generally understood to be symbols of fertility or well-being. In India, the Khajuraho Group of Monuments built between 950 and 1050 CE are known for their erotic sculptures, which comprise about 10% of the temple decorations. Japanese prints are one of the few non-western traditions that can be called nudes, but the activity of communal bathing in Japan is portrayed as just another social activity, without the significance placed upon the lack of clothing that exists in the ...
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Paintings In The Collection Of The Metropolitan Museum Of Art
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ...
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Metropolitan Museum Of Art 2017 Drafts
Metropolitan may refer to: * Metropolitan area, a region consisting of a densely populated urban core and its less-populated surrounding territories * Metropolitan borough, a form of local government district in England * Metropolitan county, a type of county-level administrative division of England Businesses * Metro-Cammell, previously the Metropolitan Cammell Carriage and Wagon Company * Metropolitan-Vickers, a British heavy electrical engineering company * Metropolitan Stores, a Canadian former department store chain * Metropolitan Books, an imprint of Henry Holt and Company Colleges and universities * Leeds Metropolitan University, United Kingdom * London Metropolitan University, United Kingdom * Manchester Metropolitan University, United Kingdom * Metropolitan Community College (Omaha), United States * Metropolitan State University of Denver, United States ** Metro State Roadrunners * Metropolitan State University, in Saint Paul, Minnesota * Oslo Metropolitan University, Nor ...
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1911 Paintings
A notable ongoing event was the Comparison of the Amundsen and Scott Expeditions, race for the South Pole. Events January * January 1 – A decade after federation, the Northern Territory and the Australian Capital Territory are added to the Commonwealth of Australia. * January 3 ** 1911 Kebin earthquake: An earthquake of 7.7 Moment magnitude scale, moment magnitude strikes near Almaty in Russian Turkestan, killing 450 or more people. ** Siege of Sidney Street in London: Two Latvian people, Latvian anarchists die, after a seven-hour siege against a combined police and military force. Home Secretary Winston Churchill arrives to oversee events. * January 5 – Egypt's Zamalek SC is founded as a general sports and Association football club by Belgian lawyer George Merzbach as Qasr El Nile Club. * January 14 – Roald Amundsen's South Pole expedition makes landfall, on the eastern edge of the Ross Ice Shelf. * January 18 – Eugene B. El ...
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Masculism
Masculism or masculinism may variously refer to ideologies and socio-political movements that seek to eliminate sexism against men, equalize their rights with women, and increase adherence to or promotion of attributes regarded as typical of men and boys. The terms may also refer to the men's rights movement or men's movement, as well as a type of antifeminism. Terminology Early history According to the historian Judith Allen, Charlotte Perkins Gilman invented the term ''masculism'' in 1914, when she gave a public lecture series in New York entitled "Studies in Masculism". Apparently the printer did not like the term and tried to change it. Allen writes that Gilman used ''masculism'' to refer to the opposition of misogynist men to women's rights and, more broadly, to describe "men's collective political and cultural actions on behalf of their own sex", or what Allen calls the "sexual politics of androcentric cultural discourses". Gilman referred to men and women who opposed women ...
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Sexualization
Sexualization (or sexualisation) is to make something sexual in character or quality or to become aware of sexuality, especially in relation to men and women. Sexualization is linked to sexual objectification. According to the American Psychological Association, sexualization occurs when "individuals are regarded as sex objects and evaluated in terms of their physical characteristics and sexiness." "In study after study, findings have indicated that women more often than men are portrayed in a sexual manner (e.g., dressed in revealing clothing, with bodily postures or facial expressions that imply sexual readiness) and are objectified (e.g., used as a decorative object, or as body parts rather than a whole person). In addition, a narrow (and unrealistic) standard of physical beauty is heavily emphasized. These are the models of femininity presented for young girls to study and emulate." According to the Media Education Foundation's, '' Killing Us Softly 4: Advertising's Image of W ...
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Rosemary Betterton
Rosemary Betterton (born 1951) is an English feminist art historian, writer, and educator. She is recognized for her work in the field of Contemporary Art, particularly her inquiries into women's art practices. Biography Rosemary Betterton was born in 1951. She is British. Betterton taught art history and critical studies at Sheffield Hallam University and served as a faculty member at University of Lancaster teaching in the areas of visual culture and feminist theory. She is Professor Emerita at Lancaster University. Betterton is the author of many books and essays. ''Maternal Bodies in the Visual Arts'' analyzes images and texts to make the argument that pregnancy, in Western culture Leonardo da Vinci's ''Vitruvian Man''. Based on the correlations of ideal Body proportions">human proportions with geometry described by the ancient Roman architect Vitruvius in Book III of his treatise ''De architectura''. image:Plato Pio-Cle ..., is viewed and depicted with profound ambi ...
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Nature
Nature, in the broadest sense, is the physics, physical world or universe. "Nature" can refer to the phenomenon, phenomena of the physical world, and also to life in general. The study of nature is a large, if not the only, part of science. Although humans are part of nature, human activity is often understood as a separate category from other natural phenomena. The word ''nature'' is borrowed from the Old French ''nature'' and is derived from the Latin word ''natura'', or "essential qualities, innate disposition", and in ancient times, literally meant "birth". In ancient philosophy, ''natura'' is mostly used as the Latin translation of the Greek word ''physis'' (φύσις), which originally related to the intrinsic characteristics of plants, animals, and other features of the world to develop of their own accord. The concept of nature as a whole, the physical universe, is one of several expansions of the original notion; it began with certain core applications of the word ...
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Metropolitan Museum Of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe. The Metropolitan Museum of Art was founded in 1870 with its mission to bring art and art education to the American people. The museum's permanent collection consists of works of art from classical antiquity and ancient Egypt, paintings, and sculptures from nearly all the European masters, and an extensive collection of American and modern ...
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Gill Perry
Gillian Perry is professor of history of art at the Open University. She is a specialist in eighteenth century portraiture and has written two books on the actress in art. In 2011/12 she curated the exhibition ''The First Actresses'' at the National Portrait Gallery in London which was widely reviewed. Education Perry studied at the University of Sussex from 1968 to 1972, graduating with a first class Bachelor of Arts degree in art history and French. Career Perry joined the Open University in 1977. She began her D.Phil. on the topic of ''Paula Modersohn-Becker and Worpswede 1876-1907'' under the supervision of John Röhl of the University of Sussex in 1978 but submitted her thesis on the topic of ''Paula Modersohn-Becker and Worpswede 1889-1907'' for the degree of M.Phil. in 1984. Her research into Modersohn-Becker formed the subject of her first book which was published by the Women's Press in 1979. Perry was head of the department of art history at the Open University fro ...
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