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Joy Clements
Joy Clements (née Joyce Marie Albrecht; April 29, 1932 – October 24, 2005) was an American lyric coloratura soprano who had a substantial opera and concert career from 1956 through the late 1970s. She notably sang regularly with both the New York City Opera and the Metropolitan Opera during the 1960s through the early 1970s. She also traveled regularly for performances with opera companies and orchestras throughout the United States but only appeared in a relatively few number of performances internationally. Early life and career Born in Dayton, Ohio to Lula Frances Albrecht (née Day) and Verne Brent Albrecht, Joyce (later Joy) first studied singing at the University of Miami in Coral Gables, Florida and, shortly after graduating, made her professional opera debut as Musetta in Puccini's ''La bohème'' with the Opera Guild of Greater Miami in 1956. She pursued graduate studies at the Philadelphia Musical Academy, where she studied from 1956 to 1958. During this time sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joy Clements 1972
The word joy refers to the emotion evoked by well-being, success, or good fortune, and is typically associated with feelings of intense, long lasting happiness. Dictionary definitions Dictionary definitions of joy typically include a sense of it being a reaction to an external happening, e.g. a physical sensation experienced, or receiving good news. Distinction vs similar states saw a clear distinction between joy, pleasure, and happiness: "I sometimes wonder whether all pleasures are not substitutes for Joy", and "I call it Joy, which is here a technical term and must be sharply distinguished both from Happiness and Pleasure. Joy (in my sense) has indeed one characteristic, and one only, in common with them; the fact that anyone who has experienced it will want it again... I doubt whether anyone who has tasted it would ever, if both were in his power, exchange it for all the pleasures in the world. But then Joy is never in our power and Pleasure often is." Michela Summa say ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical canon; the " Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery gypsy Carmen. José abandons his childho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tatiana Troyanos
Tatiana Troyanos (September 12, 1938 – August 21, 1993) was an American mezzo-soprano of Greek and German descent, remembered as "one of the defining singers of her generation" (''Boston Globe''). Her voice, "a paradoxical voice — larger than life yet intensely human, brilliant yet warm, lyric yet dramatic" — "was the kind you recognize after one bar, and never forget", wrote Cori Ellison in ''Opera News''.Ellison, Cori"Tatiana Troyanos: 1938-1993" ''Opera News'', vol. 58, no. 5, November 1993. Troyanos' performances "covered the full range of operatic history" (''New York Times'') in an international career of three decades which also produced a variety of memorable operatic recordings, among them ''Carmen'' (co-starring Plácido Domingo and conducted by Georg Solti), cited by ''Classicalite'' almost four decades later as "the finest of all ''Carmen''s." After ten years based at the Hamburg State Opera, Troyanos became widely known for her work with the Metropolit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Nozze Di Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, ''La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Street Scene (opera)
''Street Scene'' is an American opera by Kurt Weill (music), Langston Hughes (lyrics), and Elmer Rice (book). Written in 1946 and premiered in Philadelphia that year, ''Street Scene'' is based on the Pulitzer Prize-winning 1929 play of the same name by Rice. It was Weill who referred to the piece as an "American opera", intending it as a groundbreaking synthesis of European traditional opera and American musical theater. He received the inaugural Tony Award for Best Original Score for his work, after the Broadway premiere in 1947. Considered far more an opera than a musical, ''Street Scene'' is regularly produced by professional opera companies and has never been revived on Broadway. Musically and culturally, even dramatically, the work inhabits the mid-ground between Weill's '' Threepenny Opera'' (1928) and Leonard Bernstein's '' West Side Story'' (1957). The score contains operatic arias and ensembles, some of them, such as Anna Maurrant's "Somehow I Never Could Believe" an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gianni Schicchi
() is a comic opera in one act by Giacomo Puccini to an Italian libretto by Giovacchino Forzano, composed in 1917–18. The libretto is based on an incident mentioned in Dante's ''Divine Comedy''. The work is the third and final part of Puccini's (The Triptych)three one-act operas with contrasting themes, originally written to be presented together. Although it continues to be performed with one or both of the other operas, is now more frequently staged either alone or with short operas by other composers. The aria is one of Puccini's best known, and one of the most popular arias in opera. Puccini had long considered writing a set of one-act operas which would be performed together in a single evening, but faced with a lack of suitable subjects and opposition from his publisher, he repeatedly put the project aside. However, by 1916 Puccini had completed the one-act tragedy and, after considering various ideas, he began work the following year on the solemn, religious, al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puccini
Giacomo Puccini (Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming from the late- Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera, he later developed his work in the realistic '' verismo'' style, of which he became one of the leading exponents. His most renowned works are ''La bohème'' (1896), ''Tosca'' (1900), '' Madama Butterfly'' (1904), and '' Turandot'' (1924), all of which are among the most frequently performed and recorded of all operas. Family and education Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca, Italy, in 1858. He was the sixth of nine children of Michele Puccini (1813–1864) and Albina Magi (1830–1884). The Puccini family was established in Lucca as a local mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chester Ludgin
Chester Ludgin (May 20, 1925 – August 9, 2003) was an American operatic baritone. Biography Chester Ludgin was a native of Brooklyn, New York. He made his professional debut in 1956 with The Experimental Opera Theatre of America (affiliated with the New Orleans Opera Association), as Baron Scarpia in Giacomo Puccini's ''Tosca'', conducted by Renato Cellini and directed by Armando Agnini. The very next year, he first appeared with the New York City Opera, as Dr Falke in Johann Strauss II's '' Die Fledermaus'', opposite Phyllis Curtin. With the City Opera, Ludgin was heard in many roles, including what was perhaps his greatest success, John Proctor in the world premiere of Robert Ward's '' The Crucible'' (1961, with Norman Treigle as the Reverend John Hale). He was also in the premieres of Robert Kurka's '' The Good Soldier Schweik'' (1958), Norman Dello Joio's ''The Triumph of St. Joan'' (1959), and Abraham Ellstein's ''The Golem'' (1962) for that company. He also por ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Crucible (opera)
''The Crucible'' is a 1961 English language opera written by Robert Ward based on the 1953 play '' The Crucible'' by Arthur Miller. It won both the 1962 Pulitzer Prize for Music and the New York Music Critics Circle Citation. The libretto was lightly adapted from Miller's text by Bernard Stambler. Ward received a commission from the New York City Opera to write the opera. Arthur Miller was involved in selecting Ward. It is one of the most performed operas by an American composer. Performance history ''The Crucible'' premiered on 26 October 1961 at the New York City Opera (NYCO), with Chester Ludgin as John Proctor, and Norman Treigle as the Reverend John Hale. The production was staged by Allen Fletcher, used scenery designed by Paul Sylbert, and costumes designed by Ruth Morely. The work was next performed in student productions at the University of California, Los Angeles and The Hartt School in West Hartford, Connecticut in 1964. The opera was mounted by the San Fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Ward (composer)
Robert Eugene Ward (September 13, 1917 – April 3, 2013) was an American composer who is best remembered for his opera '' The Crucible'' (1961) after the 1953 play of the same name by Arthur Miller. He was awarded the Pulitzer Prize for Music for that opera in 1962. Early work and education Ward was born in Cleveland, Ohio, one of five children of the owner of a moving and storage company. He sang in church choirs and local opera theaters when he was a boy. His earliest extant compositions date to 1934, at a time he was attending John Adams High School, from which he graduated in 1935. After that, Ward attended the Eastman School of Music in Rochester, New York, where his composition teachers were Bernard Rogers, Howard Hanson and Edward Royce. Ward received a fellowship and attended the Juilliard School of Music in New York from 1939 to 1942, where he studied composition with Frederick Jacobi, orchestration with Bernard Wagenaar, and conducting with Albert Stoessel and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julius Rudel
Julius Rudel (6 March 1921 – 26 June 2014) was an Austrian-born American opera and orchestra conductor. He was born in Vienna and was a student at the city's Academy of Music. He emigrated to the United States at the age of 17 in 1938 after the country was annexed by Germany. He studied conducting at the Mannes College of Music in New York City. After completing his music studies, he joined the New York City Opera. He died on 26 June 2014 at the age of 93. Professional career New York City Opera After 1944, he began a 35-year career with that company which continued until 1979. After rising to Principal Conductor and General Director in 1957, he brought the company international acclaim with his innovative programming (including three seasons of all-American operas in 1958, 1959, and 1960), and formed a partnership with Beverly Sills, who became the leading soprano of the NYCO. He led the company to its new home at the New York State Theater in Lincoln Center, where it open ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Così Fan Tutte
(''All Women Do It, or The School for Lovers''), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote '' Le nozze di Figaro'' and ''Don Giovanni''. Although it is commonly held that was written and composed at the suggestion of the Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John Rice uncovered two terzetti by Salieri in the Austrian National Library. The short title, ''Così fan tutte'', literally means "So do they all", using the feminine plural ('' tutte'') to indicate women. It is usually translated into English as "Women are like that". The words are sung by the three men in act 2, scene 3, just before the finale; this melodic phrase is also quoted in the overture to the opera. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
