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José Mangual Sr.
Jose Mangual, Sr. (March 18, 1924 - September 4, 1998) was a Puerto Rican percussionist world renowned for his bongo drum performances and recordings during the 1940s and 1950s with groups such as Machito Orchestra, Charlie Parker, Buddy Rich, Flip Philips, Abbie Lane and Nancy Ames. "He set a standard in bongo playing and was considered by many to have the greatest sound on the instrument." He is the father of Jose Mangual, Jr. and Luis Mangaul who are both well-known Salsa singers and percussionists. Both were born and raised in East Harlem. Early career Mangual began playing percussion at the age of 10 and in 1938 he moved to New York at the age of 14. In 1952 he began playing timbales and percussion for Machito's Orchestra. Later career In the 1950s Mangual played with the godfather of modern-day salsa Arsenio Rodriguez and with Latin jazz pioneer Cal Tjader. Thereafter Mangual joined Erroll Gardner's band with whom he traveled the world, playing jazz for internationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bongo Drum
Bongos ( es, bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. They are struck with both hands, most commonly in an eight-stroke pattern called ''martillo'' (hammer). The larger drum is called a hembra (Spanish for female) and the smaller drum is called the macho (Spanish for male). They are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. This brought bongos into our cultural vocabulary, from Beatniks to Mambo to the current revival of Cuban folkloric music. Bongo drummers (''bongoseros'') emerged as the only drummers of son cubano ensembles in eastern Cuba toward the end of the 19th century. It is believed that Bongos evolved from the Abakua Drum trio 'Bonko' and its lead drum 'Bonko Enmiwewos'. These drums are still a fundamental part of the Abakua Religion in Cuba. If joined with a wooden peck in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bongo Drum
Bongos ( es, bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. They are struck with both hands, most commonly in an eight-stroke pattern called ''martillo'' (hammer). The larger drum is called a hembra (Spanish for female) and the smaller drum is called the macho (Spanish for male). They are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. This brought bongos into our cultural vocabulary, from Beatniks to Mambo to the current revival of Cuban folkloric music. Bongo drummers (''bongoseros'') emerged as the only drummers of son cubano ensembles in eastern Cuba toward the end of the 19th century. It is believed that Bongos evolved from the Abakua Drum trio 'Bonko' and its lead drum 'Bonko Enmiwewos'. These drums are still a fundamental part of the Abakua Religion in Cuba. If joined with a wooden peck in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sketches Of Spain
''Sketches of Spain'' is an album by Miles Davis, recorded between November 1959 and March 1960 at the Columbia 30th Street Studio in New York City. An extended version of the second movement of Joaquín Rodrigo's ''Concierto de Aranjuez'' (1939) is included, as well as a piece called "Will o' the Wisp", from Manuel de Falla's ballet ''El amor brujo'' (1914–1915). ''Sketches of Spain'' is regarded as an exemplary recording of Third Stream, a musical fusion of jazz, European classical, and styles from world music. Background Davis' wife Frances Davis insisted he accompany her to a performance by flamenco dancer Roberto Iglesias. Inspired by the performance, Davis bought every flamenco album he could get at Colony Records shop in New York City. The album pairs Davis with arranger and composer Gil Evans, with whom he had collaborated on several other projects, on a program of compositions largely derived from the Spanish folk tradition. Evans explained: ehadn't intended to m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
April In Paris (album)
''April in Paris'' is an album by pianist/bandleader Count Basie and His Orchestra, his first released on the Verve label, recorded in 1955 and 1956. accessed November 20, 2015 The title track was included in the soundtrack of the 2008 video game release on the fictitious in-game jazz music radio station "JNR 108.5 (Jazz Nation Radio)". Reception awarded the album 5 stars calling it "one of those rare albums that makes its mark as an almost instant classic in the jazz pantheon" and noting "''April in Paris'' proved Count ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Machito
Machito (born Francisco Raúl Gutiérrez Grillo, December 3, 1909 – April 15, 1984) was a Latin jazz musician who helped refine Afro-Cuban jazz and create both Cubop and salsa music. Ginell, Richard S. ''Biography''. Allmusic, 2011/ref> He was raised in Havana with the singer Graciela, his foster sister. In New York City, Machito formed the Afro-Cubans in 1940, and with Mario Bauzá as musical director, brought together Cuban rhythms and big band arrangements in one group. He made numerous recordings from the 1940s to the 1980s, many with Graciela as singer. Machito changed to a smaller ensemble format in 1975, touring Europe extensively. He brought his son and daughter into the band, and received a Grammy Award in 1983, one year before he died. Machito's music had an effect on the careers of many musicians who played in the Afro-Cubans over the years, and on those who were attracted to Latin jazz after hearing him. George Shearing, Dizzy Gillespie, Charlie Parker and Stan K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
East Harlem
East Harlem, also known as Spanish Harlem or and historically known as Italian Harlem, is a neighborhood of Upper Manhattan, New York City, roughly encompassing the area north of the Upper East Side and bounded by 96th Street to the south, Fifth Avenue to the west, and the East and Harlem Rivers to the east and north. Despite its name, it is generally not considered to be a part of Harlem proper, but it is one of the neighborhoods included in Greater Harlem. The neighborhood is one of the largest predominantly Hispanic communities in New York City, mostly made up of Puerto Ricans, as well as sizeable numbers of Dominican, Cuban and Mexican immigrants. The community is notable for its contributions to Latin freestyle and salsa music. East Harlem also includes the area formerly known as Italian Harlem, in which the remnants of a once predominantly Italian community remain. The Chinese population has increased dramatically in East Harlem since 2000. East Harlem has histori ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, "Dizzy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. Biography Early life and education William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobiles replaced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbie Mann
Herbert Jay Solomon (April 16, 1930 – July 1, 2003), known by his stage name Herbie Mann, was an American jazz flute player and important early practitioner of world music. Early in his career, he also played tenor saxophone and clarinet (including bass clarinet), but Mann was among the first jazz musicians to specialize on the flute. His most popular single was "Hi-Jack", which was a ''Billboard'' No. 1 dance hit for three weeks in 1975. Mann emphasized the groove approach in his music. Mann felt that from his repertoire, the "epitome of a groove record" was ''Memphis Underground'' or '' Push Push'', because the "rhythm section locked all in one perception." Early life, family and education Herbie Mann was born in Brooklyn, New York, New York, to Jewish parents Harry C. Solomon (May 30, 1902 – May 31, 1980), who was of Russian descent, and Ruth Rose Solomon (née Brecher) (July 4, 1905 – November 11, 2004), of Romanian descent who was born in Bukovina, Austria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarah Vaughan
Sarah Lois Vaughan (March 27, 1924 – April 3, 1990) was an American jazz singer. Nicknamed "Sassy" and "Jazz royalty, The Divine One", she won two Grammy Awards, including the Lifetime Achievement Award, and was nominated for a total of nine Grammy Awards. She was given an NEA Jazz Masters Award in 1989. Critic Scott Yanow wrote that she had "one of the most wondrous voices of the 20th century". Early life Vaughan was born in Newark, New Jersey, to Asbury "Jake" Vaughan, a carpenter by trade who played guitar and piano, and Ada Vaughan, a laundress who sang in the church choir, migrants from Virginia. The Vaughans lived in a house on Brunswick Street in Newark for Vaughan's entire childhood. Jake was deeply religious. The family was active in New Mount Zion Baptist Church at 186 Thomas Street. Vaughan began piano lessons at the age of seven, sang in the church choir, and played piano for rehearsals and services. She developed an early love for popular music on records and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cannonball Adderley
Julian Edwin "Cannonball" Adderley (September 15, 1928August 8, 1975) was an American jazz alto saxophonist of the hard bop era of the 1950s and 1960s. Adderley is perhaps best remembered for the 1966 soul jazz single "Mercy, Mercy, Mercy", which was written for him by his keyboardist Joe Zawinul and became a major crossover hit on the pop and R&B charts. A cover version by the Buckinghams, who added lyrics, also reached No. 5 on the charts. Adderley worked with Miles Davis, first as a member of the Davis sextet, appearing on the seminal records ''Milestones'' (1958) and '' Kind of Blue'' (1959), and then on his own 1958 album '' Somethin' Else''. He was the elder brother of jazz trumpeter Nat Adderley, who was a longtime member of his band. Early life and career Julian Edwin Adderley was born on September 15, 1928, in Tampa, Florida to high school guidance counselor and cornet player Julian Carlyle Adderley and elementary school teacher Jessie Johnson. Elementary school cla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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