José Carlos Xavier
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José Carlos Xavier
José Carlos Xavier is a Portugal, Portuguese operatic tenor. Biography A scholarship of the Calouste Gulbenkian Foundation, he graduated ''cum laude'' from the Liceo Musicale "G. B. Viotti", in Vercelli, Italy, where he took up residence. Career Xavier made his debut at the Teatro Nacional de São Carlos, São Carlos National Theatre, Portugal, interpreting roles in the operas ''Miguel Manara'', ''Der Rosenkavalier'', ''Louise (opera), Louise'', ''Dona Mécia'', ''Rigoletto'', and ''Fedora (opera), Fedora''. Abroad, he played Ernesto in ''Don Pasquale'', Dorvil in ''La Scala di Seta'', Peppe in ''Pagliacci'', Beppe in ''Rita (opera), Rita'', Des Grieux in ''Manon'', Werther in ''Werther'', Testo in ''Combatimenti di Tancredi e Clorinda'', and Tamino in ''The Magic Flute, Die Zauberflöte''. He has performed at renowned music festivals, including Aix-en-Provence, Toulon, Kriens (Lucerne), Vilar de Mouros, Macau. An interpreter of lieder, lied and oratory (worship), oratory mu ...
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Manon
''Manon'' () is an ''opéra comique'' in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel '' L'histoire du chevalier des Grieux et de Manon Lescaut'' by the Abbé Prévost. It was first performed at the Opéra-Comique in Paris on 19 January 1884, with sets designed by Eugène Carpezat (act 1), Auguste Alfred Rubé and Philippe Chaperon (acts 2 and 3), and Jean-Baptiste Lavastre (act 4). Prior to Massenet's work, Halévy (''Manon Lescaut'', ballet, 1830) and Auber (''Manon Lescaut'', opéra comique, 1856) had used the subject for musical stage works. Massenet also wrote a one-act sequel to ''Manon'', ''Le portrait de Manon'' (1894), involving the Chevalier des Grieux as an older man. The composer worked at the score of ''Manon'' at his country home outside Paris and also at a house at The Hague once occupied by Prévost himself. ''Manon'' is Massenet's most popular and enduring opera and, having "quickly conquered th ...
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Don Pasquale
''Don Pasquale'' () is an opera buffa, or comic opera, in three acts by Gaetano Donizetti with an Italian libretto completed largely by Giovanni Ruffini as well as the composer. It was based on a libretto by Angelo Anelli for Stefano Pavesi's opera '' Ser Marcantonio'' written in 1810 but, on the published libretto, the author appears as "M.A." Donizetti so dominated the preparation of the libretto that Ruffini refused to allow his name to be put on the score. This resulted in confusion over the identity of the librettist for more than half a century, but as Herbert Weinstock establishes, it was largely Ruffini's work and, in withholding his name from it as librettist, "Donizetti or is assistantAccursi may have thought that, lacking Ruffini's name, the authorship might as well be assigned to Accursi's initials as to a pseudonym". The opera was first performed on 3 January 1843 by the Théâtre-Italien at the Salle Ventadour in Paris with great success and it is generally reg ...
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Televisión Española
Televisión Española (acronym TVE, branded tve, "Spanish Television") is Spain's national state-owned public television broadcaster and the oldest regular television service in the country. It was also the first regular television service in Equatorial Guinea. TVE began as a standalone company dependent on the Ministry of Information and Tourism. After undergoing numerous restructurings and reorganizations, it is currently the television division, while Radio Nacional de España (RNE) is the radio division, of Radiotelevisión Española (RTVE), the public corporation which has the overall responsibility for the national broadcasting public services under a parliament-appointed president who, in addition to being answerable to a Board of Directors, reports to an all-party committee of the national parliament, as provided for in the Public Radio and Television Law of 2006. TVE launched its first channel on 28 October 1956 as the first regular television service in Spain. It w ...
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Rádio E Televisão De Portugal
Rádio e Televisão de Portugal (RTP) is the public service broadcasting organisation of Portugal. It operates four national television channels and three national radio stations, as well as several satellite and cable offerings. The current company dates from 2007, with the merger of two previously separate companies Radiodifusão Portuguesa (RDP; the radio broadcaster) and Radiotelevisão Portuguesa (television broadcaster), although they had been grouped under a single holding company and common branding since 2004. RTP is funded by the ''taxa de contribuição audiovisual'' (broadcasting contribution tax), which is incorporated in electricity bills, and television advertising revenues. History Radio The Emissora Nacional de Radiodifusão - usually referred to by its abbreviated designation Emissora Nacional (EN) - was established on 4 August 1935 as the public national radio broadcaster, inheriting the previous broadcasting operations of the Portuguese postal service (CT ...
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Oratory (worship)
In the canon law of the Catholic Church, an oratory is a place which is set aside by permission of an ordinary for divine worship, for the convenience of some community or group of the faithful who assemble there, but to which other members of the faithful may have access with the consent of the competent superior. The word ''oratory'' comes from the Latin verb ''orare'', to pray. History Oratories seem to have been developed in chapels built at the shrines of martyrs, for the faithful to assemble and pray on the spot. The oldest extant oratory is the Archiepiscopal Chapel in Ravenna (). The term is often used for very small structures surviving from the first millennium, especially in areas where the monasticism of Celtic Christianity was dominant; in these cases it may represent an archaeological guess as to function, in the absence of better evidence. Public, semi-public, private Previously, canon law distinguished several types of oratories: private (with use restricted t ...
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Lieder
In Western classical music tradition, (, plural ; , plural , ) is a term for setting poetry to classical music to create a piece of polyphonic music. The term is used for any kind of song in contemporary German, but among English and French speakers, is often used interchangeably with "art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest lied date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History For German sp ...
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The Magic Flute
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ...
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Combatimenti Di Tancredi E Clorinda
''Il combattimento di Tancredi e Clorinda'' (''The Combat of Tancredi and Clorinda''), SV 153, is an operatic ''scena'' for three voices by Claudio Monteverdi. The libretto is drawn from Torquato Tasso's '' La Gerusalemme Liberata''. It was first performed in Venice in 1624, and printed in 1638 in Monteverdi's eighth book of madrigals. Monteverdi used musical features here for the first time to enhance the dramatic depiction of a battle in stile concitato, such as pizzicato and tremolo. History The libretto is drawn from Torquato Tasso's '' La Gerusalemme Liberata'' (''Jerusalem Delivered'')., Canto XII, 52–62, 64–68), a Romance set against the backdrop of the First Crusade, when Godfrey of Bouillon conquered Jerusalem. Monteverdi composed it for the 1624 carnival season in Venice when it was first performed in the palace of Girolamo Mocenigo. The plot is about a Christian knight, Tancredi, and a Saracen girl, Clorinda, who are lovers, but meet in battle not recogniz ...
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Werther
''Werther'' is an opera (''drame lyrique'') in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann (who used the pseudonym Henri Grémont). It is loosely based on Goethe's epistolary novel ''The Sorrows of Young Werther'', which was based both on fact and on Goethe's own early life. Earlier examples of operas using the story were made by Kreutzer (1792) and Pucitta (1802). Milnes R. Werther. In: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. Performance history Massenet started composing ''Werther'' in 1885, completing it in 1887. He submitted it to Léon Carvalho, the director of the Paris Opéra-Comique, that year, but Carvalho declined to accept it on the grounds that the scenario was too serious. With the disruption of the fire at the Opéra-Comique and Massenet's work on other operatic projects (especially ''Esclarmonde''), it was put to one side, until the Vienna Opera, pleased with the succes ...
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Rita (opera)
(''Two Men and a Woman''), also known as ''Rita'', is an in one act, composed by Gaetano Donizetti to a French libretto by Gustave Vaëz. The opera, a domestic comedy consisting of eight musical numbers connected by spoken dialogue, was completed in 1841. Never performed in Donizetti's lifetime, it premiered posthumously at the Opéra-Comique in Paris on 7 May 1860. Composition history In 1841, while Donizetti was in Paris waiting for the libretto to be completed for a commission by La Scala, he had a chance encounter with Gustave Vaëz, who had co-written the libretti for two of his earlier operas, ''Lucie de Lammermoor'' (the French version of ''Lucia di Lammermoor'') and ''La favorite''. He asked Vaëz if he could provide a libretto for a short opera to keep him busy while waiting for the La Scala project to advance. Vaëz quickly created ''Deux hommes et une femme'' (''Two Men and a Woman''), a comic piece in one act consisting of eight musical numbers connected by spoken d ...
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