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Josh Cain
Joshua Allen Cain, (born July 31, 1976) is a guitarist and record producer from Saint Paul, Minnesota. He was the co-founder and lead guitarist of American pop punk band Motion City Soundtrack. Cain is also a music producer with multiple past projects; comprising an EP for Epitaph-signed band Sing It Loud and two songs (including the lead single) from Metro Station's debut album. History Joshua Cain played in numerous bands before joining the much more successful Motion City Soundtrack. Prior to Motion City he had roles in bands Superette, Saddest Girl Story, and Boxcar. He then co-founded Motion City Soundtrack with guitarist and lead vocalist Justin Pierre in 1997. Cain took on a lot of managerial responsibilities when the band first began, including booking the band's first shows. He is lead guitar in the band, playing a 1965 Gibson SG Junior through a Vox AC-30 Custom Classic. Cain also sings many of the band's backup vocals, including a notable solo in the song "Capital H" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motion City Soundtrack
Motion City Soundtrack is an American rock band that formed in Minneapolis, Minnesota in 1997. The band's line-up consists of vocalist and guitarist Justin Courtney Pierre, lead guitarist Joshua Cain, keyboardist Jesse Johnson, bassist Matthew Taylor, and drummer Tony Thaxton. Over the course of their career, the group has toured heavily and released six studio albums, the majority on independent label Epitaph Records. The band's sound, at times described as pop punk or emo, makes notable use of the Moog synthesizer. Pierre mainly handles the band's lyrics, which often touch on themes of anxiety, alienation, relationships, and self-destructive behavior. The band was founded by Cain and Pierre, and it took several years to form a stable lineup. '' I Am the Movie'', the group's debut album, was released in 2003. Their commercial breakthrough, ''Commit This to Memory'', arrived in 2005, and its follow-up ''Even If It Kills Me'' (2007) was similarly successful. For many years, the b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vox AC-30
The Vox AC30 is a guitar amplifier manufactured by Vox. It was introduced in 1958 to meet the growing demand for louder amplifiers. Characterised by its "jangly" high-end sound it has become widely recognized by British musicians and others, such as George Harrison and John Lennon of the Beatles, Bill Wyman of the Rolling Stones, Brian May of Queen, Dave Davies of the Kinks and Hank Marvin. History The Vox AC30 was originally introduced in 1959 at Hank Marvin's request as the "big brother" of the fifteen watt (15 W) AC15 model, Vox's original flagship amplifier, because the AC15 was not loud enough with the screaming fans at Cliff Richard's concerts. The AC15 was powered by a pair of EL84 tubes, an EF86-driven "Normal" channel, an ECC83-driven "Vib-Trem" channel, and rectified by an EZ81. The original first-generation AC30 used a GZ34 tube rectifier, three ECC83s (12AX7) for the Normal channel and the tremolo/vibrato oscillator/modulator circuits, one ECC81 (12AT7) phase inver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epitaph Records
Epitaph Records is an American independent record label owned by Bad Religion guitarist Brett Gurewitz. Throughout the 1980s and 1990s, most acts signed to the label were punk and pop punk acts, while there are many post-hardcore and emo bands signed to the label as well. A large portion of the record label, known as Hellcat Records, is owned by Tim Armstrong, frontman of the punk rock band Rancid. Several sister labels also exist, such as ANTI-, Burning Heart Records, Hellcat Records, and Heart & Skull Records that have signed other types of bands. History Early years (1980s) Brett Gurewitz formed Epitaph Records as a vehicle for releases by his band Bad Religion.Larkin, Colin (1999) "Epitaph Records" in ''The Virgin Encyclopedia of Heavy Rock'', Virgin Books, , p. 150 The name had been taken from the King Crimson cold war protest song "Epitaph" from which the lyrics "Confusion will be my epitaph." had struck a chord with Brett and Greg when they were young. Its first rele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Top Heatseekers
Top Heatseekers are "Breaking and Entering" music charts issued weekly by ''Billboard'' magazine. The Heatseekers Albums and the Heatseekers Songs charts were introduced by ''Billboard'' in 1991 with the purpose of highlighting the sales by new and developing musical recording artists. Albums and songs appearing on Top Heatseekers may also concurrently appear on the ''Billboard'' 200 or ''Billboard'' Hot 100. Albums chart The Heatseekers Albums chart contains 25 positions that are ranked by Nielsen SoundScan sales data, and charts album titles from "new or developing acts" as determined by the acts' historical chart performance. Once an artist/act has had an album place in the top 100 of the ''Billboard'' Top 200, or in the top 10 of any of the Top R&B/Hip-Hop Albums, Country Albums, Latin Albums, Christian Albums, or Gospel Albums charts, the album and later works no longer qualify for tracking on Heatseeker Albums. This definition means that some artists can still qualify as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Top Electronic Albums
Top Dance/Electronic Albums, Dance/Electronic Albums (formerly Top Electronic Albums) is a music chart published weekly by ''Billboard'' magazine which ranks the top-selling electronic music albums in the United States based on sales compiled by Nielsen SoundScan. The chart debuted on the issue dated June 30, 2001 under the title Top Electronic Albums, with the first number-one title being the original soundtrack to the film ''Lara Croft: Tomb Raider''. It originally began as a fifteen-position chart and has since expanded to twenty-five positions. Top Electronic Albums features full-length albums by artists who are associated with electronic music genres (house, techno, IDM, trance, etc.) as well as pop-oriented dance music and electronic-leaning hip hop. Also eligible for this chart are remix albums by otherwise non-electronic-based artists and DJ-mixed compilation albums and film soundtracks which feature a majority of electronic or dance music. In 2019, ''Billboard'' adde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop 100
The Pop 100 was a songs chart that debuted in February 2005 and was released weekly by ''Billboard'' magazine in the United States until its discontinuation in 2009. It ranked songs based on airplay on Mainstream Top 40 radio stations, singles sales and digital downloads. History The Pop 100 was conceived by Michael Ellis and was first published in the ''Billboard'' issue of February 12, 2005. It was created to focus "on the songs with the greatest mainstream appeal, while the Hot 100 will be driven by the songs with the highest song rotations," according to Billboard chart editor Geoff Mayfield. In a press release about the new chart, he also stated that "the Pop 100's construction also makes sense when you notice the high correlation between the songs with the most top 40 plays and the best selling digital tracks." [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Digital Songs
The Digital Songs or Digital Song Sales chart (previously named Hot Digital Songs) ranks the best-selling digital songs in the United States, as compiled by Nielsen SoundScan and published by ''Billboard'' magazine. Although it originally started tracking song sales the week of October 30, 2004, it officially debuted in the issue dated January 22, 2005, and merged all versions of a song sold from digital music distributors. Its data was incorporated in the Hot 100 three weeks later. Since October 2004, digital sales have been incorporated into many of ''Billboard''s music singles charts. The decision was based on the dramatic increase of the digital market while commercial single sales in a physical format were becoming negligible. The first number one song on the Digital Songs chart was "Just Lose It" by Eminem. The chart's current number one as of the issue dated December 31, 2022, is " All I Want for Christmas Is You" by Mariah Carey. Song records Songs with most weeks at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shake It (Metro Station Song)
"Shake It" is a song by American pop band Metro Station, released as the third single (and debut British single) from the group's 2007 self-titled debut studio album. "Shake It" was the band's first charting single, peaking at number 10 on the US ''Billboard'' Hot 100. Internationally, the song peaked within the top 10 of the charts in Australia, Austria, Canada, Germany, Ireland, Japan, New Zealand, and the United Kingdom. The single was certified Gold by the RIAA on June 13, 2008, and later Platinum that year, until finally reaching 2× Platinum status at the end of January 2009. The song has sold over 1.2 million copies in the US and over 4 million copies worldwide. Composition "Shake It" was written in the key of E major, but Metro Station played the song in D major for live performances. Music video The music video for the song "Shake It" was inspired by fans who created their own versions of the video, 63 of which the band posted as a playlist on the band's YouTube acc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
