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Josette Amiel
Josette Amiel (born 1930) has enjoyed a long career as a French ballerina, dance teacher and choreographer. After studying under Jeanne Schwarz, she made her debut at the in 1948, then enjoyed four years with the Opéra-Comique. She joined the Paris Opera Ballet in 1952, becoming a danseuse étoile in 1958. Amiel is remembered not only for excelling in classical works but for creating modern roles, for example in Serge Lifar's ''Chemin de Lumières'' and Flemming Flindt's ''La Leçon''. After leaving the Paris Opera in 1972, she continued to dance until 1980 when she retired from the stage to teach at the Paris Opera Ballet. From 1986, she directed Harald Lander's '' Études'' for presentations at several different ballet companies. Amiel was honoured as a commander of the Legion of Honour in 2012. Early life and education Born on 19 November 1930 in Vanves, a suburb of Paris, Josette Amiel was the daughter of two musicians. Her father was a violinist and her mother a pianist. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josette Amiel
Josette Amiel (born 1930) has enjoyed a long career as a French ballerina, dance teacher and choreographer. After studying under Jeanne Schwarz, she made her debut at the in 1948, then enjoyed four years with the Opéra-Comique. She joined the Paris Opera Ballet in 1952, becoming a danseuse étoile in 1958. Amiel is remembered not only for excelling in classical works but for creating modern roles, for example in Serge Lifar's ''Chemin de Lumières'' and Flemming Flindt's ''La Leçon''. After leaving the Paris Opera in 1972, she continued to dance until 1980 when she retired from the stage to teach at the Paris Opera Ballet. From 1986, she directed Harald Lander's '' Études'' for presentations at several different ballet companies. Amiel was honoured as a commander of the Legion of Honour in 2012. Early life and education Born on 19 November 1930 in Vanves, a suburb of Paris, Josette Amiel was the daughter of two musicians. Her father was a violinist and her mother a pianist. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Sylphides
''Les Sylphides'' () is a short, non-narrative ''ballet blanc'' to piano music by Frédéric Chopin, selected and orchestrated by Alexander Glazunov. The ballet, described as a "romantic reverie","Ballet Theater", until 1955. A compact disk of ABT's production, with Mikhail Baryshnikov as the dreamer, is available from Kultor, entitled "American Ballet Theatre at the Met – Mixed Bill (1985)". See Olga Maynard's definitive account, based on information from Fokine's son Vitale Fokine: "Les Sylphides", ''Dance Magazine'' Portfolio: December 1971, advertised separately by some online booksellers. is frequently cited as the first ballet to be simply about mood and dance. ''Les Sylphides'' has no plot but instead consists of several white-clad sylphs dancing in the moonlight with the "poet" or "young man" dressed in white tights and a black tunic. Its original choreography was by Michel Fokine, with Chopin's music orchestrated by Alexander Glazunov. Glazunov had already set som ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serenade (ballet)
''Serenade'' is a ballet by George Balanchine to Tchaikovsky's 1880 '' Serenade for Strings in C'', Op. 48. Serenade is credited as being George Balanchine's first full-length ballet in America. Using the students of his newly formed School of American Ballet, Balanchine choreographed this ballet for an American audience that had not been widely exposed to ballet before.Bird, "Principles of Choreography as Exemplified in the Works of George Balanchine" (1980). Master's Theses. 1851 Students of the School of American Ballet gave the first performance on Sunday, 10 June 1934 on the Felix M. Warburg estate in White Plains, N.Y., where '' Mozartiana'' had been danced the previous day. It was then presented by the Producing Company of the School of American Ballet on 6 December at the Avery Memorial Theatre of the Wadsworth Atheneum with sets by the painter William Littlefield. Balanchine presented the ballet as his response to the generous sponsorships he received during his immig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Four Temperaments
''The Four Temperaments'' or Theme and Four Variations (''The Four Temperaments'') is an orchestral work and ballet by Paul Hindemith. Although it was originally conceived as a ballet for Léonide Massine, the score was ultimately completed as a commission for George Balanchine, who subsequently choreographed it as a neoclassical ballet based on the theory of the four temperaments. The music was premiered in Switzerland by the Stadtorchester Winterthur under the direction of Hermann Scherchen on March 10, 1943. However, Balanchine created the choreography a few years later. The ballet, ''The Four Temperaments'' was the first work Balanchine made for the Ballet Society, the forerunner of the New York City Ballet, and premiered on November 20, 1946, at the Central High School of Needle Trades, New York, during the Ballet Society's first performance. Though at the premiere, critics did not receive the ballet well, it was later acknowledged as a "masterpiece," and was revived by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Balanchine
George Balanchine (; Various sources: * * * * born Georgiy Melitonovich Balanchivadze; ka, გიორგი მელიტონის ძე ბალანჩივაძე; January 22, 1904 (O. S. January 9) – April 30, 1983) was an ethnic Georgian American ballet choreographer who was one of the most influential 20th-century choreographers. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its artistic director for more than 35 years.Joseph Horowitz (2008)''Artists in Exile: How Refugees from 20th-century War and Revolution Transformed the American Performing Arts.''HarperCollins. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music. Born in St. Petersburg, Balanchine took the standards and technique from his time at the Imperial Ballet School and fused it with other schools of movement that he had adopted during his tenure on Broadway and in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pas De Quatre (Perrot)
''Grand Pas de Quatre'' is a ''ballet divertissement'' choreographed by Jules Perrot in 1845, on the suggestion of Benjamin Lumley, Director at Her Majesty's Theatre, to music composed by Cesare Pugni. On the night it premiered in London (12 July 1845), it caused a sensation with the critics and the public alike. The reason for this was that it brought together, on one stage, the four greatest ballerinas of the time – in order of appearance, Lucile Grahn, Carlotta Grisi, Fanny Cerrito, and Marie Taglioni. (The fifth great Romantic ballerina of the time, Fanny Elssler, had been invited to take part but declined to do so; she was replaced by the young Lucile Grahn who accepted without hesitation.) ''Pas de Quatre'' captured the essence of the Romantic style as the ballerinas danced with demure lightness, delicacy, and poise. The steps demand that each area of classical ballet technique is executed. These areas include adagio movements, petite allegro, grand allegro, fast footwor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Dolin (ballet Dancer)
Sir Anton Dolin (27 July 190425 November 1983) was an English ballet dancer and choreographer. Biography Dolin was born in Slinfold in Sussex as Sydney Francis Patrick Chippendall Healey-Kay but was generally known as Patrick Kay or "Pat" to his friends. He was the second of three sons of Henry George Kay (1852-1922) and his wife, Helen Maude Chippendall Healey (1869-1960), from Dublin. He trained at Serafina Astafieva's school at The Pheasantry in London's King's Road.Decharne, Max. (2005) ''King's Road: The Rise and Fall of the Hippest Street in the World''. London: Weidenfeld & Nicolson, p. 23. He joined Sergei Diaghilev's Ballets Russes in 1921, was a principal there from 1924, and was a principal with the Vic-Wells Ballet in the 1930s. There he danced with Alicia Markova, with whom he went on to found the Markova-Dolin Ballet and the London Festival Ballet. He joined Ballet Theatre when it was formed in 1940 and remained there as a dancer and choreographer until 1946. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swan Lake
''Swan Lake'' ( rus, Лебеди́ное о́зеро, r=Lebedínoye ózero, p=lʲɪbʲɪˈdʲinəjə ˈozʲɪrə, link=no ), Op. 20, is a ballet composed by Russian composer Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular ballets of all time. The scenario, initially in two acts, was fashioned from Russian and German folk tales and tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse. The choreographer of the original production was Julius Reisinger (Václav Reisinger). The ballet was premiered by the Bolshoi Ballet on at the Bolshoi Theatre in Moscow. Although it is presented in many different versions, most ballet companies base their stagings both choreographically and musically on the 1895 revival of Marius Petipa and Lev Ivanov, first staged for the Imperial Ballet on 15 January 1895, at the Mariinsky Theatre in St. Petersburg. For this revival, Tchaikovsky's score was revised by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sleeping Beauty
''Sleeping Beauty'' (french: La belle au bois dormant, or ''The Beauty in the Sleeping Forest''; german: Dornröschen, or ''Little Briar Rose''), also titled in English as ''The Sleeping Beauty in the Woods'', is a fairy tale about a princess cursed by an evil fairy to sleep for a hundred years before being awoken by a handsome prince. A good fairy, knowing the princess would be frightened if alone when she wakes, uses her wand to put every living person and animal in the palace and forest asleep, to waken when the princess does. The earliest known version of the tale is found in the narrative ''Perceforest'', written between 1330 and 1344. Another was published by Giambattista Basile in his collection titled ''The Pentamerone'', published posthumously in 1634 and adapted by Charles Perrault in ''Histoires ou contes du temps passé'' in 1697. The version collected and printed by the Brothers Grimm was one orally transmitted from the Perrault. The Aarne-Thompson classification ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giselle
''Giselle'' (; ), originally titled ''Giselle, ou les Wilis'' (, ''Giselle, or The Wilis''), is a romantic ballet (" ballet-pantomime") in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. It was an unqualified triumph. It became hugely popular and was staged at once across Europe, Russia, and the United States. The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl named Giselle and a disguised nobleman named Albrecht, who fall in love, but when his true identity is revealed by his rival, Hilarion, Giselle goes mad and dies of heartbreak. After her death, she is summoned from her grave into the vengeful, deadly sisterhood of the Wilis, the ghosts of unmarried women who died after being betrayed by their lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlotta Zambelli
Carlotta Zambelli (4 November 1875 – 28 January 1968) was an Italian prima ballerina and ballet teacher. Apart from a year in St. Petersburg, she spent her entire career in Paris. Early life Zambelli was born in Milan. When she was seven, Zambelli studied at the ballet school of La Scala under Cesare Carnesecchi Coppini and Adelaide Viganò. In August 1894, she was discovered by Pedro Gailhard, director of the Paris Opera, who took her to Paris together with her friend Clotilde Piodi. Career She made her début at the Paris Opera in 1894 with ''Faust (ballet), Faust'' and triumphed the following year in the ''Hellé'' divertimento, impressing the Parisians with her Italian technique and her fouettés. When Rosita Mauri retired in 1898, Zambelli took her place, earning the distinction of prima ballerina. She was the last foreigner to be designated prima ballerina at the Mariinsky Theatre in St Petersburg where she was a great success during the year she spent there in 1901 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Valse (Balanchine)
''La Valse'' is a ballet choreographed by George Balanchine to Maurice Ravel's '' Valses Nobles et Sentimentales'' and '' La Valse''. It premiered on February 20, 1951, at the City Center of Music and Drama, performed by the New York City Ballet. The ballet depicts dancers waltzing in a ballroom, during which a woman becomes attracted to a figure of death, and ultimately dies. Choreography The first part of the ballet is set to '' Valses Nobles et Sentimentales'', which features eight waltzes, with the first used as an overture. The second waltz features three female soloists, while the third, fourth and fifth waltzes are each danced by a couple. The woman from the fifth waltz then dances a solo during the sixth waltz. In the seventh waltz, her partner returns to the stage, joined by the three soloists from the second waltz and the woman exits. In the eighth waltz, a ballerina in white enters and dances. A man then enters. Dance critic Richard Buckle described, "They do backben ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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