Joseph Sattler
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Joseph Sattler
Joseph Kaspar Sattler (20 July 1867, Schrobenhausen - 12 May 1931, Munich) was a German painter, bookplate artist and Art Nouveau illustrator. He is best remembered for his work that appeared in the magazine '' Pan''.Brief biography of Joseph Sattler
@ the Klingspor Museum website.


Biography

After an apprenticeship as a painter and gilder in Landshut, he studied at the

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Charles Spindler
Charles Spindler (11 March 1865 in Bœrsch – 3 March 1938 in Bœrsch) was an Alsatian painter, marquetry inlayer, writer and photographer. He was also a supporter of Alsatian regionalism and founded several institutions for the promotion of Alsatian culture. Life and work His father was a notary. At the age of twelve, he was enrolled in drawing classes and received encouragement to make art a career from his uncle , a painter. A scholarship he received in 1882 enabled him to study in Düsseldorf, Munich and Berlin. While in Munich, he met Martin von Feuerstein, a painter of sacred art, who introduced him to the Ott Brothers (glass makers) in 1887. After executing several projects for them in Strasbourg and completing his military service, he returned to Bœrsch, but found little work. By chance, he befriended Anselme Laugel, a politician and writer who painted in his spare time and became a major supporter of Spindler's efforts. In 1893, Spindler and his friend Joseph Sat ...
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1931 Deaths
Events January * January 2 – South Dakota native Ernest Lawrence invents the cyclotron, used to accelerate particles to study nuclear physics. * January 4 – German pilot Elly Beinhorn begins her flight to Africa. * January 22 – Sir Isaac Isaacs is sworn in as the first Australian-born Governor-General of Australia. * January 25 – Mohandas Gandhi is again released from imprisonment in India. * January 27 – Pierre Laval forms a government in France. February * February 4 – Soviet leader Joseph Stalin gives a speech calling for rapid industrialization, arguing that only strong industrialized countries will win wars, while "weak" nations are "beaten". Stalin states: "We are fifty or a hundred years behind the advanced countries. We must make good this distance in ten years. Either we do it, or they will crush us." The first five-year plan in the Soviet Union is intensified, for the industrialization and collectivization of agriculture. * February 10 – O ...
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1867 Births
Events January–March * January 1 – The Covington–Cincinnati Suspension Bridge opens between Cincinnati, Ohio, and Covington, Kentucky, in the United States, becoming the longest single-span bridge in the world. It was renamed after its designer, John A. Roebling, in 1983. * January 8 – African-American men are granted the right to vote in the District of Columbia. * January 11 – Benito Juárez becomes Mexican president again. * January 30 – Emperor Kōmei of Japan dies suddenly, age 36, leaving his 14-year-old son to succeed as Emperor Meiji. * January 31 – Maronite nationalist leader Youssef Bey Karam leaves Lebanon aboard a French ship for Algeria. * February 3 – ''Shōgun'' Tokugawa Yoshinobu abdicates, and the late Emperor Kōmei's son, Prince Mutsuhito, becomes Emperor Meiji of Japan in a brief ceremony in Kyoto, ending the Late Tokugawa shogunate. * February 7 – West Virginia University is established in Morgantown, West Virginia. * Febru ...
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University And State Library Düsseldorf
The University and State Library Düsseldorf (german: Universitäts- und Landesbibliothek Düsseldorf, abbreviated ULB Düsseldorf) is a central service institution of Heinrich Heine University. Along with Bonn and Münster, it is also one of the three State Libraries of North Rhine-Westphalia. Tradition and Modernity From 1965 to 1969, the University and Library Düsseldorf gradually developed out of the Medical Academy in Düsseldorf. There is no real founding year of the ULB, but the foundation stone for an integrated library system was laid when the former State and City Library of Düsseldorf was taken over by the university in 1970 and merged with the Central Library of the former Medical Academy. Structure and Holdings The ULB consists of one central library and four decentralized locations. Management and media processing are organized centrally. Catalogues, databases, e-books and e-journals are accessible throughout the whole university as well as at home via the lib ...
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Simplicissimus
:''Simplicissimus is also a name for the 1668 novel Der abenteuerliche Simplicissimus, Simplicius Simplicissimus and its protagonist.'' ''Simplicissimus'' () was a satire, satirical German language, German weekly magazine, headquartered in Munich, and founded by Albert Langen in April 1896. It continued publishing until 1967, interrupted by a hiatus from 1944–1954, and became a biweekly in 1964. It took its name from the protagonist of Hans Jakob Christoffel von Grimmelshausen, Grimmelshausen's 1668 novel ''Der Abenteuerliche Simplicissimus Teutsch''. Combining brash and politically daring content, with a bright, immediate, and surprisingly modern graphic style, ''Simplicissimus'' published the work of writers such as Thomas Mann and Rainer Maria Rilke. Its most reliable targets for caricature were stiff Prussian military figures, and rigid German social and class distinctions as seen from the more relaxed, liberal atmosphere of Munich. Contributors included Hermann Hesse, Gusta ...
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Les Maîtres De L'Affiche
''Maîtres de l'Affiche'' (Masters of the Poster) refers to 256 color lithographic plates used to create an art publication during the Belle Époque in Paris, France. The collection, reproduced from the original works of ninety-seven artists in a smaller 11 x 15 inch format, was put together by Jules Chéret, the father of poster art. Publishing history The varied selection of prints were sold in packages of four and delivered monthly to subscribers. On sixteen occasions during the selling period between December 1895 through November 1900, the monthly package included a bonus of a specially created lithograph. A complete set, in five volumes, was sold in 2014 for US$43,450. Selected posters All the poster, in alphabetical order, can be seen on the Commons page: Les Maîtres de l'Affiche. Image:Jules Chéret-Fete des Fleurs.jpg, Jules Chéret: ''Fête des Fleurs'' in Bagnères-de-Luchon Image:Alice Russell Glenny-Women's Edition.jpg, Alice Russell Glenny (American, 1858 ...
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Exposition Universelle (1900)
The Exposition Universelle of 1900, better known in English as the 1900 Paris Exposition, was a world's fair held in Paris, France, from 14 April to 12 November 1900, to celebrate the achievements of the past century and to accelerate development into the next. It was held at the esplanade of Les Invalides, the Champ de Mars, the Trocadéro and at the banks of the Seine between them, with an additional section in the Bois de Vincennes, and it was visited by more than 50 million people. Many international congresses and other events were held within the framework of the Exposition, including the 1900 Summer Olympics. Many technological innovations were displayed at the Fair, including the ''Grande Roue de Paris'' ferris wheel, the '' Rue de l'Avenir'' moving sidewalk, the first ever regular passenger trolleybus line, escalators, diesel engines, electric cars, dry cell batteries, electric fire engines, talking films, the telegraphone (the first magnetic audio recorder), the ...
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Type Font
In metal typesetting, a font is a particular size, weight and style of a typeface. Each font is a matched set of type, with a piece (a "sort") for each glyph. A typeface consists of a range of such fonts that shared an overall design. In modern usage, with the advent of computer fonts, the term "font" has come to be used as a synonym for "typeface", although a typical typeface (or "font family") consists of a number of fonts. For instance, the typeface " Bauer Bodoni" (sample shown here) includes fonts "Roman" (or "Regular"), "Bold" and ''" Italic"''; each of these exists in a variety of sizes. The term "font" is correctly applied to any one of these alone but may be seen used loosely to refer to the whole typeface. When used in computers, each style is in a separate digital "font file". In both traditional typesetting and modern usage, the word "font" refers to the delivery mechanism of the typeface. In traditional typesetting, the font would be made from metal or wood type ...
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Kunstgewerbemuseum Berlin
__NOTOC__ The Kunstgewerbemuseum, or Museum of Decorative Arts, is an internationally important museum of the decorative arts in Berlin, Germany, part of the Staatliche Museen zu Berlin (Berlin State Museums). The collection is split between the Kunstgewerbemuseum building at the Kulturforum and Köpenick Palace History It was founded in 1868 as the ''Deutsches Gewerbe-Museum zu Berlin'', and originally had a teaching institute as well as a public museum. The collection grew significantly in the 1870s, and it was renamed ''Kunstgewerbemuseum'' in 1879. In 1881 it relocated into the Martin-Gropius-Bau – where Priam's Treasure was also on display for a time – and in 1921 it moved into the Stadtschloss.Heute mal Extremitäten
Tobias Timm, ''

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La Plume
''La Plume'' was a French bi-monthly literary and artistic review. The magazine was set up in 1889 by Léon Deschamps, who edited it for ten years and was succeeded as editor by Karl Boès from 1899 to 1914. Its offices were at number 31 rue Bonaparte, Paris. From its beginning, famous artists such as Willette, Forain, Eugène Grasset, Toulouse-Lautrec, Maurice Denis, Alphonse Mucha, Mucha, Gauguin, Pissarro, Félicien Rops, Signac, Georges Seurat, Seurat, and Odilon Redon, Redon contributed to it. One of its most famous issues is that devoted to ''Le Chat noir''. The magazine supported the symbolist art movement. From 1903, ''La Plume'' sponsored weekly poetry events which included famous poets such as Max Jacob and Alfred Jarry. The magazine folded in 1914. References

{{DEFAULTSORT:Plume 1889 establishments in France 1914 disestablishments in France Bi-monthly magazines published in France Defunct literary magazines published in France French-language magazines Magaz ...
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Paris Salon
The Salon (french: Salon), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it has been managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the Académie royale de peinture et de sculpture (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salo ...
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