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Joseph Martin Kraus
Joseph Martin Kraus (20 June 1756 – 15 December 1792), was a German-Swedish composer in the Classical era who was born in Miltenberg am Main, Germany. He moved to Sweden at age 21, and died at the age of 36 in Stockholm. He has been referred to as "the Swedish Mozart", and had a life span very similar to Mozart's. Life Childhood Kraus was born in the South German town of Miltenberg in Lower Franconia, the son of Joseph Bernhard Kraus, a county clerk in the Archbishopric of Mainz, and Anna Dorothea née Schmidt. His father's family, originally from Augsburg, had a small restaurant in Weilbach near Amorbach, while his mother was a daughter of the master-builder at Miltenberg Johann Martin Schmidt. They had 14 children, of whom seven died in childhood; Marianne Kraus was a sister of Joseph's. After a short stay in Osterburken, the Kraus family moved in 1761 to Buchen (in the Odenwald), where Joseph Bernhard Kraus found a position as a clerk. Joseph Martin Kraus began his f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Joseph Martin Kraus (1775)
A portrait is a portrait painting, painting, portrait photography, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, Personality type, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a Snapshot (photography), snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earlie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Te Deum
The "Te Deum" (, ; from its incipit, , ) is a Latin Christian hymn traditionally ascribed to AD 387 authorship, but with antecedents that place it much earlier. It is central to the Ambrosian hymnal, which spread throughout the Latin Church with other parts of the Milanese Rite in the 6th to 8th centuries. It is sometimes known as the Ambrosian Hymn, although authorship by Saint Ambrose is unlikely. The term Te Deum can also refer to a short religious service (of blessing or thanks) based upon the hymn. History Authorship of the hymn is traditionally ascribed to Saint Ambrose (died 397) or Saint Augustine (died 430). In 19th-century scholarship, Saint Hilary of Poitiers (died 367) and Saint Nicetas of Remesiana (died 414) were proposed as possible authors. In the 20th century, the association with Nicetas has been deprecated, so that the hymn, while almost certainly dating to the 4th century, is considered as being of uncertain authorship. Authorship of Nicetas of R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ulriksdal Palace
Ulriksdal Palace ( sv, Ulriksdals slott) is a royal palace situated on the banks of the Edsviken in the Royal National City Park in Solna Municipality, 6 km north of Stockholm. It was originally called ''Jakobsdal'' for its owner Jacob De la Gardie, who had it built by architect An architect is a person who plans, designs and oversees the construction of buildings. To practice architecture means to provide services in connection with the design of buildings and the space within the site surrounding the buildings that h ... Hans Jacob Kristler in 1643–1645 as a country retreat. He later passed on to his son, Magnus Gabriel De la Gardie, from whom it was purchased in 1669 by Queen Hedvig Eleonora of Sweden. The present design is mainly the work of architect Nicodemus Tessin the Elder and dates from the late 17th century. History Hedvig Eleonora had grand plans for the palace and renamed it in 1684 Ulriksdal in honor of its intended future owner, her grandson Prin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johan Henric Kellgren
Johan Henrik Kellgren (1 December 1751 – 20 April 1795) was a Swedish poet and critic. Biography He was born at Floby in Västergötland (now part of Falköping Municipality, Västra Götaland County). He studied at the Royal Academy of Turku, and already had some reputation as a poet when he became a "docent" in aesthetics at the school in 1774. Three years later he moved to Stockholm, where in 1778 he began publishing the journal " Stockholms-Posten" with Assessor . Kellgren was sole editor from 1788 onwards. In 1779, he wrote a poem portraying the young and popular actress Ulrica Rosenblad's funeral, a verse quoted in the press. Kellgren was librarian to Gustavus III from 1780, and became his private secretary in 1785. At the establishment of the Swedish Academy in 1786 he was appointed one of its first members. He died at Stockholm. Kellgren was never married, but was at one point the lover of the prima donna Fredrique Löwen. Works His strong satiric tendency led him in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proserpin (Kraus)
''Proserpin'' is a Swedish-language opera by Joseph Martin Kraus to a libretto by the poet Johan Henrik Kellgren following a plot drafted by Gustav III himself from Philippe Quinault's Proserpine. The opera was premiered at Ulriksdal Palace on 6 June 1781 for one performance. The opera was revived at the Drottningholm Theatre in 1980 under Arnold Östman. The opera was performed with a new German libretto at the Schwetzingen Festival in 2006. Kraus wrote to his parents on 20 June 1780 that he had received from the King's secretary a text by "the best poet in Sweden"; by 14 September he wrote again that he had almost finished the score. By the following March Kraus was able to report that his opera was in rehearsal, although there were subsequent delays before the June premiere.Swanson, Alan. Kellgren's Libretto to Prosperin. In: ''Gustav III and the Swedish stage – Opera, theatre, and other foibles. Essays in Honor of Hans Åstrand'' (ed. van Boer, Bertil H, Jr). The Edwin Mell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Swedish Academy Of Music
The Royal Swedish Academy of Music ( sv, Kungliga Musikaliska Akademien), founded in 1771 by King Gustav III, is one of the Royal Academies in Sweden. At the time of its foundation, only one of its co-founder was a professional musician, Ferdinand Zellbell the Younger. The Academy is an independent organization, which acts to promote the artistic, scientific, educational and cultural development of music. Fredrik Wetterqvist is director of the Academy. The Academy consists of 170 Swedish members belonging to various spheres of the music industry and has a research committee which has been operational since 1980s. They are involved in research on Gustavian music drama, music archaeology, future developments in musical life and music in a multicultural society. The Academy also publishes various biographies, debate books, analytical writings, etc. and has been offering music students scholarships and various prizes for outstanding contributions in the field. See also *Royal C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustav III Of Sweden
Gustav III (29 March 1792), also called ''Gustavus III'', was King of Sweden from 1771 until his assassination in 1792. He was the eldest son of Adolf Frederick of Sweden and Queen Louisa Ulrika of Prussia. Gustav was a vocal opponent of what he saw as the abuse of political privileges seized by the nobility since the death of King Charles XII. Seizing power from the government in a coup d'état, called the Swedish Revolution, in 1772 that ended the Age of Liberty, he initiated a campaign to restore a measure of Royal autocracy, which was completed by the Union and Security Act of 1789, which swept away most of the powers exercised by the Swedish Riksdag (parliament) during the Age of Liberty, but at the same time it opened up the government for all citizens, thereby breaking the privileges of the nobility. A bulwark of enlightened absolutism, Gustav spent considerable public funds on cultural ventures, which were controversial among his critics, as well as military attemp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music For The Requiem Mass
The Music for the Requiem Mass is any music that accompanies the Requiem, a Mass in the Catholic Church for the deceased. It has inspired a large number of compositions, including settings by Mozart, Berlioz, Donizetti, Verdi, Bruckner, Dvořák, Fauré and Duruflé. Originally, such compositions were meant to be performed in liturgical service, with monophonic chant. Eventually the dramatic character of the text began to appeal to composers to an extent that they made the requiem a genre of its own, and the compositions of composers such as Verdi are essentially concert pieces rather than liturgical works. Common texts The following are the texts that have been set to music. Note that the ''Libera Me'' and the ''In Paradisum'' are not part of the text of the Catholic Mass for the Dead itself, but a part of the burial rite that immediately follows. ''In Paradisum'' was traditionally said or sung as the body left the church, and the ''Libera Me'' is said/sung at the burial si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sturm Und Drang
''Sturm und Drang'' (, ; usually translated as "storm and stress") was a proto- Romantic movement in German literature and music that occurred between the late 1760s and early 1780s. Within the movement, individual subjectivity and, in particular, extremes of emotion were given free expression in reaction to the perceived constraints of rationalism imposed by the Enlightenment and associated aesthetic movements. The period is named after Friedrich Maximilian Klinger's play of the same name, which was first performed by Abel Seyler's famed theatrical company in 1777. The philosopher Johann Georg Hamann is considered to be the ideologue of ''Sturm und Drang''; other significant figures were Johann Anton Leisewitz, Jakob Michael Reinhold Lenz, H. L. Wagner, and Friedrich Maximilian Klinger. Johann Wolfgang von Goethe and Friedrich Schiller were notable proponents of the movement early in their lives, although they ended their period of association with it by initiating what wou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Gottlieb Klopstock
Friedrich Gottlieb Klopstock (; 2 July 1724 – 14 March 1803) was a German poet. His best known work is the epic poem ''Der Messias'' ("The Messiah"). One of his major contributions to German literature was to open it up to exploration outside of French models. Biography Early life Klopstock was born at Quedlinburg, the eldest son of a lawyer. Both in his birthplace and on the estate of Friedeburg on the Saale, which his father later rented, he spent a happy childhood. Having been given more attention to his physical than to his mental development, he grew up strong and healthy and was considered an excellent horseman. In his thirteenth year, he returned to Quedlinburg and attended the gymnasium there, and in 1739 went on to the famous classical school named Schulpforta. Here he soon became adept in Greek and Latin versification, and wrote some meritorious idylls and odes in German. His original intention of making Henry the Fowler the hero of an epic was abandoned in favor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Göttinger Hainbund
The ''Göttinger Hainbund'' ("Grove League of Göttingen") was a German literary group in the late 18th century, nature-loving and classified as part of the ''Sturm und Drang'' movement. Origin and description It was by means of a midnight ritual in an oaken grove that the ''Göttinger Hainbund'' was founded on 12 September 1772 by Johann Heinrich Voss, Ludwig Christoph Heinrich Hölty, Johann Martin Miller, Gottlieb Dieterich von Miller, Johann Friedrich Hahn and Johann Thomas Ludwig Wehrs, in the university town of Göttingen. The members knew one other through their presence at the University of Göttingen or through their contributions to the ''Göttinger Musenalmanach'', a literary annual founded by Heinrich Christian Boie in 1770. Their evident delight in wilderness and untamed Nature (as a counterweight to the rationalism of the Enlightenment) is what scholars use to connect them to ''Sturm und Drang'', although not all commentators agree on who influenced whom, and in wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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