Joseph F. Weis, Jr. U.S. Courthouse
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Joseph F. Weis, Jr. U.S. Courthouse
The Joseph F. Weis, Jr. U.S. Courthouse is a Beaux Arts-style building in Pittsburgh, Pennsylvania, US. It is a courthouse for the Western District of Pennsylvania, a United States district court. Until 2015, the building was known as the US Post Office and Courthouse-Pittsburgh. Building history As the steel industry boomed in Pittsburgh during the last quarter of the nineteenth century, the population of the city grew. New residents required federal services, so Pittsburgh native and Secretary of the Treasury Andrew W. Mellon helped to allocate funds for a new federal building in his hometown. Mellon supported the construction of a building that would represent the rise of Pittsburgh and western Pennsylvania to national political and economic prominence. The New York architectural firm of Trowbridge & Livingston designed the building under the auspices of Supervising Architect of the Treasury James A. Wetmore. Construction commenced in 1931 but stopped shortly thereafter d ...
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Grant Street
Grant Street is the main government and business corridor in Pittsburgh, Pennsylvania. It is home to the global headquarters of U.S. Steel, Koppers Chemicals, and Oxford Development. It also is home to the seat of Allegheny County, City of Pittsburgh and the regional Federal Government offices. It is part of the Pittsburgh Central Downtown Historic District. History Grant Street was named after British Major General James Grant, who was defeated by the French at that location during the French and Indian War. The street's location on "Grant's Hill" strangled growth in downtown Pittsburgh, leading to several attempts in 1836 and 1849 to regrade the area to remove the hill. The successful removal of the hill in 1912 cost $800,000 ($ in dollars), plus $2.5 million in reimbursement costs for property damaged by the project ($ in dollars). For example, the project removed 16 feet of hill near the Allegheny County Courthouse, meaning that the former basement became the modern gro ...
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United States Post Office And Courthouse GSA Video 1977
United may refer to: Places * United, Pennsylvania, an unincorporated community * United, West Virginia, an unincorporated community Arts and entertainment Films * ''United'' (2003 film), a Norwegian film * ''United'' (2011 film), a BBC Two film Literature * ''United!'' (novel), a 1973 children's novel by Michael Hardcastle Music * United (band), Japanese thrash metal band formed in 1981 Albums * ''United'' (Commodores album), 1986 * ''United'' (Dream Evil album), 2006 * ''United'' (Marvin Gaye and Tammi Terrell album), 1967 * ''United'' (Marian Gold album), 1996 * ''United'' (Phoenix album), 2000 * ''United'' (Woody Shaw album), 1981 Songs * "United" (Judas Priest song), 1980 * "United" (Prince Ital Joe and Marky Mark song), 1994 * "United" (Robbie Williams song), 2000 * "United", a song by Danish duo Nik & Jay featuring Lisa Rowe Television * ''United'' (TV series), a 1990 BBC Two documentary series * ''United!'', a soap opera that aired on BBC One from 1965-19 ...
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Shalom Baranes Associates
Shalom Baranes Associates, PC is an architectural design firm located in Washington, D.C., in the United States. It was founded by architect Shalom Baranes in 1981, and as of 2014 had more than 140 architect principals and associates. In 2013, it was the most active architectural firm in the Washington, D.C., metropolitan area, with 67 active projects. About the firm Shalom Baranes Associates (SBA) was founded in 1981 by Shalom Baranes, an architect who formerly practiced with Arthur Cotton Moore Associates. The firm was picked in 2010 as the architect of record for Waterfront Station, a $140 million, two-building mixed-use complex atop the Waterfront Washington Metro station which the city fast-tracked in an effort to revitalize the southwest D.C. neighborhood. The following year, SBA was listed among '' Engineering News-Record'' top 500 revenue-producing design firms, with $16.9 million in revenues and 100 associates. Shalom Baranes Associates won the American Institute of ...
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Lia Cook
Lia Cook (born 1942) is an American fiber artist noted for her work combining weaving with photography, painting, and digital technology. She lives and works in Berkeley, California, and is known for her weavings which expanded the traditional boundaries of textile arts. She has been a professor at California College of the Arts since 1976. Early life and education Lia Cook was born November 24, 1942, in Ventura, California to James Paul Polese and Esther Miriam Homan. She graduated from the University of California, Berkeley in 1965 and went on to earn a master's degree in 1973. After studying theater at San Francisco State University, Cook received a BA degree in political science from University of California, Berkeley in 1965. During her time there, she studied painting and ceramics, in addition to political science. She went on to receive a MA degree in design from the University of California, Berkeley in 1973. During this time, she studied closely with textile artist, ...
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Brian Shure
Brian R. Shure (born 1952) is an American printmaker, painter, author and educator. He is best known for his mastery of printing techniques, knowledge of lesser known art techniques and has published multiple books about the art of chine-collé. Early life Born in Cleveland, Ohio, he grew up in Willowick and then Mentor. As a teenager he started taking art classes at Cleveland Institute of Art. In 1974 he graduated with a B.A. in art from Antioch College. He apprenticed with Ernest deSoto and Collectors Press, a lithography press in San Francisco. Work Shure was a printer at Collectors Press (1972-1976), Editions Press (1981-1987), Ernest F. deSoto Workshop (1976-1981), and also worked on projects at Houston Fine Art Press (1980) and Graphicstudio (1998). He later worked with Kathan Brown and Crown Point Press as a master printer and coordinator of the Chinese Woodblock Program from 1987 to 1994. Through his work at Crown Point Press he was able to work with artists such ...
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Kindred McLeary
Kindred McLeary (December 3, 1901, Weimar, Texas – May 29, 1949) was an American architect, artist and educator. Education Kindred McLeary studied architecture at the University of Texas and earned his degree in 1927. While teaching at the University of Texas the following year, McLeary entered one of his paintings, ''Cotton'', in a national art exhibit at the Witte Memorial Museum in San Antonio. The painting portrayed an African-American woman reclining in a field of cotton with several men standing around her, one of them strumming a guitar. Some artists and ministers attacked the picture as obscene, but the art curator of the museum defended it and kept it hanging throughout the exhibit, despite the controversy. Career McLeary began teaching architecture at Carnegie Tech in the autumn of 1928. McLeary was also a noted muralist. His best-known mural, ''Defense of Human Freedoms'' (1942), sometimes referred to as ''America the Mighty'', dominates the 21st Street, N.W. lobb ...
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Stuyvesant Van Veen
Stuyvesant Van Veen (1910–1988) was an American artist and muralist. Life Stuyvesant Van Veen was born in NYC, Sept, 12, 1910. He studied at the National Academy of Design and the Art Students League. In 1929 at the age of 19, he became the youngest contributor to an international exhibition of modern paintings at the Carnegie Institute in Pittsburgh. This notoriety led him to be commissioned by the U.S.Treasury Department's Section of Painting and Sculpture to pain"Pittsburgh Panorama"in 1937. The mural hangs in courtroom No. 3 in the U.S. Post Office and Courthouse, downtown Pittsburgh. In the mural, the Westinghouse Bridge frames the city. Decades later, Van Veen, who had leftist beliefs, revealed in an interview that he gave the Monongahela River an especially pointed bend, his subtle way of inserting a sickle into the scene. In addition to the above, he painted many other murals for the Federal Art Project, including: the Ebbets Field apartments, the New York World's Fair, ...
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Howard Cook
Howard Norton Cook (1901–1980) was an American artist, particularly known for his wood engravingsBecker, p.56. and murals. Cook spent much of the 1920s in Europe and returned to live in Taos, New Mexico. Cook first came to Taos, New Mexico in 1926 commissioned by '' The Forum'' to make a series of woodcuts to illustrate ''Death Comes for the Archbishop'' that would be published serially in the periodical. In Taos he was introduced to artist Barbara Latham by Victor Higgins. The couple married in May 1927. From 1928 to 1935, they traveled: to Europe, Mexico and the American South. Working for New Deal art projects, Cook produced murals for courthouses in Pittsburgh (Section of Painting and Sculpture) and Springfield, Massachusetts (Public Works of Art Project). He also produced a 16-panel fresco, ''The Importance of San Antonio in Texas History'', in a San Antonio post office, for which he was paid $12,000 in 1937. In 1938, the couple settled near Taos on the Talpa ridge. This ...
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Section Of Painting And Sculpture
The Treasury Section of Painting and Sculpture was a New Deal art project established on October 16, 1934, and administered by the Procurement Division of the United States Department of the Treasury. Commonly known as the Section, it was renamed the Section of Fine Arts in 1939. Its primary mission was the embellishment of public buildings — including many United States post offices — through site-specific murals and sculptures commissioned on a competitive basis. The program all but ceased to operate in 1942, and was officially terminated on July 15, 1943. Overview Like the Works Progress Administration (WPA), the Section was part of a government project aimed at providing work for Americans throughout the Great Depression during the 1930s. The Section's main function was to select high-quality art to decorate public buildings in the form of murals, making art accessible to all people. Because post offices were usually visited by everyone, they were the places selecte ...
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Terra Cotta
Terracotta, terra cotta, or terra-cotta (; ; ), in its material sense as an earthenware substrate, is a clay-based unglazed or glazed ceramic where the fired body is porous. In applied art, craft, construction, and architecture, terracotta is the term normally used for sculpture made in earthenware and also for various practical uses, including vessels (notably flower pots), water and waste water pipes, roofing tiles, bricks, and surface embellishment in building construction. The term is also used to refer to the natural brownish orange color of most terracotta. In archaeology and art history, "terracotta" is often used to describe objects such as figurines not made on a potter's wheel. Vessels and other objects that are or might be made on a wheel from the same material are called earthenware pottery; the choice of term depends on the type of object rather than the material or firing technique. Unglazed pieces, and those made for building construction and industry, are ...
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Terrazzo
Terrazzo is a composite material, poured in place or precast, which is used for floor and wall treatments. It consists of chips of marble, quartz, granite, glass, or other suitable material, poured with a cementitious binder (for chemical binding), polymeric (for physical binding), or a combination of both. Metal strips often divide sections, or changes in color or material in a pattern. Additional chips may be sprinkled atop the mix before it sets. After it is cured it is ground and polished smooth or otherwise finished to produce a uniformly textured surface. "Terrazzo" is also often used to describe any pattern similar to the original terrazzo floors. History Terrazzo proper Although the history of terrazzo can be traced back to the ancient mosaics of Egypt, its more recent predecessors come from Italy. The form of terrazzo used today derives partly from the 18th century ''pavimento alla Veneziana'' ( Venetian pavement) and the cheaper ''seminato.'' ''Pavimento alla Venezi ...
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Fresco "Steel Industry" At U
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appare ...
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