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Joseph Brown Collection
The Joseph Brown Collection comprises works of art donated to the National Gallery of Victoria in 2004 by the collector and art dealer Joseph Brown. The collection is displayed in the Ian Potter Centre, part of the NGV. More than 150 works are on display at the centre. The collection comprises varied Australian art from different periods, including portraits painted by many well-known artists. The display gives a history of Australian art. It includes engravings from the first days of the colony and early European looking landscapes of Australia, and Heidelberg era paintings from the late 19th century, and post impressionist works of the early 20th century. The Melbourne ' Angry Penguins' school of the 1940s is represented, as are colour field and abstract painting. Many modern and post-modern Australian painters of the later 20th century are also on display. A few works by Australian Aboriginal artists are also included. Artists included The collection includes the followi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Gallery Of Victoria
The National Gallery of Victoria, popularly known as the NGV, is an art museum in Melbourne, Victoria, Australia. Founded in 1861, it is Australia's oldest and most visited art museum. The NGV houses an encyclopedic art collection across two sites: NGV International, located on St Kilda Road in the Melbourne Arts Precinct of Southbank, and the Ian Potter Centre: NGV Australia, located nearby at Federation Square. The NGV International building, designed by Sir Roy Grounds, opened in 1968, and was redeveloped by Mario Bellini before reopening in 2003. It houses the gallery's international art collection and is on the Victorian Heritage Register. The Ian Potter Centre: NGV Australia, designed by Lab Architecture Studio, opened in 2002 and houses the gallery's Australian art collection. A third site, The Fox: NGV Contemporary, is planned to open in 2028, and will be Australia's largest contemporary gallery. History 19th century In 1850, the Port Phillip District of New S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margaret Preston
Margaret Rose Preston (29 April 1875 – 28 May 1963) was an Australian painter and printmaker who is regarded as one of Australia's leading modern art, modernists of the early 20th century. In her quest to foster an Australian "national art", she was also one of the first non-Indigenous Australian artists to use Aboriginal art, Aboriginal motifs in her work. Early life Margaret Rose Preston was born on 29 April 1875 in Port Adelaide to David McPherson, a Scottish marine engineer, and Prudence McPherson. She was the first-born child; her sister Ethelwynne was born in 1877. The family called Margaret by her middle name (Rose), and it was only in her mid 30s that she began to use Margaret. Preston's family moved to Sydney in 1885, where Preston attended Fort Street Girls' High School for two years. She showed a very early interest in art, first with china painting and then through private art classes with W. Lister Lister, William Lister Lister. Preston would later, at the age ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Williams (artist)
Frederick Ronald Williams OBE (23 January 192722 April 1982) was an Australian painter and printmaker. He was one of Australia’s most important artists, and one of the twentieth century's major landscapists. He had more than seventy solo exhibitions during his career in Australian galleries, as well as the exhibition ''Fred Williams - Landscapes of a Continent'' at the Museum of Modern Art in New York in 1977. Early life and education Fred Williams was born on 23 January 1927 in Richmond, a suburb of Melbourne, Victoria, Australia, the son of an electrical engineer and a Richmond housewife. Williams left school at 14 and was apprenticed to a firm of Melbourne shopfitters and box makers. From 1943 to 1947 he studied at the National Gallery School, Melbourne, at first part-time and then full-time from 1945 at the age of 18. The Gallery School was traditional and academic, with a long and prestigious history. He also began lessons under George Bell the following year, who h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brett Whiteley
Brett Whiteley AO (7 April 1939 – 15 June 1992) was an Australian artist. He is represented in the collections of all the large Australian galleries, and was twice winner of the Archibald, Wynne and Sulman prizes. He held many exhibitions, and lived and painted in Australia as well as Italy, England, Fiji and the United States. Early years Growing up in , a suburb of Sydney, Whiteley was educated at Scots School, Bathurst and Scots College, Bellevue Hill. He started drawing at a very early age. While he was a teenager, he painted on weekends in the Central West of New South Wales and Canberra with such works as ''The soup kitchen'' (1958). Throughout 1956 to 1959 at the National Art School in East Sydney, Whiteley attended drawing classes. In 1959 he won an art scholarship sponsored by the Italian government and judged by Russell Drysdale. He left Australia for Europe on 23 January 1960. London After meeting Bryan Robertson, the director of the Whitechapel Gallery, Whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Russell (Australian Artist)
John Peter Russell (16 June 185830 April 1930) was an Australian impressionist painter. Born and raised in Sydney, Russell moved to Europe in his late teenage years to attend art school. There, he befriended fellow pupil Vincent van Gogh and, in 1886, painted the first oil portrait of the artist, now held at the Van Gogh Museum. That same year, Russell painted with Claude Monet at Belle Île. Russell moved there soon after with his wife, Marianna Russell, one of sculptor Auguste Rodin's favourite models. Henri Matisse visited Russell at Belle Île in the 1890s, and later credited the Australian with introducing him to impressionist techniques and colour theory. Despite painting prolifically and maintaining close ties with the European avant-garde, Russell rarely exhibited his works and, having received a large inheritance from his father, showed no interest in making money from art. After his wife died in 1907, Russell, grief-stricken, destroyed hundreds of his paintings. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Boyd
Arthur Merric Bloomfield Boyd (24 July 1920 – 24 April 1999) was a leading Australian painter of the middle to late 20th century. Boyd's work ranges from impressionist renderings of Australian landscape to starkly expressionist figuration, and many canvases feature both. Several famous works set Biblical stories against the Australian landscape, such as ''The Expulsion'' (1947–48), now at the Art Gallery of New South Wales. Having a strong social conscience, Boyd's work deals with humanitarian issues and universal themes of love, loss and shame. Boyd was a member of the Antipodeans, a group of Melbourne painters that also included Clifton Pugh, David Boyd, John Brack, Robert Dickerson, John Perceval and Charles Blackman. The Boyd Family line of successive and connective artists includes painters, sculptors, architects and other arts professionals, commencing with Boyd's grandmother Emma Minnie Boyd and her husband Arthur Merric Boyd, Boyd's father Merric and mother D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Purves Smith
Peter Purves Smith (26 March 191223 July 1949), born Charles Roderick Purves Smith, was an Australian painter. Born in Melbourne, Purves Smith studied at the Grosvenor School of Modern Art in London and under progressive art teacher George Bell in Melbourne. In his student years, Purves Smith emerged as a uniquely confident artist. He was the first modern artist in Australia to paint historical Australian subjects, including the explorers Burke and Wills, and was among the first Australian artists to have direct contact with the international Surrealist movement. He travelled throughout Europe in the late 1930s, painting many of his most celebrated works in Paris. In 1941, art critic Clive Turnbull identified Purves Smith, William Dobell, and Purves Smith's close friend Russell Drysdale as "the three most significant Australian artists" of the era.Turnbull, Clive. "Americans See Our Art". '' The Herald''. November 1941. However, Purves Smith's artistic career was put on hold whil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grace Cossington Smith
Grace Cossington Smith (20 April 189220 December 1984) was an Visual arts of Australia, Australian artist and pioneer of Modernist art, modernist painting in Australia and was instrumental in introducing Post-Impressionism to her home country. Examples of her work are held by every major gallery in Australia. Biography She was born Grace Smith, in Neutral Bay, New South Wales, Neutral Bay, Sydney, second of five children of London-born solicitor Ernest Smith and his wife Grace, née Fisher, who was the daughter of the rector of Cossington, Leicestershire, Cossington in Leicestershire. The family moved to Thornleigh, New South Wales around 1890. Grace attended Abbotsleigh School for Girls in Wahroonga, New South Wales, Wahroonga 1905–09 where Albert Collins (painter), Albert Collins and Alfred Coffey took art classes. From 1910 to 1911 she studied drawing with Antonio Dattilo Rubbo. From 1912 to 1914 she and her sister lived in England, staying with an aunt at Winchester w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Booth
Peter Booth (born 2 November 1940) is an Australian figurative and a surrealist painter, and one of the key late-20th-century Australian artists. His work is characterised by an intense emotional power of often dark narratives, and esoteric symbolism. Life Booth was born the son of a doctor of metallurgy, and industrial surrounds of Sheffield influenced him from an early age. He and his family migrated to Australia in 1958, where he worked as a labourer for several years before attending the National Gallery School in Melbourne. In the 1980s Booth started his phase of horrifying figures, for example mutilated bodies and war scenes (sometimes with a light touch of humour), yet he always conveys a strong feeling in his art. It is even possible to almost feel what the main "character" is feeling. This also reflects his dreams as some of his works are based upon dreams, which could also categorise him as a surrealist painter. Work Booth's subject matter largely concerns the Austr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nude With Dressing Gown
Nudity is the state of being in which a human is without clothing. The loss of body hair was one of the physical characteristics that marked the biological evolution of modern humans from their hominin ancestors. Adaptations related to hairlessness contributed to the increase in brain size, bipedalism, and the variation in human skin color. While estimates vary, for at least 90,000 years anatomically modern humans were naked. The invention of clothing was part of the transition from being not only anatomically but behaviorally modern. Clothing and body adornments were elements in non-verbal communication reflecting social status and individuality. Through much of history until the late modern period, people might be unclothed in public by necessity or convenience either when engaged in effortful activity, including labor and athletics; or when bathing or swimming. Such functional nudity occurred in groups that were usually but not always segregated by sex. Among anci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Brack
John Brack (10 May 1920 – 11 February 1999) was an Australian painter, and a member of the Antipodeans group. According to one critic, Brack's early works captured the idiosyncrasies of their time "more powerfully and succinctly than any Australian artist before or since. Brack forged the iconography of a decade on canvas as sharply as Barry Humphries did on stage." Life During World War 2 (1940-1946) VX107527 Lieutenant John Brack served with the Field Artillery. Brack was Art Master at Melbourne Grammar School (1952–1962). His art first achieved prominence in the 1950s. He also joined the Antipodeans Group in the 1950s which protested against abstract expressionism. He was appointed Head of National Gallery of Victoria Art School (1962–1968), where he was an influence on many artists and the creation of the expanded school attached to the new gallery building. Style Brack's early conventional style evolved into one of simplified, almost stark, shapes and areas of delib ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Perceval
John de Burgh Perceval AO (1 February 1923 – 15 October 2000) was a well-known Australian artist. Perceval was the last surviving member of a group known as the Angry Penguins who redefined Australian art in the 1940s. Other members included John Reed, Joy Hester, Sidney Nolan, Arthur Boyd and Albert Tucker. He was also an Antipodean and contributed to the Antipodeans exhibition of 1959. Biography Perceval was born Linwood Robert Steven South on 1 February 1923 at Bruce Rock, Western Australia, the second child of Robert South (a wheat farmer) and Dorothy (''née'' Dolton). His parents separated in 1925 and he remained at his father's farm until reunited with his mother and travelling to Melbourne in 1935. Following the marriage of his mother to William de Burgh Perceval, he changed his name to John and adopted the surname de Burgh Perceval. In 1938 Perceval contracted polio and was hospitalised, giving him the opportunity to further his skills at drawing and painting. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
