John Warburton (officer Of Arms)
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John Warburton (officer Of Arms)
John Warburton (1682–1759) was an antiquarian, cartographer, and Somerset Herald of Arms in Ordinary at the College of Arms in the early 18th century. Life He was the son of Benjamin and Mary Warburton. In early life John was an exciseman and then a supervisor, being stationed in 1718–19 at Bedale in Yorkshire. He was admitted F.R.S. in March 1719, but was ejected on 9 June 1757 for nonpayment of his subscription. His election as F.S.A. took place on 13 January 1720, but he ceased to be a member before January 1754. On 18 June 1720 he was appointed to the office of Somerset Herald in the College of Arms. "Warburton, John" entry in ''Dictionary of National Biography, 1885-1900, Volume 59'' Warburton's first wife was Dorothy, but they separated in 1716. He later married a widow with children, and is said to have married her son, when a minor, to one of his daughters. By his second wife he had a son called John. Warburton died at his apartments in the College of Arms, London ...
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John Warbuton, Antiquarian, Circa 1750
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died c. AD 30), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (lived c. AD 30), one of the twelve apostles of Jesus * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * Pope John ...
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Philip Massinger
Philip Massinger (1583 – 17 March 1640) was an English dramatist. His finely plotted plays, including ''A New Way to Pay Old Debts'', ''The City Madam'', and '' The Roman Actor'', are noted for their satire and realism, and their political and social themes. Early life The son of Arthur Massinger or Messanger, he was baptised at St. Thomas's Salisbury on 24 November 1583. He apparently belonged to an old Salisbury family, for the name occurs in the city records as early as 1415. He is described in his matriculation entry at St. Alban Hall, Oxford (1602), as the son of a gentleman. His father, who had also been educated at St. Alban Hall, was a member of parliament, and was attached to the household of Henry Herbert, 2nd Earl of Pembroke. Herbert recommended Arthur in 1587 for the office of examiner in the Court of the Marches. William Herbert, 3rd Earl of Pembroke, who would come to oversee the London Stage and the royal company as King James's Lord Chamberlain, succ ...
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William Davenant
Sir William Davenant (baptised 3 March 1606 – 7 April 1668), also spelled D'Avenant, was an English poet and playwright. Along with Thomas Killigrew, Davenant was one of the rare figures in English Renaissance theatre whose career spanned both the Caroline and Restoration eras and who was active both before and after the English Civil War and during the Interregnum. Biography Early life Davenant is believed to have been born in late February, 1606 in Oxford, the son of Jane Shepherd Davenant and John Davenant, proprietor of the Crown Tavern (or Crown Inn) and Mayor of Oxford. He was baptised on 3 March, his godfather sometimes being said to have been William Shakespeare, who, according to John Aubrey, had stayed frequently at the Crown during his travels between London and Stratford-upon-Avon.Edmond, M., ''Yeomen, Citizens, Gentlemen, and Players: The Burbages and Their Connections'', R. B. Parker (ed), ''Elizabethan Theater: Essays in Honor of S. Schoenbaum'', University o ...
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William Shakespeare
William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the " Bard of Avon" (or simply "the Bard"). His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. He remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Sometime between 1585 and 1592, he began a successful career in London as an ...
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Henry Glapthorne
Henry Glapthorne (baptised, 28 July 1610 – c. 1643) was an English dramatist and poet, baptized in Cambridgeshire, the son of Thomas Glapthorne and Faith ''née'' Hatcliff. His father was a bailiff of Lady Hatton, the wife of Sir Edward Coke. Before turning 14, Henry Glapthorne had matriculated as a pensioner at Corpus Christi College, Cambridge, but there is no record of him ever taking a degree. From then until he emerges as a playwright in the mid-1630s, little is known of him. There is evidence that he may have been employed as a groom-porter in a nobleman's household for some of that time – a later document refers to him as "Glapthorne the Porter" – but there is nothing conclusive. Writings His best-regarded work is ''Argalus and Parthenia'' (c. 1633, printed 1639), based on Sidney's ''Arcadia''. Other plays are the comedy ''The Hollander'' (licensed for performance 12 March 1636), ''Wit in a Constable'' (c. 1638), and the tragicomedy ''The Lady's Privilege'' (all ...
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William Bonen
William is a masculine given name of Norman French origin.Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxford University Press, 2nd edition, , p. 276. It became very popular in the English language after the Norman conquest of England in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will, Wills, Willy, Willie, Liam, Bill, and Billy. A common Irish form is Liam. Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie or the play ''Douglas''). Female forms are Willa, Willemina, Wilma and Wilhelmina. Etymology William is related to the German given name ''Wilhelm''. Both ultimately descend from Proto-Germanic ''*Wiljahelmaz'', with a direct cognate also in the Old Norse name ''Vilhjalmr'' and a West Germanic borrowing into Medieval Latin ''Willelmus''. The Proto-Germanic name is a ...
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Red Bull Theatre
The Red Bull was an inn-yard conversion erected in Clerkenwell, London operating in the 17th century. For more than four decades, it entertained audiences drawn primarily from the City and its suburbs, developing a reputation over the years for rowdiness. After Parliament closed the theatres in 1642, it continued to host illegal performances intermittently, and when the theatres reopened after the Restoration, it became a legitimate venue again. There is a myth that it burned down in the Great Fire of London but the direct reason for its end is unclear. Design The Red Bull was constructed in about 1605 on St John Street in Clerkenwell on a site corresponding to the eastern end of modern-day Hayward's Place. Contemporary documents reveal that it was converted from a yard in an inn. This origin accounts for its square-ish shape, shared, for example, by the original Fortune Theatre among playhouses of the time. The Red Bull inn's name may relate to drovers bringing cattle down St Jo ...
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Lady Elizabeth's Men
The Lady Elizabeth's Men, or Princess Elizabeth's Men, was a company of actors in Jacobean London, formed under the patronage of King James I's daughter Princess Elizabeth. From 1618 on, the company was called The Queen of Bohemia's Men, after Elizabeth and her husband the Elector Palatine had their brief and disastrous flirtation with the crown of Bohemia. (In the winter of 1618–19, the two had their brief reign as the King and Queen of Bohemia, to start the Thirty Years' War.) The company received its royal patent on 27 April 1611; it is thought to have been composed largely of former child actors from the children's troupes – the Children of the Chapel and the Children of Paul's — who were now grown to manhood. They may have started out playing at the Swan Theatre. On 29 August 1611, the company signed a bond with Philip Henslowe; they would rely on Henslowe for financing and would in the future act at Henslowe's new theatre, the Hope. Soon after their inception, ...
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Shackerley Marmion
Shackerley Marmion (January 1603 – 1639), also Shakerley, Shakerly, Schackerley, Marmyon, Marmyun, or Mermion, was an early 17th-century dramatist, often classed among the Sons of Ben, the followers of Ben Jonson who continued his style of comedy. He was also a friend and perhaps a protégé of Thomas Heywood. Background The playwright's father, Shackerley Marmion (son of a London lawyer and member of a junior line of the Marmion Barons of Tamworth), held the manor at Aynho in Northamptonshire but was habitually in debt; in time he would pass his debts on to his son. Shakerley Jnr was baptised on 21 Jan 1603 in Aynho church. After Lord Williams's School at Thame in Oxfordshire, Marmion graduated from Wadham College, Oxford, with an M.A. in July 1624. (During his years at Oxford, his father Shackerley Marmion was forced to sell his estate an Aynho to pay his debts.) Details of his life after university are unclear, though there are intimations of legal troubles, disord ...
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Salisbury Court Theatre
The Salisbury Court Theatre was a theatre in 17th-century London. It was in the neighbourhood of Salisbury Court, which was formerly the London residence of the Bishops of Salisbury. Salisbury Court was acquired by Richard Sackville in 1564 during the last seven years of his life when he was Chancellor of the Exchequer under Queen Elizabeth; when Thomas Sackville was created Earl of Dorset in 1604, the building was renamed Dorset House. (His grandson, Edward Sackville, 4th Earl of Dorset, was Queen Henrietta Maria's Lord Chamberlain in the 1630s, and was a prime mover in theatre and drama in London in that era, including the force behind the founding of this theatre.) According to contemporary chronicler Edmund Howes, "a new faire Play-house" was erected in 1629, just to the west of the medieval walls of the City of London, between Fleet Street and the River Thames, in a building converted from a barn or granary in the grounds of Dorset House. An enclosed "private" venue lik ...
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Master Of The Revels
The Master of the Revels was the holder of a position within the English, and later the British, royal household, heading the "Revels Office" or "Office of the Revels". The Master of the Revels was an executive officer under the Lord Chamberlain. Originally he was responsible for overseeing royal festivities, known as ''revels'', and he later also became responsible for stage censorship, until this function was transferred to the Lord Chamberlain in 1624. However, Henry Herbert, the deputy Master of the Revels and later the Master, continued to perform the function on behalf of the Lord Chamberlain until the English Civil War in 1642, when stage plays were prohibited. The office continued almost until the end of the 18th century, although with rather reduced status. History The Revels Office has an influential role in the history of the English stage. Among the expenses of the royal Wardrobe we find provision made for ''tunicae'' and ''viseres'' ( shirts and hats) in 1347 for th ...
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Believe As You List
''Believe as You List'' is a Caroline era tragedy by Philip Massinger, famous as a case of theatrical censorship. Censorship The play originally dealt with the legend that Sebastian of Portugal had survived the battle of Alcácer Quibir, and the efforts of Philip II of Spain to suppress the "false Sebastians." On 11 January 1631, Sir Henry Herbert, the Master of the Revels, noted in his records that he refused to license the play because "it did contain dangerous matter, as the deposing of Sebastian, king of Portugal, by Philip the Second, and there being a peace sworn between the kings of England and Spain." To avoid the censor, Massinger was obliged to move the setting of his play to the ancient world, substituting ancient Rome for Spain and a Seleucid King Antiochus for Sebastian. The revised play was licensed by the Master of the Revels on 6 May 1631, and was premiered the next day, 7 May, by the King's Men. (If the play was intended for the winter season, it was meant for ...
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