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John Verbruggen
John Baptista Verbruggen, d. 1708, was an English actor working in London. Verbruggen is first mentioned as a member of the United Company in a Lord Chamberlain's warrant in 1688. His name does not appear in any cast lists until October 1690. The ''Biographical Dictionary of Actors'' contains an inconclusive discussion of the statement in Thomas Davies's ''Dramatic Miscellanies'' (1784) that Verbruggen was identical to the actor referred to in 1680s and 90s cast lists as "Mr. Alexander", supposedly an alias based on the part of Alexander the Great in John Dryden's '' Rival Queens''. The evidence is confusing, and there is no independent support for Davies's anecdote, written down a century later. Verbruggen had never played the part of Alexander the Great and was not to do so until January 1703. One reason for Verbruggen to use a different name might have been that his own was often misspelled: Verbrugen, Verbrogell, Verkruggan, Verbrugger. As "John Verbuggin", he is recorded as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord Chamberlain
The Lord Chamberlain of the Household is the most senior officer of the Royal Household of the United Kingdom, supervising the departments which support and provide advice to the Sovereign of the United Kingdom while also acting as the main channel of communication between the Sovereign and the House of Lords. The office organises all ceremonial activity such as garden parties, state visits, royal weddings, and the State Opening of Parliament. They also handle the Royal Mews and Royal Travel, as well as the ceremony around the awarding of honours. For over 230 years, the Lord Chamberlain had the power to decide which plays would be granted a licence for performance. From 1737 to 1968, this meant that the Lord Chamberlain had the capacity to censor theatre at his pleasure. The Lord Chamberlain is always sworn of the Privy Council, is usually a peer and before 1782 the post was of Cabinet rank. The position was a political one until 1924. The office dates from the Middle Ages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Congreve (playwright)
William Congreve (24 January 1670 – 19 January 1729) was an English playwright and poet of the Restoration period. He is known for his clever, satirical dialogue and influence on the comedy of manners style of that period. He was also a minor political figure in the British Whig Party. Early life William Congreve was born in Bardsey Grange, on an estate near Ledston, West Riding of Yorkshire. Although Samuel Johnson disputed this, it has since been confirmed by a baptism entry for "William, sonne of Mr. William Congreve, of Bardsey grange, baptised 10 February 1669" .e. 1670 by the modern reckoning of the new year His parents were Colonel William Congreve (1637–1708) and Mary Browning (1636?–1715), who moved to London in 1672, then to the Irish port of Youghal. Congreve was educated at Kilkenny College, where he met Jonathan Swift, and at Trinity College Dublin. He moved to London to study law at the Middle Temple, but preferred literature, drama, and the fashionable l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
18th-century English Male Actors
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1708 Deaths
Seventeen or 17 may refer to: *17 (number) 17 (seventeen) is the natural number following 16 (number), 16 and preceding 18 (number), 18. It is a prime number. Seventeen is the sum of the first four prime numbers. In mathematics 17 is the seventh prime number, which makes seventeen the ..., the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines *Seventeen (American magazine), ''Seventeen'' (American magazine), an American magazine *Seventeen (Japanese magazine), ''Seventeen'' (Japanese magazine), a Japanese magazine Novels *Seventeen (Tarkington novel), ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe *Seventeen (Serafin novel), ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film *Seventeen (1916 film), ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century English Male Actors
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicholas Rowe (writer)
Nicholas Rowe (; 20 June 1674 – 6 December 1718), English dramatist, poet and miscellaneous writer, was appointed Poet Laureate in 1715. His plays and poems were well-received during his lifetime, with one of his translations described as one of the greatest productions in English poetry. He was also considered the first editor of the works of William Shakespeare. Life Nicholas Rowe was born in Little Barford, Bedfordshire, England, son of John Rowe (d. 1692), barrister and sergeant-at-law, and Elizabeth, daughter of Jasper Edwards, on 20 June 1674. His family possessed a considerable estate at Lamerton in Devonshire. His father practised law and published Benlow's and Dallison's Reports during the reign of King James II. The future Poet Laureate was educated first at Highgate School, and then at Westminster School under the guidance of Richard Busby. In 1688, Rowe became a King's Scholar, which was followed by his entrance into Middle Temple in 1691. His entrance into Midd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamerlane (play)
''Tamerlane'' is a 1701 history play by the English writer Nicholas Rowe. A tragedy, it portrays the life of the Timur, the fourteenth century conqueror and founder of the Timurid Empire. Rowe, a staunch Whig, used the historical story as an allegory for the life of William III who resembles his portrayal of Tamerlane while his opponent the Ottoman leader Bayezid I was equivalent to William's longstanding opponent Louis XIV of France. An earlier version of the story ''Tamburlaine'' was written by Christopher Marlowe during the Elizabethan era with a very different focus in the context of the English Renaissance. It was first performed in December 1701 at the Lincoln's Inn Fields Theatre in London, one of the two patent theatres of the era, and was published the following year by Jacob Tonson. The original cast included Thomas Betterton as Tamerlane, John Verbruggen as Bajazet, Barton Booth as Axalla, William Powell as Moneses, George Pack as Stratocles, William Fieldhouse as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Southerne
Thomas Southerne (12 February 166026 May 1746) was an Irish dramatist. Biography Thomas Southerne, born on 12 February 1660, in Oxmantown, near Dublin, was an Irish dramatist. He was the son of Francis Southerne (a Dublin brewer) and Margaret Southerne. He attended Trinity College, Dublin, in 1676 for two years. In 1680, he began attending Middle Temple, London, to study law but was drawn away by his interest for theater. By 1682 he was greatly influenced by John Dryden and produced his first play, ''The Loyal Brother'', which was performed at the Theatre Royal, Drury Lane by the King's Company. Southerne bought his prologue and epilogue from Dryden, who made extra income from his ability to turn such pieces. Despite his friendship with the new playwright, Dryden raised his prices for Southerne".(Kaufman) In 1684, Southerne produced his second play,''The Disappointment (play), The Disappointment'', or, ''The Mother in Fashion'' (Kaufman). However, in 1685 Southerne enlisted a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oroonoko
''Oroonoko: or, the Royal Slave'' is a work of prose fiction by Aphra Behn (1640–1689), published in 1688 by William Canning and reissued with two other fictions later that year. It was also adapted into a play. The eponymous hero is an African prince from Coramantien who is tricked into slavery and sold to European colonists in Surinam where he meets the narrator. Behn's text is a first-person account of Oroonoko's life, love, rebellion, and execution. ''Oroonoko: or, the Royal Slave'' “centers on the unlucky love story of Oroonoko, an African prince, and the beautiful Imoinda.” Behn, often cited as the first known professional female writer, was a successful playwright, poet, translator and essayist. She began writing prose fiction in the 1680s, probably in response to the consolidation of theatres that led to a reduced need for new plays. Published less than a year before she died, ''Oroonoko'' is sometimes described as one of the first novels in English. Interest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aphra Behn
Aphra Behn (; bapt. 14 December 1640 – 16 April 1689) was an English playwright, poet, prose writer and translator from the Restoration era. As one of the first English women to earn her living by her writing, she broke cultural barriers and served as a literary role model for later generations of women authors. Rising from obscurity, she came to the notice of Charles II, who employed her as a spy in Antwerp. Upon her return to London and a probable brief stay in debtors' prison, she began writing for the stage. She belonged to a coterie of poets and famous libertines such as John Wilmot, Lord Rochester. Behn wrote under the pastoral pseudonym Astrea. During the turbulent political times of the Exclusion Crisis, she wrote an epilogue and prologue that brought her into legal trouble; she thereafter devoted most of her writing to prose genres and translations. A staunch supporter of the Stuart line, she declined an invitation from Bishop Burnet to write a welcoming p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Way Of The World
''The Way of the World'' is a play written by the English playwright William Congreve. It premiered in early March 1700 in the theatre in Lincoln's Inn Fields in London. It is widely regarded as one of the best Restoration comedies and is still occasionally performed. Initially, however, the play struck many audience members as continuing the immorality of the previous decades, and was not well received.Our Dramatic Heritage: The Eighteenth Century, p.14, edited by Philip George Hill Characters The play is based on the two lovers Mirabell and Millamant (originally played by John Verbruggen and Anne Bracegirdle). In order for them to marry and receive Millamant's full dowry, Mirabell must receive the blessing of Millamant's aunt, Lady Wishfort. Unfortunately, Lady Wishfort is a very bitter lady who despises Mirabell and wants her own nephew, Sir Wilfull, to wed Millamant. Meanwhile, Lady Wishfort, a widow, wants to marry again and has her eyes on an uncle of Mirabell's, the we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Relapse
''The Relapse, or, Virtue in Danger'' is a Restoration comedy from 1696 written by John Vanbrugh. The play is a sequel to Colley Cibber's '' Love's Last Shift, or, The Fool in Fashion''. In Cibber's ''Love's Last Shift'', a free-living Restoration rake is brought to repentance and reform by the ruses of his wife, while in ''The Relapse'', the rake succumbs again to temptation and has a new love affair. His virtuous wife is also subjected to a determined seduction attempt, and resists with difficulty. Vanbrugh planned ''The Relapse'' around particular actors at Drury Lane, writing their stage habits, public reputations, and personal relationships into the text. One such actor was Colley Cibber himself, who played the luxuriant fop Lord Foppington in both ''Love's Last Shift'' and ''The Relapse''. However, Vanbrugh's artistic plans were threatened by a cutthroat struggle between London's two theatre companies, each of which was "seducing" actors from the other. ''The Relapse'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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