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John Valentine Carruthers
John Valentine Carruthers (born 1958 in Wortley, West Riding of Yorkshire) is an English musician, guitarist, and composer. He is mainly known for being a member of Siouxsie and the Banshees from mid-1984 until early 1987. In the early 1980s, he joined Sheffield band Clock DVA after the release of their second studio album. His first recording with Clock DVA was the EP '' Passions Still Aflame'' in 1982. It was followed by the album '' Advantage'' in 1983. He was then recruited by Siouxsie and the Banshees to be a full-time member of the group from May 1984. With the Banshees, he recorded '' The Thorn'' EP (1984), and two studio albums ''Tinderbox'' in 1986, and the covers album ''Through the Looking Glass'' in 1987. He left the band in January 1987. Carruthers teamed up with his friend drummer Paul Ferguson to form the band Crush with American musicians. They released a self-titled album in 1993. That year, he also played guitars on Lloyd Cole's third solo album '' Bad Vibes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wortley, West Yorkshire
Wortley ( ) is an inner city area of Leeds, West Yorkshire, England. It begins one mile to the west of the city centre. The appropriate City of Leeds ward is called Farnley and Wortley. It was known as ''Wirkelay'' until about 1700. Wortley was a weaving township within the parish of Leeds before it became industrial with coal pits, brickworks, railway yards and engine sheds—including a roundhouse, on Wellington Road. This listed building, originally constructed to house a dozen or so steam locomotives, is now the premises of a major commercial vehicle hire company. In the 1880s, Wortley became incorporated into the expanding (then) town of Leeds. Wortley is divided into three areas: New Wortley, Upper Wortley and Lower Wortley. New Wortley is the area closest to Leeds city centre, Armley and Holbeck and close to HM Prison Leeds. It is largely made up of 1960s high-rise flats and maisonettes. Upper Wortley is situated between Armley and Lower Wortley; specifically betwee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Ferguson
Matthew Paul Ferguson (born 31 March 1958) is an English rock drummer, best known for his work in the post-punk/ industrial group Killing Joke and cult English punk band Pink Parts. Following a stint as the drummer with the London-based Matt Stagger Band in 1978, Ferguson became a founding member of Killing Joke and served as their drummer from 1979 to 1987. He was known as Big Paul Ferguson during this period. Ferguson is known for his tribal drum style. The last album he recorded with Killing Joke was the 1986 release '' Brighter than a Thousand Suns''. Following disagreements with lead singer Jaz Coleman about new material and the direction of the band, Ferguson and bassist Paul Raven departed the band in 1987 during the recording of their seventh studio album, '' Outside The Gate''. He subsequently worked on other musical projects, notably with rock outfits Warrior Soul (1987–1990), Murder, Inc. (1991–92) and Crush (1992–93) - the latter was mainly a collaboration ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eventide, Inc
Eventide, Inc. (also known earlier as Eventide Clock Works Inc.) is an American audio, broadcast and communications company whose audio division manufactures digital audio processors, digital signal processor (DSP) software, and guitar effects. Eventide was one of the first companies to manufacture digital audio processors, and its products are mainstays in sound recording and reproduction, post production, and broadcast studios. Beginnings Eventide was founded by recording engineer Stephen Katz, inventor Richard Factor, and businessman/patent attorney Orville Greene. The business was founded in the basement of the Sound Exchange, a recording studio located at 265 West 54th Street in New York City and owned by Greene. When Katz needed to rewind the analog tape back to a specific point on their Ampex MM1000 multitrack recorder, but limited space in the studio did not allow for a tape op (a person who would operate the tape recorder on behalf of the sound engineer), Katz asked Fact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dynamic Range Compression
Dynamic range compression (DRC) or simply compression is an audio signal processing operation that reduces the volume of loud sounds or amplifies quiet sounds, thus reducing or ''compressing'' an audio signal's dynamic range. Compression is commonly used in sound recording and reproduction, broadcasting, sound reinforcement system, live sound reinforcement and in some instrument amplifiers. A dedicated electronic hardware unit or audio software that applies compression is called a compressor. In the 2000s, compressors became available as software plugins that run in digital audio workstation software. In recorded and live music, compression parameters may be adjusted to change the way they affect sounds. Compression and limiting are identical in process but different in degree and perceived effect. A limiter is a compressor with a high #Ratio, ratio and, generally, a short #Attack and release, attack time. Types There are two types of compression, downward and upward. Bot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Signal Processing
Audio signal processing is a subfield of signal processing that is concerned with the electronic manipulation of audio signals. Audio signals are electronic representations of sound waves—longitudinal waves which travel through air, consisting of compressions and rarefactions. The energy contained in audio signals is typically measured in decibels. As audio signals may be represented in either digital or analog format, processing may occur in either domain. Analog processors operate directly on the electrical signal, while digital processors operate mathematically on its digital representation. History The motivation for audio signal processing began at the beginning of the 20th century with inventions like the telephone, phonograph, and radio that allowed for the transmission and storage of audio signals. Audio processing was necessary for early radio broadcasting, as there were many problems with studio-to-transmitter links. The theory of signal processing and its appli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Strat (guitar)
The STRAT (rendered in all caps) was a version of the Stratocaster electric guitar which was manufactured and marketed by Fender Musical Instruments Corporation from 1980 until 1983. History Fender produced its first limited run Strat model in 1979 with the 25th Anniversary Stratocaster. This limited run model was sold concurrently with the normal ''Stratocaster''. The next year, the product line was expanded, having previously offered only one model since the guitar's inception (with possible exception of the Walnut Strats produced in the 1970s). This new model, simply named The STRAT, was an upgrade to the normal trim, as indicated by its $250 list premium (). Features Some construction features returned to pre-CBS specs, including the four bolt neck joint, smaller headstock, and removal of the bullet-style truss rod adjustment. Many new features also debuted with this model. An added two-way rotary selector replaced the lower tone control (mid pickup) and was wired for more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ovation Breadwinner
The Breadwinner was a solid body electric guitar made by the Ovation Guitar Company. It is one of the few solid body electrics they ever made and it was the first mass-produced American guitar to have active electronics. It has an unusual ergonomic body made of mahogany and shaped something like an axe guitar. Although that is not the only reason for the body shape, the designer also considered balance and ergonomics. The guitar has either two toroidal single-pole pickups (early models) or two mini-humbucker pickups, volume and tone knobs, a three way pickup selector and a phase switch. There were three distinct models based upon the Breadwinner's exotic shape - the Breadwinner, the Deacon, and the Breadwinner Limited. The main difference between the Breadwinner and the Breadwinner Limited was an odd additional cutaway in the upper body and a "Tuxedo" gray to black finish. The difference between the Breadwinner and the Deacon was in the finish and hardware used. The Breadwi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamaha Corporation
is a Japanese multinational corporation and conglomerate with a very wide range of products and services. It is one of the constituents of Nikkei 225 and is the world's largest musical instrument manufacturing company. The former motorcycle division was established in 1955 as Yamaha Motor Co., Ltd., which started as an affiliated company but later became independent, although Yamaha Corporation is still a major shareholder. History Nippon Gakki Co. Ltd. (currently Yamaha Corporation) was established in 1887 as a reed organ manufacturer by Torakusu Yamaha (山葉寅楠) in Hamamatsu, Shizuoka Prefecture and was incorporated on 12 October 1897. In 1900, the company started the production of pianos. The first piano to be made in Japan was an upright built in 1900 by Torakusu Yamaha, founder of Nippon Gakki Co., Ltd. — later renamed Yamaha Corporation. The company's origins as a musical instrument manufacturer are still reflected today in the group's logo—a trio of interloc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glitter Band
The Glitter Band are a glam rock band from England, who initially worked as Gary Glitter's backing band under that name from 1973, when they then began releasing records of their own. They were unofficially known as the Glittermen on the first four hit singles by Gary Glitter from 1972 to 1973. The Glitter Band had seven UK Top 20 hit singles in the mid-1970s, and three hit albums. Early career and commercial success When Gary Glitter's first single " Rock and Roll Parts 1 and 2" became a number 2 hit in the UK, his manager Mike Leander realised that he would need a backing band and contacted John Rossall who was then the musical director of the Boston Showband.Band biography on official fan club website retrieved 2007-12-23 With a few changes in personnel, the Boston Showband became the |
Guitar Picking
Guitar picking is a group of hand and finger techniques a guitarist uses to set guitar strings in motion to produce audible notes. These techniques involve plucking, strumming, brushing, etc. Picking can be done with: * A pick (plectrum) held in the hand * Natural or artificial fingernails, fingertips or finger-mounted plectrums known as fingerpicks (for techniques collectively known as fingerstyle) * A plectrum held between thumb and one finger, supplemented by the free fingers—called hybrid picking or sometimes "chicken pickin". Using a single thumb pick with the bare fingers is similar to hybrid picking. Another mixed technique is to play different passages with a plectrum or fingerstyle, "palming" the plectrum when not in use. This however requires the use of one or more picking hand fingers, and/or can reduce dexterity in the picking hand. Comparison of plectrum and finger picking techniques The pros of each guitar picking style are indirectly correlated to the cons of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouser Press
''Trouser Press'' was a rock and roll magazine started in New York in 1974 as a mimeographed fanzine by editor/publisher Ira Robbins, fellow fan of the Who Dave Schulps and Karen Rose under the name "Trans-Oceanic Trouser Press" (a reference to a song by the Bonzo Dog Doo-Dah Band and an acronymic play on the British TV show ''Top of the Pops)''. Publication of the magazine ceased in 1984. The unexpired portion of mail subscriptions was completed by ''Rolling Stone'' sister publication ''Record'', which itself folded in 1985. ''Trouser Press'' has continued to exist in various formats. History The magazine's original scope was British bands and artists (early issues featured the slogan "America's Only British Rock Magazine"). Initial issues contained occasional interviews with major artists like Brian Eno and Robert Fripp and extensive record reviews. After 14 issues, the title was shortened to simply ''Trouser Press'', and it gradually transformed into a professional magazine w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
