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John Greaves (musician)
John Greaves (born 23 February 1950) is a British bass guitarist and composer who was a member of Henry Cow and has collaborated with Peter Blegvad. He was also a member of progressive rock band National Health and jazz-rock supergroup Soft Heap, and has recorded several solo albums, including ''Accident'' (1982), ''Parrot Fashions'' (1984), ''The Caretaker'' (2001) and ''Greaves Verlaine'' (2008). Biography Greaves was born in Prestatyn and grew up in Wrexham in northeast Wales. At the age of 12, he was given a bass guitar by his father, a Welsh dancehall bandleader, and within six months, he was playing in his father's orchestra. He continued playing in the orchestra for four years, during which time its varied musical styles gave Greaves valuable musician and arranger skills. He was educated at Grove Park Grammar School in Wrexham from 1961 to 1968. In 1968, Greaves entered Pembroke College, Cambridge to study English, and at Cambridge, he met members of the burgeoning Eng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chris Cutler
Chris Cutler (born 4 January 1947) is an English percussionist, composer, lyricist and music theorist. Best known for his work with English avant-rock group Henry Cow, Cutler was also a member and drummer of other bands, including Art Bears, News from Babel, Pere Ubu and (briefly) Gong/Mothergong. He has collaborated with many musicians and groups, including Fred Frith, Lindsay Cooper, Zeena Parkins, Peter Blegvad, Telectu and The Residents, and has appeared on over 100 recordings. Cutler's career spans over four decades and he still performs actively throughout the world. Cutler created and runs the British independent record label Recommended Records and is the editor of its sound-magazine, ''RēR Quarterly''. He has given a number of public lectures on music, published numerous articles and papers, and written a book on the political theory of contemporary music, ''File Under Popular'' (1984). Cutler also assembled and released ''The 40th Anniversary Henry Cow Box Set'' (200 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Blegvad
Peter Blegvad (born August 14, 1951) is an American musician, singer-songwriter, writer, and cartoonist. He was a founding member of German/English avant-pop band Slapp Happy, which later merged briefly with Henry Cow, and has released many solo and collaborative albums. He is the son of Lenore and Erik Blegvad, who were respectively, a children's book author and illustrator. Biography Peter Blegvad's life began in America – he was born in New York City and originally raised in Connecticut. When he was 14, the Blegvad family moved to England in 1965, unhappy with the social climate of America following the assassination of John F. Kennedy and the threat posed by the Vietnam draft to Peter and his younger brother Kristoffer. Blegvad was educated at St Christopher School, Letchworth, a boarding school where he met his musical collaborator Anthony Moore. Moore and Blegvad played in various bands during their schooldays, alongside fellow musicians such as Neil Murray (then a dru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Ovide
François Ovide (born in Rouen, October 1952; died in Rouen, 29 May 2002) was a French guitarist, best known for his longstanding collaborations with Albert Marcoeur and with John Greaves. Ovide grew up around Rouen. His first two band projects in the 1970s were rock band So & Co and Plat du Jour. In 1976, he started working with Marcoeur. He went on to join Weidorje for the band's last year of existence and then started doing session work. He also joined folk-rock band Gwendal in 1981. In 1984, he joined Greaves' backing band, working alongside Mireille Bauer (previously of Gong). They later married and had two children. Ovide went on to play on Greaves' albums ''La Petite Bouteille de Linge'' (1991), ''Songs'' and ''The Caretaker''. He also played on Pip Pyle's 1998 ''7 Year Itch''. In the mid-1980s, he also recorded a solo album with Bauer, Pierre Vermeire, Andy Emler and others, but the project was never released. Other session work was with Renaud, Patricia Kaas, Johnny H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Hewins
Mark Hewins (born 24 March 1955) is an English jazz guitarist known for his connections to the Canterbury scene, a group of English progressive rock musicians during the 1960s. Biography Hewins' professional career as a guitarist began in 1973 with the London band Mother Sun with Steve Tozer and lead singer Dave Bell. Early work included on the Dance Orchestra's ''A Luta Continua'' (alongside Phil Collins, John Martyn, and Danny Thompson). Hewins has worked extensively with various Canterbury scene musicians, including multiple projects with Elton Dean. He played on Dave Sinclair's ''Moon Over Man'' album and with him in The Polite Force (1976-8, ''Canterbury Knights'' album). He was in Going Going (1990) and Caravan of Dreams (1991) with Richard Sinclair. Hewins played in later incarnations of Soft Heap (with Dean, Pip Pyle and John Greaves) and can be heard on ''A Veritable Centaur''. He was a member of Gong in 1999. Hewins has also worked extensively with Hugh Hopper, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pip Pyle
Phillip "Pip" Pyle (4 April 1950 – 28 August 2006) was an English-born drummer from Sawbridgeworth, Hertfordshire, who later resided in France. He is best known for his work in the progressive rock Canterbury scene bands Gong, Hatfield and the North and National Health.Allmusic biography/ref> Biography Pyle joined Phil Miller, a friend from kindergarten, and Phil's brother Steve, in forming Bruno's Blues Band, which rapidly evolved into Delivery. However, Pyle left the band in 1970 after arguing with singer Carol Grimes. He briefly played in blues band Chicken Shack and Steve Hillage's band Khan.Biography a Calyx the |
Soft Machine
Soft Machine are a British rock band from Canterbury formed in mid-1966 by Mike Ratledge (keyboards, 1966–1976), Robert Wyatt (drums, vocals, 1966–1971), Kevin Ayers (bass, guitar, vocals, 1966–1968) and Daevid Allen (guitar, 1966–1967). As a central band of the Canterbury scene, the group became one of the first British psychedelic acts and later moved into progressive rock and jazz fusion. Their varying line-ups have included former members such as Andy Summers (guitar, 1968), Hugh Hopper (bass, 1968–1973), Elton Dean (saxophone 1969–1972), Karl Jenkins (keyboards, saxophone, 1972–1978, 1980–1981, 1984) and Allan Holdsworth (guitar, 1973–1975), and currently consists of John Marshall (drums, 1972–1978, 1980–1981, 1984 and since 2015), John Etheridge (guitar, 1975–1978, 1984 and since 2015), Theo Travis (saxophone, flutes, keyboards since 2015), and Fred Thelonious Baker (bass since 2020). Though they achieved little commercial success, the Soft Machi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elton Dean
Elton Dean (28 October 1945 – 8 February 2006) was an English jazz musician who performed on alto saxophone, saxello (a variant of the soprano saxophone) and occasionally keyboards. Part of the Canterbury scene, he featured in, among others, Soft Machine. Life and career Dean was born in Nottingham, England, moving to Tooting, London, soon after his birth. From 1966 to 1967, Dean was a member of the band Bluesology, led by Long John Baldry. The band's pianist, Reginald Dwight, afterward combined Dean's and Baldry's first names for his own stage name, Elton John. This fact is alluded to in the 2019 film ''Rocketman'', a biopic of the life and career of Elton John, where Dean is portrayed by Evan Walsh, however the film fictionally cites John Lennon as the inspiration for Elton John's taken surname. Dean established his reputation as a member of the Keith Tippett Sextet from 1968 to 1970, and in the band Soft Machine from 1969 to 1972. Shortly before leaving Soft Machine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Of Queues And Cures
''Of Queues and Cures'' (also identified as ''Of Queues & Cures'') is the second album recorded by the progressive rock and jazz fusion group National Health, one of the last representatives of the artistically prolific Canterbury scene. Reception The editors of AllMusic awarded the album 4 stars, and reviewer Dave Lynch praised the album's "complexity and quirkiness," writing: "''Of Queues and Cures'' is one of the last and finest examples of the instrumental Canterbury sound on record during the 1970s." John Kelman of All About Jazz stated: "there's a strength about the new line-up that makes its short-lived duration all the more unfortunate," and praised "The Bryden Two-Step (For Amphibians), Pt. 1," noting: "Episodic in construction, with more things going for its nine minutes than most entire albums have, it's brighter, more committed and more powerfully played than... anything on the group's first effort." In his book ''1,000 Recordings to Hear Before You Die'', Tom Mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Wyatt
Robert Wyatt (born Robert Wyatt-Ellidge, 28 January 1945) is a retired English musician. A founding member of the influential Canterbury scene bands Soft Machine and Matching Mole, he was initially a kit drummer and singer before becoming paraplegic following an accidental fall from a window in 1973, which led him to abandon band work, explore other instruments, and begin a forty-year solo career. A key player during the formative years of British jazz fusion, psychedelia and progressive rock, Wyatt's own work became increasingly interpretative, collaborative and politicised from the mid-1970s onwards. His solo music has covered a particularly individual musical terrain ranging from covers of pop singles to shifting, amorphous song collections drawing on elements of jazz, folk and nursery rhyme. Wyatt retired from his music career in 2014, stating "there is a pride in topping I don't want he musicto go off." He is married to English painter and songwriter Alfreda Benge. Earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song Cycle
A song cycle (german: Liederkreis or Liederzyklus) is a group, or cycle (music), cycle, of individually complete Art song, songs designed to be performed in a sequence as a unit.Susan Youens, ''Grove online'' The songs are either for solo voice or an ensemble, or rarely a combination of solo songs mingled with choral pieces. The number of songs in a song cycle may be as brief as two songs or as long as 30 or more songs. The term "song cycle" did not enter lexicography until 1865, in Arrey von Dommer's edition of ''Koch’s Musikalisches Lexikon'', but works definable in retrospect as song cycles existed long before then. One of the earliest examples may be the set of seven Cantiga de amigo, Cantigas de amigo by the 13th-century Galicians, Galician jongleur Martin Codax. Jeffrey Mark identified the group of dialect songs 'Hodge und Malkyn' from Thomas Ravenscroft's ''The Briefe Discourse'' (1614) as the first of a number of early 17th Century examples in England. A song cycle is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tubular Bells
Tubular bells (also known as chimes) are musical instruments in the percussion family. Their sound resembles that of church bells, carillon, or a bell tower; the original tubular bells were made to duplicate the sound of church bells within an ensemble.James Blades and James Holland. "Tubular bells". Grove Music Online. Oxford Music Online. Oxford University Press, accessed August 18, 2015Oxfordmusiconline.com/ref> Each bell is a metal tube, in diameter, tuned by altering its length. Its standard range is C4–F5, though many professional instruments reach G5. Tubular bells are often replaced by studio chimes, which are a smaller and usually less expensive instrument. Studio chimes are similar in appearance to tubular bells, but each bell has a smaller diameter than the corresponding bell on tubular bells. Tubular bells are sometimes struck on the top edge of the tube with a rawhide- or plastic-headed hammer. Often, a sustain pedal will be attached to allow extended ringing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
